Menka Rai |
The air of anticipation and excitement was palpable. The book titled Treasures of Lakshmi: The Goddess Who Gives, edited by Namita Gokhale and Malashri Lal, and published by Penguin Random House India, was launched on 8th October 2024 at the prestigious venue of the India International Centre, New Delhi. The work is the last of the “goddess trilogy” by the editors, the first two volumes being, In Search of Sita: Revisiting Mythology (2009) and Finding Radha: The Quest for Love (2018). The new book offers a plethora of academic and creative works including a diverse range of articles, research papers, translations from original texts, poems, as well as modern retellings on the goddess Lakshmi.
The programme was moderated by Dr. Usha M. Munshi, Chief Librarian of the India International Centre. Dr. Munshi called the speakers, Vidya Shah, Lakshmi Puri, Alka Tyagi along with the editors and the publisher, to the stage to “launch” the book which has a dramatic cover sourced from Chitrakala Press, Pune. Here, Lakshmi appears as a strong force of energy with a resplendent abundance. Following the launch, the programme proceeded by including musical performances, readings from sacred texts of Lakshmi as well as a discussion on the book.After the performance, Namita
Gokhale introduced the book to the audience. Gokhale, an eminent author and
festival director, emphasized the mystery and enigma surrounding Lakshmi in
diverse mythological traditions. She quoted Anand K. Coomaraswamy, “Myth
embodies the nearest approach to absolute truth that can be stated in
words”, to explain how the chapters included in the book unravel multiple
facets of the goddess. She spoke of the complex link between Saraswati and
Lakshmi--devotion to knowledge and the quest for material success. She further mentioned Lakshmi’s compassion for
her reviled sister Alakshmi, and the many stories about the chanchal goddess
that emerge from communities around the country. The book demonstrates that it is important to
recognise and understand Shri Lakshmi through sacred texts as well as modern
creative writings and interpretations. In Namita Gokhale’s words, “Shri Lakshmi
represents the order, stability and harmony of the universe.”
Lakshmi Puri, a former member
of the Indian Foreign Service, an ambassador, and having served for fifteen
years in leadership roles across various UN organizations, eloquently expressed
that the book "unveils the secrets of Lakshmi," providing profound
insights into the spiritual and cultural significance of the goddess. She suggested
that reading the book was equal to an act of worshipping the goddess in her
plenitude, experiencing her multifaceted nature. Puri further highlighted
Lakshmi's dual impact, describing her as a "Devi with a civilizational
impact and at the same time local." This statement highlights Lakshmi’s resonant
influence on the Indian subcontinent as a whole while also recalling her intimate
connection with local traditions and communities. Further, Lakshmi Puri found
the process of composing the edited volume similar to “churning the Kshira
Sagar of knowledge about Lakshmi to bring out the information for modern
readers”.
Malashri Lal, writer,
academic, and social worker, alluded to various manifestations of Lakshmi
portrayed in the book, emphasising that she is not just the goddess of material
wealth. The description of Lakshmi’s emergence during the churning of the sea
is to be read in this context. While rising from the ocean, she holds the Akshaya
Patra which is filled with gold and grain, signifying material wealth as
well as essential food. Also accompanying her are Kamadhenu-- the wish
fulfilling cow, Kalpataru-- the tree of hope, and Chintamani-- the wish fulfilling
gem. The details from ancient texts denote that Lakshmi is not just symbolic of
materiality, rather she is the goddess of holistic abundance and fulfilment.
Lal further posed the question “Why are we still talking about Lakshmi?”. The
relevance of Lakshmi in our contemporary times is explained through different
chapters of the book dealing with folktales, vrat kathas, Kuber, symbols
such as the lotus, the owl, and the elephants, Lakshmi’s influence on Buddhism
and Jainism, and her name being linked to the cosmetic brand Lakme, and to government
schemes for women, etc.
The book discussion provided
ample illustration that Goddess Lakshmi presides over the long span of time from
Vedic times until now. The programme concluded with a mesmerising musical rendering
by Vidya Shah of the Telugu song Bhagyada Lakshmi Baramma (‘Come, O
goddess of Luck’).
Bio:
Menka Rai is an assistant professor (History) at Amity Law School,
Noida. She has published papers on themes such as the cult
of sixty-four yoginis, polyandry in ancient India, violence against
women, public policy in ancient India, etc. Her PhD research work is
‘Representations of Women in the Mah─Бpur─Бс╣Зas: Through the Lens of
Family, Caste and Class (c. 3rd to 8th centuries C.E.)’, where she
explored different social themes from a gendered perspective. She has
also worked on a project dealing with violence against women in the development
sector.
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