Showing posts with label Release. Show all posts
Showing posts with label Release. Show all posts

Cyril Dabydeen: FORGOTTEN EXILES/Short Stories. Mosaic Press, Ontario, Canada, 2024

Press Release
: Ottawa-based Cyril Dabydeen’s newest volume of short stories, Forgotten Exiles, has just been released. 

In a prologue to the book, Dabydeen quotes Maya Angelou: “The greatest agony is an untold story.”  This collection shows the author’s mastery of the form after long years of writing. Here are stories of an earnestly searching soul as Dabydeen crosses boundaries where the “exile” longs for a real place with his Guyanese-Caribbean background.

 In Forgotten Exiles are stories that go back to the 1970’s when he lived in the Lake Superior region planting trees while in the quest for higher education and the search for identity. Outsider and insider images comprise his narrative forte as Dabydeen aligns north and south, hinterland and urban life of the coastal Amazon where Guyana is located with the urban landscape of Canada. The author’s sometimes poetic style, his inflection, makes the stories compelling to read with their striking metaphors, and inflection mixed in with his sometimes-dialectal rhythms.  (Note: Cyril Dabydeen is Ottawa Poet Laureate Emeritus.)

Cyril Dabydeen
He is widely published in the literary magazines in Canada, UK, USA, etc. The title story first appeared in Prairie Schooner (University of Nebraska), which later recommended him for a Pushcart Prize (for another story). 

In the sixteen stories in the collection, triangles of love associated with personal and social concerns are with imagery about race and class comprising the essence of his characters with their human foibles--as Dabydeen flits between past and present, Janus-like. He associates memory and landscape in most of the stories here, many of which are set in Ottawa where he has lived for decades.  Notably, in Forgotten Exiles, Dabydeen looks into the proverbial mirror and what’s behind the cracked glass of the mirror in lived experiences.

 His writing is aligned with his work in human rights and social service, in government, and as an educator. He taught writing for many years at the University of Ottawa. He has read his stories in Europe, USA, Canada, the Caribbean and Asia often as a guest of the International Conference of the Short Story in English coordinated in the USA.

 This new collection adds to Dabydeen’s many books of fiction (novels and previous short story volumes such as My Undiscovered Country, My Multi-Ethnic Friends and other Stories, and North of the Equator).  Many of these stories here were first published in key literary journals; and this new collection confirms Dabydeen’s status as an established writer of fiction. 

He has been nominated for the IMPAC Dublin Prize for fiction, and won the Guyana top prize for his novel Drums of my Flesh (Mawenzie House).  He has also won the Okanagan Fiction Prize, the Canute A. Brodhurst Prize, is a shortlisted finalist of the Ottawa Book Prize (fiction), recommended for a Pushcart Prize via Prairie Schooner (USA) for fiction, and also recommended for a Journey Prize.  

Dabydeen is sometimes better known as a poet because of his Ottawa Poet Laureateship (emeritus) role, and with his major poetry collections such as Imaginary Origins: New and Selected Poems (Peepal Tree Press, UK). The Canadian Parliament described him as “a noted Canadian poet” (Hansard, April 24,2001).  He has done over 300 readings from his books in Canada, US, UK and Europe, the Caribbean, and in Asia. 

This new fiction collection enhances what has been said about his stories being “the epiphany, the moment of illumination, which comes out of an ordinary experience” (World Literature Today/University of Oklahoma). 
***


EXCERPTS OF REVIEWS:

“I know it's like all your work--astute in politics and artful in poetics.”
--George Elliot Clarke (Parliamentary Poet Laureate Emeritus).

“Cyril Dabydeen...he is a consistent and eloquent witness of the man-on-the-way, the traveller, the pilgrim. He captures the spirit of the displaced, the dislocated, and the alien within the Canadian experience.”
--Canadian Ethnic Studies (University of Calgary)

“There is a kaleidoscopic quality to these short stories, a shifting and colliding of the bits of coloured glass held up to the light. Much to share that is not necessarily easy to render in a short story format.”
-- Montreal Serai. 

“It is the epiphany, the moment of illumination, which comes out of an ordinary experience.”
-- Peter Nazareth (University of Iowa), World Literature Today

“Dabydeen is a short story master.”
--Canadian Literature. 

“Unique background and stellar writing.”
--Fred D’Aguiar, Director of Creative Writing, Virginia Tech University, USA.

