Showing posts with label Ban’ya Natsuishi. Show all posts
Showing posts with label Ban’ya Natsuishi. Show all posts

Tops Under The Stars: Haiku Inspirational Light Shining Bright—Such Delight!

Authors: Stoianka Boianova & Minko Tanev
Country: Bulgaria
Copyright: 2019
Book Title: Tops Under The Stars
Languages: English and Bulgarian
Translators: Stoianka Boianova & Minko Tanev, Bulgaria
Publisher: Cyberwit.net, Allahabad, India
Publication Year: 2019
Pages: 59
ISBN: 978-93-88125-40-6
Cost: $15.00



Joseph S. Spence, Sr.
Introduction

This awesome haiku poem book is written by two of the greatest known haiku poets, Stoianka Boianova and Minko Tanev, from Bulgaria. They are married to each other and have significant collaboration with their creative and artistic inspiring words. Since I have known them, they have been the two most pronounced haiku poets, practicing the art of haiku poetry in uplifting worldwide humanity. They have my noble blessings for their internally generated motivation proliferating haiku poems across the spectrum, with love and affection for their audience. 

This distinguished haiku inspirational book is written in two parts. The first by, Stoianka Boianova (╨б╨в╨Ю╨п╨Э╨Ъ╨Р ╨С╨Ю╨п╨Э╨Ю╨Т╨Р), and second by, Minko Tanev (╨ЬHNKO TAHEB) her husband. The poems in each are listed categorical in sections and flow wonderfully well.

Part One: Stoianka Boianova (╨б╨в╨Ю╨п╨Э╨Ъ╨Р ╨С╨Ю╨п╨Э╨Ю╨Т╨Р)

The first section of this remarkable haiku inspirational poetry book is titled, “Fragrance Valleys.” The first haiku poem reminds me of an awe-inspiring scene in the Sinai Desert while serving with the Multi-National Force. It’s a site which suddenly appeared in full view upon cresting a hill and was so beautiful. Immediately, there is life created by the Creator instead of sand dunes as follows:

feeling of homeland
roads through mountains
on the horizon                                     (Page 4)

Here Stoianka give a vision from a mountainous view where she feels her homeland based on her observation of nature while traveling the roads through mountainous areas. Such an inspirational vision from the senses—Sensitizingly Specular!

The imagery of God’s creation is precious, especially when its displayed as wonderful flowers. Roses, daffodils, and tulips are so beautiful and emit pleasing fragrances stimulating the senses They are delightful creations of God. This is exemplified in the following haiku poem:

dew in the flowers
in every drop I can see
the image of God                                (Page 6)

Her words in this haiku uplifts the soul, with refreshing eloquence, especially in the mornings when one is able to see drips of dews off flowers from the beam of the golden rays of the sun.

The second section titled, “Splash of Water.” It has a variety of poems reflecting such marvelous essence. The first haiku is symbolic of travelling at sea as follows:

an autumn leaf
travels on the river
a raft to the sea                                   (Page 17)

Her imaginative skills and symbology show a leaf as a raft travelling at sea, while it’s flowing down a river. Such magnificent use of comparing and contrasting words with visual metaphors.

The next haiku poem places one right on the beach. Such pleasurable sights, are seen everywhere on the landscape made from sand dunes as follows:

great sand dunes
grains of sand in different shapes
look equally                                        (Page 19)

Here she shows the ebb and flow of the tides creating various shapes in the sand. The feet of humans walking along the beach and kids digging and building sand castles are also depicted in this delightful scenery. This represent such a beautiful time on the beach for everyone.

The third section is titled, “Freedom of Flight.” It highlights visionary thoughts from the mind, conceived by and connected to the senses. The first highlighted haiku in this section follows: 

freedom of flight
the snowflake chooses its way
from heaven to earth                           (Page 28)

Here she reflects in plain view the freedom of flight by the snowflakes choosing their way to earth in grand style. They encounter no obstacles, truly exhibiting flight of freedom from above.

The last haiku to comment on in this section shows the freedom of joy for the winter holiday season. One can imagine the warmth inside their home with the all snow is outside in the garden as reflected below in grand style:

holiday joy
in the heart of the house
in the garden snow                              (Page 29)

Here she paints a pleasing picture of joy which comes during the holiday season. One can imagine snuggling up in front of a fireplace with sparkles popping, while sipping a cup of hot chocolate, and conversing with family. The snow is no problem, since it’s outside in the garden.

