Bio:
James
Diaz is
the author of This Someone I Call Stranger (Indolent Books, 2018) and editor
(along with Elisabeth Horan & Amy Alexander) of the anthology What Keeps us Here: Songs from The
Other Side of Trauma (Anti-Heroin Chic Press, 2019). In 2016 he founded the
online literary arts and music journal Anti-Heroin Chic to provide a platform for often
unheard voices, including those struggling with addiction, mental illness and
Prison/confinement. His most recent work can be found in Moonchild
Magazine, Occulum, Drunk Monkeys, Yes, Poetry, and Thimble
Literary Magazine. He resides in upstate New York, in between balanced
rocks and horse farms. He has never believed in anything as strongly as he does
the power of poetry to help heal a shattered life.
Domestic Blis-ters
I won't sing sweetly
if the buck needs cleaning
and poetry is all wrong for
this
I'll dig a hole for the fence
post
this is my day to day
rockabye rockabye momma's
gonna buy you another pair of eyes
the wash is on the line
and my heart is wrung dry of
beauty
dinner at eight
but in my bones I feel the
tug
of a black sea I can't sail
with flowers in my hair
it's only dance hall Tuesday
at the VFW
brown beer and neon
signs two for one
still equals nothing special
lumber trucks belching black
smoke
on the long shadow of the
highway
I read poetry at the kitchen
table
and cry so hard some nights it
wakes the kids
put on a brave face
for the storms have their own
path in this place
I'm only human and so so small
underneath this mountain town
is there more than this
if so, it ain't mine
maybe happiness is just
thinking the bottle's empty
and findin' one more sweet
sip.
Laughter Loves The Company of
Darkness
I woke
and slipped
through the break
in the river,
the day I was born
a wail and a shock
that could not be shook
hungry, scared, wanting back
in
to one knows not what
a body that walls out the
light
cradles the wail, the want
I circled the prayer tree
with knobs of wheat
mental pictures
of what you must look like
dancing, bars along the
interstate
with names like the
watering hole
and simmer down tavern
get on my knees
but I can't remember the
prayer
which word works for this
paint by numbers
the wilderness in a kiss
bee stung
beneath rib cage
a candlelight prayer for
nowhere
I used to have the method
now I only have the madness
love is where you go to lose
your mind
in the alder bush
dogs bury their loot
for the less fortunate to find
I am one of those tonight
without a home or clue
of where I came from
who I belong to
once I was the compass
now I am the break wall
the pressure cracks me open
and the ocean rises above me
I am such a small detail
in your world-story
I am wood used for the fire
and the night is long
and the water is more than I
know what to do with
I am wailing space and
collapsing time
in my tiny hands
I am loving you more
than a fault line loves the
earth it separates
in two, between the born and
the dying
I want back in, blind and
without memory
first taste of life a blank
a bleed, blotter of
entry
poised for the breaking.
Janis Joplin # 3
you seen me bend so low
I almost drank the stage
with my teeth, never once
thought of giving myself
over to the light, I closed
my eyes so f**kin' tight
cuz that's where
the high note lives
played it out on my skin
baby, I was the brightest
thing burning
but cried myself to sleep
at night, I wanted to be a boy
size eleven feet
and a monster truck
heart,
eat this f**kin' town alive
with my blankety blank
throat pulsing lizard king
blues
I wasn't meant to be this
Queenie
burden of sadness, I come from
mountains
way up yonder, bare foot tom
boy
rippin' through the creek bed
and yelling at stars with
my
microphone heart
on my sleeve
they called me magic
but I was born that way
and let me tell ya; it f**kin'
burns to be a shooting star
in a little woman's body.
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