On Freedom
(Dedicated to Rabindranath Tagore)
Tagore by Meenakshi Mohan (watercolor with mixed media) |
I came to the USA with my husband, Kshitij. He was a student at Georgetown University, Washington, DC, working on his Ph.D.in Physics and, at the same time doing his internship at the National Bureau of Standards (now known as the National Institute of Standards and Technology). Then, we realized that I needed to find a job too. We had a young child to support. I was in my early twenties then. I had only a bachelor’s degree in Education from a girl’s college in Calcutta with no job experience. So, when I went for my first interview, I was apprehensive about what kind of job I would find. I parked my car in front of a tall, ten-storied red brick building where I had my interview.
I had all the mind to go back home and tell my husband that I did go but did not find a job. But my conscious did not allow that, so there I was being interviewed by the CEO, Managing Director of the Membership Department, and several Board Members of an educational organization. I had no expectations of finding a job in this high-profile, internationally known company. But, perhaps, the stars were on my side that day – as soon as I reached home, the phone buzzed, and the Membership Director asked me if I could start working from the following Monday as her Assistant. Wow! I never believed it! I called everyone I knew – that is how excited I was. When I called my father-in-law, a High Court Judge in India, and told him excitedly that I would have my own office and six people would work under me -- what he said that day still resonates with me. He said, “Beta, I am happy for you, but you are still young; I would like to see you continue your education because education is something one can never lose.” Many years back, I realized how right he was. I earned another bachelor’s degree from the University of Maryland in Education/Library Science while working at the same time. Later, I earned my master’s in education and a Doctoral in Educational Leadership. I have been teaching at universities in different cities in the USA as we moved around because of my husband’s job. I can associate what Kofi Annan said, “Knowledge is power. Information is liberating. Education is the premise of progress ….”
I
love the writings of Rabindranath Tagore. I grew up in Kolkata (Calcutta in
those days), and his poems and songs – Rabindra Sangeet, were very much in my
bones. So, I dedicate my poems and paintings for this theme, “On Freedom,” to
him by quoting his few lines from Gitanjali:
Where the mind is without fear and the
head is held high.
Where Knowledge is free,
Where the world has not been broken up
into fragments
by narrow domestic walls,
Where words come out from the depth of
truth,
Where tireless striving stretches its arms
towards perfection,
Where the clear stream of reason has not
lost its way
into the dreary desert sand of dead habit,
Where the mind is led forward by thee into
ever
widening thought and action –
Into that heaven of Freedom, my Father,
let my country awake.
Note: My husband, Kshitij, was a rare/limited edition book collector. On one of our trips to Europe in one of the Limited-Edition Book Stores, we found several signed copies of Rabindranath Tagore’s books. The signature on my painting is his original, which I copied and pasted.
***
Dreams of a
Rickshawwala
Rickshaw Wala by Meenakshi Mohan (The original is oil on canvas) |
You had dreams.
But alas!
You had no time to
lavish and linger on them for yourself.
With your thin
legs in worn sandals
and with a gamcha
on your shoulder
to wipe your
sweaty face
you paddled
through the crowded streets of Kolkata
You had dreams.
But alas!
With your sunken
eyes
buried in the deep
creases of your face,
you gazed across
the muddy roads to your destinations.
But unfortunately,
you had no time to lavish and linger on your dreams.
You had dreams.
But alas!
When you crossed
over the potholed streets of this crowded city
you thought of
your responsibilities – old parents, wife, and children –
you thought of how
you would make the two ends meet
on your exiguous
income.
You had no time to
lavish and linger on your dreams.
You had dreams.
But alas!
Did your clients,
indurate and compassionless,
ever wonder about your
impecunious life?
What went on in
your heart
when they argued
with you to save their few rupees
and when they
blazed you as dishonest?
Then, finally, you
sighed and moved on.
You had no time to
lavish and linger on your dreams.
Yet, you still had
dreams –
for the boy in his
rags on the street,
selling paper
flags of India.
You stopped your
rickshaw to buy two small paper Indian flags from him.
You paid him more
than the asking price,
and he looked at
you surprised, grateful, and with stars in his eyes.
In return, you
smiled and stroked his tousled hair gently as if in blessings.
Yes, you still had
dreams –
when you went home
to your shack
to your little boy
and girl reading
under a dim,
dangling light from the ceiling, you smiled
and looked at them
with pride.
Your gift of paper
flags of India
brought smiles to
their faces.
You knew you could
dream big for them.
You had dreams --
when a sweet
melody of Vande Mataram from a faraway field
resonated and seeped
through the open doors of your dwelling.
You knew your children
were your dreams!
Notes:
gamcha
–
a small towel
Vande
Mataram –
Mother (motherland - India) I bow to thee. A song written by Bankim Chandra and
first sung by Rabindranath Tagore referred to India’s freedom from the
Britishers after two hundred years of slavery.
***
Ah! What Freedom!
Mother and Daughter by Meenakshi Mohan (pen and ink) |
With a cup of steaming
cappuccino
and a light shawl
wrapped around her,
she stepped out into
her backyard -- a Zen Garden.
The sky was
flushed with the dawn, spreading its crimson glory.
She sipped her
frothy coffee slowly, enjoying every sip
while slowly strolling
on the winding graveled pathway,
inhaling the fragrance of various flowers and
foliage.
Something about
this garden filled her with placidity and tranquility --
the wooden bridge
over a stream with pink and white lilies,
the shiny leaves
of bonsai trees, bamboo plants,
the multiple
branches of Hinoki cypress trees
adding greenery to
the place.
