Showing posts with label Living the Instant. Show all posts
Showing posts with label Living the Instant. Show all posts

Special Edition: Marjorie Pezzoli

Marjorie Pezzoli
Marjorie Pezzoli is a silk painter over 30 years, a visual artist, storyteller, and haikuist. Her writings cover joy, hope, grief, and cosmic wonders. Nature is a huge inspiration. Since 2019 her poems have been curated in numerous poetry anthologies and online journals. Her work deals with grief, hope, earth stewardship, and cosmic wonders. The Cosmic Gumball Machine is her weekly newsletter offering on Substack. Marjorie looks for words worth more than a thousand images. www.Pezzoliart.com

Untitled: Marjorie Pezzoli

                   u
               p
tears dripping                   hourglass widens
                     . . . . . . portal of  time
tears dripping                   glass shatters
                  d                             shards cut deep
                    o                       pain eventually softens
                     w
                        n              
                            sea glass in my hand 
                                    a feather falls
                                         becomes
                                            a quill     
                                                her story
                                                  my story
                                                    shall be told
 

Feather for Quill

Glass Ball Self Portrait


Special Edition: Supatra Sen

Supatra Sen

The ‘Tricolour’ That Binds

 

Saffron for strength valour sacrifice

White…peace

And green for growth prosperity

The little angel listens in rapt attention

To the erudite mother

Wide-eyed…

 

Fifty years later…

 

A gentle voice

Repeats

Saffron

White

And green

A frail voice whispers

How beautiful…

 

You once explained

Remember…

Who…your mother...

 

The cycle continues

And the story weaves

Of two lives

Of all generations…

***

 

 

Their Story…

 

They have all left

The old bricks

The broken walls

Mourned in grief…

 

The wise old tree

Clung closer

Entwined intricately

The new leaves glistening

In the soft rays

But I remain

My roots delve deep

Our story continues

Your and mine

 

Men with axes

Blows and strikes

Deafening

Echoing

Young buds in agony

The old withered

The tree silenced...

 

The bricks and walls

Witness

In silent terror

They know

It’s now time…

 

Time

And

Civilization…

***

Special Edition: Meenakshi Mohan

Meenakshi Mohan

 

 

The Giving Tree: Two Perspectives

(Based on Shell Silverstein’s Book, The Giving Tree)

 

Scenario One: His Story

 

The rain had stopped.

He walked to the window with his cane, slumped,

and looked out -- a stump of a tree glistened

buffed with the last night’s rain.

 

The stump sat alone in the midst of the lush, green

vibrancy of the fruit trees around it.

He wondered if he was like that stump --

once mighty, leafy, loaded with fruits,

family and friends swirled around him

like bees around beehives.

Today, bereft of his branches, leaves, and fruits,

he is alone in his bare minimum abode --

a silent witness to life’s desolate blow.

 

He looked at his wall –

beautiful memories of yesteryears

peeked through the frames.

He sat down on his rocking chair

gingerly placing the cane next to him,

a weary spirit lost and lone –

life dragged on in an encumbrance shackle.

He thought of the beautiful life he had,

and took a deep breath and sighed.

Shell Silverstein sighed

from his pages of the Giving Tree.

 

***

 


 

 

Scenario two: Her Story

 

The rain had stopped.

She walked to the window

and opened it to get some air.

A fresh whip of cool breeze tousled her silver hair.

She looked out at the fresh vibrancy of nature --

trees dancing in the wind,

colorful flowers blossoming,

rainbow-colored butterflies hovering around.

 

An apple tree stump

sat alone from the lush plants and foliage.

It glistened with last night’s rain and

sparked its beauty like an ancient sculpture.

As she meditatively admired nature's beauty, freshness, and liveliness,

she heard a knock on the door. She opened the door, and

a little visitor stood there with a plate,

“My mother baked some fresh cookies today. She has sent some for you.”

She smiled and thanked him.

 

The little boy, who frequently visited her, requested,

“Could you please read me the story from one of your children’s books?”

