Showing posts with label 202305E. Show all posts
Showing posts with label 202305E. Show all posts

Poetry: Mayura Tiwari

Thoughts on Time

 

That’s time – always on the move

That’s the border – loathe to budge an inch

And that’s the wind – regardless of the fence.

No passport. No ticket. Smuggling stories

And the sweet drops of rain.

 

 

In the middle of the ocean

Afloat on the equator

Along the middle of the earth

Arms flung outwards

On the dateline.

North-South.

East-West.

Yesterday - Today.

Summer – Winter.

Last year – This year.

A millennium apart.

This moment in time.

 

 

                  The wind just smiled and blew along.

                  The clouds drifted like every other day.

                  The gulls, they called their usual cries.

                  While I was busy

                  Marking borders. Marking time.

 

 

 

 

Putting Together the Broken Pieces of an Imperfect World

 

No, it wasn’t a crash

Just a quiet affair

But the pieces fell apart all right.

Unobtrusive. Silent.

The beginning was lost

In the middle of nowhere.

 

Now the silence is deafening.

Words reduced to ashes

Swirling in a misty haze

Where eyes once locked in knowing;

Vast confines of spaces

In narrow alleyways of time.

 

Give me the broken pieces

One by one

I might still make sense

Of the familiar jagged edges.

There must be a song somewhere

In this medley of thorns.

                       

                        Perhaps a bud or two

                        That had just forgotten to bloom.

 

Thinking About Morpurgo’s War Horse

 

Shy, quiet creature that I am

Foreigner in a foreign land

Amid mines and flares and trenches

No fields, no streams, just sodden sand.

 

The little boy who rubbed me dry

My first night in the stable stall

I dream of him each aching night

Tired, lonely, hungry and cold.

 

The gunshots never, never cease

Nor the cries, nor the wails, nor the moans

Of the lads who were sold

Sweet dreams of glory; valour they must own.

 

Pastures turned to wasteland

Rivulets into bloody flows

What good the dreams you sold those boys

Broken, bereft, now comatose?

 

We cringe together, my soldier and I

Each time the canon roars

I start and shy and he sits still

But trembling in his soul.

 

I’m a war horse in a strange land

My home is far away

Lined with gorse and hay and heather

On a farm by the bay.

***



Poetry: Jason Ryberg

1) Evening Birds

 

With the sunset comes

the first of the evening

birds, with their glassy

 

eyes and piercing blue

notes, bragging about all their

women in the dark

 

places of our quaint

little neighborhood, the sun

now nothing but a

 

residue of pink

and gold on the horizon,

and the stars just now

 

focusing all their

distant gazes upon us

from places that some

 

scientists say are

now just giant holes in space,

that lead somewhere else.

 

 

2) Timing the Thunder

 

We were waiting for

a storm to brew while the moon

played accordion

 

and wore a paper-

boy hat (rakishly angled),

looking down on the

 

empty streets of our

nameless little town that most

people only seemed to

 

remember because

of something horrible that

happened here a long

 

time ago. But it’s

just another Friday night

down here and nothing

 

to do but watch the

lightning on the horizon

and time the thunder.

 

 

3) A Couple Hundred Miles of Here

 

A night out on a Midwestern highway in an old

convertible, beneath a sky crowded over with

numerous constellations, and the dashboard all

aglow with the Drifter’s Under the Boardwalk

or You Send Me by Sam Cooke, from what I’d

bet has to be the last damn station, FM or AM,

within a couple hundred miles of here that still

plays this kind of stuff, is about as good a night

down here on Planet Earth, as one can hope for.

 

 

4) Portrait of Old Man Sitting on Park Bench

As dark spring clouds begin to collect and sag

     with the inverse sadness of the season,

the sun is reduced to little more than a pocket

flash light shining through a thick fog.

 

And someone’s playing

opera

somewhere

out

here

on

what

I’d swear

was an old-

timey gramophone,

with that tinny, echoey tone.

 

And a skinny old man is sitting on a park bench,

sipping from a brown bag and nodding his head

     of wild white hair along with the music.


 

5) There’s Reasons They Call It the Cruelest Month

Just something about a cold, gray day,

wet and windy as hell, in mid-April,

of all things;

 

and maybe you’re just reposing, conspicuously,

in a bookstore / coffee house / bar (or all three,

sequentially, throughout the afternoon),

 

with Miles Davis’ Kind of Blue (the whole album

set to repeat on an ancient but ever-reliable ipod and

earbuds found in a forgotten cardboard box in the

back of the closet), providing an interesting backdrop

and running commentary on this rather moody,

atmospheric and unseasonably wintery scene.

