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| Ethan Goffman |
** ISSN 2475-1359 **
* Bilingual monthly journal published from Pittsburgh, USA :: рдкिрдЯ्рд╕рдмрд░्рдЧ рдЕрдоेрд░िрдХा рд╕े рдк्рд░рдХाрд╢िрдд рдж्рд╡ैрднाрд╖िрдХ рдоाрд╕िрдХ *
Flash Fiction: Ethan Goffman
Flash Fiction - Two Stories: Snigdha Agrawal
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| Snigdha Agrawal |
Fiction: Red-Purple Boots at Work
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| Anurag Sharma |
- Anurag Sharma
Nano Fictions (because flash fiction is too damn long!)
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| Ethan Goffman |
FLASH NARRATIVE: Dreamscape
“This is
Major Tom to Ground Control
I'm stepping through the door
And I'm floating in the most peculiar way
And the stars look very different today…”
– David Bowie, ‘Space Oddity’
I had a very pious
aunt, Minati Roy Choudhury, mother’s elder sister. She had a generous heart and
a large house which had a small room dedicated entirely to her various gods and
gurus – what they call thakur ghar1.
Although
she never talked about all the trauma she lived through her young adulthood as
a wife and mother, I heard about them from numerous sources. Perhaps she could
not recall what they were.
She
had an unusual glow and infectious smile and seemed to remain unscathed by all
the scars life inflicted on her. She had a soft corner for me as I was one of
the few girls growing up in that household in Calcutta. Like so many others,
her family of ten brothers and sisters were forced out of Chittagong in erstwhile
East Bengal (now in Bangladesh). (She visited her hometown where she grew up
with her son, Nabarun, in later years).
There are many precious memories with BoroMashi2, but one particular event has left an indelible
impression on me.
When,
as a young wife and mother, BoroMashi was having to face unbearable
cruelties, when, as the legend goes, she had a dream.In this dream, an elderly
woman with grey hair and red-bordered sari gave her directions to a house in
Calcutta; meaning she was given an address and asked to visit. And so Mashi
did.
And
that ensued a lifelong bond between her and her GuruMa. In the process,
her entire extended family got involved with this tie. Guru Ma was a Yogini3 and devoted her life to prayers and bringing
blessings on others. She was often surrounded with a handful of devotees.
I
was around nine or tenyears old when BoroMashi started taking me to see
her. There was something very becalming and restorative about the cool surroundings
of the house with red floors during harsh summer days of Calcutta. God knows I
needed to be there then, but apparently Guru Ma’s blessings were with me
from the moment I was born. I visited Guru Ma a few times, sat along
with her devotees engrossed in prayers and chanting.
When I was born, Guru Ma gave me a special name
– PoddoKoli (lotus bud). I find it quite intriguing, pleasantly so, how
two seemingly unrelated women (the other being my grandmother), but very close
in their devotion and spiritual aspiration, called me by the, well almost same,
name – Poddo or Padma (lotus flower). Was it just a mere coincidence?
This
journey has been about persistentexcavation and discovering hidden treasures
that lay buried in us – where time and space collapse and dreams and reality
coalesce. Who is to say when dreams end? What is this dream made of? What’s its
substance? Who indeed is it who is dreaming?
Where
does reality begin? Is this also someone’s dream? Or is this a collective
dream?
Do
bald eagles, dolphins, butterflies dream? In whose dreams are they in?
I
often get vivid dreams wherein I’m floating in space with Jupiter and Mercury
brushing past me; I’m able to resolve complex emotional issues in my dreams;
hug a friend in distress and who is thousands of miles away; have perfectly
sensible conversations with my parents and other relatives who have passed on
long since. Are they any less real? Not to me. For where should we draw the
line?
Are
we still human and in a human form, or remember we are, when we are dreaming?
Or are we in god’s dream formless experiencing a human existence? For how is it
we can fly when we step to the other realm?
Do
we continue to dream when we die?
1Thakur
ghar is a room dedicated to the gods in many Bengali
homes.
2BoroMashi: Elder aunt.
3Yogini is a woman who practices
yoga.
