Showing posts with label Ranjana Sharan. Show all posts
Showing posts with label Ranjana Sharan. Show all posts

рдХाрд╡्рдп: рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा

рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा
1. рдбूрдмрддी рдЖрд╡ाрдЬे़ं

рдЕрди्рдпाрдп рдХी рдЕंрдзेрд░ी рдХाрд▓ी рд░ाрддों рдоें
рди рдЬाрдиे рдХिрддрдиे рд╕ाрдпे
рд╣ैрдорд▓ेрдЯ рдХे рднूрдд рдХी рддрд░рд╣
рдЗрд╢ाрд░े рдХрд░рддे рд╣ैं
рд╢ाрдпрдж рдХुрдЫ рдХрд╣рдиा рдЪाрд╣рддे рд╣ैं
рдкृрде्рд╡ी рдЙрдирдХे рд▓िрдП рдХुрдЫ рдирд╣ीं
рдПрдХ рдЕрд░्рдерд╣ीрди рдШूрдорддा рдЧ्рд░рд╣ рдоाрдд्рд░ рд╣ै!

рдмेрдЪैрди рдорд░्рджों рдХी рддрд╕्рд╡ीрд░ें
рдЬो рдмाрдк-рджाрджों рдХे рдиाрдо
рдФрд░ рдЙрдирдХी рдирд╕्рд▓ рдвो рд░рд╣े рд╣ैं
рдЖрдзे-рдЕрдзूрд░े рдЗंрд╕ाрди-
рдЕрдкрд╡िрдд्рд░, рдиाрдкाрдХ!
рд╕ाрдоंрддी рдЗрддिрд╣ाрд╕ рдХे рдкрди्рдиों рдиे
рдЙрди्рд╣ें рдЬрдХрдб़ рд▓िрдпा рд╣ै!

рдЖрд╣рдд рдФрд░рддें
рдЖрдШाрддों рд╕े рдзूрдоिрд▓
рдЯूрдЯрддी-рдмिрдЦрд░рддीं!
рдмोрдЭिрд▓ рд╕ाँрд╕ें, рдбूрдмрддी рдЖрд╡ाрдЬ़ें
рд╢ूрди्рдп рдоें рд╡िрд▓ीрди рд╣ोрддी рд╣ुрдИ!

рднाрд░ рд╕े рдЪिрдкрдЯрддी рдкृрде्рд╡ी
рдЯूрдЯे рдкंрдЦों рд╕े рднрд░ा рдЖрдХाрд╢
рд╢ीрдд рдХा рдмेрдЬ़ाрд░ рдоौрд╕рдо
рдХрд╣ीं рдХ्рд╖िрддिрдЬ рдкрд░
рдХोрдИ рдЙрдо्рдоीрдж рдХी рд░ोрд╢рдиी рд╣ै рдХ्рдпा?
***

2. рдЯрд░्рдоिрдирд▓-1 рдХे рдмाрд╣рд░ рдоैрдиा

(1)
рдЯрд░्рдоिрдирд▓ рд╡рди рдХे рдмाрд╣рд░
рд╡िрд╢ाрд▓ рдХैрдиोрдкी рдХे рдиीрдЪे
рдЪрд▓рддी-рдлुрджрдХрддी
рд╕рд░рд╕ों-рдЬैрд╕े рдкीрд▓े рдкैрд░ों рд╡ाрд▓ी
рд╕ाрдд рдоैрдиा
рд╢рд╣рд░ी рд╡ाрддाрд╡рд░рдг рдоें рдврд▓ рдЪुрдХीं
рдпे рдаुрдордХ-рдаुрдордХ рдХрд░ рджुрдХाрдиों рдХे рд╕ाрдордиे
рдЦाрдиे рдХी рдЪीрдЬ рдЦोрдЬ рд░рд╣ी рд╣ै
          
(2)
рдмрд╕ंрддी рдЪोंрдЪ рд╡ाрд▓ी
рднूрд░ी-рднूрд░ी рдоैрдиा
рдХैрдбрдмрд░ीрдЬ़ рдЬैрд╕े рддुрдо्рд╣ाрд░े рдкंрдЦ
рдХाрд▓ा рд╕िрд░ рдФрд░ рдЖँрдЦों рдХे рдЪाрд░ों рдУрд░
рдЕंрдбे рдХी рдЬ़рд░्рджी рдХी рддрд░рд╣
рдкिрдШрд▓рддा рдкीрд▓ाрдкрди
рдоेрд░े рдмрдЪрдкрди рдХा рдЦुрд╢िрдпों-рднрд░ा рдХौрддूрд╣рд▓!
рдЖрдЬ рдоैं рддुрдо्рд╣ें рджेрдЦрдХрд░ рдХिрддрдиी рдЦुрд╢ рд╣ूँ
рднрдЧрд╡ाрди рдХा рд╢ुрдХ्рд░ рд╣ै рдХि рддुрдо
рд╡िрд▓ुрдк्рдд рд╣ो рдЬाрдиे рд╡ाрд▓ी рдк्рд░рдЬाрддि рдирд╣ीं рд╣ो!
                
(3)
рдЬ़рдоीрди рдкрд░ рддुрдо्рд╣ाрд░े рд╡िрд╖рдо рдХोрдг
рдФрд░ рд░рд╣рд╕्рдпрдордпी рдЖрдХृрддिрдпाँ рдмрдиाрддी
рджोрдкрд╣рд░ рдХी рдЪрдордХрддी рдзूрдк рдФрд░ рдЫाँрд╡
рдПрдпрд░рдкोрд░्рдЯ рдХे рд╢ोрд░-рд╢рд░ाрдмे рдХे рдмीрдЪ
рдпाрдд्рд░िрдпों рдХा рдЕрдирд╡рд░рдд рдЖрдиा-рдЬाрдиा
рдЕрдиेрдХ рдЪेрд╣рд░े рдЕрдиेрдХ рднाрд╡-
рдХुрдЫ рд▓ोрдЧ рдЙрджाрд╕ рдЖँрдЦों рдХे рд╕ाрде
рдЕрдХेрд▓े рдпाрдд्рд░ा рдХрд░ рд░рд╣े рд╣ैं
рдХुрдЫ рд▓ोрдЧ рдоुрд╕्рдХुрд░ाрд╣рдЯों рдФрд░
рдЖрд▓िंрдЧрдиों рдХी рдк्рд░рддीрдХ्рд╖ा рдоें рдЦुрд╢ рд╣ैं
рдХुрдЫ рднाрд╡рд╢ूрди्рдп рдЪेрд╣рд░ों рдХे рдкीрдЫे
рдкрддा рдирд╣ीं рдХौрди-рд╕ी рд╕ोрдЪ рд╣ै
        