 

Happens every year about this time but

we always seem to forget there’s reasons they call it

the cruelest month  (if but the most bi-polar /

passive aggressive, at the very least).

 

But, more often than not, we’re all eventually

reminded by something that this will all be over with,

most likely this time next week, and the hard days

of summer on us soon enough.

*** 

 

Jason Ryberg is the author of eighteen books of poetry,
six screenplays, a few short stories, a box full of folders,
notebooks and scraps of paper that could one day be
(loosely) construed as a novel, and, a couple of angry
letters to various magazine and newspaper editors.
He is currently an artist-in-residence at both 

The Prospero Institute of Disquieted P/o/e/t/i/c/s 

and the Osage Arts Community, and is an editor 

and designer at Spartan Books. His latest collection

of poems is The Great American Pyramid Scheme

(co-authored with W.E. Leathem, Tim Tarkelly and

Mack Thorn, OAC Books, 2022). He lives part-time

in Kansas City, MO with a rooster named Little Red 

and a billygoat named Giuseppe and part-time somewhere 

in the Ozarks, near the Gasconade River, where there are also 

many strange and wonderful woodland critters. 


THE IDEA OF INDIA: Saeed Ibrahim

Saeed Ibrahim
Hakim propped up his bicycle against the large Gulmohar tree and waited for his friend Harish at their morning rendezvous as he had done each day for the past twenty-five years. Together they would cycle to their place of work, a sugar mill located eight kilometers from their village. In their younger days the morning ride along sugarcane fields lined with tall, ten feet high stalks towering high above their heads, had provided an energizing start to their day. But now the lithe, muscular bodies of their youth had been replaced by the sluggishness of middle age and the two friends trundled along slowly and with effort, needing to stop a couple of times on the way to recharge their flagging batteries. 
They paused to take a short break in a sugarcane field. It was the harvesting season and they watched as a mechanical harvester moved along the rows of cane removing the leafy tops of the cane and cutting the stalks into short pieces which were then loaded into bins and taken by trucks to the sugar mill. 
 Harish, being the older by a few years, had begun to feel the strain even more than the younger Hakim.
 “How much longer will we be able to carry on like this, Hakim bhai?” he asked ruefully as he wiped the sweat from his brow with his cream coloured angavastra which he wore thrown across his shoulder over his shirt and dhoti.
 “Only a few more months and then we can both retire,” his friend and co-worker reassured him. He removed the knitted white skull cap from his head and, pulling out a large yellow handkerchief from his kurta pocket, he too mopped the sweat from his forehead and the back of his neck “We have worked enough all our lives and now we deserve to rest and take it easy.”
“Yes I know it has been a long time. I still remember the day when we first met at the factory,” reminisced Harish. “We were both young men in those days. You had been given the work of receiving the cane at the factory and unloading it from the trucks and I was in charge of weighing, cutting and shredding the cane and preparing it for juice extraction.”
“Yes, I remember it all as if it were just yesterday,” Hakim sighed, moving towards his bicycle. Having been sufficiently rested, the two men remounted their cycles and pedaled the remaining three kilometers to the sugar factory.
Harish was a generous and large-hearted man who believed in the idea of service before self, always ready to lend a helping hand to those in need. Hakim was God-fearing, sincere and hard- working and devoted to his family. The two were drawn to each other by their shared values; but it was an incident that occurred in their first year at the sugar mill which was to cement their friendship and establish a deep and long-lasting bond between them. 
During one of their lunch breaks Hakim and Harish had decided to stretch their legs and had strolled along the vast premises of the sugar mill where separate buildings housed the various stages involved in the production of sugar. They entered a warehouse at the far end of the factory grounds where the refined, commercial white sugar was packed in 100 kg, polythene lined hessian bags. The weighed and sewn bags were then arranged in stacks of more than 32 bags to a height of 7-8 meters from the ground. They were passing by an area stacked with such bags when one of the workers on duty wanting to extract a bag of sugar, pulled at one of the bags from the stack, causing a cascade of bags to come tumbling down. Harish, who had noticed the worker’s careless act, had, in a quick reflex action, grabbed Hakim’s arm and pulled him aside in the nick of time. Had it not been for his presence of mind, Hakim would have been crushed to death under the weight of the collapsed bags. He owed Harish his life and it was a debt he would not forget for the rest of his life.
Sugarcane was the region’s major cash crop, and Shakkar Nagar where Harish and Hakim lived was a quiet little village of about 100 families with the nearby sugar factory providing gainful employment to a large number of skilled and unskilled workers. Harish had preferred to remain a bachelor and he lived with his widowed sister Sushila not far from Hakim’s dwelling. Harish and his sister, who belonged to the priestly Brahmin caste, were staunch vegetarians and followed all the Hindu religious rituals. This did not, however, preclude or undermine their interaction and friendly intercourse with Hakim and his family, which comprised his wife and two sons, all of whom were devout Muslims and strictly adhered to the tenets of their own faith. In fact, the population of the village was a mix of both Muslim and Hindu households that had been living together in harmonious coexistence for centuries, respecting each other’s customs and traditions and participating freely in one another’s festivals and religious holidays.
Diwali, the festival of lights, was around the corner and Sushila was busy preparing her home for the festival. Despite her age-related aches and pains and a recent bout of ill health, she washed and scrubbed and scrupulously cleaned every corner of her house. She invited Hakim’s wife Rehana to attend the Lakshmi Puja that she performed in the evening, praying to the goddess for peace, wealth and prosperity for their two homes. Hakim’s two boys lit diyas which they placed inside as well as on the exterior of Harish’s house, giving a luminous glow to the surroundings. The following day Sushila prepared a sumptuous vegetarian lunch to which Hakim and his family were invited, and Rehana came, carrying gifts of fruits and sweetmeats.
