Showing posts with label Amita Paul. Show all posts
Showing posts with label Amita Paul. Show all posts

SARHON DA SAAG TE MAKKI DI ROTI

Amita Paul

Amita Paul


The Smells, the Colours, the Textures, the Histories
The Narrative, the Links to the Past and the Present 
Of my Sarhon (notice, Sarhon, not Sarson) da (notice, da not ka) Saag 
Or Maize- floured Mustard Greens Curry Stew, Mess, or Paste from Punjab 
(notice me trying to define it for an international readership 
(notice me trying to give and idea of it to those who may never have heard of it - and failing but failing spectacularly!)
Today, I want to tell you about it.

In my village in the Malwa region of Punjab 
Sarhon da Saag always was and still is 
Cooked from late November to mid February 
The Winter Months in our part of the world 
When the wheat is growing alongside the mustard 
And imparting a sweeter flavour by some tangible osmosis 
To the usually acerbic (literally, sour and bitter) mustard leaves 
My grandmother always asked us to pluck the mustard leaves and stalks growing closest to the wheat fields 
And to pick the earliest, youngest, most tender mustard leaves 
With the greenest, sweetest, juiciest stems, called gandalaan 
(Gandalaan da Saag is the sweetest, you must know - never discard the stems!) 
And that too from the native mustard called Desi Sarhon 
Never the hybrid or foreign Raili Sarhon 
The Yellow Mustard, or Sarson, mind you, with its milder more sweet flavour 
Not the Black Mustard, or Rai with its more bitter flavour, used for curries, chutneys and pickles 
Or the Red Mustard called Banarsi Rai, whose tiny seeds are reserved normally only for pickling needs. 

Those precautions taken, then we cannot forget to pick some Bathua Saag, 
Which is Chenopopodium Album or White Goosefoot 
(Also called Lamb’s Quarters or Melde in English) 
And which grows naturally as a weed in the Desi or Native Wheat Crop fields 
So we are doing the weeding of the wheat fields while also picking essential herbs or greens for our Mustard Greens Stew 
Or Sarhon da Saag.

This is the season for spinach and fenugreek to grow in our vegetable plots 
As also for the fattest and shiniest of green chilies 
Onion and Garlic, while the monsoon Ginger has been harvested and put out to dry 
In the mild and friendly winter sunshine 
So we must gather these essentials too, for our Very Important Dish - let’s call it VID!

Now on a wood fire or supplemented with cow dung cakes
In the clay stove or chulha in the cooking area 
Of an open backyard up will go
A sturdy red baked mud pot half filled with water
With the whole family busy cleaning and washing and chopping the greens 
The proportions laid out by the main cook
Who could be mother or grandmother or aunt or some other elder 
One part of mustard greens to half part of spinach
Quarter part of white goosefoot and one tenth part of fenugreek
Quarter part of white onion one tenth parts of garlic, ginger and green chilies
Thickly chopped and added in as and when prepared 
And a little salt added for seasoning, that’s all
Some might add one tenth parts of shredded cauliflower 
Or finely chopped cabbage and even a small shredded turnip
But these are by the way and dependent on availability 
And matters of individual taste or family tradition.

Well, you let this mixture bubble and then simmer away for a good hour or more 
Covering it with a lid after a boil or two
Taking care not to lose even a drop of the water wherein all the flavours are 
And wait till the leaves grow tender 
And the seasonings too have turned into a mush, 
Then take it off the fire for the next step of the recipe. 
Much gossip goes on in between, besides genuine exchange of news
Among the cooks and helpers
Adding mysteriously to the flavour of the final dish. 

Meanwhile someone is pounding a mixture of fresh chillies and ginger with a purpose
While the main cook measures out the maize flour for the Saag paste 
As also for the Makki di Roti or Maize Bread with which the Saag is to be eaten 
And the previous Desi Ghee or Home- made Clarified butter for the cooking and tempering 
For which last step more onions and garlic too must be chopped
And some fresh cream or top of the milk or Malai too must be kept ready.

Now to separate the boiled leaves and seasonings from the green and flavoursome water of the stew 
In which they have been cooking in the mud pot 
You must press with a ghotna or a wooden masher and squeeze to get all the water out 
Then put the squishy solids in a Kundi or stone grinding pot
And begin to grind them with the ghotna or a sota
Both wooden mashing or grinding sticks 
And as you mash and grind your greens 
You must add small quantities of maize flour and the stew soup or green water 
Turn by turn, and mix them with the boiled leaf greens, herbs and condiments 
Till it all forms a thin watery paste 
Taking care not to let the maize flour form even a single tiny lump
And adding tiny spoonfuls of the coarsely ground ginger- chilli mixture at every turn 
So that the paste does not turn bland.