Part Two: Minko Tanev (╨ЬHNKO TAHEB)

The second part of this awesome haiku poetry book is written by Minko Tanev (╨ЬHNKO TAHEB). It’s also divided into sections. The first section is titled “Bright Light.” It begins with a fantastic haiku poem as follows:

Roman stadium
a procession of seagulls
in the night sky                                    (Page 33)

Such an impressive sight in the night sky. The reflection of the moon in the background works wonders making this sight enchanting. The extreme whiteness from the seagulls against the moon is truly a spectacular one to behold when moving in unison—Such Sensational Sight! 

The next haiku illustrates and resonates love and affection. The sight of the rainbow brings visual spiritedness for the soul and generates wonderful comments. The lines are as follows:

a rainbow
the bridge of lovers
on the horizon                                     (Page 38)

It’s really an enchanting sight to behold the rainbow’s reflection against the skyline with beauty and elegance. There is a nice wish to reach for the pot of gold with refreshing thoughts. A lover’s dream of endearment, and a blissful bridge to cross with love and affection for each other.

The next section is titled, “Sacraments.” It has many haiku poems linking to the subject for reading and interpreting with reverence and grace. It’s illustrated as follows:

blue rain green rain
cathedrals of the spirit
in offerings                                          (Page 42)

This is an admirable haiku poem regarding the cathedral of the spirit. One can imagine the sight of rain in various colors. Looking out the various stained windows of the cathedral and beholding things reflecting in different colors from the outside is very stimulating especially showers of blessings. The contribution of offering is a humble blessing to the soul—Ultimate Upliftment!

The next haiku reflects grace and wonders especially when one is in a state of mindfulness and meditation. Peace and quietness always resonate with beautiful visions and images for the soul. The following haiku is emblematic of such:

golden clouds
a moment of meditation
as birds return                                    (Page 48)

Here he reflects on birds in a moment of meditation. They are always fond of quietness, and driven away by noise. One can visualize a moment of goldenness with peaceful clouds impacting such a scene with inspiration. This is the habit for birds. It’s like returning to their nest and cuddling their youngsters with love and affection stimulating growth—Breathtakingly Beautiful!

The next section titled, “Roads,” gives a different contemplation of beautiful haiku poetry to refresh the soul and brings inspiration to the rest of the mind and body. 

The first one to analyze is the beauty of kites making their own way into the sky with their own path of brilliance and celebration. These wonderful lines are as follows:

colorful kites
flames in the sunset
beyond the river                                  (Page 50)

The varying colors of kites are always stimulating. The mixture of their colors is really fascination in the sunset with the reddish reflection of flames resonating. Such an alluring sight which brings splendor to the mind of a child holding the string while it’s in flight. This is really a marvelous haiku with words of endearment—Visually Vibrating!

The final haiku poem to review in this section reflects aesthetic and grace of two divine elements, the sun and fog, in the amazing beauty of the morning dew. Such excellent words are as follows:

autumnal sun
out of the fog appears
the image of God                                            (Page 54)

The brilliance of the autumn sun is refreshing to the mind, body and soul. It’s goldens rays drizzling with golden dust stimulates the grass, weeds, and flowers, thus causing dews to drip unto mother earth nurturing the ecosystem. These combination of events and activities are certainly an image of God taking care of His creation—Reverently Reassuring!

Conclusion

This awe-inspiring haiku book is certainly refreshing to the mind, body and soul. The words embedded by the authors generate splendor from within the four corners of each page. They are inspiriting, uplifting and alluring with endearment. These two Bulgarian haiku poets have my sincerest and noblest blessings on the inedible ink flowing from their pens mixed with diamond and gold. Their unique words are inspiring, uplifting, and stimulating to the senses and life. They are the two greatest haiku poets I have ever know from that part of the world in their efforts to uplift worldwide humanity with words of inspiration and endearment. Their motivation, positive attitudes, and internally generated inventiveness is beyond the normal comprehension of others.

This is truly a great haiku book of poems to read on the path of practicing mindfulness, and relaxation for the mind, body and soul. It generates splendor, wonderful thoughts, beautiful visualizations, and collectiveness of wisdom stimulating the brain during its performance of obtaining and remembering life’s beauty and splendor. One must read this awe-inspiring and amazing haiku poetry book of wonderful and insightful words of inspiration to truly appreciate the thoughts and words of the authors.