Only a week or so after Diwali and the joyous time the two families had spent together, Harish’s house was plunged in grief. He arrived early one morning at Hakim’s house, shaken and tearful:
“Hakim bhai come quickly! Sushila has not woken up this morning! I tried to shake her awake but she is not responding. I fear something terrible has happened to her.”
Harish’s worst fears were confirmed. Sushila had passed away peacefully in her sleep. Harish was devastated by the sudden and unexpected demise of his faithful and devoted older sister. The two had long been a source of comfort and support to each other, with his sister keeping house for him and he providing the companionship and security of his presence. Her absence left him lonely and forlorn. Her passing away had also come at a time when he and Hashim had finally taken up the much-anticipated retirement from their various duties at the sugar mill. Without the daily involvement that his employment had offered, Harish felt the emptiness and void even more. 
Hakim called daily at Harish’s house to check on how he was faring. One day, on finding him particularly despondent and cheerless, he suggested:
“Harish bhai, why don’t you come and stay with us for a few weeks? The change of atmosphere will do you good. Besides you know how much Rehana and the boys enjoy your company.”
Seeing the worried expression on Hakim’s face, Harish replied, “I am doing fine, Hakim. Don’t worry, I will be alright.”
Later, after Hakim had left, Harish reflected on what Hakim had proposed. It was true that he was feeling terribly alone, his friend’s concern for him was genuine and besides he did get along well with Hakim’s family. He made up his mind to accept the offer. The following day was a Sunday and without announcing his decision he arrived at Hakim’s house carrying a small bag with his clothes and essential requirements. Rehana was the first to see him and rushed to welcome him. Stooping low to touch his feet, she sought his blessings. Harish was deeply moved by this gesture of reverence performed generally in Hindu families as a form of respect for an elder. Rehana, who considered Harish as an older brother whom she respected and admired, had acted without a second thought. Harish in turn placed his hand over Rehana’s bowed head offering her his blessings for protection and a long life. Hakim moved forward with outstretched arms hugging Harish warmly, whilst from behind, his two sons greeted Harish in unison:
“Welcome home, Harish uncle. It’s so good to have you with us!”
Rehana rushed to make some tea, and the family sat down together as if in celebration of a long due reunion. Space was at a premium in their modest two-bedroom house. The boys offered Harish uncle their room to provide him some privacy. But Harish shrugged off their offer, preferring to remain, as he put it, “in the centre of all activity.” Succumbing to his wishes, Rehana set up his bed and a comfortable chair beside a window in a corner of the front room. Harish was happy with this arrangement which made him feel more at home and part of the comings and goings of the household. Rehana was also careful to serve him specially prepared pure vegetarian meals as per his dietary requirements.
While Rehana busied herself with her household tasks and the two young men were off at work, it was the very picture of harmony and peace to watch the two retirees with their daily devotional readings from their respective holy books, each in his own corner of the room. Sometimes they would sit together enjoying long chats reminiscing about old times or talking animatedly about current affairs. At nights when the whole family sat together after the evening meal, the boys would talk about their day’s activities and Harish uncle would often regale them with stories and tales from his childhood. The days passed quickly and Harish felt himself so totally at home, that what had started out to be an experimental stay of a few weeks to help him tide over the loss of his sister, was now turning out to be a permanent arrangement. No mention was ever made on either side, and it was taken for granted that Harish uncle had become part and parcel of Hakim’s household and an integral member of the family. When the festival of Eid arrived, Harish joined in gamely in all the festivities and even bought a new set of clothes for each of the family members. 
This happy state of affairs continued for over a year until anxieties began to surface concerning Harish’s failing health. It started with a bronchial attack with a deep racking cough and a prolonged chest infection which took more than two months to go away. Hardly had he recovered from this illness than Harish began complaining of shortness of breath, difficulty in breathing and a general feeling of uneasiness. His movements began to slow down and his intake of food was considerably reduced. The decline in nourishment caused acute weakness, and very soon Harish took to his bed and got up with great difficulty only to visit the bathroom. Despite medication, Rehana’s nursing care and Hakim’s constant monitoring, Harish’s condition grew worse and he lapsed into a semi-comatose state. One day with great effort he opened his eyes, drew Hakim close to his face and, in barely audible tones, whispered into his ear:
“When I am no more, Hakim, please ensure that my last rites are performed as per our Hindu traditions.”
Hakim held his hand tight and holding back his tears he reassured his life-long friend:
“Go in peace dear brother. I will make sure that your wishes are fulfilled”
Harish’s parched lips widened in a faint smile. His head lolled over to one side and he was gone. 
True to his word, Hakim made all the necessary arrangements for Harish’s funeral. He procured Ganga Jal from the home of one of his neighbours and as per the custom, he and his two sons donned dhotis. They were told that in order to lift the bier, it was essential also to wear the Janeu or holy thread. This too was acquired, and the required attire complete, the three male members of Hakim’s family, along with a neighbour as the fourth poll bearer, lifted the bier and proceeded to the cremation ground.
To make sure that the promise to his friend had been maintained to the last detail, Hakim’s elder son lit the pyre and on the twelfth day after the cremation, as custom required, he had his head tonsured.
What a beautiful expression of solidarity, oneness and the true idea of India that was!
***