(4)
рдЙрддрд░рддी рд╣ुрдИ рдЙрдб़ाрди
рдПрдпрд░рдк्рд▓ेрди рдХी рдЦिрдб़рдХी рд╕े рджेрдЦрддी рд╣ूँ
рдЧुрдб्рдбे рдЧुрдб़िрдпों рдХे рдШрд░ों-рд╕ी рдХрддाрд░ें
рд╢рд╣рд░ों рдХो рдЙрдЬाрдЧрд░ рдХрд░рддी рд╣ुрдИ
рдЪрдордХрддी рд▓рдХीрд░ों-рд╕ी рдирджिрдпाँ
рд╕рдкрдиों рдХी рд╢ांрдд рджुрдиिрдпा рдоें
рдоेрд░े рджिрд▓ рджिрдоाрдЧ рдоें
рддुрдо рдЫा рдЬाрддी рд╣ो
    
(5)
рдмрдЪрдкрди рдХी рдпाрджों рдХे рдбिрдм्рдмे
рдЦुрд▓ рдЬाрддे рд╣ैं рдФрд░ рддुрдо
рдоेрд░ी рдХрд╡िрддा рдоें рдХैрдж рд╣ो рдЬाрддी рд╣ो!
рдмिंрдм рдФрд░ рдк्рд░рддीрдХों рдХी рднрд░рдоाрд░--
рд╡рд░्рдб्рд╕рд╡рд░्рде рдХा рде्рд░рд╢
рд╢ेрд▓ी рдХा рд╕्рдХाрдИрд▓ाрд░्рдХ
рдбिрдХिंрд╕рди рдХा рд╡рд░्рдо рдИрдЯрд░-
рдФрд░ рдЗрди рдЪिрдб़िрдпों рдХे рдмрд╣ुрд░ूрдкों рдоें рд╡्рдпाрдк्рдд
рдЯрд░्рдоिрдирд▓ рдХे рдмाрд╣рд░ рддुрдо рд╕рднी!

(6)
рдмрдЪрдкрди рдХे рднोрд▓े-рднाрд▓े рднाрд╡ рд╕े рдЬुрдб़ी
рд╕्рдХूрд▓ рдХे рд╕рдордп рдХी рдХрд╡िрддा
рд╣ोрдаों рдкрд░ рдЖ рдЬाрддी рд╣ै-
рдпे рд╕ाрдд рдоैрдиा!
рд╡рди рдлॉрд░ рд╕ौрд░ो рдЯू рдлाрд░ рдЬ्рд╡ाрдп
рде्рд░ी рдлॉрд░ рдП рдЧрд░्рд▓ рдлोрд░ рдлॉрд░ рдП рдмॉрдп
рдлाрдЗрд╡ рдлॉрд░ рд╕िрд▓्рд╡рд░
рд╕िрдХ्рд╕ рдлॉрд░ рдЧोрд▓्рдб
рд╕ेрд╡ेрди рдлॉрд░ рд╕ीрдХ्рд░ेрдЯ
рдиेрд╡рд░ рдЯू рдмी рдЯोрд▓्рдб
рд╕рдЪ рдЗрди рдоैрдиा рдоें
рдЙрдд्рддрд░рдЬीрд╡िрддा рдХे рди рдЬाрдиे
рдХिрддрдиे рд░рд╣рд╕्рдп рдЫिрдкे рд╣ैं!

Special Edition: Ranjana Sharan

Ranjana Sharan Sinha
Accented Syllables


The woman looks out of the window
while on public transit--
Tall buildings, bustling streets,
the flow of traffic and much more...
The window itself reflects
the interior of the vehicle
adding another layer of perspective. 
The cityscape and the images continue 
and she wishes to escape the boredom.

Overwhelming thoughts
come and create corrosion.
Despite being surrounded by people
she feels disconnected--
No friendly immersion!

The relentless demands of a busy life,
the struggle to balance
career and relationships, and
her daily commute to work,
have made her life a sorry saga
full of dull and hectic happenings.

Emotional depletion--
The whispers of her own desires
have drowned in the bustle.
Amid a thousand tasks,
a millions demands,
she seems to have lost touch
with her own identity and passion.
A withered flower
in a concrete vase,
she yearns for a patch of earth
to call her own!
***

Special Edition: Ranjana Sharan

Ranjana Sharan Sinha
The So-Called Deadness

Stripped of their verdant attire,
leafless trees and bare branches
spread and stretch
skeletal fingers with nails stiletto:
The landscape whispers
a tale of solitude
wrapped in gloom.

Lost shapes and colours
have become metaphors of the past,
but even in seemingly lifeless state
secrets of renewal are buried
deep inside the trees:
Dreams of beauty and blossom,
echoes of verdure!

The cyclical nature
with changing seasons
create light and darkness--
Butterflies of happiness
and shadows of sorrow.
Stark trees endure and
wait with hope for
the return of spring:
Rejuvenation and rebirth!


Tanka-1

in a silent trance
stand the stoic trees in peace
deep stories to tell
mid a sea of yellow grey
complexness of existence


Tanka-2

the withered brown trees
silhouettes against the sky
life's fragility
the inevitable end
I muse on mortality. 

Poetry: Ranjana Sharan Sinha

Ranjana Sharan Sinha
1. Roses Left Behind 

Displaced by a war,
Maher is sitting quietly alone
not knowing he would
never return to his old town
where he left his friends, relatives,
books, toys and roses behind.
He is like a baby Robin
fallen out of the nest!

He remembers how bombardments
targeted the people from every corner,
the skies were on fire
and the town seemed 
on the brink of annihilation.
Amid the horror and chaos
they evacuated their home.

In the horizon of his mind
so many silhouettes appear
and beckon to him!
The bewildered boy tries
to recognise the hazy shadows.
The deep emotional scars are the
devastating consequences of displacement.
Maybe he doesn't know that
there are still more miseries to come!
What next?
***


2. The Silk Road
  
In the dim candlelight some pages of history
flutter and open recreating things,
resurrecting bygone images:
I visualise Marco Polo on horseback
and try to get familiar
with the fascinating account
of his travels and migration 
from Venice to China!

Traversing thousands of miles
through uncharted deserts,
over steep mountain passes
and on the Silk Road,
he made an incredible voyage
and brought a wealth of knowledge,
Stimulated people and fired imaginations.

The landscapes, climate, customs,
flora, fauna, ways of life
and the festivities in the court
of Emperor Kublai Khan and
his opulent palace at Shangdo--
Have enthralled millions and millions.

Marco's records inspired Columbus
to begin his own adventure.
Coleridge, after waking from
an opium- induced nap,
wrote his poem ' Kubla Khan' about
the miraculous 'stately- pleasure dome',
but Polo's enchanting tale was somewhere
behind the poet's hypnotic creation!