In the end, you just add the last of the water to the paste 
As you put it back in the mud pot and give it all a final stir 
Then let the thin gruelly paste simmer away for a good quarter of an hour
So that the maize flower and the raw chilli garlic mixture gets thoroughly cooked
You must stir it of course, so that lumps don’t form
But beware of the sputtering bubbles that form and burst out of the dish
For they can scald you badly
And MOST IMPORTANT of all 
Don’t forget to add a generous ladleful of homemade ghee to the boiling mixture 
To perform the wonderful alchemy that ghee always does 
In Indian cooking.

As the VID simmers and sputters on the wood fire in the clay oven
We must now get together the handful of chopped onions and garlic 
and the leftover mixture of ginger and chillies roughly pounded together 
And more ghee for the final tempering 
And add these to a kadhaai or large Indian wok
And saut├й the seasonings before adding the cooked greens to them 
Checking for taste and adding salt or red chilli powder if needed
And finally, just before taking the VID off the fire
Add the homemade cream or top-of- the - milk 
And give it all a good stir.
Our Sarhon the Saag is finally ready, but we must cover it and keep it aside.

For now is the time to make the Makki di Roti or Maize Tortilla or Indian Cornbread to eat the Saag with 
Starting with a loose dough made in warm water 
And rolling out thick tortillas to be cooked on a thick iron griddle 
And to keep ready the white unsalted homemade butter 
Or in its absence more ghee 
To butter the hot bread with.

Some helpers must now make ready the other essential accompaniments of the VID
Curd and buttermilk, and sliced carrots and radish
Whole red or white onions mildly smashed with a ghotna or wooden pounding stick
And peeled but not sliced, ready to be pulled apart by the diners 
Each of whom would get one full thus smashed onion on his plate
Alongwith one or two buttered Maize Tortillas piled on top with the Saag 
Again topped with a scoop of white butter or fresh cream 
And the carrot and radish salad 
And some freshly made Amla or Indian Gooseberry pickle
With gooseberries fried in mustard oil with salt, turmeric powder and coriander powder
And if asked for, some mango pickle as well.
A walnut- sized lump of jaggery would also be placed in the thali or brass serving plate of each diner 
The curd in a small bowl for each diner is left unseasoned 
But the buttermilk is usually salted spiced up further with black salt, coarsely ground black pepper, as well as freshly roasted and ground cumminseed powder.
These are great accomplishments with which to wash down the Saag- Roti. 

The sweet jaggery can be eaten at any point during the meal but is usually left till last 
To be eaten with the final morsel of Makki di Roti 
Or Maizeflour Tortilla 
And some fresh unsalted butter or cream or warm fluid ghee 
- That’s enough dessert after such a full meal. 

Now tell me, is that not a meal fit for a king or a queen ?

Far away from home, if homesick for this VID, one has to make do
For restaurants serve only a travesty of it 
And many serve the Saag with wheat chapatis 
Or with Missi Roti, which is made of a mixture
Of gram flour and wheat flour, seasoned with salt and caraway seeds. 
In England in the nineteen seventies one could find tins of Sohna or Verka Mustard Saag 
Exported by the Government of Punjab and sold by Indian stores 
And in the United States and Canada in the nineteen- nineties
I found it still available as such, but with the added benefit 
Of Mexican Corn, Maize or Wheat Tortillas.
I always tried to make fresh tempering of onion, garlic, ginger and green chillies to go with it
And to add the curd, buttermilk, carrot, radish 
Onion, green chilly and pickle accompaniments for good measure 
And always shed a metaphoric tear or two induced by nostalgia 
For my village, my grandmother, and the clay oven in our open backyard.

My guests to such a VID meal were always delighted 
For though they knew it was not authentic 
They appreciated the thought and effort behind it 
And while the non sub continental ones had nothing to compare it with
The guests from India and Pakistan, especially those from Punjab
Were just so sentimental about this signature meal from rural Punjab 
That their emotions made up for the lack of authenticity in the meal served to them.

Such is the magic of our age old culinary treat
Sarhon da Saag te Makki di Roti

2. POEMS AS FOOD 

(A Self Renga) 