“Yes, of course, please come in,” she chirped.

They had chocolate milk and cookies while she read the book.

After the story, he wanted to know about the pictures on the wall.

She told him about her parents, childhood, husband, children, and grandchildren.

Before he left, he politely asked, “May I come back again to listen to another story?” She nodded, “Yes,” with a smile.

This little visitor was like a breath of fresh air.

 

She walked to the window again.

The stump of the Apple tree was no longer lonely.

Neighborhood children were sitting on top of it,

playing games. Some had decorated the edges of the stump with flowers.

She thought she would take her granddaughter there to play.

She smiled at Shel Silverstein’s book, The Giving Tree.

Shel Silverstein winked a naughty smile through its pages.


Setu Special Edition: August 2024

Living the Instant: Gestures of Erasure and Capture


Special Edition: Srilakshmi Adhyapak

Dr. Srilakshmi M A
Living the instant

Through the twilight haze,
Exists day and night’s locked-in gaze.
Mists swirling in curtains pall,
Descending to earth in night’s inky fall.

The sky in a riot of hues ephemeral,
Aflame Sun kissed in an amber ethereal.
Swirling mists shredded here and there,
Revealing the canvas celestial with hues rare.

As night spills her cape dark enveloping,
Twilight magic fades into stillness enchanting.
Songs mystical of birds rare, now asleep,
Haunt the very air as chirping crickets peep.

Time though ephemeral and fleeting seems,
Encapsulated magic in enchanted beams.
Beauty in measures unfathomable,
Seized in the frozen instant unsurmountable.
***


The gaze that seizes Time

The waters placid in an aquamarine sheen,
Gently lapping to a zephyr unseen.
A leaf emerald on the waters floating,
Its veins etched in pristine netting.

On it lay an infant beautiful sublime,
Gurgling happily his toe he sucked in clime.
His lips coral shaped like a bow dainty,
His eyes sparkled, twin diadems in nature’s bounty.

His gaze eclectic, through eons filled,
With knowledge hoary through ages spilled.
The elements primordial stood still,
Time ever-changing in a static spell.
***


MY CONNECTION WITH HUMANITIES
I have been composing poetry since my early teens. Poems are a way of rejuvenating my mind when I am amid long chores. I compose poems during leisure time and pursue it as a hobby. I derive inspiration from nature and certain significant events. Most of my poems speak about the celebration of life and nature.  I have rendered the Ramayana into poems. My latest book ‘The song Divine’ is the Bhagavad Gita rendered into poems.

Special Edition: Kushal Poddar

Kushal Poddar
Although Kushal Poddar has authored ten books, the latest being 'A White Can For The Blind Lane', and his works have been translated into twelve languages, and he has been a sub-editor of Outlook magazine and the editor of Words Surfacing, and he does some illustrations and sketches for various magazines if you ask him, he will say that he gardens a growing up daughter.


The White Stag Run 

The thirty seconds of a white stag
last longer than the trip or our visit 
to your uncle who will spill the bad blood,
breaks the news about your birth as if
the truth will make our relationship a lie,

and the albino beast leaps over 
the new road, black pitch, yellow line, 
fast shadow as accents beneath its hooves
whose colour we shall argue about 
instead of wrangling about your parents
and hissing in unison the names 
we may have given to your kin. 

No. We live those thirty seconds white.
We watch the beast, pick up the crumbs
of dreams in order to track the trail 
to our home in a bit of a Brothers Grimm 
puzzle. Sometimes when I move in sleep
and cowp a glass of water from the nightstand 
I see your uncle's eyes narrowing, 
diluting into the fierce pupils of the white stag.
*** 


Red Crested Cockatoo 

The ditty about a cockatoo
and its red crest and its white breast
awakens me. You have not heard it 
unless your birth city is mine,
its tongue speaks for you. You won't 
hear it anyway. The song my dawn plays 
will remain perched on my wrist 
if I stay on my sweat stained bed, lie
in a fetus position, my arms juxtaposed 
and spread, some verdant leaves 
sprung out from their wooden skin,
a few fledglings of another species 
shivering in a circle of my wrinkles.
***


This Monsoon We'll Become Ghosts 

The muscle of verdure 
touches your shoulders 
this monsoon, 
bridges, communicates with you, 
and have you not been complaining 
about the wrecked relationship?

