Cortney Bledsoe |
Bees duck into a
crack at the base
of the stairs, one
and then another
in formation like
quiet schoolchildren.
My daughter is
afraid they’ll like
her too much. I
want to say it’s a good
problem to have,
but she won’t get
it. So I stand
between her and them
until the man can
come and usher
them to a new
home. We’re walking
to the mailroom so
we can get
the book I ordered
for her with money
I don’t have.
Don’t waste your life
on stories, I want
to say. “I’m ten,”
she says when I
say anything I think
is profound. I
don’t mean reading.
I don’t mean the
way the leaves
are shoved aside
by the breath
of the world above
us. All I mean is
that life is for
living. That’s something
I never did until
she was born
and I decided I
liked her too much
to ever run away
again.
***
Mother, Father, Son, Daughter
The devil’s
biggest problems are lack
of dopamine.
Nose-blindness. Not
existing. One
expects time to pass,
some progression
to be revealed,
not this
dog-trying-to-stand-in-a-
pickup thing we’ve
got going on.
First, there was
the mother. Then,
the father, trying
to erase the memory
of the light from
her eyes, soothing
fingertips on
fevered brow. Finally,
the son who forgot
his keys and had
to run back home
for them. It probably
all has to do with
prisms because I
was absent that
day. There are people
who spell out
their pettiness onto signs
and stand outside
places to try to
intimidate others.
There are people
who walk into
schools with automatic
weapons and open
fire. There are
people who sit in
pews one day a week
and think that’s
enough to make them
people. It wasn’t
that long ago a person
could be murdered
for asking questions.
Even still,
questions are met more
often with shame
than considerations
of where the
answer might come from,
and who. The son –
it’s his age, remember –
thinks crystals
will save him or maybe
just yelling at
the wall until it feels
punched. There’s a
fourth age no one
seems to have
considered: the daughter.
***
Some Thoughts on Moonflowers
Skitterings in the
night, like
bristly feet and dripping teeth.
I am not butter, I don’t
care what the pamphlets say.
You may not fry anything in me.
Magic lacks
melatonin, which
is why it hides
from the sun.
Ask anyone who
knows.
Shadows. Moving
lights.
If all the evil
could shut
the f**k up that
would be
great. I’m trying
to die, here.
My head hurt for
days because
I couldn’t afford to keep up
with my meds. Don’t tell me
it’s about anything other than
greed.
It’s always
raining somewhere
n mi hart. *tap tap*
Maybe the mice are
putting on a symphony.
Maybe the
moonflowers are going for a walk.
Maybe the dust
bunnies are thirsty for blood.
When I go on meds,
I can’t see anything
inside my head, so I have to write
to have thoughts.
It’s about keeping
myself safe because
the squeaky wheel gets evicted.
On a scale of one
to ten tell me how
Capitalism is treating you today.
The first two don’t count.
These nights when
I’m waiting to be
recycled, I think about the warmth
of your body in my arms
and remember there
was a time
however brief
I didn’t feel alone.
haha no take
backs.
***
Doing the Work
My therapist
thinks being
polite is the same
as faith, a habit, worn
long enough—
like
a crate-trained soul—I smile.
This is how we
patronize
each other, her
and me and God. If
I promise to jump
at
the thunder, He promises
not to burn me
from the
ground up. With
her, it’s just cash. She asks if I have any
friends. I say too many has always
been my problem.
That’s not
the right word.
What I mean to say is that
when I was younger,
I
never woke up alone, but
I never slept,
either. Let me
tell you a joke.
What does a gangster cat
say? (In an Edward
G.
Robinson voice) Meow, see,
meow. My daughter
and I made
that up together.
Maybe you had to be there. To put
it another way,
if I open my mouth, what do you
think will come
out? Dirt daubers
crawling on my
tongue, which is another way of saying writer’s
block, the smell of mud, which
is another way of
saying death.
But I paw through
the nests, looking for the
sound of my own
voice before I lost the accent,
the mud for my
father’s approval.
When I was a boy,
and the sickness took her, my mother
would howl
late into the night, me lying
in the dark,
listening to the animal
that had gotten
in, waiting for it to find me and
feed. I’m not trying
to complain. Lots of my friends
had much harder
lives than I
until they died.
She asks why I’m here, and I
say I’m buying time.
I’m tired. I’m going to kill
myself,
but I can’t today.
I have an
appointment. Give
me a decade. Help me find the
strength, somehow
to last that long. Not that I’m
implying
in any way that it
would be your
fault. She nods,
and I’m grateful for her so
obviously practiced
sincerity; the last thing I need
is to fling a
craving on some
body. Here is a
list of ways I’ve
tried
to die. Water, wind, a bullet’s
kiss, the things of the world
I’ve swallowed.
I’ve got so much
going for me, I
can barely stand. This is why I
don’t own a gun.
Do you drink or do drugs? She asks.
That’s a kind of
trust exercise
with the world I’m
not prepared to take, I say. The
only thing
I remember about my mother’s smell
is urine. Maybe,
if I could’ve
saved her, I could
forgive myself for still being
alive. But forgiveness
is a myth; eventually, you just
forget to be
angry. Let’s not talk
about me anymore.
She says, Okay Here’s an
exercise. I want you
to write about your trauma.
When that’s done,
I want you
to run as far away
from it as you
can.
And then have a snack or soothe
yourself in some way. I can hear
rain
outside as I type
this, working on
its aim. Maybe
I’ll order pizza.
***
Bio: Raised on a rice and catfish farm in eastern
Arkansas, CL Bledsoe is the author of thirty books, including his newest poetry
collection, The Bottle Episode, and his latest novel The Saviors.
Bledsoe co-writes the humor blog How to Even, with Michael Gushue: https://medium.com/@howtoeven Bledsoe
lives in northern Virginia with his daughter.
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