Over millennia, epistemic curiosity 
and the human desire to explore
have led to a limitless expansion --
New lands have been discovered,
cultural boundaries have been pushed
and new frontiers have been sought!
True, the legacy of the voyages
is enriching and captivating!
***


3. Tanka

leaves fall from the tree
displaced they touch the terrain
a happening sad
or a recycling for growth
and a new start in the spring

Ranjana Sharan Sinha (Women and Spring)

Ranjana Sharan Sinha
SPRING IN WOODLANDS


(1)

A pleasant, placid day in March!
Awakened from their winter slumber
the woodlands and the little valleys
have come alive in spring --
Growth, greenery and colour
offering a reprieve from frost and fire!

(2)

I soak up the vernal beauty
on the road through woodlands:
The rolling hills extend 
a long way into distance
under the vast infinite blue -- 
Clear and cloudless.
The Narmada nearby 
beckons me closer 
amid a lush landscape!

(3)

An epic view of wild flowers
untamed with surreal beauty!
Bunches of white silky blossoms
are hanging from tree branches.
Although they are at a distance,
I can smell the balmy fragrance!
Small zephyr lilies-- pink, yellow and white
have started peeking out from 
the grass-like thin leaves.
The symmetry of man- made garden
pale in comparison to this chaotic array!

(4)

The colour of spring becomes intense:
Palash-- flame of the forest-- blaze
and burst into orange-red flowers
on rocky slopes and near the riverbank.
The enticing abundance and the splendid hue
create a stunning splendour--
Words can't capture the mesmerizing beauty!

(5)

The images of Palash-- rubies of spring--
have become memories for a lifetime!
Even today they linger deep within 
the corners of my mind and
brighten the inner corridors of my being!
I remember Wordsworth 
and the profusion of golden daffodils!

***

BIO: Recipient of a number of national and international awards for her contribution to poetry, Dr. Ranjana Sharan Sinha is an eminent bilingual poet, author, academic and retd. professor of English. She is a well- known voice in Indian Poetry in English with international recognition.She received a commendation from the former President of India, A.P.J. Abdul Kalam for her poem 'Mother Nature' contained in her collection SPRING ZONE. Two poems from her collection SCENTS AND SHADOWS are included in the Postgraduate Syllabus of Purnea University.Her poems, short stories, articles and research papers have been widely published in reputed dailies, magazines, e-zines, archives and journals including Sahitya Akademi's Indian Literature in print and online. Her poems have been translated into Greek, German, Albanian, Chinese, Spanish, Italian, Russian, Persian and Nepali languages.She has authored and published 09 books in different genres and 50 research papers. She is one of the members of the Editorial Board of Our Poetry Archive (OPA).


рд░ंрдЬрдиा рд╢рд░рдг рдХी рдХрд╡िрддाрдПँ

рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा
(1) рдкौрдкी: рд▓ाрд▓, рдХाрд▓ी рдФрд░ рд╕рдлेрдж

рдоेрд░े рджिрдоाрдЧ рдХे рдзूрд╕рд░ рд╕्рд▓ेрдЯ рдкрд░
рд╕ोрдЪ рдФрд░ рдЪिंрддाрдПँ
рдШрд╕ीрдЯ рд▓िрдкि рдХी рддрд░рд╣ 
рдЙрд▓рдЭрддी рд╣ुрдИ рдмрдв़рддी рдЬाрддी рд╣ैं

рдз्рд╡рд╕्рдд рд╢рд╣рд░ рдФрд░ рдЗрдоाрд░рддें
рд▓рд╣рд▓рд╣ाрддी рдлрд╕рд▓ों рдХी рдмрд░्рдмाрджी
рдЕрд╕्рдкрддाрд▓ рдФрд░ рдоंрджिрд░ों рдХा рдиाрд╢
рдпрддीрдоों рдХी рдЪीрдЦ
рд╡िрдзрд╡ाрдУं рдХा рдоौрди -
рд╢ाрдпрдж рдпрд╣ рдоुрд░्рджों рдХी рдмрд╕्рддी рд╣ै

рдУрд╣! рджिрд▓ рдмैрда рдЬाрддा рд╣ै -
рдЪांрдж рдХी рдЪांрджी
рд╕ूрд░рдЬ рдХा рд╕ोрдиा
рдЕрдкрдиी рдЪрдордХ рдЦो рджेрддे рд╣ैं
рдЕंрдзेрд░ा рдЙрддрд░ рдЖрддा рд╣ै
рдиींрдж рдХрдо рдЖрддी рд╣ै
рдФрд░ рд╕рдкрдиे рдЬ्рдпाрджा!

рд╕рдкрдиे рдоें рдоैं 
рдкौрдкी рдХे рдлूрд▓ рджेрдЦрддी рд╣ूँ
рд▓ाрд▓, рдХाрд▓े рдФрд░ рд╕рдлेрдж
рд▓ाрд▓ рдкौрдкिрдпों рдХे рдЪेрд╣рд░े 
рдЙрди рдпोрдж्рдзाрдУं рдХी рдпाрдж рджिрд▓ाрддे рд╣ैं 
рдЬो рдпुрдж्рдз рдоें рд╢рд╣ीрдж рд╣ो рдЧрдП

рдХाрд▓ी рдкॉрдкिрдпाँ рдЙрди рд╕рдмрдХी
рдк्рд░рддीрдХ рдмрди рдЬाрддी рд╣ैं
рдЬो рд╕ाрдо्рд░ाрдЬ्рдпрд╡ाрджी рдпुрдж्рдз рдХे
рд╢िрдХाрд░ рд╣ुрдП рдеे

рд╕ौрдо्рдп рдФрд░ рд╕рдлेрдж рдкौрдкिрдпाँ
рд╕ुрдЦ рдФрд░ рд╢ांрддि рдХे рд▓िрдП рдк्рд░рддिрдмрдж्рдз рд╣ैं -
рд╡े рдпुрдж्рдз рдХो рдЪुрдиौрддी рджेрддी рд╣ैं -
рдпुрдж्рдз рдХो рдХрднी рднी рдорд╣िрдоाрдоंрдбिрдд рдордд рдХрд░рдиा
рдпрд╣ рдЬрд╢्рди рдордиाрдиे рдХी рдЪीрдЬ рдирд╣ीं рд╣ै
***