“…interesting and thought-provoking…well worth reading carefully...I have enjoyed your stories, and I have enjoyed reading them in this new collection!”
--David Staines, Dean of Arts, University of Ottawa

“Cyril Dabydeen creates imagery, narratively and metaphorically, that confronts his diasporic condition. His characters are deep and psychologically complex, conflicting and not conflicting with the natural and human environments encompassing them.”
-- Cultural and Pedagogical Enquiry, University of Alberta
***

Cyril Dabydeen
Email: cdabydeen@ncf.ca
Phone: 613-230-7854

The Book Launch of Treasures of Lakshmi: The Goddess Who Gives

Menka Rai
A Report: Menka Rai

The air of anticipation and excitement was palpable. The book titled Treasures of Lakshmi: The Goddess Who Gives, edited by Namita Gokhale and Malashri Lal, and published by Penguin Random House India, was launched on 8th October 2024 at the prestigious venue of the India International Centre, New Delhi. The work is the last of the “goddess trilogy” by the editors, the first two volumes being, In Search of Sita: Revisiting Mythology (2009) and Finding Radha: The Quest for Love (2018). The new book offers a plethora of academic and creative works including a diverse range of articles, research papers, translations from original texts, poems, as well as modern retellings on the goddess Lakshmi.

The programme was moderated by Dr. Usha M. Munshi, Chief Librarian of the India International Centre. Dr. Munshi called the speakers, Vidya Shah, Lakshmi Puri, Alka Tyagi along with the editors and the publisher, to the stage to “launch” the book which has a dramatic cover sourced from Chitrakala Press, Pune. Here, Lakshmi appears as a strong force of energy with a resplendent abundance. Following the launch, the programme proceeded by including musical performances, readings from sacred texts of Lakshmi as well as a discussion on the book.

The befitting opening presentation was a melodious musical rendering of the Mahalakshmi Ashtakam by noted musicologist, Vidya Shah. It is a Sanskrit hymn to the eight forms of goddess Lakshmi.

After the performance, Namita Gokhale introduced the book to the audience. Gokhale, an eminent author and festival director, emphasized the mystery and enigma surrounding Lakshmi in diverse mythological traditions. She quoted Anand K. Coomaraswamy, “Myth embodies the nearest approach to absolute truth that can be stated in words”, to explain how the chapters included in the book unravel multiple facets of the goddess. She spoke of the complex link between Saraswati and Lakshmi--devotion to knowledge and the quest for material success.  She further mentioned Lakshmi’s compassion for her reviled sister Alakshmi, and the many stories about the chanchal goddess that emerge from communities around the country.   The book demonstrates that it is important to recognise and understand Shri Lakshmi through sacred texts as well as modern creative writings and interpretations. In Namita Gokhale’s words, “Shri Lakshmi represents the order, stability and harmony of the universe.”

Lakshmi Puri, a former member of the Indian Foreign Service, an ambassador, and having served for fifteen years in leadership roles across various UN organizations, eloquently expressed that the book "unveils the secrets of Lakshmi," providing profound insights into the spiritual and cultural significance of the goddess. She suggested that reading the book was equal to an act of worshipping the goddess in her plenitude, experiencing her multifaceted nature. Puri further highlighted Lakshmi's dual impact, describing her as a "Devi with a civilizational impact and at the same time local." This statement highlights Lakshmi’s resonant influence on the Indian subcontinent as a whole while also recalling her intimate connection with local traditions and communities. Further, Lakshmi Puri found the process of composing the edited volume similar to “churning the Kshira Sagar of knowledge about Lakshmi to bring out the information for modern readers”.

This discussion was followed by a recitation of Shri Suktam from the Rig Veda by spiritual seeker and writer, Alka Tyagi. The Shri Suktam is considered as the first hymn present in textual records for the goddess Shri; it consists of sixteen hymns in her praise as a bountiful, divine feminine power. In the later period, Shri is identified with Lakshmi.

Malashri Lal, writer, academic, and social worker, alluded to various manifestations of Lakshmi portrayed in the book, emphasising that she is not just the goddess of material wealth. The description of Lakshmi’s emergence during the churning of the sea is to be read in this context. While rising from the ocean, she holds the Akshaya Patra which is filled with gold and grain, signifying material wealth as well as essential food. Also accompanying her are Kamadhenu-- the wish fulfilling cow, Kalpataru-- the tree of hope, and Chintamani-- the wish fulfilling gem. The details from ancient texts denote that Lakshmi is not just symbolic of materiality, rather she is the goddess of holistic abundance and fulfilment. Lal further posed the question “Why are we still talking about Lakshmi?”. The relevance of Lakshmi in our contemporary times is explained through different chapters of the book dealing with folktales, vrat kathas, Kuber, symbols such as the lotus, the owl, and the elephants, Lakshmi’s influence on Buddhism and Jainism, and her name being linked to the cosmetic brand Lakme, and to government schemes for women, etc.

