Showing posts with label Shyam Chirravoori. Show all posts
Showing posts with label Shyam Chirravoori. Show all posts

Nose Stud: Dr. Chirravoori Shyam (Medico Shyam)

Shyam Chirravoori

Translation by N S Murty


Note: This story was published in the June 1980 issue of Andhra Jyothi, a renowned Telugu monthly of yesteryears. 

A doctor encounters an attendant to one of the inpatients during one of his rounds in a hospital. She is inconspicuous otherwise but for the Nose Stud. That nose stud triggers some memories and a dislike for the women in question. Despite knowing that his prejudice against her was unfair, he could not help it. Her behaviour only compounds it. What unfolds in the climax is not a twist for the sake of a twist but a logical consequence of the narrative.  Dr. Shyam has an excellent narrative technique which is simple, lyrical, and riveting. 
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Well, if I had seen her six years back and you asked me for my opinion, I don’t know what I might have had said; but now, she did not impress me at all. She was of such a stocky cylindrical build. I had little flair to look for elegance in such women.
While returning after attending to the patient at bed no 4, it first caught my attention. The nose stud… a thin, white, nose stud. And through the brilliance of the nose stud, the lady caught my attention.
I hurried off the ward and sank into my chair.
I lost myself in thoughts…
*

Why do people look strange?
Particularly this woman… and her belligerence
She was more like a muted color on a painting, an uncultured woman in the garb of cultured!
Yes!
What made her look so insolent?
She was drawing the attention of every male attendant at the other beds in the ward.
Of course, she failed in my case.
She didn’t have that charm.
I would deny if anybody said that humility is an asset to a woman.
I had noticed many times an unearthly charm even in the most supercilious of women.
Even when something got up their nose … 
They had a strange attraction in their anger…
In what others dubbed arrogance, I saw an assertion of individuality.
Even among otherwise unattractive women, I saw great appeal in exhibition of their pride.
But, for the first time, I understood an impolite woman could be disgusting.
People behave so strangely.
There are people who exceed the expectations of their parents
People who feel they were superior.
People who reached great heights.
People who feel that they are above all others.
I was in a dilemma whether to call her a girl or a matured woman.
The way she conversed with her mother… with her father… or fellow attendants… there was something revolting.
If the parents could afford it, they could find a suitable husband for even an average-looking girl.
And if perchance, that husband was rich or a high ranking-officer, she would conveniently forget her origins and behave as if she had descended from heaven. It would not only surprise but nauseate.
The tender green hues of the leafy offshoots, darkness of overhanging clouds, bright azure afternoons, evenings like the sari folds smoothly brushing the feet, and a gentle whiff of breeze… are the gorgeous poetic material that tenant and reflect through the eyes of any sweet, suave, and sensitive women.
A life swept away by the meaningless rant of a boastful, egotistic, conceited woman would seem not worth living.
You might be wondering… whether it is worth abhorring so intensely a woman attendant of a patient.
In fact, there is only one thing that is worth hating!
That is hate itself!
There is only one thing that is worth abhorring!
It is abhorrence itself!
Then?
Her gait was an epitome of the most undesirable qualities in any woman in the creation.
How many women you come across on the road? How many stupid, ignoramus dames you meet every day? How many women try to fool men with state-of-the-art techniques?
“Do you ever spare a moment for them?
Then why do you break your head over this woman?”  one may ask.
In the infinitum of time, people flash like a streak of lightning and disappear in a trice.
But, just as a slew of such 'trice's form a haphazard line, the acquaintance with some people lasts for too short a time, with limited success, even after undergoing several changes over time.
Such acquaintances tempt us to form opinions about those people.
And most of the time, our assessment would turn out to be right, if only we could reason and analyze the situations dispassionately.
*