(2) рдорди рдХे рдЕंрджрд░ рдзрд░рддी рдФрд░ рдЖрдХाрд╢

рдорди рдХी рд╡рд╣ рдЕрджृрд╢्рдп рдЙрдб़ाрди 
рдзрд░рддी рдзीрд░े-рдзीрд░े рдЫूрдЯрдиे рд▓рдЧी рдеी
рд╕рдб़рдХें, рдордХाрди рдУрдЭрд▓ рд╣ो рд░рд╣े рдеे
рдмрдв़рддी рдЙрдо्рд░ рдХी рдЧрдард░ी
рдкрддा рдирд╣ीं рдХ्рдпों рд╣рд▓्рдХी рд╣ो рдЧрдИ рдеी
рд╡ाрдпुрдпाрди рдХे рд╡ाрддाрдпрди рд╕े рдЭांрдХा
рдХрдкाрд╕ी рдмाрджрд▓ рд░ंрдЧों рдХा
рдкुрд▓िंрджा рдЦोрд▓ рд░рд╣ा рдеा
рдХेрд╕рд░िрдпा, рдЧुрд▓ाрдмी, рдлिрд░ोрдЬी, рдмैंрдЧрдиी...
рдЗंрдж्рд░рдзрдиुрд╖ рд╕े рднी рдкрд░े рдПрдХ рд░ंрдЧ рдеा рд╢ाрдпрдж
рдЙрд╕ рдЖрдард╡ें рд░ंрдЧ рдХा рдиाрдо
рдкрддा рдирд╣ीं рдоुрдЭे
рд░ंрдЧो рдХे рдм्рд░рд╣्рдоांрдб рдоें
рдоैं рдФрд░ рдоेрд░ा рдорди

рдорди - рдзрд░рддी рдФрд░ рдЖрдХाрд╢ рдХे рдмीрдЪ
рдмँрдЯा рд╣ुрдЖ рдЕрд╕्рддिрдд्рд╡
рдЪрдордХрддे рдЪांрдж-рд╕िрддाрд░ों рдХा рдоौрди рдЖрдоंрдд्рд░рдг
рдорди рджौрдб़ рдкрдб़рддा рд╣ै рдЖрдХाрд╢ рдХी рдУрд░
рдЪंрдЪрд▓, рдЪрдкрд▓ рд╡िрдж्рдпुрдд рдЧрддि рд╕े рднाрдЧрддे рдкैрд░
рдкрд░ рд╡рд╣ाँ рдЯिрдХ рдирд╣ीं рдкाрддा
рдХोрдИ рдбोрд░ рд╣ै рдзрд░рддी рдкрд░
рдЬो рдЗрд╕ рдкрддंрдЧ рдХो рдЦींрдЪ рд▓ेрддी рд╣ै

рдкрди्рдиे рдХी рддрд░рд╣ рд╣рд░े рдкेрдб़ों рдХी рд╕рдШрди рдЫाрдпा
рдмाрд░िрд╢ рдХी рдмूंрджों рдХी рдмौрдЫाрд░
рдирдоी рд╕े рднрд░ी рдаंрдбी рд╣рд╡ा
рдФрд░ рдзрд░рддी рдХा рдЧрд╣рд░ा рдиीрд▓ рд╕ाрдЧрд░
рдЖрд╕рдоाрди рдХी рдЖрднा рд╕рдоेрдЯे рд╣ुрдП
рд╡ाрдкрд╕ рдмुрд▓ा рд▓ेрддे рд╣ैं
рд╕ुрд░рдордИ рд╢ाрдо рдХे рдврд▓рддे рд╣ी
рдорди рдПрдХ рдкрд░िंрджे рдХी рддрд░рд╣ рдШोंрд╕рд▓े рдоें рдмैрда рдЬाрддा рд╣ै
***

рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा
рдиाрдЧрдкुрд░ (рдорд╣ाрд░ाрд╖्рдЯ्рд░), рднाрд░рдд; рдИрдоेрд▓: ranjanasharansinha@ymail.com

Three Ghazals: Ranjana Sharan Sinha

Ranjana Sharan Sinha
Ghazal-1


For me the happy drizzling rain in June,
For you the heavy hoards of pain in June.

Romantic thoughts are forced to flee the mind,
Like  refugees on  rough  terrain in  June.

The leafy green umbrella can't protect
The homeless lot with labour vain in June.

A downpour douses many cooking hearths,
The  starving  people can't sustain in June.

It's raining, Ranjana, and deep I think:
Tell me today I lose or gain in June.
***


Ghazal-2

The swelling tides of sea tonight,
The moon is bright and full tonight.

The restless waves towards the orb,
This  riddle crosses me  tonight.

A longing flows unseen, unknown:
The flower falls from  tree  tonight.

Some faces linger grey and sad,
Untouched by any glee  tonight.

A flood of visions,  Ranjana--
The verdant grassy lea tonight.
***


Ghazal-3

The moon wanes, the stars seem like dead moths-- the wings lost!
The pain melts and pours out as tears salt-- the strings lost!

The dark wisps of night snatches dreams from their eyes,
A blank stare without food in bleak hours-- the springs lost!

A long trudge on life's stony road hard-- misused, used,
Some stray dogs become friends to play with-- things lost!

I see life that doesn't stop and goes by like fast trains,
The sun sinks and shades captured can't stay-- the slings lost!

The poor-rich divide kills and they move without hope,
In these mines of stark dearth there's bright gold-- the bling lost!
***

Anjana Verma's Hindi Poetry: Translated by Ranjana Sharan Sinha

Ranjana Sharan Sinha

Translation by: Ranjana Sharan Sinha


1. Voice of a Female Foetus

After all
why do you wish 
to kill me, my father?
Let me take birth
and then
even if you will give me
Iess food
I will survive on
half-stomach meal
I will never complain
You know
it happens with daughters
And they don't feel bad

If you don't want
to educate me
I will remain uneducated
and never claim
the right to education
If you don't like
to get me married
I'll become a spinster
serving you in every possible way
without casting aspersions!

Tell me
why do you desire
to eliminate me
inside the womb?
You have an option
of throwing me on a rubbish heap
and you'll get rid of me!
So why do you want
to kill me in the womb itself?

I am listening to your negotiations
that you are planning to
nip me in the bud!
I wish to say
let me see the light of the world
After that you'll have
thousands of ways
to get rid of me

Give me a chance to survive;
after my birth
dispose of my body like a litter
somewhere on a garhage dump
but do let me come on the earth
Some childless may
pick me up and adopt

Please, please my father
do me the favour!
If you'd accept me
as your daughter
I'd have proved my worth
better than a son!
***


Anjana Verma
2. Roots, Branches, and Leaves

The roots never get a chance
to look up at the sky
and flourish with a smile
in the azure space,
but those dependent on them
bloom in an open
and airy terrain!

Flowers receive praise
and get recognition
Fruits and crops are noticed
while roots remain in oblivion

Roots are the base
that bless the branches
with life and light
They breathe in darkness, though!
Unseen and unknown
they struggle for the nutrition
erasing their existence--
Unnamed creators 
of sweetness and delight,
colours and contours!

There are so many names:
Our jawans and  kisans
cleaners and mazdoors 
and many many more names
who are ignored and forgotten!
Names drenched in sweat and blood
that go  on providing us
a sky of joy and
brightness of fame!