Waking Up From
Deep Sleep
Tat Satyam Sa Atman
Tat TvamAsi
(“That
Reality is Atman
That Thou Art”)
– Ch─Бndogyopaniс╣гad
At first the
concept appears preposterous and perplexing; this idea of dream which I will
describe in a bit.
The
M─Бс╣Зс╕Н┼лkyaUpaniс╣гad1 explains three states of “consciousness” which are “sleeping, dreaming
and deep sleep”, and the fourth state is called “Thuriyam”2. Just as we dream when we sleep, the waking state,
this Upanishad goes on to say, “is a dream”. Only most of us erroneously consider
it as “real”. How is that possible, you might object, especially when I can
see, discern everything so distinctly around me? But then, we also do so in
dreams – see the world as vivid as day.
“Everything
is experience”; and I believe it’s never easy to grasp this concept unless it
becomes experiential. And that’s what I mean by ‘downloads’ or recognizing your
true ‘Self’. When one becomes intensely aware that all that there is is
consciousness and all so-called objects we perceive are but appearances, it’s
magic!
This
phenomenon has been described variously as “emptiness” or the “neti, neti3” process – which all lead to the same place – the Self.
By
no means does the story end here with the imminent collapse of space, time and
ego, but it transmits you to that great expansive never-ending peace.
You
then walk around this make-believe bazaar as if your life depends on it; it
really does not! You are free to drop this structure this instant and, well, do
whatever you please.
As
our rishis4 have been indicating for centuries, we are the “drishti-shristiwallas5”, making up this creation as we go; just in our
dreams, everything is as real as we believe it is. So in our waking state, this
‘reality’ is as much a dream. We call ‘objects’ around us by names and render
certain attributes to them thereby solidifying the dream, as it were.
Then
we go a step further cementing our collective ‘dream’. And god knows, we’ve
messed this dream up, the reason why many of us suffer so.
Bhagavan Shri Ramana Maharishi says, “All that one gives to
others, gives to oneself” and continues, “If one knows this
truth, would one ever remain without giving?”6
When
all that one perceives, becomes a part of the ‘Self’ – the light and stillness
– who are we going to blame? Besides, who exactly is it that is going to do the
blaming? Where did that doer (jiva) originate?
What
form does it take?
Shankaracharya,
in his AtmaBodha (‘Self-knowledge’) says, “…the moon shines as the sun’s
light is reflected on it; where does the sun get its light from?” – “that Brahman
should be realised”.
1 The
M─Бс╣Зс╕Н┼лkyaUpaniс╣гad is the shortest of all the Upanishads and is assigned
to Atharvaveda.
2Thuriyam or Turiya is the state of
liberation, where according to the Advaita school, one experiences the infinite
(ananta) and non-different (advaita/abheda), that is free from
the dualistic experience, the state in which ajativada, non-origination,
is apprehended.
3Netineti is a Sanskrit expression
which means “not this, not that” or “neither this, nor that”.
4Rishi:
Enlightened person.
5Masters of simultaneous
creation.
6A.
Devaraja Mudaliar. Gems from Bhagavan (Chapter XIII); Sri Ramanasramam
1965.
***
Gayatri
Majumdar is founder-editor, publisher of critically acclaimed
literary journal, The Brown Critique. Her published and upcoming books
include A Song for Bela (a novel), poetry collections Shout, I
Know You Are Here and The Dream Pod and non-fiction The Lotus of
the Heart. She curates the three-day annual Pondicherry/Auroville Poetry
Festival.
Marriages: Kanwar Dinesh Singh
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| Kanwar Dinesh Singh |
Aphorisms: Ethan Goffman
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| Ethan Goffman |
The Realm of Wake and the Realm of Sleep
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| Ethan Goffman |
The Creation: Ethan Goffman
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| Ethan Goffman |
In a bout of insomnia, I decided I would pass the time by dreaming the world into existence. I began by separating the light from the air, the air from the water, the water from the firm soil. Using clippings from my fingernails, flakes from my drying skin, hairs from under my arms, sweat, a bit of saliva, and a few drops of blood, I filled the world with flora and fauna, with plankton and shrimp and darting fishies in the oceans, with gnarly vines and looping trees, creeping creatures with multiple legs and eye sockets on the land, fluttering butterflies and birds on outspread wings soaring through the vast air.