ABOUT THE AUTHOR: Bangalore based writer, Saeed Ibrahim, is the author of two books - “Twin Tales from Kutcch,” a family saga set in Colonial India, and “The Missing Tile and Other Stories,” a collection of 15 short stories. Saeed was educated at St. Mary’s High School and St. Xavier’s College in Mumbai, and later, at the University of the Sorbonne in Paris. His other writings include newspaper articles, travel essays, several book reviews and two essays for the Museum of Material Memory. His short stories have been published in “The Deccan Herald,” “The Beacon Webzine,” “Bengaluru Review,” “The Blue Lotus Magazine,” “Borderless Journal,” “Muse India,” “Outlook India,” “Indian Periodical” and “Different Truths.”
 

Poetry: Dan Provost

Dan Provost
A former collegiate offensive lineman and football coach for 26 years, Dan Provost’s poetry has been published both online and in print since 1993.  He is the author of 15 books/chapbooks.  His latest, Wolf Whistles Behind the Dumpster was released by Roadside Press in November 2022.  He has been twice nominated for The Best of the Net and has read his poetry throughout the United States.  He lives in Berlin, New Hampshire with his wife Laura, and dog Bella.

 

 

No More Bullshit

 

At least

the emptiness

is truthful.

 

As dead brain

matter continues

to converse on dead

entrance ramps—openings

to floral hospices that

enact the end as spiritual

and routine.

 

Still, I am gone inside.

 

Refusing to listen to those

who assume the final act is just

another part of life.

 

My silence is not vengeance,

but just another violation

of sadness—that enters

when the day refuses

to acknowledge those who

replicate living.

 

On barren, driftless

walkways.

 

Throughout the faceless

 

landscape.

***

 

Darby Vassell

 

When you’re six years old, passed

from master to skin grinder—then finally

earn the name “slave”.

 

You go for the hammer when

there is everything & nothing to lose…

 

So, as the father of our country sees

your black ass on the swing set

in front of a plantation,

 

you know, the guy who supposedly

chopped down a cherry tree as a kid.

 

Even invented a parable about

his character for telling the truth…

 

Asks you why you’re not working—

 

You’ve got a choice to make.