The sudden burst 
Of chilli on your tongue 
Satirical Senryu

The headiness 
Of Rice Wine Sake 
Japanese Haiku 

Biting and chewing 
The sweet bread of a Sonnet 
So satisfying 

The Rose Petal Kheer 
Of a delicate Ghazal
Unforgettable 

The bold Biryani 
Of an Irregular Ode
A full meal 

The rustic potage 
Of an Ecologue 
Pastoral Idyll 

The Greek Retsina
Of Epic Heroic Poetry
Most influential

The Honeyed Wine
Of Horace’s Lyrics 
Latin Poetry

The Korean Kimchi
Of a thought-provoking Sijo
Very inspiring 

The Malaysian Satay
Of a rounded Pantoum
Tasty and nourishing 

The Burmese Khao Suey
Of a graded Than Bauk
With echoing rhymes 

The French Chocolate
Of a charming Rondeau
A real treat 

The Italian Ravioli
Of a sensuous Sestina 
Worth the effort 

The Scottish Haggis
Of a Highland Ballad 
Or Border Song 

The Irish Stew 
Of the Ae Freislighe form 
Brief or long 

The English Breakfast
Of an Aubade with benefits 
Very tempting 

After Dinner Mints 
Of a Sweet Serenade 
Fragrant Dreams 

The Funeral Meats
Or Wake of an Elegy
So appropriate.

Essentials of Living: Amita Sarjit Ahluwalia

Amita Sarjit Ahluwalia
A Survival Guide in the Pandemic-Stalked Times

ENISLED

A solitary solipsistic existence is mine
And yet strange are the ways of Fate
What I had adopted as the Will Divine
For myself, became a common state

Suddenly people were thrown in on themselves
As I have been for many long years
Just I, my desk, and my bookshelves
While people advanced in different spheres

When COVID 19 hit Planet Earth
Isolation became a challenge for most
And yet think of it: your home and hearth
Have always been there your presence to host

People starved for touch, for direct talk,
But how many really stopped to think
Of those who long ago took the knock
And were left alone to swim or sink ?

I came to the conclusion Arnold was right
When he said Man is in Life enisled
And mortal millions are out of sight
Of each other, Life a Sea, he styled

While I would not undermine in any way
The need for friends and family
I think we often give too much sway
To Man’s need for company

While we need Society and Community
My point is we need not be so afraid
Of being alone- it’s opportunity
To find the real substance of which we are made

We have endless resources within our own selves
And the internet of course gives us many more
But never underestimate your bookshelves
And stories of which you yourself are the store

The Time of Pandemic is Time to Adapt
A Time to tap each inner resource
And build it up so that it is apt
Even when COVID has run its course

Physical and Mental and Spiritual Strength
Are present in all to some degree
Now we should study ourselves at length
And grow even stronger, consciously

In brief, do not give in to loneliness
But enjoy the blessings of solitude
So whether or not circumstances press
Each one of us has the right attitude

COVID is a challenge: we have survived worse:
We should use it to build capabilities
Let’s turn into blessing this pandemic curse
And refine our sensibilities

For instance, learn compassion for those alone
Not out of choice but compulsion
Let each one of us care for each other one
Not give way to hatred or revulsion

And also find within ourselves that core
That makes us creative and fills us with joy
Let us learn how to turn less into more
And usefully every resource employ

Let us reflect more, sing more, write more,
Paint more, help more, be more kind
With others fight less, with our demons fight more,
Let us meditate more, strengthen soul and mind.

If we do this, a better human race we’ll emerge
From the pandemic, when it is over and gone
Let compassion and creativity surge
Then truly this battle we shall have won.
***


POETRY IS THE BEST MEDICINE

I had COVID, and Poetry helped me survive
Reading and writing and challenging myself
As soon as I was falling, I’d revive
Poetry helped me more than power and pelf.

This isn’t a story, it’s a statement of fact:
In April last, I was down with COVID
And yet, to lessen its impact,
Take rest and write poetry was all I did

Of course, I took tests and medicines too,
And acted upon my doctor’s advice,
But my faith in my own positivity grew
As Poetry descended in Angel’s disguise

Through fever and headaches I battled on
Wrote one two or three or four poems a day
And read many more, then settled on
What I would write the following day

Through my illness and my convalescence
Of thirty days, poems one twenty
I wrote, and I’m convinced in essence
This saved me, with God’s Grace in plenty.
***


FAITH, HOPE, LOVE AND ART

Essentials for Survival haven’t changed much
Just become more important in these hard times
We need to acknowledge their value as such

We need social capital: nickels and dimes
Will not take us far: we need humanity
And we need art for the soul, our music and rhymes

At all times, but most now, it’s positivity
That keeps people going, and kindness, and smiles
We need to preserve our sensitivity

Remember, in hard times, unkindness most riles
But a helping hand people will not forget
This is no time to try cleverness and guiles

We need patience and perseverance the most
We need for ourselves and for others, Hope
Let no heart to despair play the host

With Faith, Hope and Love, together we’ll cope,
And beyond Survival, carve out fresh scope.
***  

Bio: Amita Sarjit Ahluwalia is one of the various pen names used by Punjab-born, Patna-based retired Indian bureaucrat Amita Paul, for her original writings in different genres, in English, Urdu, Hindi and Punjabi, featured in various anthologies, journals, and online poetry writing forums. She was awarded the NISSIM International Poetry Award for 2019 for her contribution to English Poetry, and the Reuel International Prize for 2020 for Non-Fiction for her Experimental Prose plus Multi-Media Anthology, ‘The Saaqi Chronicles’. Destiny Poets, Wakefield, UK declared her Poet of the Year 2020, and also Critic of the Year 2020, an unprecedented coincidence. Her more recent work can be seen in ‘Impressions and Expressions’, a 2021 anthology of international poetry edited by Oman-based poet, Amita J.Singhvi, on Spillwords, in GloMag August 2021 and in the Yugen Quest Review, April and August 2021.