3. Call of the Soil

The earth
that's neither a living being
nor a human
nor some other creature

The blue planet
that tolerates the
tramplings of feet

The soil
that accepts our
prayers and worships
and our dirt and garbage, too
with the same spirit

The pure innocent dust
that lies under our feet
is prodded and walked over

The same dust
has immense power
It calls an emigrant
settled a thousand miles away
without a voice!

And the man
living in a faraway land
listens to her silent call
again and again
and yearns to meet her
longs for her companionship

Terra firma! You
embrace without arms
You call without a mouth
You never forget them
who play in your lap
You fill their bodies and souls
with your motherly scent

Considered to be 
an inanimate object
all the time
You are more than
an animate being--
A kindred soul
giving love!

So much
that the person
who left you
continues to pine for you
The magnetic attraction
of a mother
Keeps on pulling him forever!
***


рдХाрд╡्рдп: рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा (рдиाрдЧрдкुрд░)

рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा
рд╡рд╣ рдЪрд▓ी рдЧрдИ
рдЬीрд╡рди рдХी рдпाрдд्рд░ा рдоें
рдПрдХ рдЕрдирдЬाрдиा -рд╕ा рдк्рд░рджेрд╢
рд▓ाрд▓ рджрд╣рдХрддे рдЧुрд▓рдоोрд╣рд░
рдЬрдоीрди рдкрд░ рдмिрдЦрд░ рдЬाрддे рд╣ैं -
рд╢рд░рдд рдХा рдоौрди рдПрд╣рд╕ाрд╕

рдкृрде्рд╡ी рдХे рдмрджрд▓рддे
рд╕ाрд▓ рдФрд░ рдорд╣ीрдиे
рдоुрдЭे рдХ्рд╖ुрдм्рдз рдХрд░ рджेрддे рд╣ैं
рдмीрддे рджिрдиों рдХी рдпाрджें
рддेрдЬ рд╣рд╡ा рдХे рдЭोंрдХे рдмрди
рдорди рдоें рд╕ाрдЧрд░ рдХी
рд╢ांрдд рдкреЬी рд▓рд╣рд░ों рдХो
рдЙрдж्рд╡ेрд▓िрдд рдХрд░ рджेрддी рд╣ैं:
рдПрдХ рдЧрд╣рд░ा рд╡िрд╖ाрдж
рдЬрди्рдо рд▓े рд▓ेрддा рд╣ै

рдиिрд░ंрддрд░ рдмрджрд▓рддे
рдЪेрд╣рд░े рдФрд░ рд╢рд░ीрд░ рдХे рдкीрдЫे
 рджूрд░ рд╣ोрддा рд╣ुрдЖ
рдЕрдкрдиा рд╡рдЬूрдж рддрд▓ाрд╢рддी рд╣ूँ --
рдПрдХ рд╕ुंрджрд░ рдФрд░ рдЬीрд╡ंрдд рдХाрдпा
рдоेрд░े рд╕ाрдордиे рдЦреЬी рд╣ो рдЬाрддी рд╣ै

рдЙрд╕рдХी рдмाँрд╣ों рдоें рдмाँрд╣ें рдбाрд▓
рдХुрдЫ рджूрд░ рдФрд░ рдЪрд▓рдиा рдЪाрд╣рддी рд╣ूँ
рдкрд░ рд╡рд╣ рд░ुрдХрддी рд╣ी рдирд╣ीं-
рддेреЫ рдХрджрдоों рд╕े рдЪрд▓рддी рд╣ुрдИ
рдЖँрдЦों рд╕े рдУрдЭрд▓ рд╣ो рдЬाрддी рд╣ै
рдоैं рдХрд▓ рдХी рдмाрд░िрд╢ рдоें рднींрдЧे
рдкрдд्рдерд░ों рдХे рдвेрд░ рдХी рддрд░рд╣
рдорд╣рд╕ूрд╕ рдХрд░рддी рд╣ूँ --
рдЖрд╣! рд╡рд╣ рд╕ोंрдзी-рд╕ी рдЦुрд╢рдмू
рдЕрднी рднी рдмрдиी рд╣ुрдИ рд╣ै

рдоेрд░े рдмीрддे рд╣ुрдП рджिрди
рдкीрд▓े-рднूрд░े рдЪрдордХрджाрд░ рд╢ैрдо्рдкेрди рдХी рддрд░рд╣
рдмреЭрддी рдЙрдо्рд░ рдХे рдк्рдпाрд▓े рдоें
рдЬाрджुрдИ рдмुрд▓рдмुрд▓ों рд╕े
рдлुрд╕рдлुрд╕ाрдХрд░ рдХुрдЫ рдХрд╣рддे рд╣ैं
     ************

рдоौрди рд╕рдоुрдж्рд░-рддрдЯ

рдЬीрд╡рди рдХे рдЕंрддрд╣ीрди рдЬुрд▓ूрд╕ рдХे рдмीрдЪ
рдХрднी-рдХрднी рджिрд▓ рдХे рдХिрд╕ी рдХोрдиे рдоें
рдПрдХ рдЧुрдирдЧुрдиाрд╣рдЯ рдХा рдПрд╣рд╕ाрд╕ рд╣ोрддा рд╣ै
рд╕ुंрджрд░ рд▓рд╣реЫा
рдмाрд░िрд╢ рдоें рднीрдЧे рдкрдд्рддों рд╕े рд╣ोрдХрд░
рдЧुрдЬрд░рддी рд╣ुрдИ рд╕ुрд╣ाрдиी рд╣рд╡ा рдХी
рд╕рд░рд╕рд░ाрд╣рдЯों рдХी рддрд░рд╣
рдоुрдЭे рдЫू рдЬाрддा рд╣ै
рднीрдЧे, рдЕрдзूрд░े рд╢рдм्рдж
рдХрд╕्рддूрд░ी-рдЧंрдз рдХी рддрд░рд╣
рдард╣рд░ рдЬाрддे рд╣ैं

рдХौрддूрд╣рд▓ рдФрд░ рд╕рдо्рдоोрд╣рди рд╕े рд╡рд╢ीрднूрдд рд╣ोрдХрд░
рдпाрджों рдХे рдЬंрдЧрд▓ों рдХो рдХाрдЯрддी рд╣ूँ
рджुрдиिрдпा-рднрд░ рдХे рдЪेрд╣рд░े рдФрд░ рдЖрдХृрддिрдпाँ
рдоुрдЭे рдШेрд░ рд▓ेрддी рд╣ैं
рдУрд╣! рдЗрди рдЬाрдиे-рдЕрдирдЬाрдиे
рдЪेрд╣рд░ों рдХे рд╕рдоुрдж्рд░ рд╕े рдоैं
рдмाрд╣рд░ рдЖрдиा рдЪाрд╣рддी рд╣ूँ