I was making my customary visit to the ward, checking the BP and pulse, and recording the progress on the chart for each patient.
I went to bed no. 18.
I wrapped the BP cuff around the upper arm of the patient. I casually looked aside before inflating the cuff.
She suddenly stood up.
“Never mind. Please take your seat,” I said politely.
“Shouldn’t I respect the duty doctor?” she said with a strange laughter.
Pressure in the apparatus suddenly dropped! I inflated the cuff once again, checked BP and noted it. I reconciled myself by reasoning that some people could never speak properly.
On another occasion when I was administering injection to a patient, she came to me and said, “I want penicillin injection.”
“Why?” I asked.
“I have a whitlow on my finger. It is pricking me because there is infection,” she replied.
I looked at the nail.
There was nothing wrong with it.
“One should not use medicines casually,” I said.
“Why do you say it like that? It is aching.”
“Penicillin may produce adverse reactions in some people. We should not administer without giving test dose,” I said.
“I am a doctor’s wife! Don’t you think I know that much?”
I was perplexed whether to censure her or to keep my cool.
She began reeling out her knowledge of how to treat the patient.
I came out.
Why are people eager to show off their knowledge at the drop of a hat?
Brilliancy must be apparent, but not to be exhibited.
Brilliance is a short-lived flash with any person, however great he might be. I fail to understand why people always crave to appear brilliant.
Just because her husband was a doctor how could she be knowledgeable about everything in medicine?
Even after years of persistent study and practice, some doctors realize that what they have learnt was nothing!
*

She returned after an hour.
“Doctor! Tell me whether you are giving me injection or not?”
Reconciled to administering her injection, I scribbled the prescription on a paper and asked her to get it.
She looked at the prescription.
“You want me to buy?” she asked.
“Yes. If you can get the injection, I have no objection to administer it,” I replied.
“Can’t you give?” 
“Where can I get that from?”
“You must be having a huge stock in your ward.”
“These medicines and injections available in the ward are meant for inpatients. They are not for others like you,” I said in as cool a tone as I could.
“Hum…” she left in a huff.
*

There was an assembly on the firmament.
The moon was in the chair. All the stars were the spectators.
The proceedings were going on silently.
As if providing background music, a cool breeze capering on the waves was playing strange melodies.
Gita was sitting by me.
No. I should rather say, I was sitting next to her.
In that translucent light, her rosy lips did not look rosy. Yet, their softness was still flitting sweet downy aches in my mind’s eye. There, their redness was a brilliant red.
Over the tip of the smooth, bowing nose, there twinkles a thin nose stud!
The stone on the stud was white.
Somehow, of all the stones that adorn the nose studs, white stone stands out.
And the least appealing is the pearl.
Like the famous artist Bapu’s brush stroke… like a brow stretched like bow, it was a great charm on the nose stud.
“What are you so seriously looking at?” asked Gita.
“Only you,” I said.
“Um…”  she cooed.
“You look more beautiful than my poetry,” I said.
She burst into a fit of laughter.
“Why? Why do you laugh so extravagantly?” I asked.
She did not answer.
I repeated the question.
“Perhaps, anybody would look more beautiful than your poems.”
I could never understand why all the intelligence of a man comes to nought before a woman.
For two minutes I could not say anything.
The moonlight over the vast expanse of the sea was like a thin layer of cream.
And the ‘silence’ within was playing Jala Tarangini (the water instrument) asking in its own way, whether to speak or not!
There is great poetry in life. There is melody of cataracts in imagination. It is a tragedy that they never empty into our conversations.
It is strange why people who could enjoy reading and listening to poetry, cannot accept the same in real life!
‘Your tresses are burdens beyond the forbearance of my sensibility,’ I said to myself.
“Come on, let’s go!”  I proposed.
*

Take it from me, she did not go for injection for another week.
She never needed it.
There was neither infection nor aggravation of it on her finger or toe.
“He did not even respect me as the wife of another doctor …”
I overheard her speaking to someone.
Decency of expression refrained me from putting the later part of the sentence on paper.
I cannot put up with people who can afford to look for freebees always. I cannot suffer them.
I would never have taken notice of her, but for that nose stud. It had such painful nostalgic associations for me!
A thin nose stud is as figurative as a sensitive idea.
It would be a misfit on haughty and firebrand women. It would look pale. The idea would lose its romance.
A nose stud is a beautiful accessory to any woman that could electrify her surroundings, but not that on those who send negative vibes.
*

It occasioned that I had to send the blood sample of the patient on bed no 18 for hematology tests.
Putting some oxalate crystals in a blood bottle, I approached the patient with a needle and syringe.
No matter how ardent, passionate, and enthusiastic you behave, there would be no ripple of response from some people.
Similarly, however much you try, it would be hard to find the veins in some patients, as hard as decent words from the attendant daughter of bed no. 18.
 While I was sweating out to feel the veins of the patient, asking the patient to make a fist, standing next to me she said,
“No use. Even more Senior doctors have tried but failed.”
I went to my cabin, brought the BP cuff, and inflated it. After a prolonged search I could locate a very thin vein. As I probed for the vein and tried to anchor it drawing the skin taut with my thumb, she remarked,
“No. No. No. Don’t puncture the vein unnecessarily. It is so clearly visible.”
It was hard to draw blood from such a small vein. Why should she poke her nose in others’ affairs?
After two or three trials, I could draw the blood.
“Thank God!” I said within.
“Thank God!” she said with a sigh of relief.
It is but natural for me to get irritated on such occasions.
That was exactly what had happened.
*