Poetry: Amita Sarjit Ahluwalia

WHAT IS RADICAL?

What is radical in today’s India?

Unfortunately, nothing very different 
From what was radical in yesterday’s India:
Poverty that afflicts the fair face of the nation
Like pockmarks of a smallpox 
declared long since eradicated:
Hunger that gnaws at our innards
Like an insatiable monster 
Shrinking the skins 
And misshaping the bellies 
Of starving children: 
Casteism, Communalism, 
Gender Discrimination 
The Ogres that prey upon us 
Despite all our collective efforts 
And all our protective laws
And institutions meant to safeguard 
The rights of the downtrodden 
The basic rights of Man.

Amita Sarjit Ahluwalia

Our only new radicalism 
Is that we have learnt to denigrate
The very Man the world honours the most: 
The Father of Our Nation, 
Mahatma Gandhi.
***


THE BIRTH 

Standing outside the Post Office 
I hailed an autorickshaw 
The young driver stopped by me 
In a trice. 
I hopped in and said, “Gulmohar Colony.”
He nodded and set off 
With no more ado.

Glancing in the rear-view mirror, 
I noticed his eyes were bloodshot. 
Taking advantage of my advanced age, 
I said, “Son, it seems you didn’t sleep last night.”
He did not take offence, 
But shrugged tiredly and said, 
“That’s true, Maaji. 
I could not get any sleep last night.”
“What happened?” I probed 
“My wife gave birth at 3 am today. 
It was a third daughter.”
His shoulders sagged defeatedly.

“I see,” I said. 
“Who is with them right now?”
“Nobody. She is in the Government Hospital.
The two girls are also sitting by her bed.
There is no one to take care of them at home.”
“Could you not have taken a day off to look after them,
And get some rest?” I asked.


“If I did, what would we eat tonight?
How would I pay for my wife’s discharge tomorrow?” he said, matter-of-factly. 

“Turn right,” I said 
“It’s House Number 153.”
He pulled up at the gate. 
We checked the meter. I paid him the due amount.
Then I pulled out a five hundred rupee note 
And gave it to him. 
He demurred.

“A gift for blessing your new baby,” I said.
A tear glinted in his eye.
He bent down to touch my feet.
I stopped him and asked,
“Would you like to come in for a cup of tea?”
“No, Maa ji. I must rush. I can do a couple of trips
Before I go to the hospital with food for the family.”
I waved goodbye and rang the doorbell.

My six year-old granddaughter ran out to embrace me. 
I thought of a little baby girl, 
Waiting to be held by her father,
Perhaps for the first time.
***


WHAT HAVE I DONE? 

Reading Nirala 
I wondered whether the stone - breaker 
On the path of Allahabad 
Had changed in all the years
Since the poet wrote about her. 
Sadly, the answer 
Was, “No.”

I was taught by my mother 
To recite this progressive poem 
When I was five years old
I am now sixty-five 
My mother is no more. 

The woman on the construction site 
Opposite my apartment building 
Whose child sits in the dust
On the roadside verge among bricks 
Forces me to ask myself, 
“What have I done with my life?
What have we done as a nation?”
***

Bio: Amita Sarjit Ahluwalia is one of the various pen names used by Punjab-born, Patna-based retired Indian bureaucrat Amita Paul , for her original writings in different genres, in English, Urdu, Hindi and Punjabi, featured in various anthologies, journals, and online poetry writing forums. She was awarded the NISSIM International Poetry Award for 2019 for her contribution to English Poetry, and the Reuel International Prize for 2020 for Non-Fiction for her Experimental Prose plus Multi-Media Anthology, ‘The Saaqi Chronicles’. Destiny Poets, Wakefield, UK declared her Poet of the Year 2020, and also Critic of the Year 2020, an unprecedented coincidence. Her more recent work can be seen in ‘Impressions and Expressions’, a 2021 anthology of international poetry edited by Oman-based poet, Amita J.Singhvi, on Spillwords, in GloMag August 2021 and in the Yugen Quest Review, April and August 2021.