рдЕрдЪाрдирдХ рдПрдХ рдЕрдирдЬाрди рдЪेрд╣рд░ा
рдкрд╣рдЪाрдиा-рд╕ा рд▓рдЧрддा рд╣ै--
рдЧрд╣рди, рдЕрд╕ाрдзाрд░рдг!
рднाрд╡рдиाрдУं рдХे рдЙрддाрд░ -рдЪрдвा़рд╡ рдХे рдмीрдЪ
рд╕рдордп рдХे реЫिрдж्рджी рдкैрд░ рд░ुрдХ рдЬाрддे рд╣ैं

рд╡िрдЪाрд░ों рдоें рд▓ीрди
рд╢ांрддрдЪिрдд्рдд рд╕ुрдирддी рд╣ूँ
рд╕ाрдЧрд░-рддрдЯ рд╕े рдЯрдХрд░ाрддी
рд▓рд╣рд░ों рдХी рдЖрд╡ाреЫ --
рдиीрд▓рдо рд╕ा рдкाрдиी
рд▓рдЧाрддाрд░ рд╣िрд▓ोрд░ें рдоाрд░рддा рд╣ै

рд▓рд╣рд░ों рдХा рдХोрдорд▓ рд╕्рдкрд░्рд╢
рдЕрднिрднूрдд рдХрд░ рджेрддा рд╣ै
рдЖрдХाрд╢ рдХी рдУрд░ рджेрдЦрддी рд╣ूँ
рдЧोрдзूрд▓ि рдХा рдердХा рд╕ूрд░рдЬ
рдХ्рд╖िрддिрдЬ рдХी рдУрд░
рдХрджрдо рдмреЭा рд░рд╣ा рд╣ै--
рд▓рд╣рд░ों рдХे рдиीрд▓ेрдкрди рдоें рд╕рд╣рд╕ा
рд╢ाрдо рдХा рд╕ाँрд╡рд▓ाрдкрди
рдЫрд▓рдХрдиे рд▓рдЧрддा рд╣ै

рдПрдХ рдкрд▓ рдХो рдард╣рд░ा рд╕рдордп
рдЙреЬाрди рднрд░рддा рд╣ै
рдЦुрд╢рдмू рдХी рдкрд░िрдзि рдоें
рд╕ुрдЦ-рджु:рдЦ, рдЖрд╢ा-рдиिрд░ाрд╢ा
рд╕рднी,
рдк्рд░ेрдо рдФрд░ рдкрд╢्рдЪाрддाрдк рдХे
рдЧрд╣рд░े рдЧोрджрдиे рдмрди
рд╣ृрджрдп рдХे рд╕ाрдЧрд░ -рддрдЯ рдкрд░
рдЕрдоिрдЯ рд╣ो рдЬाрддे рд╣ैं
        *******

Dr. Ranjana Sharan Sinha, INDIA

MANGATA

A riddle in
two syllables--
WOMAN:
Infinite, magical,
fierce, diverse
and so much more!

I walk on the
melted silver of
the magical moon
that creates a shiny road
on the argent-blue water--
Aha, my steps on Mangata!

The sun scorches sometimes,
I bloom into ache,
The bruises and the scars
rebel amid screaming silence,
I take up arms against
stubborn sorrows.

Between the shores of
glory and misery,
Starlit dreams and
bitter truths, I remain
alive, indestructible.

Like Phoenix I know
how to resurrect:
I spread my wings
amid flames
and soar up to
fiery new heights!


A TRIBUTE TO STRI SHAKTI*

Feminism --
An awareness of patriarchal control
The concept as a whole

Originated in the West
Thanks to Mary Wollstonecraft.

But we must remember
Today and forever:

Our glorious heritage of strong women
Before the waves of feminism began.

Let us hark back to how feminism in its rebellion,
And subtler shades in comprehension,

Is found in Indian mythology;
Let us sing a eulogy--

Shakti incorporated in each of the goddesses:
Adi Shakti Durga with her aggressive images,

Striding on the lion of misogyny patriarchy,
Unmatched in the whole hierarchy!

Sita not surviving her disgrace
Went inside the womb of mother earth without a trace.

Kali, the true badass,
Breaking infinity's walls,

Rocking the earth and the sky
Beyond how and why,

With long mane of hair
And a scary glare,

The bloodied sword and the necklace
Making her victims headless;

Parvati creating a child of her own:
A will and confidence to many unknown!

Why to forget Gargi, the philosopher,
Her name evergreen like conifer--

Stumping men in a court filled with philosophers,
A strong opponent of Yagnavalkya, we've known for years.

It's high time we dredged up the silt of doubt and fear
To make the inner channels clear.

Recognize, rise and fly
High into the sky;

Remove the tag of weak and vulnerable,
Start a journey that's invincible!
     

*Stri Shakti = Woman Power
Adi Shakti, Durga, Kali, Sita and Parvati are all Indian Goddesses representing Strength, Courage and Perseverance


THE INAUGURAL SESSION

In the sublit dawn,
She gets up
and strides out
for the bungalows
to do the chores.
Like thep:
Mauve and bright yellow
rooted in the dry
rocky stretch of soul--
A span full of forked and
twiggy stuff of bushes,
brown with dried leaves,
She survives!
Silent secrets deep within,
stick out their tongues
much against her wishes
and retreat into
the closet of mouth.
A descent of the primitive race,
A statue of black marble
with a pair of full round breasts,
she was created and destructed
in the dim interiors:
Corridors with undefined rooms,
kitchens with pungent smells
of garlic and fish fry,
and air-conditioned halls
where status frothed in tall glasses.
Hours, days, and years
fled like flamingos
migrating to alien lands
during her arduous journey
through life-- A pain-dense track:
No merciful break
from the heat waves that
baked her twenty precious springs!
On many hot days
and stormy nights,
she became a polythene bag
stuck to a tree branch--
Got inflated like a balloon,
and deflated swinging in the wind.
Now the woman wants
to stop her oscillation
between frost and fire:
She looks up above her world
and finds the tangerines sky--
She hears the footsteps of morning
Who crushes the dim
chandeliers of starlit sky
to become the chairperson
of an inaugural session!