Now or never, you have to discuss 
about restoring the house with the roof 
you hate, even if you have to shout 
your words from your 
acid-on-your-tongue slow balcony.

Nature takes the bricks 
your grandfather's father in-law built
for his daughter. Nature lifts
your memories beyond 
your immediate reach, and now, oh,
where are we? Here, the second person 
is the first and only. I don't really 
care about this house, do I? 
Often I see you, or maybe it is you 
who see me standing on the edge
of a sad day and let my or your weight 
do away with the house No. Fifty Six.
***


Droplets of Leaves Are Not In This Frame

Time canonizes the photographs, 
the printout ones, adds halos, 
and this one, whites out 
right to the edge of its geometry
as if I have revisited the house feelings 
in a vintage spy thriller movie.

All I have is your index, not in full, 
just the tip, and some burnt out space
where our fleshes define the indefinable.
Whereto does your finger point out?
Where will it lead me if I may decode it?
Will I be ecstatic again if I see 
what you wanted to show? Will I be 
unable to over-express because 
no longer I need to win you, be 
on your side? I cannot lose you again. 
I could never in the first place.

Special Edition: Jerome Berglund

Jerome Berglund
Jerome Berglund has published book reviews and essays on poetry and poetics in Fireflies’ Light, Frogpond, Haiku Canada, Hooghly Review, the Mamba, North of Oxford, Setu, Valley Voices, also frequently exhibits poetry, short stories, plays, and fine art photography in print magazines, online journals, and anthologies.




(Please click to enlarge)

Special Edition: Sreelekha Chatterjee

Sreelekha Chatterjee
A Moment in the Hourglass

Every instant slips through the gauze of time.
A wave that shimmers, breathing freshness,
vanishes in the gigantic ocean. 
We soak in the remains all wet,
while the circumambient air
never finds the shore.
Hiding in the fisherman’s mesh, 
the fish strives to be alive.
We crave for the moment’s benediction
destined never to return.
The numinous essence survives—
liberated, yet etched in memory forever.
***


When I Surrender

Riding a horse all set to win—
a refreshing day, a ravishing night—
no matter how much I tighten my rein,
every moment slips away,
off from one to another trice.
Its fleeting presence burns me in despair,
mourning its loss, a game I declare.
I remain blinded by the darkness
before the dawn,
ignorant like a child in a mother’s womb.
Living in the instant, a mantra I forget
for time will never stay,
black tresses shall turn grey,
wrinkles on spotless skin will soon delight.
What is conceivable today 
is bound to be forgotten.
In the web of palpable and impalpable, 
I clinch my soul for want of familiarity.
Letting go is what I learn from the clouds
Time will travel as its travels go on. 
***


Revival of Moments

I wheel back to a moment I’m now deprived
Like a bouquet of roses that was once alive.
I saunter along the memory alleys in succession.

My body and soul align to meet a childhood day
where innocence awaits to bask in nature’s way.
I wheel back to a moment I’m now deprived.

Like a printer that returns each impression—
my mother’s lap, my friends’ happy playground.
I saunter along the memory alleys in succession.

A verdurous jubilation swaying in the breeze,
my eyes of innocence soak as they please.
I wheel back to a moment I’m now deprived.

Echoes of laughter, erasing solemn mood.
Simple hearts caroling, prattling, prancing away.
I saunter along the memory alleys in succession.