 

Bow down respectfully and beg for his pardon.

 

Or ask the wigged old man, “How much are they going

to pay me?”

 

Realizing that he could have you shot like a young

horse who refuses to whinny on cue.

 

Darby asked the question…fearing nothing but being slandered

as a human being…

 

A piece of property be damned.

 

The legend haughtily passed into the building.

 

Vassall kept going higher and higher on his swing that day.

He then became a man who spoke his mind.

Refusing to be treated like yesterday’s death.

 

Later in life, Darby remarked that Georgie boy was “no gentleman, wanting a boy to

work without wage.”

He went on with his forced battle.

 

Finding within himself, a reason to respond

to lingering hatred. 

***

 

 

Hemorrhaging

 

Reeling

in a world of

morning sweat.

Dreaming from the waist as Townsend said

once…

Sensing my sub-conscious,

serving as an army of monsters, trying to

consume every unforced error.

 

Myriad of observations, faded—jaded

into the final decay of

fools gold.

***

Poetry: Anthony Wade

Anthony Wade
A Mother’s Grief 

Surprise, even hostility, followed my admission
of having also sought out and visited
a cemetery for the German dead during a
former tour of allied war graves in Normandy,

as though the German dead were not also
the sons of mothers, but given they were, that
their deaths should not be so respected,
their mothers’ grief be less deserving of sympathy.

Yet is the grief of a Russian mother any less human
than that of a Ukrainian mother lost their sons, and
can there be any children over whose graves
we should not stand, our tears not fall?
***


The Strength Of Small Actions

Among the big images of the war in Ukraine
are vignettes of people doing what they must,
like helping an elderly woman with shopping
through yet more rubble from another explosion,
small moments of unnoticed courage,
known perhaps only to the family,
as when with every far window gone
and her front door hanging by a screw
Grandma brushed her hair, stepped out and
polished the brass knocker and letter box,
as she had done every day of the years of exile,
the morning after an indiscriminate flying bomb
had rubbled four neighbouring houses in the night,
for more could not be done but something
had to be done, and now again many
are aware that life in its many guises
has somehow to be survived,
that small actions take courage,
grow bigger, bring strength,
even, perhaps especially,
when the many are dying.
*** 
***

Bio: Anthony Wade, a Forward Prize nominee, has published in poetry magazines in Ireland, Britain, India and the US (including Setu Bilingual), in print and online. Irish, he lives by the sea in East Cork and is an active member of the local Writers’ Group. twitter.com@anthonywadepoet: Anthony Wade, a Forward Prize nominee, has published in poetry magazines in Ireland, Britain, India and the US (including Setu Bilingual), in print and online. Irish, he lives by the sea in East Cork and is an active member of the local Writers’ Group. twitter.com@anthonywadepoet

Contents, May 2023


Setu

Volume 7; Issue 12; May 2023


Setu PDF Archives

Editorial

Poetry

Fiction

Fiction in Translation

Spotlight

Tribute to Kamala Das

Visual Art

Kinetic Haiga

Essay

Author of the Month

Critical and Literary dialogues

Translation

Photo Essay

Novel in Instalment: Fifth Part

Roundup: Literary Events

Setu Video Series of Literary and Critical Conversations

Setu Initiative: Setu Series of Virtual Readings


Poetry: John Thieme

John Thieme
In the Library (6 June 2023)

Today, when I go into my library,
it seems an unknown insect species 
has attacked my copy of the Ramayana
on the wooden bottom shelf where,
nestled with the Mahabharata,
Panchatantra and the words of Buddha, 
it has remained untouched for several years.
Today a hundred chewed forensic fragments 
bear witness to the mock-heroic nibblings of the small.

To shred such ancient wisdom in this fashion
must have been the work of countless hours.
I reprimand myself for my neglect,
for leaving treasured volumes on their own so long,
and vow to write an elegy for epic, 
but first I need to answer several questions.
Why this, and not the Mahabharata?
Has Ravana, incarnate and reheaded, 
despatched this parasitic troop
to destroy my volume’s version of his fate?
Why here? I know books battle insects in the tropics
where, malicious rumour has it, 
bugs abhor the printed word,
but could silverfish be here in once-cool Albion, 
borne north on warming Trojan winds,
to wreak revenge in former colonizers’ climes? 