Dr. Ranjana Sharan Sinha, a well- known voice in Indian poetry in English, is a former professor of English at S. B. City college, Nagpur (MH), India. She is also an author and literary critic.  Her poems, short stories, articles and research papers have been extensively published in dailies, magazines, e-zines, archives, journals etc. at the national and international levels. She has authored and published 07 books in different genres and 50 research papers. Her poems have appeared in Sahitya Akademi' s journal "Indian Literature". Conferred with a number of awards for her contribution to literature, she has received accolades from the former President of India, A.P.J. Abdul Kalam for her poem "Mother Nature".  She has completed and published UGC-sponsored MRP on comparative literature. Associated with many literary organisations and poetry groups, she is currently a Research Supervisor, RTM Nagpur University, Nagpur.
201903E, Editorial, English, Women Power & Creativity,

рдХрд╡िрддाрдПँ: рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा

рд░ंрдЬрдиा рд╢рд░рдг рд╕िрди्рд╣ा
рдЬाрджू рдЬुрдЧрдиुрдУं рдХा

рдоुрдЭे рд▓рдЧा рдеा рддुрдо рд▓ुрдк्рдд рд╣ो рдЧрдпे
рдкрд░ंрддु рдЖрдЬ рд╕рд╣рд╕ा рд░ाрдд рдХे рдЕँрдзेрд░े рдоें
рдХрд╣ीं рджूрд░ рддुрдо्рд╣ाрд░ी рднुрдХ्-рднुрдХ्
рдоुрдЭे рдпाрдж рджिрд▓ा рдЬाрддी рд╣ै
рдмрдЪрдкрди рдХे рджिрдиों рдХी

рддुрдорд╕े рдиिрдХрд▓рддी рд╣ुрдИ
рд╣рд░ी-рд╕рдлेрдж-рдЪрдордХीрд▓ी рд░ोрд╢рдиी
рд╕реЬрдХ рдХी рддेрдЬ рдмрдд्рддिрдпों рдХे рдмीрдЪ
рд╡िрд▓ीрди рд╣ो рдЬाрддी рд╣ै
рд╕ूрд░рдЬ рдХी рд░ोрд╢рдиी рдоें рдлीрдХे рдЪांрдж рдХी рддрд░рд╣

рдмрдЪрдкрди рдоें рдЖрд╢्рдЪрд░्рдпрдЪрдХिрдд рд╣ो
рдоैं рдЕрдкрд▓рдХ рдиिрд╣ाрд░рддी рдеी
рддाрд░ों рднрд░े рдЖрдХाрд╢ рдХो
рд╕рдлेрдж рдкрдд्рдерд░ों рд╕े рднрд░ा рдЭрд░рдиा рднी
рднाрддा рдеा рдоुрдЭे

рддрдм рдЪंрдж्рд░рдоा рдПрдХ рд░рд╣рд╕्рдп рдеा
рдлूрд▓рдЧोрднी - рдЬैрд╕े рдмाрджрд▓
рдиिрд░ंрддрд░ рдмрджрд▓рддी рдЖрдХृрддिрдпों - рд╕े
рдоुрдЭрдоें рдХौрддूрд╣рд▓ рднрд░ рджेрддे рдеे

рд░ाрдд рдХे рдШрдиे рдЕँрдзेрд░े рдоें рдЬрдм
рдЖрдо рдХे рдмрдЧीрдЪे рд╕े рдЖрддी рд╣ुрдИ
рдЭींрдЧुрд░ों рдХी рддेреЫ рдЖрд╡ाреЫ
рдиिрд╕्рддрдм्рдзрддा рдХो рдЪीрд░рддी рдеी
рддुрдордиे рдЕрдкрдиी рдЯिрдордЯिрдоाрддी рд░ोрд╢рдиी рд╕े
рдПрдХ рд╕िрддाрд░ों - рднрд░े рдЖрдХाрд╢ рдХा рдиिрд░्рдоाрдг рдХिрдпा

рдРрд╕ा рд▓рдЧा рдоाрдиो рдЙрддрд░ рдкреЬी рд╣ो
рдЖрдХाрд╢рдЧंрдЧा рдзрд░рддी рдкрд░
рдкрд╣рдиे рд╣ुрдП
рдоुрдХेрд╢- рднрд░ी рдХाрд▓ी рд╕ाреЬी

рдкрд░ंрддु рджрд╢рдХों рдмाрдж рдПрдХ рдмाрд░ рдлिрд░
рддुрдо рджिрдЦ рдЬाрддे рд╣ो
рддुрдо्рд╣ाрд░ा рдЬрд▓рдиा- рдмुрдЭрдиा
рдЕрдм рдЬाрджुрдИ рдирд╣ीं рд░рд╣ा
рд▓рдЧрддा рд╣ै рд░ोрд╢рдиी рдХी рдЪрдХाрдЪौंрдз рдоें
рддुрдо рдк्рд░рдХाрд╢ рдлैрд▓ाрдиे рдХा
рдЕрд╕рдлрд▓ рдк्рд░рдпрдд्рди рдХрд░ рд░рд╣े рд╣ो

рдмрдЪрдкрди рдХी рддрд░рд╣
рдЬाрджू рдФрд░ рд╕рдо्рдоोрд╣рди рднी
рдХрд╣ीं рджूрд░ рднाрдЧ рдЧрдпा рд╣ै
рдХाрд╢! рд╡рд╣ рдХौрддुрд╣рд▓- рднрд░ा рдЖрдиंрдж
рд╕рджा рдЯिрдХ рдкाрддा!
     *********

рдХुрд╣рд░े рдХी рдЪाрджрд░

рджिрд╕ंрдмрд░ рдХी рдаंрдбी рдФрд░ рд╕्рд▓ेрдЯी рд╕ुрдмрд╣
рд╕ूрд░рдЬ рдХी рдоौрдд рдХा
рдоाрддрдо рдордиा рд░рд╣ी рд╣ै
рдЦिреЬрдХी рд╕े рдмाрд╣рд░ рдЭाँрдХрддी рд╣ूँ
рд╕ाрдордиे рдмрдЧीрдЪे рдоें
рдХुрд╣ाрд╕ा рдмाрджрд▓ों рдХी рддрд░рд╣
рдлैрд▓ рдЧрдпा рд╣ै
рдаंрдбी рд╕рдлेрдж рдЪाрджрд░ों рдоें рд▓िрдкрдЯे
рд▓ंрдмे рд╣рд░े рдкेреЬ
рдзुंрдзрд▓ी рдЖрдХृрддिрдпों рдоें
рддрдм्рджीрд▓ рд╣ो рдЧрдпे рд╣ैं
рд╢ाрди्рдд, рдШрдиे рдХुрд╣ाрд╕े рдХा рдПрд╣рд╕ाрд╕
рддрди-рдорди рдоें рд╕рдоा рдЬाрддा рд╣ै
рдХुрд╣ाрд╕े рдХे рдЖрд▓िंрдЧрди рдоें
рд╕рдоाрд╣िрдд рд╣ो рдЬाрдиा рдЪाрд╣рддी рд╣ूँ
рдХुрд╣ाрд╕े рдХी рдЧंрдз
рдмेрдЪैрди рдХрд░ рджेрддी рд╣ै
рдЙрд╕рдХा рдЖрд░्рдж्рд░ рд╕्рдкрд░्рд╢
рд╡िрдЧрдд рд╕्рдоृрддिрдпों рдХो рдЬрдЧा рджेрддा рд╣ै
рдпाрджों рдХे рдЧрд▓िрдпाрд░े рдоें
рдЦिंрдЪрддी рдЪрд▓ी рдЬाрддी рд╣ूँ
рдоेрд░ा рдмрдЪрдкрди, рдоेрд░ा рдпौрд╡рди!
рдПрдХ рдХрд╕рдХ рд▓ौрдЯрдиे рдХी!