The book discussion provided ample illustration that Goddess Lakshmi presides over the long span of time from Vedic times until now. The programme concluded with a mesmerising musical rendering by Vidya Shah of the Telugu song Bhagyada Lakshmi Baramma (‘Come, O goddess of Luck’).

The book Treasures of Lakshmi was warmly appreciated by the large audience in the IIC Auditorium who were equally keen to obtain copies of the book signed by the editors.

Bio: Menka Rai is an assistant professor (History) at Amity Law School, Noida. She has published papers on themes such as the cult of sixty-four yoginis, polyandry in ancient India, violence against women, public policy in ancient India, etc. Her PhD research work is ‘Representations of Women in the Mah─Бpur─Бс╣Зas: Through the Lens of Family, Caste and Class (c. 3rd to 8th centuries C.E.)’, where she explored different social themes from a gendered perspective. She has also worked on a project dealing with violence against women in the development sector.


Round up: Book Release

Book Launch of Selected Songs of Tagore, translated from Bengali to English

Text: Joy Moitra; Pics: Gopal Lahiri

Rabindra Okakura Bhavan in Salt Lake, Kolkata was the go-to place on 11th February, 2020. Kolkata's eminent poets, theatre personalities and singers performed on stage this evening. The occasion was to celebrate the launch of a book, containing the edited version of English-translated songs.
Selected Songs of Tagore


Gopal Lahiri, eminent bilingual poet and writer, has edited 50 of the 150-odd original Tagore songs translated by Late Aditya Kumar Deva Majumdar into English. On this day, this collection was launched officially in the form of a book called 'Selected Songs'.

‘Selected Songs’ has seen the light of the day due to the untiring efforts of Mita Das, Kamal Kumar Das, Aloke Kumar Bhanja and Gopal Lahiri himself. Abhijan Publishers, the publishers of this book, also contributed significantly to this compilation.



Rajorshi Patranabis was the host for the evening, Prof. Amita Ray commented on the translated work from an academician's point of view.

Renowned singers Srinanda Mukherjee and Shibani Bhaumik, together with theatre artist Santanu Gangopadhyay and Gopal Lahiri  made the evening more memorable with their rendition of Tagore songs and recitations.




The poetry reading session started with eminent poets Sharmila Ray and Sulagna Mukhopadhyay coming on to the stage. While Sharmila mesmerised the audience by reading out translated poems from Spanish to English, Sulagna enthralled by doing an encore from German to Bengali.



The evening concluded with poetry reading sessions by new and emerging poets like Sabarna Ray, Nandita Samanta, Soumyanetra, Nishi Pulugurtha, Joy Moitra, Sekhar Banerjee, Mandakini Bhattacharya, Sandeep Prasad, Gargi Chaudhuri, Aneek Chatterjee, Ajanta Paul, Subhadeep Paul and Dilip Kumar Datta. They read out poems in all the three languages - Bengali, Hindi and English.







Voices Within 2020 :: Setu, February 2020

An Evening of Social Awakening

Book Release: Fiction authored by Jatin Bala, and edited by Jaydeep Sarangi
Report by Titas Biswas, who is a post-graduate in Literature from the University of Calcutta. She enjoys confessional poems, both reading and writing of them. She wishes to join a publishing house in the near future. She also hopes to be a part of the performance poetry scene in Kolkata.


“Can the subaltern speak?”

If one is acquainted with Literature, at some phase they must have encountered this clich├йd question. Children grow up reading about Anne Frank and the horror stories of the Holocaust: tales of oppression where a section of humanity was not even considered human. But sometimes while reading about the world, we tend to ignore several aspects of our own national history. In the history of India’s struggle for Independence, perhaps the most tragic event was that of the Partition. And the refugee crisis that followed as a result is still quite an untouched territory. Very few of us are aware of the angst of those who could neither go back to their place of origin, nor blend in with their current environment. And even if we are aware, we tend to visualise refugees as a homogenous group of people who could be defined as ‘rootlessness personified’. But this myth of homogeneity is far from reality. Even the refugees were separated by indelible lines; the lowest rung being occupied by the Dalit refugees. Despite all the obstacles, several Dalit refugees managed to gain access to education and found in writing a weapon to help them get rid of their curse of social invisibility. And that is when the subaltern began to try to speak. Though a vast majority of the work remains in Bengali, attempts are being made by several editors to translate texts of Dalit literature. 6th July, 2017, marked the success of a similar endeavour: the release of ‘Stories of Social Awakening’, featuring stories penned by author Jatin Bala, translated into English. The book was edited by Dr. Jaydeep Sarangi, who is himself a poet, a professor, a translator and a patron for hidden literary talent.