Like dreams they appear, as I loll around.
I see all in my mind’s glorious eye.
I wheel back to a moment I’m now deprived.
I saunter along the memory alleys in succession.
***


Continuity of Time

Unable to capture a moment that goes by,
I pause to reflect in my mind’s eye.
One that I see in the mirror is a different me.
For what I have been seconds ago naturally flee.
How do I recreate a bygone instant?
For no two such moments are the same.
I am an aborigine in the scene of life
who knows the sound of rain,
the clamor of winds, the calls of birds,
but uninformed of time and its release—
powerless to arrest the moment life appears.
Existence remains unchanged, nothing disassembles.
Moments ensemble, with richness and variety.
Trapped in eternity, time promulgates
what propagates on and on,
for we are mere players multiplied
in the course of the game.
***


Recreation

If only a magic lamp helped me refashion moments.
In an instant, I would have journeyed to a faraway land.
Seen the merry children play on the beach.
If only a magic lamp helped me refashion moments.
Counted the waves that lashed on the shore.
Followed the birds until at a distance they soared.
If only a magic lamp helped me refashion moments.
In an instant, I would have journeyed to a faraway land.
***

Bio: Sreelekha Chatterjee is a poet from New Delhi, India. Her poems have appeared in Madras
Courier, Setu, Raw Lit, Pena Literary Magazine, The Mini Magazine of Assam, Verse-Virtual, The Wise Owl, Ghudsavar Literary Magazine, Orenaug Mountain Poetry Journal, Poetry Catalog, Suburban Witchcraft Magazine, Medusa’s Kitchen, The Literary Times, Ukiyo Literary Magazine, and in the anthologies—The Harvest & the Reaping, Winter Glimmerings, and Whose Spirits Touch (Orenaug Mountain Publishing, USA) and Christmas-Winter Anthology Volume 4 (Black Bough Poetry, Wales, UK).
Facebook: facebook.com/sreelekha.chatterjee.1/, X (formerly Twitter): @sreelekha001,
Instagram @sreelekha2023

Special Edition: Santosh Bakaya

Santosh Bakaya

And Memory Persists

What should I write? An elegy on the passing of an era?
An ode to the ephemerality of time? About those precious moments in the book of childhood, and one’s boisterous presence on those sepia- tinted pages? Did you say, they were trivialities? Inanities? Senseless vacuity?
No way can those nocturnal exploits, escapades, pranks, juvenile debates, and picnics in shaded corners be termed as trifles.   

But, where was the shade now?
With a flick of my fingers, I escaped into the idyllic past. Ah, there were the shades of the evening. The long shadows of dusk were creeping in a relentless advance towards our house in the University Campus, Jaipur. I saw Nipper chasing a spunky squirrel. Then, I was thoroughly amused, when I saw him bounding towards me, charging right, pouncing left, and licking me all over.
.The Guava tree was still there in the backyard of the neighbouring house, but the branches were lacklustre. We had spent many joyous moments among the branches, almost snatching guavas from the beaks of the rapacious parakeets.

Years melt, days melt, time moves on. Memories remain, erupting either in the form of evocative poetry, splashes of colour or descriptive prose.


Today again, I looked out of my window to witness the interplay of  the shades of the evening ; streaks of orange splashed all across the blue sky just some time back, appeared to be slowly disappearing, to be replaced by ominous clouds. Soon, it started raining. The versatility of the invisible painter intrigued me. Was it the surrealism of Dali, or the impressionism of Monet and Claude that had mesmerised me so?
Did one of the clouds look like a melting watch?
 Time stood still. The present melted away; the past took over. I was enchanted by the ‘persistence of memory’ always nestling in a cranny; a sound, a smell, and a word, enough to trigger it.

The rain again transported me to a long forgotten past spent laughing ,enjoying, jeering, playing, joking away our childhood years in a warm cocoon of love, affection, banter, and compassion, where Dad ruled like a benevolent, crown-less king, and mom his better half !

With my mind’s eye, I could see a bunch of naughty kids pirouetting and traipsing in the rain, shrieking and singing in untrammelled glee.  Ah, the thrilling, ephemerality of cherished moments! One of the shrieks yanked me from my reverie, and I was back to the present.