About the Authors

Stoianka Boianova, was born in Bulgaria, March 29, 1955 near Plovdiv. She has a Master’s degree in Physics from the University of Plovdiv. She has worked as a chief expert in the Bulgarian Metrology Institute, Sofia, in the field of instrument measurements, created an audited system for quality control, and took part in the development of standards. She is the author of eleven books, consisting of nine poetry books, one novel, and one collection of short stories. She has co-authored more than thirty editions in Bulgaria, Poland, Serbia, Germany, India, Japan, USA, England, and Africa. She is also an editor of short story books, novels and dictionaries. She has received numerous awards, accolades, and recognitions, continuously for her worldwide literary contributions, from countries and organizations around the world, starting in 1969 to the present, and more will be coming based on her current active contributions and participation.

Minko Tanev, was born in Plovdiv, Bulgaria, March 30 1953. He obtained a degree in Bulgarian Philology from the University of Plovdiv. He has worked at the Municipal Council for Culture; the Teacher’s House, Plovdiv; newspaper of the Higher Agricultural Institute; Medical University, Plovdiv; Professor of Bulgarian language for foreign students; newspaper Academia Medica, Plovdiv as an editor; newspaper Art Club, Plovdiv as a deputy chief editor; is an author of six books of poems; co-author of numerous books and anthologies; as well as an editor of over sixty books of poetry, prose, haiku and tanka, some of which have won national awards. His works have been translated into German, French, English, Polish, Slovak, and Serbian, and he has translated works from Russian and Armenian. He has numerous awards, accolades, and recognitions, continuously for his worldwide literary contributions in uplifting and inspiring worldwide humanity, from countries and organizations around the world, starting in 1978 to the present, and more will be coming based on his active contributions and participation.

Book Review: Flying Pope and Endless Helix: Combined Shining Stars of Haiku Poetic Essence

Title: Ban’ya Natsuishi—Endless Felix and Flying Pope: 127 Haiku
Author: Ban’ya Natsuishi, Japan
Genre: Poetry
Format: Paperback
Book Dimension:
Endless Felix
8.3 x 5.4 x 0.3 and Flying Pope 8.8 x 5.4 x 0.3
Number of Pages: 107 Endless Helix and 139 Flying Pope: 127 Haiku
Publication Year: 2007 Endless Helix and 2008 Flying Pope: 127 Haiku
Publisher: Cyberwit.net
Edition Language: English
ISBN-10:   8182530725 Endless Helix and 8182531063 Flying Pope
ISBN-13:   978-8182530720 Endless Helix and 978-8182531062 Flying Pope
Reviewer: Joseph S.Spence, Sr.

Review

Throughout life one will come across an individual who writes poetry. When fortune strikes, one receives enchantment, encouragement, and enlightenment from a prolific poetic writer. This occurs while reading an awesome book where the realization is evident that crossing paths with such a majestical person is taking place.

Professor Ban’ya Natsuishi, is such a person. Founder, World Haiku Association, author of “Endless Helix,” and “Flying Pope,” he sends excellent messages regarding the essence of haiku poems. His knowledge of haiku reflects the beauty of nature.

Natsuishi, is a prolific writer of haiku poems with melodious articulation. He flies in the right direction and leaves footprints on the sands of time where ever he lands. He reflects poetic knowledge through the volume of poems originally established generations ago in the “Man'y┼Нsh┼л (Collection of Ten Thousand Leaves).”

Links from “Man'y┼Нsh┼л,” still reveal an evolution in poetry. His vision of poetic evolution, aligns with his books, “Endless Helix and “Flying Pope.” The DNA from these books represents his connection to the “Man'y┼Нsh┼л,” the oldest collection of Japanese poetry from the Nara or early Heian periods, 347 to 759 A.D.  This anthology, which is one of the most revered of Japan's art of poetry, is a reflection of Ban'ya's integrated poetic system. 

During the first part of “Endless Helix,” he uses a series of poems unleashing a menagerie of stimulants, invoking sight, touch, hearing, and tasting with inspiring words.   Likewise, in “Flying Pope,” he unravels an anthology of haiku poems for all to understand.

Natsuishi, reflects on haiku in an uplifting manner. He writes in a scriptural sense in, “Flying Pope.” This volume brings to light an elegant artistry, in terms of his adoption of symbolic imagery for dramatic enunciation. His articulation reflects imaginative poetic language and uses stimulating and uplifting words. He moves the reader to another level, soothing to the mind with loving ability, while linking with “Endless Helix.”

Let’s examine the first haiku in Flying Pope:

forgotten homeland
forgotten prayers
the pope flies

Being that God created the universe of which land is a part, and the Pope is a representative of God, he has a mission to ensure that no land is forgotten.

