Showing posts with label G. Akila. Show all posts
Showing posts with label G. Akila. Show all posts

Poetry: G. Akila

G. Akila
Sea Shells Shelved on the Sea Shore 

Fear flows like water
you don't know
its origin, the end, 
nor its path

It evolves
with the ebb and tide
of routine –
dress, dessert, dreams 

You don't know
which one went out
first 

This morning you dug deeper
the way we were,
in the old album 

hands held, skirts clutched,
crumpled at the knee 
shells pocketed between toes

We were sure
of taking them all
into our world of boxes
label them
with the whiff of seas

You gargle,
wash the salt off your lips
clear the throat
of all possibilities of finding the lost.
***


Fluidity

Memories float
when words slip from tongues

We roll them in and out
of our heads, often with a hand
on the chest;
pain has no colour or taste
like water

I dive
without swimming lessons
spread out arms to search
for some aching bones, a nerve twitched–
our definitions of pain

You sketch a blue boat for me
like the one in Kanchipuram
for a closer look of the brown ocean of my shore 
turning green and blue of yonder
…a mirage

the ink melts in your eyes.
***


G.Akila has presented her poetry at Sahitya Akademi, Hyderabad Litfest, Goa Litfest, TedX – VNRVJIET, Hyderabad. Her poems have also found a home in reputed online and print anthologies. Her poems ‘Stains’ was shortlisted for the Womeninc Sakhi Award 2018 and ‘Graphite from a Traveller’s Notepad’ for the Glasshouse Poetry Festival Contest 2020. She also engages in the Japanese forms of haiku, tanka and haibun.

Poetry by G. Akila

Footfalls

She folds the winter sun
in a rainbow of paper flowers,
the attic of colourful bells is brought down
for the Christmas tree.
This year she designs a wreath for the main door
and makes a sleigh from thermocol sheets.

‘Christmas is a season’ she says
of things – to - do
p
i
n

d
o
w
n
the mundane

She crafts a red paper into poinsettia
in rhythm of a nagada, foot taps the dholki
composing her lingual textures born of Ranchi,
her lush green voice like her Aajji
who would cut and bring home branches of fir.

The room wraps itself in naphthalene of shawls,
smoky breaths drift in the December wind
crunched with laughter and matar roasted in the borsi.

Her smile swells of her mother’s cakes and
waits for the microwave oven
to beep for a strawberry icing on vanilla
for her friends in the Deccan plateau.
They know Christmas
only in generics of a Santa Claus and snowflakes

We did not know the Indian-ness of it

Nothing is lost by time but time itself.

Mildew

Fill the blanks with words of time
against time
(We are a generation of keyboard promises)

Make space for megapixels
in albums and collage frames.

When you punctuate the deliverance
of a delayed promise
I read love
in the cursives of your ink blots
on the handwritten note
cushioned under the plate
from your Maharashtrian kitchen.

The smell of pooran poli melts over
the Reynolds 6.5 ball point,
the deletions,
the corrections
unlike the white screen (dot) doc
that eclipses without a trace
to recall.

Reminiscence 

I stood there…
embraced by the familiar Western Ghats
moistened by the touch of clouds.
My childhood summers
wind along the roads, now concrete,
bursting open my city-bred senses
to piquant green shades.

There…
transmuted to the porous scents
of grandma’s kitchen
in earthen pots and porcelain jars,
swelling with ground spices, pickles and savouries
embroiled in the fragrance of love

I stood
under an umbrella holding up a drizzle
dripping from its conical corners
permeating into hibernated passages of time,
warmed by light streaming through glass
wedged in the tapering roof tiles
where life lives knitted
in the simplicity of demeanor and desires.

There
I stepped out of my humdrum
into the lap of tranquility,
where truth and courage
stem out of folklore and prayers
that resound in temple bells,
chiming under shadows
of coconut and jack-fruit groves.

Just there

I listened to the wind whistling melodies
cradling me in its lingual drawl,
a surreal quietness away from a lineage
of skyscrapers and smart phones.

A click – swipe – click on the camera
eases out puckered images
of the village where I toddled.

It now seeps through the echelons
of my existence.

G.Akila

G. Akila juggles her muse with work, home and a seven-year-old daughter. She dabbles in free verse and the Japanese genre of poetry in English language consisting of haiku, tanka and haibun; she has read and conducted workshops at the Writers Carnival Hyderabad organized by Nivasini Publishers where she wears the cap of being their chief blogger editor and member of their editorial team. She is also a member of the Twin City Poetry Club, Hyderabad. Recently she was invited at the Goa Arts and Literature Festival 2016 to read poetry.

A featured poet at the Wordweavers Contest 2014 and 2015, her works have been published in anthologies and online journals. Currently she is deciphering contours of a dream in her first manuscript of poetry.