I saw a tiny, ill- clad boy rummaging in a heap of garbage.
With a happy gleam in his eyes, he picked up something. Then shooting a look in my direction, dashed away with the booty clutched firmly in a tiny hand, making me realise that all of us are hunting for some elusive treasure in order to lend some sparkle to our lives, irradiating our mundane existence.

All those treasures of the past swam into view. The neem tree planted by dad had grown along with us from a droopy, diffident sapling into a huge, shady canopy. It appeared to be throwing a rollicking rustle my way, happy at my sudden appearance. A magpie robin sedately perched on one of its branches, went into a litany of chirps. I stood behind the tree to eavesdrop on my idyllic past. Did it really exist?

Who was that figure in white, smiling in my direction, a hand raised in benediction? My granny! I still have a picture from those wonderful days standing out in all its dental glory!   I, a mere toddler sitting in granny’s lap, smiling for the camera, with my two front teeth shining, trying to compete with granny’s three teeth!  Dental dearth evoking mental mirth!

I also saw sprint champions running all around the garden. Who were they?
 Just moments frozen in time. Etched in memory. Moments long gone, but still existing in subterranean depths.

 Just a few days back, I heard the rumblings of a thunderstorm, and I am sure I saw Mom, in the whirlwind, standing forlornly under a vigorously shaking tree.
“Is it you Mom?” I asked.
‘Om Om Om,’ echoed the storm.
 “Hadn’t I requested you to record my voice, so that you could listen to it when I was not around? “I heard her.
 I recalled the scene. Mom sitting on the bed, near her small temple, in Jammu, making that request. But before she could complete the sentence, I changed the topic, talking about myriad incongruities- apple pies and pastries, biscuits and buns, and the ever-smiling bread man who would get them on his bike in a box. Ah, those giddy times of childhood spent in Jaipur!
Mom forgot the Kashmiri bhajan that she wanted me to record, and started talking in hushed, reverential tones of the blissful times when Papa, with his loving baritone, infectious laughter, and his unique witticisms was still around.
And alas, having succeeded in distracting her, her voice couldn’t be recorded!   

The wanton wind chimed, mixing its breezy notes with the merry cry of the ice cream vendor.
"Okay, let me sing this bhajan, and you record it. Please do." I again heard the persistent voice. 
She sang, and I listened, eyes glistening. But this was only after she was no more.
Why didn’t I record her voice when she was still around?  
The storm was growing turbulent.
She still stood under the tree.  I ran towards her trying to catch her fluttering saree, without any success. 
But her voice rang in my ears.  “Never live only for yourself. Never be envious of others’ success. When you help someone, never let your right hand know what your left hand is doing.”
“Yes Mom”, I spluttered, furtively wiping a tear with my right hand, which went unnoticed by my left.  

 Dizzying chunks of nostalgia merged, submerging me. Were those moments,
speckled with slivers of a wistful infinitude, gone forever?
What were they? Hallucinations? Flights of imagination? 
Or ephemeral slices trying to gain a strong foothold on my dizzyingly palpitating heart?

***

Bio: Internationally acclaimed for her poetic biography of Bapu, Ballad of Bapu, and biography of Martin Luther King Jr. [Vitasta] Santosh Bakaya, PhD, poet, essayist, novelist, biographer, Tedx speaker, has written twenty-nine well- received books across different genres.
Morning Meanderings is her popular column in learning and creativity.com.
Sunset in a Cup her latest book of poetry.  
Her Tedx talk, The Myth of Writer’s Block is popular in creative writing circles.
 


Special Edition: Milan Mondal

Milan Mondal

The Momentum

The cost of happy moments

Brings me in the world

As time flies.

 

I came and made my dearies happy

But could not hold the moment

As time flies.

 

I grew up

And invited hazards

As time flies.

 

I stood on my feet

And wanted to stop the clock

Yet, time flies.

 

Relentless toil

Brings me pleasure

Still time flies.

 

Desperate, I wanted to cease the moment

I enjoyed the ambrosia of youth

Unfortunately, time flies.