In her green sari, Gita looked like a vine tossing among the leaves under the light wind.
Darkness was in wait.
The evening was cool … as cool as the green shade of innocence to the limits of vision.
It was a passionate half an hour with her.
And I fell into a kind of automatism, common for all young men on such occasions ….
That means, I was not conscious of what I was saying to her.
“What do you like the most in this world?” I asked her.
“What can I say if you ask me what interests me the most? Interests are relative. You can always find something more interesting than anything before. And interests keep changing over time.”
I don’t know whether she said with a practical outlook so common for women or a repeat of a quote or a dialogue from somewhere.
 I was not able to discern.
Yes. My intention was more to express my likes than to listen to hers.
But she did not ask me.
The wind was still blowing on and off, like a caressing hand.
My mind was rattling in between.
On the spur of a moment, I said,
“The most interesting thing to me in this world is your nose stud!”
This time she did not burst into a fit of laughter.
She was silent for a minute.
With a gentle smile she asked,
“You mean the nose, or the nose stud?”
I was groping for words.
What a weakness! Words desert us when we need them the most!
Eyes rain to make up for what expressions fail to convey.
Tears bleared my eyes.
Why did they come out? Out of excitement? Or grief?
*

Darkness falls.
It dawns again.
Hues sparkle.
Moonlight shines
It rains.
Day breaks again.
Seasons change.
People change.
Roads divide.
People part.
Over time, even the strong wall paint- fades out.
But the most coveted color picture...hidden amidst the most delicate folds in the deep recesses of the mind… shall never wear, tear, or erase.
In that picture… there was a vague fuzzy face.
A beautiful nose appears jutting out from it.
And adorning its lovely tip… lies a brilliant nose stud!
My nose stud!
*

 Unless we unwind and rewind, ruminate and review, the twists and turns of our life will not be so apparent.
More so, for people whose life becomes synonymous with their profession, the impressions are not so strong.
They cannot lead their lives to their choice.
Emergencies and exigencies take precedence over their personal preferences, or psychological choices.
That was why no matter what the attendant of patient on bed no. Eighteen had said, and the consequent reluctance to treat the patient, I had to discharge my duties with due care.
I had to spend a sleepless night - to remove the hurdles and wipe away the tears!
If only we care to give a patient ear, even on the most ebony night, you can hear the hymns of dawn from afar.
And the vestiges of truth seem so real to us at times while they looked exactly opposite a bit earlier.
A whiff of air in the evening after a singeing summer day shall give a great relief.
But the same whiff might frighten you to your bones on a cold wintry night.
With all that, we shall taste success even randomly.
The same thing happened.
Patient on bed no 18 was out of danger.
Like the blue pacific sea glistening under sun visible through the coconut plantation from afar, the atmosphere was pleasantly quiet.
The patient on bed no 18 and her attendant expressed their thanks to me.
Of the most gratifying things in this world, looks filled with gratitude are one.
We should treat them as such.
We should not spoil its purity searching for intentions behind it.
We will be in a different world, even for a fleeting moment.
But some people deprive us even of that consolation.
The attendant daughter of patient on bed no. 18 came to me and said, “Thank you doctor for all the care you have taken to treat my mother. We are deeply indebted to you. We would like to…” she was about say something when I intervened.
“That is my duty and what I am here for.” I said pretending to be busy and leave.
“At least for our satisfaction…” she continued.
I was angry, never understood why people underestimate others.
“At least something as a remembrance…” she persisted.
As if this is not enough, you want to haunt me with your memory… I thought within.
As she repeated her appeal once more, I considered deeply for a moment and asked with a smile,
“Do you really fulfil my request?”
‘Oh, yes,” she replied.
“Are you sure?” I repeated.
“By all means.” She assured me.
“I am asking you very seriously…” I said for the third time.
“I promise you with the same seriousness” she assured.
“Then, will you stop wearing that nose stud?”
She was stunned!
***