Likewise, in “Endless Helix,” it begins with the first haiku stating:

the fountain spreads out
concentric circles of
water, winds and words.

In this haiku, Natsuishi addresses God's creation of water, winds, and words upon the earth.

In “Flying Pope,” he follows with another wonderful haiku poem:

flying Pope!
please rain your tears
over Japan

This is symbolic of the Pope’s visit to Japan in 1981, and the words of Cardinal Peter Seiichi Shirayanagi, archbishop emeritus of Tokyo stating, “For us Japanese Catholics, he was like a father.” This reflects on the tears of joy on Japan from the Pope’s blessings.

Likewise, “Endless Helix” addresses the beauty of singing in the following haiku:

an endless helix
sings silently
inside our body

Naturally, the music of the warbler bird is melodious to the soul as God's creation. The Pope’s visit to Japan generates lovely music, such as “Endless Helix” in addressing the body.

The mission of the Pope and his blessings on children are touching. In February 1981, while visiting Japan, he showed his love at a youth meeting with the famous singer, Anges Chang.  He also improvised a pirouette with the children. This reflects vividly on the following haiku:

flying Pope
visible only to children
and a giraffe

Imagine the songs in the hearts of the children being with the Pope on such a wonderful and historic occasion.  This is as admirable as God’s words which states: “Suffer the little children to come unto me and forbid them not for theirs is the kingdom of heaven.”

Beautiful sight of the cherry blossoms is a wonderful visualization. It brings images of peace and tranquillity. This is the blossom which creates a smiling face. The following cherry blossom haiku regarding of the Pope brings happiness:

storm of cherry blossoms
the Pope flies
with strained back

With a strained back, the Pope smiles and leaves happiness in many hearts.  One could visualize the imagery of the cherry blossom smiling and melting away a strain in the Pope’s back. It’s like a warm professional massage relieving pressures, or an acupuncturist releasing pressure points.
Every haiku lover should appreciate the humour laced in the Cinderella story of the Pope dropping a shoe as outlined in the following haiku:

the Flying Pope
has dropped a shoe
onto the nightless city

This may bring a parade of females looking to fit the shoe. It should qualify as laughter, joke or humour from the form of a “kokkei” humorous haiku, a general sense of happiness.

“Endless Helix” addresses this dilemma as follows:

the night
is the mother of the day--
a stone with two faces

We should know the story of Cinderella and the faces which came forward during night and day with different images and intentions.  Here, we see sincerity, honesty, and love for others overcoming relationships not based on goodwill.

The Cinderella story continues in the form of another “kokkei haiku” bringing more laughter:

for a while
the Flying Pope
follows Cinderella

Naturally, the Pope is capable of leading his own parade.  Any person could just image the Pope with legions of angels at his beckoning call to carry out his biddings in God’s glory.

This volume allows the reader to experience the pleasures of laughter as the Pope prefers a rice field to a helmet. One would enjoy a bowl of succulently steamed and seasoned rice with a deliciously steamed fish with all the dressings instead of a helmet with a symbol of danger.

While travelling, the Pope takes a look and beholds the vast continent. This likely bring his spirit to enjoy the symbology of God’s creation.  The mere thought of knowing that God created a separation in the existing waters on the surface of the earth, especially when He said, "Let there be a horizon in the middle of the water in order to separate the water." Thereafter, God named what was above the horizon as the sky.  The next haiku is on point in that regard:

to the Flying Pope
the earth:
a great tear drops

What a sight the Pope sees. Flying between the separations, he sees the great tear drop below and the heavens above, thus he gives blessing, thanks, and praises to God.

The Pope values religions around the globe. He reaches out to all people of various faiths and denominations. This shines in the following haiku:

entangled
by Arabic letters
the Pope flies on

The Pope shines his light on events bringing about transformations of glory around the world. One is able to see goodness in the Pope while meditating on this haiku:

the Pope
flies to Iraq
his head so enormous

“Endless Helix” not only established the lineage of Japanese anthological evolution from the “Man'y┼Нsh┼л.”  It also established the link between Pope John Paul I, who was called the first Flying Pope, based on his travels, and Pope John Paul II, who was also called the second Flying Pope. They both joined hands around the globe establishing peace in many hearts.