 

Finally, I heard my mind

Saying—

Futile it is to run after

Because time flies...

***

 

The Miscreant

Mind measures the moments.

But memory misleads

to a milieu

Mixed with mischance,

And minutely meditates

Into mischievous misdeeds.

***

 

 

Euphoric Carol

The voices in the midnight

Struggled to heal the wound

Created long ago.

 

The scary wound bleeds

inside the psyche

Repressed and suppressed.

 

A gentle prick

Is hardly the occasion

But a deferred-action.

***

 

Bio: Milan Mondal has a penchant to express his ideas in a crisping manner. He, most of the time, expresses profound philosophical and spiritual ideas with the aid of simple words. He has been published widely by national and international publishers. He may be reached at milanmondalapengnrc19@gmail.com.


Special Edition: Gopal Lahiri

Gopal Lahiri
House of Mirrors

This is a house of mirrors
the full moon lies on the arched veranda,
the house smells of animal skins
muddy designs of white butterflies are
hanging on the walls,
each presence has a shade of meaning.

Hamilton sketches are on the wall,
the Palani hills, three pillars of mountains
show ecological changes,
upstairs with. wooden rooms and granary
remain the same, an abandoned branches bisected,
shimmering with lesions. rugged, rough, rusted.

Survival is a dot here.
it is so brave and small against the impossible,
the two bells go pealing through my age,
the lambanis songs by the beat of nagari
slatted wooden screes are not there.
broken glasses nurture in dereliction.

This place is heard, smelled, imagined, loved.
***


Walk in Silence

I cry out for peace like a prayer,
passing clouds with no names,
whisper histories of the old days.

I live in. I walk in silence under the grey sky
a rain drop waits at the edge of a leaf
to declare the daybreak.

This road chokes to a narrow puddle, two birds
fight for spaces on the broken branch,
they want to share their secrets with the earth
in the drifting screen of haze.

I pass under the banyan tree, I sense its
calmness in the luminous shade,
but a silent voice lures me inward,
says- don’t bend to the breeze.
***


Holding on to the air
(Inspired by a Santhal Dancer)

You unroll those marvels,
under the blazing sky,
the whirling in the circle
as the line fills the ground—
that look is like a string of pearls,
like a fire spreading
pure energy, spotless lines, no weight
Fall more, lean more bend more.

With long arms long legs 
and a bunch of flowers sticking
into the unkempt tresses,
small head
that zags, lurches, darts, describes
a progress so quick
no nerves can catch it,
fullness and a horn of plenty
holding on to the air,

Choreograph to live
meditation as if a dance of 
mounting rupture,
energy just pour and pour
a tail-swirl ruffles the earthy surface . . .
another pass, so high
and the bowing in a rain of Jasmine flowers.
***


Tsunami

The sky is now a river of flame
and creates a flutter in it
I hold a shared moment now
shining in the twilight.

The wind is wild, it can never be
spun, it only shakes the fallen leaves
your eyes rung dry from spent tears
and search for the unborn girl.

A street artist draws ‘Shakti’ in canvas
Ascending from the ruins,
A tsunami will now claim the night
This is her way of teaching us.
***


War Scene

I don’t want to die, says one young boy,
I wish it would all end soon.
words form a ring of fire until
the edges slice and cut fleshes.

A shell is landed near the hospital 
at the edge of the heritage tower,

An ambulance rushes up and brings a wounded 
little girl, her blood pools flow on the floor.
medics fail to resuscitate her, 
half-empty train leaves the moribund city, 

Those hungry faces cry day and night
Bleeding and breath-choked,
everything dies from inside.
Don’t empty houses ring?

The tanks emblazon,
isn’t it your life?
isn’t this war hardening your bones? 
Isn’t still burning out your eyes?

The screen goes blood red,
who will end this terrible conflict?
No one knows,

Silence is the only answer here and everywhere.
***

Special Edition: Toolika Rani

Squadron Leader, Dr. Toolika Rani

The Mist in Rwenzori

 

Ensconced in the timeless moment,

lost in the verdant embrace

of the densely alive Rwenzori;

The Pearl of Africa.