Voices Within: Ranjana Sharan Sinha

Former professor in English at S. B. City college, Nagpur (Maharashtra), Dr. Ranjana Sharan Sinha is a well-known voice in lndian Poetry in English and has received accolade from the former President of lndia, A. P. J.Abdul Kalam for her poem 'Mother Nature'. Poems, short stories, articles and research papers published in reputed dailies,magazines, e-zines, journals and archives at national and international levels. Authored and published six books and fifty research papers .Honoured with many prestigious awards for her outstanding contribution to literature: Best Poet Award, Poets lnternational, Bangalore; Rashtriya Pratibha Samman ( Kavya Kalanidhi), Udaipur; Best Citizens of lndia, lnternational Publishing House, New Delhi; Best Teacher Award, Nagpur Shikshan Mandal, Nagpur, and many more. Research Supervisor, RTM Nagpur University, Nagpur.She writes in Hindi, too.


She is Gone Forever!

In my journey through life,
I reach an alien territory--
The scarlet gulmohars
with their flamboyant flames
fall on the ground:
A sense of fall silently comes!

Saddened by 
' the touch of earthly years'
I feel inner rumblings--
A boundless ocean forced along
by the winds of halcyon days
surges up within me,
provoking nostalgia!

Behind the morphing 
face and body,
I look for my lost self:
A woman without 
lines or signs of aging--
Vibrant and agile
appears before me.

I try to loop my arms through hers
but she flies and goes forever
making me feel like 
a mass of rocks after recent rainfall:
Oh, the pleasant petrichor persists!

My bygone days like
pale effervescent champagne
hiss on the flute of
my advancing years,
whispering with the
mesmerising bubbles!


Cliffs of Time

The rainy season
has waned,
Virescent hues
no longer in sight;
In amber and bronzes
sleep autumnal leaves
stirred by soft
susurration of breeze!

The leaves and I are old;
wish to borrow wings
and fly fast reaching
the cliffs of time
where histories of life are etched:
Obscure and bright!

In the bronze distance,
I find effigies of grief and
animated dolls of happiness:
The two of them meet
and shake hands
in the quietest space--
I become a stoic
amid a kaleidoscope of seasons!


Dead Moments

The day progresses
In an endless sequence
of dead moments:
The beauty of sunrise
no more a benediction,
the white splendour of moonshine
painting the world in silver,
slithers like silver snakes:
Life doesn't leap into my pulse,
your continual calls on the horizon!!
Horizon--an optical illusion,
The earth and the sky
pace separate dimensions!

Voices Within - Complete List of Poets :: Setu, January 2019

Poetry: Ranjana Sharan Sinha

Dr. Ranjana Sharan Sinha

Meridian Sun

The russet moon with eclipsed face--
Wonky and weird,
writes the history of silver moon
amid silent turmoils;
the world etched in charcoal
claims him body and soul.

The dazzling array of jewel tones,
the vibrations of dewy looks--
Moist and radiant,
have sunk into nothingness
with every passing hour:
Mortality descends on heart.

During the long-drive of life
on the roads with many bends,
ups and down, nothing stays but memories:
Sometimes, tufts of animating flowers,
Sometimes, nagging waves
gnawing away at the heart!

Wrapped up in meditative solitude,
I hear the bleating sound of the car stereo
on life's twisty black roads,
as my distant past puts his arm
around my shoulder
changing the contours of change!

Carpenters' " It's yesterday once more...".
Oh, it can't be yesterday again!
The nostalgic power pulls me--
Diagonal rain of memories:
Siblings in the living room,sun at meridian,
gramophone record being played!

I wake startled--
Crocus and nerine bloom on and smile:
A consuming desire for colours bursting in wild explosion!
But, I see fog with my foggy eyes!
I try to read the contents of spring
archived in a folder on my mind's hard drive!

The Olive Tree

Your love --
A curved question mark
in the Mediterranean of time,
floats unanswered:
The vast expanse of sea
sends a sinking feeling,
but soon, thalassophobia
vanishes into the depths,
and l dive for swimming!

The lily of the Nile
in shades of blue and white,
stand tall and full of charm;
gorgeous oleander with
pink, red, white blooms,
cianothus with clusters
of blue blossom,
come and stay in my thoughts--
Ah, Mediterranean flowers!

The strong gust of wind,
responsible for transforming
my beating rhythm into
a wayward heartbeat,
blows over the sea --
unwished tears come to my eyes!

The question mark, sometimes,
A nanoscopic snake
with extended hood,
Sometimes, a nanoscopic palm of hands
with fingers bending forward,
becomes an obsession!

I scare the snake
into slithering away
and reach out to hold the hand--
A wondrous subtle feeling
without words!

I become the Olive tree:
Emerald grey, silver green
with unique foliage
full of love and peace
in the Mediterranean landscape!

Silent Silhouettes

Unbeknownst to me--
My childhood disappeared
from my life: now my responses
are filtered through scepticism;
I try to trace the effervescence & optimism
                Today!

Unbeknownst to me--
The vibrant spring flew on its wings
with all the magic, splendour and beauty,
I couldn't pick the flowers-- fresh & fragrant:
A deep yearning to feel the rainbow colours
                Today!

Unbeknownst to me--
Descended the autumn; my
transition to sombre space: l found
the trees stark and sad without leaves;
I fight dark clouds scudding across the sky
                Today!

Unbeknownst to me--
Time often runs like quicksilver
with unsolved mysteries;  when  I
realise, I  try to defeat him  by  my
quicksilver wit and intelligence, but fail
                Always!

Bio
Former professor in English at S.B.City College, Nagpur (India), Dr. Ranjana Sharan Sinha is a well- known voice in lndian Poetry in English. Honoured with a number of prestigious awards for her contributions to literature, she received accolade from the former President of lndian, A.P.J. Abdul Kalam for her poem Mother Nature. A poet, author and literary critic, she has authored and Published 06 books and 50 research papers. The books are:1.Spring zone (Collection of Poems)2.Midnight Sun (Collection of Short Stories) 3. Nature in the Poetry of William Wordsworth and Sumitra Nandan Pant (Criticism) 4. Feminism: Times and Tides 5. Different Dimensions (Compilation of research papers) 6. Scents and Shadows (Collection of poems).Completed and Published UGC-sponsored MRP on comparative literature.Poems, short stories, articles and research papers published in many dailies, magazines, journals, e-zines,archives etc. at national and international levels. Lives in Nagpur.