Even after his body absorbed a bullet from an attempted assassination, the Pope extends mercy.  By his vision, he turned darkness into light.  The following haiku is emblematical:

darkness—
the Pope flies
faster than a bullet

The imagery invoked in this haiku connects with darkness. It stretches the imagination and allows the mind to touch upon new territory. In “Flying Pope” he showed that temporary darkness from a flying bullet is not able to stop him and his mission.

God’s hands were on the Pope to complete His mission.  Meeting his would-be assassin in prison, showed the world the love in his heart, and how to profess forgiveness to others. The supreme hands of omnipresent mercy, transcendental love, and omnipotent majesty, was upon him in the transformation and preservation of his physical body.

Furthermore, the crucifixion, resurrection, and ascension are reflected in the Pope. The following haiku speaks directly to the invisible manhole in the palm of his hands:

in the palm of
the Flying Pope
a manhole

Imagine nails holding Christ to the cross, and the tearing expansion of the holes.  One could see through them, while not doubtful as Thomas, one of His disciples.  So is the Pope, absorbing the pain of the world in the palm of his hands.  He endures the agony and suffering of people with the visualization of Stigmata, which is referred to as a manhole.

Swallowed by the wind, the pope has flown upward to heaven.  He was given little, yet provided much for so many. Now he accepts his reward of, rest, and refreshment in the right place, on the right hand of God, as he is released from labour to enlightenment.

The essence of “Endless Helix” states:

even unto my death
cats will sing of love
in Rome

Words in this haiku bring to light an underlying theme. It shows the heart inside Natsuishi regarding this creation, showing that love is everywhere and shall abide everywhere.

This volume of haiku is a “Positive Karma,” for the mind and soul. It evokes good actions in the soul, and brings about a smiling face, a pleasing heart, and a positive self-image. It’s refreshing, and leaves a springing well of flowing water to quench the thirst within the soul.

The second half of Endless Helix, uses dreams to stimulate the mind.  The figurative language of the wind as a metaphor, signifies strength to withstand the elements and test of time. The flowing of water invoking cleansing and rebirth after an arduous journey—signifies peace. 

The quality of the discursive poetic syntax in both volumes of poetry, sends inspiring messages of transformation.  The eloquence of such an imaginative spirit of prolific poetic articulation, is like a caterpillar transforming into new birth from a cocoon into a sparkling butterfly. 

The ending of “Endless Helix,” shows Natsuishi walking against the wind on a New York street.  In essence, it concludes like the “Flying Pope,” traveling through time and space touching on generational lifelines.

Finally, before resting these awesome books with the dawn of the golden rays from the sun, or the rising of a spectacular moon, say to others in excitement, “I really love these books by Ban’ya Natsuishi regarding the “Flying Pope and Endless Helix.” Then leave an awesome review which will take off around the world like an eagle in flight, thus, announcing these Inspiring volumes of haiku poetic articulation written by Ban’ya Natsuishi, the prolific haiku poetic writer, who lifts up the “Flying Pope” through the essence of “Endless Helix.”


Bio Sketch of Professor Ban’ya Natsuishi

Professor Ban’ya Natsuishi is the greatest modern haiku master after classic haiku master Basho Matsuo, Japan. He was born in Aioi City, Hy├┤go Prefecture, Japan in 1955. He studied at Tokyo University where he received a master degree in Comparative Literature and Culture in 1981. In 1992 he was appointed Professor at Meiji University where he continues to teach. In 1993 he gave lectures at Jilin University in China. He was invited to haiku meetings in Germany, 1994, and Italy, 1995. During 1996 to 1998, he was a guest research fellow at Paris 7th University. In 1997, and held a “Contemporary Haiku” event in Provence of France. In 1998, with Sayumi Kamakura, he founded the international haiku quarterly, “Ginyu,” and became its publisher and Editor-in-Chief. In 2000, after attending the Global Haiku Festival, he continues to travel around the world promoting, lecturing, and reciting haiku poetry.  His written poetic books are numerous. His awards include the following: 1980 he was recommended as Poet of the Year by Haiku-hy├┤ron. 1981 he won First Prize in a competition sponsored by haiku monthly Haiku-kenky├╗. 1984 he won the Shii-no-ki Prize. In 1991 the Modern Haiku Association Prize. In 2002 he won the Hekigod├┤Kawahigashi Prize of the 21st Century Ehime Haiku. 2008 he received AZsacra International Poetry Award for Taj Mahal Review, 2013 the Sarah and Mo├пse Russo-International Prize in Poetry for Taj Mahal Review; and 2015, the Highest Prize of the Mongolian Writers’ Association.