The event was inaugurated with a soulful song by artist Lipika Biswas. This was followed by the felicitation of the guests of honour, Prof .Sanjukta Dasgupta (Professor of University of Calcutta and eminent poet) and Dr. Sharmila Ray (celebrated poet and educator, Head of the Department of History at City College). The guests were honoured with sashes. Several other guests of importance were also felicitated: Mr. Manohar Mouli Biswas (President of Bangla Dalit  Sahitya Sanstha and one of the most prominent voices in Dalit literature), Mr. Sukanta Mondal (Secretary of Bangla Dalit SahityaSanstha and poet ), Dr.Jaydeep  Sarangi (editor of the book) and of course,  Jatin Bala (author of the book). The guests together released the book to loud applause. Sri.Subodh Sarkar, the chairman of Kobita Academy and noted Sahitya Academy winning poet, was invited too but unfortunately could not make it. He had, however, left an encouraging note for the author and the editor, which was read out by Dr. Sharmila Roy. He wrote:

“Jatin Bala’s stories in the book are the ‘black box’ decoding the experiences of the largest human migration from East Bengal… I’m sure Jatin Bala is going to be a big name in India and beyond the borders.”

After this, Prof. Sanjukta Dasgupta, Dr.Sharmila Ray, Dr.Jaydeep  Sarangi and Mr. Manohar Mouli Biswas were invited to deliver speeches. Each speaker highlighted the importance of inclusion of Dalit literature into the syllabi of important academic institutions. They believe that such a step would not only increase general awareness of the masses regarding the life and struggles of the Dalits, but also nurture empathy towards them. This is perhaps the only way to eradicate the walls that separate ‘us’ from ‘them’. The issues of importance had been introduced and it laid the foundation for the remaining programme.

The event had two distinct sessions of panel discussions. Session I was chaired by Prof.Sanjukta Dasgupta and the speaker was Prof. Debi Chatterjee, an ex-Professor of Jadavpur University and the Editor of ‘Contemporary  Voice of Dalit’ (Sage Publication). She delved into history and opined that dalit refugees were the worst victims of the Partition. Her observations were informative and concise. She also chaired the first half of Session II, for which the speakers were Dr. Ashish Hira (PhD in Refugee Literature) and Mr. Nepal Biswas (Faculty of Kandi Raj College). The second half of Session II was chaired by Prof. Amjad Hossain (professor of English, Aliah University. Mr. Pranab Barman (Faculty of Bhatter College) and Dr. Manosanta Biswas (Faculty of NSOU) were invited as speakers. Various aspects of refugee life were dissected and discussed: the scanty food, lack of hygiene, cramped habitation and the much ignored topic of sex life. It was an immensely educational and enriching experience for everyone in the audience.

The next attraction was the interview of the author, Jatin Bala, by Dr. Sravasti  Guha Thakurta (JCC College, Kolkata). The author shared with the audience several details of his life and his work: how his own struggles and his intimate experience with the refugee life acts as the ink to his pen. Every story that he writes is at the same time about him and about every other Dalit refugee. This brush with the author’s perspective is aimed at making the reading of the book even more meaningful.
The final part of the event comprised poetry reading by leading figures of Dalit Literature. The first session of Poetry Reading was chaired by Dr. Madhumita Majumdar of Bhangar College. Poets Sukanta Mondal and Kalyani Thakur were invited to read out their poems. The second session of Poetry Reading was chaired by Dr. Arindam Mridha (Faculty of RBU). Poets Manju Bala , Manohar Mouli Biswas and Debashis Mondal shared their poems with the audience. The poems explored a plethora of emotions, ranging from fear to anger, sorrow to self-deprecation, hesitation to rebellion. It opened up to the audience an untapped vein of Bengali poetry which they will hopefully explore more enthusiastically in the future.

To conclude the event, Prof. Ekta Hela of JCC College read out her own Hindi translation of a poem by Jatin Bala and offered her vote of thanks to the dignified guests and all other members of the audience. The event anchors, Ponchotapa and Titas Biswas, also thanked everyone for attending the event despite the heavy downpour. The turnout was indeed impressive and the hall was filled beyond capacity. It only goes to show how Kolkata has been, and seems to continue to be, a city full of appreciation for art, a city where people will battle any odds to keep culture alive. If the future translation projects planned by Dr. Sarangi keep receiving similar support, it can be safely assumed that Bengali texts will finally enjoy the national and international recognition that they always deserved. Bengali Literature is all set to reclaim its place in the domain of Indian Writing in English.