Bio of Dr. Shyam Chirravoori

A graduate from Andhra Medical College, Visakhapatnam and Postgraduate from All India Institute of Medical Sciences, New Delhi, Dr. Shyam hails from  Vizianagaram, Andhra Pradesh. He wrote prolifically under pen name 'Medico Shyam' during 1970's and 80's.  His short stories have been translated into English, Hindi and other languages. Vanguri Foundation of America has brought out a collection of Short stories “Shyamyana” in 2010. Dr. Shyam is a consummate literary aficionado with wide network and ready random access memory. 
After taking voluntary retirement from Central Health Services, India, Dr. Shyam settled in McKinney, TX. USA 75092 and reachable at shyamchirravoori@yahoo.com 
***

Bio of NS Murty
 
A postgraduate in M.Sc. (Applied Mathematics) and MA (English Literature) from Andhra University, Waltair Mr. Murty was also a graduate student of English Literature at University of Houston, Texas during Spring 2011.
 
Mr. Murty has to his credit two collections of his poetry- Incidental Muses and PenChants; two collections of select Telugu poems rendered into English- The Wakes on the Horizon and The Voices of the Surf; a collection of one hundred best poems from world literature rendered into Telugu with brief introduction for each poem, KavitvamtO EdaDugulu; and a collection of best short stories from world literature rendered into Telugu, Katha Lekhini. At the behest of Mr. GM Rao, Group Chairman, GMR Group, he also translated Marshall Goldsmith’s ‘What Brought You Here Won’t Get You There’ into Telugu independently and Prof. V. Raghunathan’s ‘Games Indians Play’ with his senior colleague Sri SVM Sastry for the GMRV Foundation. 
***

Mahadevi Varma - More Than a Romantic Mystic

Chirravoori Shyam


[Mahadevi Varma Geetalu – A translation of great modern Hindi Poetess in Telugu by Chagani Tulasi, Chaso Sphurti Prachranalu, Jan 2015. Price: Rs 130/-]


‘Mahadevi Varma Geetalu’ is a collection of Telugu translations of Srimati Mahadevi Varma’s Hindi poems. Dr. Chaganti Tulasi translated thirty of Mahadevi Varma’s well-known poems. Is there a basis for selection of these particular poems? Could it be just a subjective liking or a random selection from her vast repertoire? But they appear to be representative poems of Mahadevi Varma (рдорд╣ाрджेрд╡ी рдк्рд░рддिрддिрдзि рдХрд╡िрддाрдПँ).

Jnanpith winning poet, Mahadevi Varma has been one of the four major Chhayaavaad poets of Modern Hindi literature, along with Suryakant Tripathi ‘Nirala,’ Jaishankar Prasad, and Sumitranandan Panth. Her poetry is an alchemy of Chhayaavaad and Rahasyavaad. It could be termed as an amalgam of romanticism and mysticism. In addition to her poetic prowess, she had artistic talents too. She adorned some of her poems (Deepshikha and Yatra) with wonderful color paintings (sketches). Mahadevi Varma makes a certain distinction between art forms of poetry and painting. She felt that poetry would emerge in a certain emotional state of mind of the poet and, usually, he or she would not be able to repeat the process at will at a later time, whereas a painter would be able to recreate his or her artistic creations at will, at a later time.

Mahadevi Varma is more often called the ‘Modern Meera.’ But, subtle or more than subtle differences do exist in Mahadevi Varma’s devotion towards her hidden beloved as opposed to Meera’s Giridhar Gopal.