The statues of
Buddhas sitting on rocks, stone lanterns, pagodas,
stone benches, and
even a pavilion so artfully placed fascinated her.
Then, with another
sip of her coffee, she took a deep breath
as if to absorb
the serenity in her whole being.
She ascended the
wooden steps to reach the bridge
and looked
intently at Kameshimas, between the lilies floating in the pond.
Someone had told
her that Kameshimas, the stone turtles, radiate peace.
Peace! So, needed!
A light breeze
tousled her hair.
She heard the jingling
of the wind chimes.
She was in a celestial
world of calm and serenity.
A shuffling in the
nearby bushes
under the tall
pine trees broke her reverie.
She found two
squirrels, one brown and a grey,
neck to neck over
a pinecone.
Their squabbling
took her back to her life
of anguish and
desperation with scars and tears --
hopeless, helpless
with no future.
Arranged marriage,
an abusive husband, pestering in-laws,
a house she could
never call home.
She remembered
those thirty years of pain.
She was like a
caged bird with no freedom.
The conflicting
social and cultural boundaries stood like rocks
on her way to
freedom
How could she shame
her parents with the taboo of divorce?
Would they be able
to bear the shock in their old age?
Then, to think of
her children –
how would she
manage their nurturing alone?
Would he and his
family let her be in peace?
Many unanswered
questions shackled her in chains.
Then, one day her
turbulent journey in life crossed its limits –
when she caught him
red-handed with another woman.
She questioned
him, and in return, he physically abused her.
It was her son who
called the ambulance and the police.
She ended up in
the hospital.
Then with the help
of the social workers,
she gathered her
strength and courage and filed for divorce.
Divorce was the
turning point of her life.
Like Medusa, she
rose and liberated herself from a life of curse.
Her coffee was
getting cold, and she was about to go inside to fill her cup,
when her
four-year-old granddaughter came running to her.
Together, they stopped
and admired the flowers and foliage.
She watched her
running after the butterflies.
Her granddaughter
stopped, held her hand, and said,
“Look there, Nani,
Mr. Slate is under the pine tree.”
Mr. Slate was the grey
squirrel –
a character from a
story grandmother and granddaughter had created together.
Mr. Slate was calmly
and peacefully pecking on the pinecone.
She smiled and
mumbled,
Ah! What Freedom!
***
Emancipation
(For my husband, Kshitij. Kshitij means horizon. Kshitij Passed away on January 2nd, 2010.)
Sunrise over Penobscott Bay by Meenakshi Mohan (The original is oil on canvas) |
I sat on the stone
steps in the backyard of my children’s house in Maine
with a backdrop of
the vast span of the ocean.
Its wrinkled waves
moved back and forth
as if scribbling
stories on its shore.
I wondered if they
were writing the stories of you and me.
You, who lived in
the tranquility of the Elysium.
Me, an ocean,
still wrapped in its earthly elements
trying to touch
your hem.
You were perhaps
an illusion,
but for me, this convergence
of you and me
stayed as real as
the seven steps of the solemn oath
we took before the
holy fire.
I sat there in
silence, raptured
listening to the
whispers of the breeze
melodies of the
leaves, fluttering songs of butterflies,
rhapsodies of
rippling waves – was it the
Vedic hymns echoing
through the mountains,
and enveloping the
cosmos around me?
I was embraced in
eternal peace --
ionized with the
comfort of being next to you, my love!
When far away at a
distant,
I noticed broken
wooden steps
going down to some
unknown destination,
crossing over the
streams
passing by the surrounding
bushes and trees
down to the shore
where a lone red boat was waiting.
Wooden steps
fascinated me.
They symbolized
the journey of life.
And I wondered
where my life was going.
“Ammu,” I heard my
two-and-a-half-year granddaughter,
running towards
me.
With a hug, she
asked me in her childish voice,
“Whele wel you? I
am missing you.”
She woke me up
from my reverie.
I looked at you.
You were still there, far away, smiling
as if reciting
your favorite lines of Gulzar:
Aahista chal aye
zindagi, abhi kai karz chukana baki hai
…kuch hasrtein
abhi adhuri hain , kuch kaam bhi aur zaroori hai.
(рдЖрд╣िрд╕्рддा рдЪрд▓ рдР реЫिрди्рджрдЧी, рдЕрднी рдХрдИ реШрд░्реЫ рдЪुрдХाрдиा рдмाрдХी рд╣ै,
… рдХुрдЫ рд╣рд╕рд░рддें рдЕрднी рдЕрдзूрд░ी рд╣ैं, рдХुрдЫ рдХाрдо рднी рдФрд░ реЫрд░ूрд░ी рд╣ै)
And I nodded and
smiled back at you,
Yes, my boat can
wait.
***
Meenakshi Mohan |
Aahista
chal aye zindagi, abhi kai karz chukana baki hai
…kuch
hasrtein abhi adhuri hain , kuch kaam bhi aur zaroori hai. –
Life,
slow down your pace. There is a lot of debt yet to be paid.
Some wishes are yet to be fulfilled. Some work is yet to be completed.
Dr. Meenakshi Mohan is a scholar, art
critic, children’s writer, painter, and poet.
She has taught at universities in Chicago, Boston, and, more recently,
Towson University in Maryland. She has published worldwide both in the academic
and creative areas. She has been listed twice in the Who is Who Among
American Teachers. She is on the Editorial Team for Inquiry in Education,
a peer-reviewed journal published by National Louis University, Chicago,
Illinois. In addition, she received Panoramic International Poetry Award in
2022. She was also nominated as the Artist of the Month (January 2021) by DC
South Asian Arts and Literary Council. Meenakshi lives in the USA.
www.meenakshimohan.com
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