 

The sky rimmed by a circle

of green abundance of pinnacles

adorning a silver crown;

marvellous, majestic, ah!

 

Rising from the hearth of forest

Floating smoothly across the mountains

Mystic strands of milky mist

An indescribable scene of erotica!

 

A communion, a passing union

or companions of endless eons?

a game of hide and seek

the ever-changing vista.

 

The solid, resolute mass

or the flighty, weightless vapour;

which one steals the hour

emerging as the winner?

***

(Rwenzori is a mountain series in Eastern equatorial Africa, on the border of Uganda and Democratic Republic of Congo. The poet has described a moment from her climb to the top of highest peak of Rwenzori, Mt. Stanley.)

 

Poet’s Profile:

Squadron Leader (Dr) Toolika Rani is an ex-Indian Air Force Officer, Mountaineer (Everest Climber), International Motivational Speaker (TEDx), Author, Poet, Assistant Professor of History, and was the G-20 Brand Ambassador of Higher Education Department, U.P. Government (2023). She was given ‘Sahitya Shree’ and ‘Young Writer Award’ for her book ‘Beyond That Wall: Redemption on Everest’. Her second book based on her Ph.D. research ‘Sherpas of Solukhumbu: History and Evolution’ delves into the fascinating lives of the Sherpas living at the base of Mt. Everest. A bilingual poet, she has published two books of Hindi poems and one book of English poems. She has edited an international anthology of poems on Himalaya, ‘The Mountain was Abuzz’ which was displayed at the Kathmandu International Mountain Film Festival, 2024. She is the co-author of the book, ‘Healing and Growth: Inspiring Stories for Massive Transformation’ published from USA. Contact her on tulich83@gmail.com, or Insta ID toolika_14.

Special Edition: Meghna Kaul

Meghna Kaul
The Flashes of Memory
 
The crimson petals that open and spread
The dew that muzzles the flower’s bed
The night that veils stars in its embrace
The shy eyelids that droop on a blushing face
The dizzying drops of heaven
that flash on fist and then are blurred
The river that saunters to mingle in sea
The dreams that linger on a balmy sleep
The cattle led to meadow 
Sheperd’s pride
The peacock in the neighbourhood in its nimble flight
I turn and turn to capture the fleeting sight
The baby nestling in my arms
the touch of piety reaches the deepest calm
few seconds seem to surpass the serenity of a sacred psalm
The pot on the terrace bears deadly winds
the solitary leave flutters and fights
in this lone battle of strength in strife
vulnerable to gales, she has only self faith
Oh! I wish I could keep it safe
buried mid the pages of eternity
the flickering flashes that touch and flow
in the layers of memories they grow
If I could keep them ceased
but they slip like sand from the grasp
a transient breath upwards leaves
or a prayer towards the heaven pass
the trivials of life have depth infinite
nothing is everlasting in this world
So I soak my pen and write indelible
If nothing remains visual in my fragmented memories
My words soaked in emotions will always be with thee

Special Edition: Satbir Chadha

Satbir Chadha

That Moment

 

I clenched my fists, like one clings to life

I screamed

My head thrown back

The deepest deep throated scream

Loudest longest scream

Till my breath stopped, my parched lips smarted

My back arched up in a convoluted resistance 

Then all was still, all movements stopped

 

A cry, a baby’s cry, filled up the world

Most primal, his first breath

And the glowing ball of the sun

Landed on my sky, my abdomen 

A warm sticky gooey bloody sun 

Swam on my vast flesh

Oh! That moment! One in a lifetime

 

The spark of cognition, of the miracle that had happened

That one moment in my being my body my soul

Nothing ever in future had that magic

It is like after the rains 

The sun sits cradled in the lap of the sky

The incessant tsunami of pain, moleculed 

To a delicate gurgle 

As my belly was the expanse of the sky, the horizon and all beyond 

And my son lay warmly cradled there on.