There is certain musical timbre in her poems or lyrics which enabled so many musicians and singers to convert them into compositions. A cursory look at YouTube shows so many musical versions of her famous poems by well-known to not so well-known musicians. Here is a very famous poem by Mahadevi Varma appealing, rather exhorting the Deepak to keep the flame burning so that the path of love is always lighted. Music director Jayadev composed a very melodious tune for ‘Madhur madhur mere Deepak jal,’ and Asha Bhosle sang beautifully. The intrinsic musical beauty or timbre allowed it to flow so naturally. There are other songs too, to stand testimony to this statement.
Sometimes, it becomes difficult to say if the meter makes it rhythmic or the choice or words and the intrinsic meaning with feeling renders it rhythmic. It is difficult to say whether the poet’s emotional mind and spontaneous flow of words imparts the strength to the thought, or that the poet chisels her words and brings sheen to the poem. Mahadevi Varma was a scholar in Sanskrit. Her chaste classical Hindi bestows certain poise to her prose or orations. She has a convoluted way of expressing her profound thoughts. These qualities could be extremely taxing to the translator at times, especially in the case of poetry of mysticism.
Look at this:
рдоैं рдиीрд░-рднрд░ी рджрдЦु рдХी рдмрджрд▓ी!
рд╡िрд╕рддृрдд рдирдн рдХा рдХोрдИ рдХोрдиा
рдоेрд░ा рди рдХрднी рдЕрдкрдиा рд╣ोрдиा
рдкрд░िрдЪрдп рдЗрддрдиा, рдЗрддिрд╣ाрд╕ рдпрд╣ी
рдЙрдореЬी рдХрд▓ рдеी, рдоिрдЯ рдЖрдЬ рдЪрд▓ी

The translator had to use equally heavy words originating from the same original words for fear of losing their profundity. A less thoughtful translator would have simplified the process in the name of innovation or indigenization or simply attempting to make it appear more vernacular. 
Variations in punctuations impart additional power to the expression and add appeal to he writings of the great. Mahadevi Varma’s poem, ‘рдЕрдзिрдХाрд░’ can be an example of this. I just quote a few lines:
рд╡े рдоुрд╕्рдХाрддे рдлूрд▓ , рдирд╣ीं
рдЬिрдирдХो рдЖрддा рд╣ै рдоुрд░्рдЭाрдиा ,
рд╡े рддाрд░ों рдХे рджीрдк , рдирд╣ीं
рдЬिрди рдХो рднाрддा рд╣ै рдмुрдЭ рдЬाрдиा

Any sort of careless pause at any of the commas can easily distort the true meaning of these lines. One can be amazed to see the conviction in Mahadevi Varma’s words. Those who strive to tirelessly work, or others may perish, but here Mahadevi Varma states that she would rather prefer that suffering (right to suffer/ perish) to becoming immortal by the grace of God.
Dr. Tulasi is a thorough professional in her art as well as her craft; but she is not a professional translator. She spends time on reading and rereading and goes into the specific and minute details but does not compromise on the quality of her work. She never looks for an easy way out. She has great respect for Mahadevi Varma and her work. In many ways, she could be compared to her idol. It is no exaggeration. Her progressive outlook and concern for cause of women, young and old, can be just one example. 
The work she undertook and carried singlehandedly is the job of academic or research or governmental institutions. She put her energy, soul, money, and everything into the project without expecting anything in return. Her tribute to Mahadevi Varma, the poet and the painter, is commendable. So did Mahadevi Varma during her lifetime. One wishes for such an effort on Mahadevi Varma’s prose writings too.
Dr Chaganti Tulasi, in her foreword to the translation, profiled Mahadevi Varma’s poetry and the persona for the understanding of the Telugu readers who may not know Mahadevi Varma.
Noted Hindi scholar and academic, Dr Balasouri Reddy, in his brief preface to the book, detailed the true virtues of Mahadevi Varma and enumerated her great services to Indian literature and people. He hailed Dr Tulasi’s translations and her work with specific examples. Some of the poems sound so original and have the natural feel of the Telugu language and do not look like translations, he opines. 
Writer, critic, and translator Sri Vadrevu Chinaveerabhadrudu, in his detailed prologue, essayed to elaborate his reflections on various forms of poetry and several poets with some emphasis on Mahadevi Varma. 
The prefaces complement each other while the cover design and illustration impart a sort of completeness to the book. Reading the book is taking a wonderful glimpse into Mahadevi Varma’s vast poetry for any Telugu poetry enthusiast who cannot read the original Hindi versions. 
It so chanced that I was discussing about Dr Tulasi’s translations with one of my friends, Mr. NS Murty, the other day and he went through my article and Dr. Tulasi’s translations immediately. Impressed with both, he volunteered to translate three poems of Mahadevi Varma which are annexed below. The point of interest, of course, is that he could make a decent translation because of the classical Hindi Mahadevi Varma used in these poems which is easily discernible to a Telugu reader who has some grounding in classical Telugu.  
Annexure 

Three Translations of Mahadevi Varma

 I am Grief-laden Cloud About to Burst
*
There was enduring inertia in my responses,
And the world rejoiced at my wails,
The gleam of burning lamp in my eyes
And the commotion of a raving river in my eyelids.
 
