When
hope evaporates
from the
ocean, and lofts
high
into cold dry stratus,
a canopy
of clouds hovering
over
land like sadness
draping
the heart, the sea
will
also give up its prayers
to the
sky.
There’s
always a gathering
of
storms before the deluge
of pain,
but a fresh rain also
from the
same place comes
to wash
it away—
at first
in trickles and rivulets,
then the
swelling into creeks,
the
flowing as mighty rivers
from the
watershed.
Eventually,
all things return
to the
sea, tears dissolving
into
prayers.
After the Fight
then comes forgiveness. We kissed
while rolling in wild grass, dirt on our lips,
smiles cracking through our solemn
faces, but it would never be the same.
We camped near the rhododendron
above the red clay banks of the swift river,
leaves from sycamore and willow shed
as beautiful tears, fell curled, catching
wind like the sails before drifting
into the autumn-dark waters below—
once clear as spring runoff that lushed
our verdant garden.
The waters whispered regret. But sought
the gold and pearl shimmers of the sun
sparkling the water crests fragranced
with spices of the fall.
We will have to learn how to trust
again. When she gave me the apple-
sweetness of the lie, I should not have
eaten it. I should have listened
to the voice inside when it whispered
Do not even touch
it.
Pretty Things
My
friend said to write
about
beautiful things
like nature or history
because
it upset him when
I wrote
something disturbing
about perversity
in the
men’s bathroom—a drug
deal
gone bad, and dirty sex.
I
thought about it long and
well,
until I went soft with doubt.
Nature is serene,
like
history, full of wonderful
ingenuity
and invention,
honey sunlight, gentle rain,
glorious
rainbows, the sweet green
smell of
grass, the beautiful
hatred
and murder and war
and
everything good
and bad about mankind.
My
friend said to write
about
beautiful things. I cannot
therefore end this poem yet.
The
Bible speaks of pretty things
and not
to dwell on the ugly, only
on the
lovely. So I focus
on the
rough-cut cross
of locust wood:
there is
no better instrument
of
extravagant love.
Colors of Your Voice
Is a
quiet black hiss opposite
of white
noise? Are there gray
shades
to silence? I can’t hear
the dark
shimmer, only feel it
pulse
through my ears.
I am deaf
to the
colors of your voice
but sense
your heart speak,
I see
your hands move air
and
moments earlier my breath
as you sign.
There is
no purple in the way
you fold
your two fingers
into the
palm of your hand,
the
other three left erect
pointing
at me. Those words
are pure
red—the color of
silence is loud.
All the Starlight in the Universe
New Calculation Adds Up All the
Starlight in the Universe: “That’s the total number of
photons that have successfully escaped from stars and the dust that surrounds
them into space over the history of the universe” by Meghan Bartels, Space.com
Senior Writer November 29, 2018
As far
as I’m concerned, all the starlight
in my
universe emanates from your eyes.
Perhaps
as a physicist I could do better
than to
describe you with such clich├йs
but do
not be deceived or even slightly
confused,
sometimes the best way to say
something
profound is with the simplest
words,
well-worn, but whose meaning
doesn’t
change on either end of the cosmos.
To say
you’re ‘out of this world’ makes you
a
stranger in a strange land, but you are
no
stranger to me, you’re no alien
despite
the sparkle in your bewitching
eyes.
That stardust strewn in your irises
is the
maker of fires, new seething suns
at the
very core of my emblazoned heart
whenever
I am held in captive gaze,
whenever
there is passionate fusion
of our
lips, whenever that critical mass
is
exceeded by the mere touch of your
light.
John C. Mannone has poetry in Artemis Journal, Poetry South, Blue Fifth Review, New England Journal of Medicine, Annals of Internal Medicine, Peacock Journal, Gyroscope Review, Baltimore Review, Pedestal, Pirene’s Fountain, and others. He’s a Jean Ritchie Fellowship winner in Appalachian literature (2017) and served as the celebrity judge for the National Federation of State Poetry Societies (2018). He has three poetry collections, including Flux Lines (forthcoming in 2019). He’s been nominated for Pushcart and other awards. He edits poetry for Abyss & Apex, Silver Blade, and Liquid Imagination. He’s a retired physics professor living between Knoxville and Chattanooga, TN. http://jcmannone.wordpress.com
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