“Wait a second,” I exclaimed in a booming voice that echoed through all time and space! “It’s all been done before”!
I decided to visit the actual God to voice my complaint. Ascending to the actual heaven, I bowed and trembled as I spoke. “It’s all been done before,” i said. “You’ve left me nothing new or original to create in the torpor of my puny human mind.” My thoughts echoed and reached myself. They reverberated through the imaginary heavens in my mind and the churning, anxious hell of my soul. They echoed through the vast night of insomnia.
i imagined faintly i heard god’s answer. “i was bored, too,” she said, “that’s the only reason you exist, along with the universe.” surely there is more, i hardly dared to think
Making a Spectacle of My Life: Ethan Goffman
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| Ethan Goffman |
In the darkest dark of night, reaching for a Kleenex on the bedstand, I knocked over my glasses. I reached below to find a vast pile of aging glasses that I had kept stored there, from my years of malfunctioning vision. Well, I thought, I’ll get the correct pair in the morning, and tumbled into a violent sleep with hallucinogenic dreams, not quite nightmares.
Awoken by a trickle of light sneaking through the window, I peered below, with fuzzy, disoriented vision, and grabbed at a multitude of glasses, a spectacle of spectacles. Glasses were piled to the ceiling and, for me to even arise from bed, would need to be removed. I had no idea that I’d gone through that many spectacles. I must have lived for eons.
The first pair I grabbed was for extreme farsightedness. It had allowed me to read deeply into tiny typeface, to discern things the average person couldn’t imagine. These glasses had been useful back in the day, but they had also confused me, making it impossible to proceed with the serious business of life. The second pair, for nearsidedness, had allowed me to view distant stars, nebulae, and galaxies, and to at least begin to understand such mysteries as dark matter and alternative universes. I remembered that, with these glasses, I’d seen the edge of the universe at one point, but not quite beyond—but I realized that they would eventually drive me insane, and so abandoned them. The third pair allowed me to look through things. Yes, I could view naked women, and they had no idea, but also naked men, as well as a variety of aging bodies, which had their own beauty but also disgust. This pair had felt more and more intrusive and even horrible and, after a few short years, I had given them up (actually, I had vowed to do so immediately, but somehow day followed day, rather as if one had a huge box of slightly stale jelly donuts and couldn’t stop eating). The fourth pair allowed me to peer into people’s thoughts, which was far more horrible than examining their bodies, and these had barely lasted a moment. The fifth pair revealed the past, the horrors of history—which made me despise the human spirit—but also the course of evolution—which made me appreciate the wonders of nature—all the way back to the Big Bang, or at least the instant after. With this pair of glasses, I had learned that science, Genesis, and the vast variety of human myths and religions do not contradict each other, although they don’t quite reveal truth, either. The sixth pair showed the end of humanity, revealing what a marvelous species we are, and into the future far beyond. where cockroaches had evolved to replace us and fulfill the grand promise we only thought we had. The seventh pair revealed ultimate meaning, but they burned my hands so I was unable to put them all. Alas, I could not find, amid the vast and ever-growing pile, my current pair of glasses which made me, for once in my life, a normal human being. So now I hobble about, virtually blind.
Hotel Avalon (Flash based on the prompt)
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| Sutanuka Ghosh Roy |
Dr Sutanuka Ghosh Roy is Assistant Professor and Head Department of English in Tarakeswar Degree College, The University of Burdwan. She did her doctoral dissertation on Two Eighteen Century British Women Poets: Hannah More and Lady Mary Wortley Montagu. She has been teaching at the undergraduate and postgraduate level for twelve years. She is currently engaged in active research and her areas of interest include Eighteenth Century literature, Indian English literature, Canadian Studies, Post-colonial Literature, Australian Studies, Dalit Literature, Gender Studies etc. She has published widely and presented papers at National and International Seminars. She is a regular contributor of research articles and papers to anthologies, national and international journals of repute like The Statesman, Muse India, Lapis lazuli, Setu etc. She is also a reviewer, a poet, a critic and an avid painter.