There was music in every one of my steps
And the dust of dreams my breath rains
The spectral hues weave a raiment over the firmament
And in the shade serenades a whiff of cool breeze

I am stranded over the edge of the horizon
And am, with a heap of endless grief, stricken,
I skied like a droplet - over a mote of dust
But– like a seed – broke through to life

I step without defiling the path travelled
And my stride leaves no footprints behind
Let my arrival into this world leave ultimately
A goosebump of sweet memory


Just that I could not stake claim 
even to a nook of the vast expansive sky,
here ends the acquaintance, and the history
Swirling I came, subdued I bid farewell.
***


Darling! My Life is a Twilight sky at Dusk!

Darling!
My life is 
A twilight sky at dusk!
 
The horizon is dim and hazy,
Nascent pink and rosy is my fortune,
This eclipsed bod is passionless
Colourful dreams were its treasure.

It’s a golden time for testing one’s patience
With dark gloomy grief circling around 
There is a strange parallel with the evening…
This poor heart smiles behind its veil of wails.

The breeze is heavy with scents of the creepers,
The memories of the world are as halcyon,
The coast of life and death is so fragrant
That a wake of lotuses ripple through the veins. 

Now the beginning and end confluence,
Night blooms wedded to the day,
Smeared with tear the droplets of dew rimes.
The pole today has become a moment of memory.

The sharp arrows of desires
Donning the beautiful beams so lean
Hiding behind the invisible sky
The flowers of star open up one by one.

The bird of anguish and beatitude is homebound,
Darkness sweeps away my consciousness,
That painted demitasse is kept in its case
Now, descend gently over the lids, venerable guest! 
*** 
You Entered with Dusty Feet

You entered with dusty feet, O prancing baby-life!
Mother death has taken you into her embrace!

The wanderers have washed off their dust with wine
And the cyclonic winds hugged them time and again,
And the onlooking darkness whispered for a moment.

Poor love-lost heart is a toy inflamed,
Ice-like inertia is needed from every pore,
As the shade scurried kindling longings galore.

The intense grief had sullied the lap,
Spears of afflictions lacerated the feet
And breath toyed with, making dust of my golden heart.
***

Chaganti Tulasi
Bio of Dr. Chaganti Tulasi

Coming out of the shadow of her illustrious father, Chaganti Somayajulu (Chaso), a front-ranking short story writer of yesteryears in Telugu, Dr. Chaganti Tulasi has carved out a niche for herself as a short story writer in Telugu, and a Quadrilingual Telugu-Hindi-English translator. She holds a doctoral degree in Hindi for her thesis “Mahadevi ki Kavita me Saundarya Bhavana (The concept of aesthetics in Mahadevi Varma’s Poetry).”

She translated Rahul Sankrityayan, Safdar Hashmi, Sachidananda Routray, Gopinath Mohanty, and a host of others independently and for Central Sahitya Akademi and NBT. She has to her credit “Tulasi Kathalu” - a selection of 14 of her short stories and “Yatra”- a novel. Sita Ram Ki Kya Lagti Hai of Arudra, Ragamalika a collection of  short stories of Dr. Shyam Chirravoori,  Ketu Viswanatha Reddy Ki Kahaniya  and Telugu Ki Sreshtha Kahaniya are some of her important translations into Hindi, besides a monograph on Mahadevi Varma from English to Telugu. 
After retirement from Orissa State Education Department, Dr. Tulasi lives in Vizianagaram, Andhra Pradesh. She can be reached at 9963377672 or at cagantitulasi@yahoo.com
***

Shyam Chirravoori
Bio of Dr. Shyam Chirravoori

A graduate from Andhra Medical College, Visakhapatnam and Postgraduate from All India Institute of Medical Sciences, New Delhi, Dr. Shyam hails from Vizianagaram, Andhra Pradesh. He wrote prolifically under pen name 'Medico Shyam' during 1970's and 80's. His short stories have been translated into English, Hindi and other languages. Vanguri Foundation of America has brought out a collection of Short stories “Shyamyana” in 2010. Dr. Shyam is a consummate literary aficionado with wide network and ready random access memory.

After taking voluntary retirement from Central Health Services, India, Dr. Shyam settled in McKinney, TX. USA 75092 and reachable at shyamchirravoori@yahoo.com