Today a king is crowned with rituals,
which, they say, date back a thousand years.
Living only in the mindless moments,
when it was gnawing legend to its death, 
the small invading army in my library
is surely unaware of all such history,
but can I know what forces drove its actions?
I look again and see some little droppings.
Could this be English mousework, after all?
***

 
Blue

Blue is the waking whispering of morning,
heard by the primogeniture of youth. 

Blue is the ploughman’s lunch of pilgrims, 
tasted at stopping points in life’s midway.

Blue is the waning light of evening,
seen when the paraplegic takes the lift upstairs.

Blue is the cobalt dark of midnight,
when the hirsute nostrils smell no more.

Blue is felt by all the senses,
yet blue eludes the custody of words.
***


Procedural

I have divorced myself from daily duties,
to watch a smart procedural on screen.
I inter myself within its sealed-off comforts,
suspend my life in its suspense and 
the release it offers from life’s muddled maze.  
A murder has been perpetrated;
the community of suspects is select and small;
clues and red herrings follow tight conventions, 
promising this finite puzzle will be solved.
The detective is post-Chandler, flawed and tarnished,
a rumpled man who strives to find a balance 
between the tangles of his over-active love-life 
and devotion to the knotted case in hand.
I travel with this man for several hours,
follow all his leads, both real and false.
The suspects fall away;
a final twist reveals the villain
and Order can be reaffirmed once more.

The credits roll. Escapism is over.
I am back inside the humdrum danglings of my days
my ditherings, my deferrals,
my procrastinations.
I find no evidence to shape into a pattern.
In fact, I doubt that any clues exist.
Here there may be a billion, or a trillion, suspects,
but crimes lack solutions in this contingent world.
***

Poetry: Kushal Poddar

The Memories' Bridge

I count the utility poles.
Their shadows divide the bridge.
Their tips buried in messages
clouds exchange.

I tick them one by one.
The car crosses. This much close 
we can go, this far.

I do not know her 
who leaped from the bridge.
We still call it 'Suicidr Viaduct '.

Today it rains on its bent back. 
Tomorrow it rained.
Yesterday never arrives. 

"Please leave a message.
I cut the call, scribe a name
on my foggy mind, line through the same.
***


A Layman's Lexicon

"Madness is a socialist word."
My mother whispers.
I know. I know how it levels
all those depressed, bipolar,
schizophrenic people, 
Dionysus, Muses, Eros and 
my grandfather suffering
from PTSD since the event 
we do not talk about.
Madness embraces the mess.
The mass. The journey and the end. 

She turns and says, "We will need
a shovel." All afternoon we dig
our minds and by the time moon awakens
we have buried all our memories."
A mass burial you may call it 
although every event is one. 
Everything happened to everyone
seems same, immaterial
for the ensuing night.
***


The Confused Truths

The song stuck in my mind/head
was never recorded.

Somewhere it originated; perhaps
while standing with my palms sweating, 
heart scattered between its beats,
perplexed in front of the heaps
of choices arrayed in a supermarket row,
failing to differentiate one brand from another,
the truths still within their expiry date from
the beliefs staled. I fail to maintain a scale,
fail the lyrics unscribed before finalization.

You say I speak a lot about the song,
write about it in letters. I also chronicle
winter sun, walking downslope, geese 
flocking over watery silhouette although 
I have not visited such oblivions. 
Hence logic pardons me from
the murder I talk about often. 
***


The Reading 

The poet arrives wearing
the Armani his father borrowed
from his friend in the decade 
of shunning suits for flowers.


The poet has nothing underneath.
A hot day, summer, he
sweats pride, amused that 
no one knows his bare soul,
but he cannot utter  'Soul' 
without a squirm.
***
 
Bio: Kushal Poddar, the author of 'Postmarked Quarantine' has eight books to his credit. He is a journalist, father, and the editor of 'Words Surfacing’. His works have been translated into twelve languages. 

Two poems for father

Preethi Govindaraj
Preethi Govindaraj is a poet and lives in Virginia with her family. She has an MSc Nursing degree and work as a Nurse navigator in the Lombardi Comprehensive Cancer Center, Washington DC. She have been composing English poems for a long time. She enjoys writing in Hindi and Urdu as well.
***


MY WISHES

You lie there trapped in 
a motionless body
which refuses to move
on your command.
Your verbal offerings are reduced
to angry, sometimes fearful screams
and throaty efforts to throw up saliva
are tedious tasks for you, it seems!
Your non-verbal expressions
are nods and slaps
tired childlike yawns
and naps to fill gaps!
Father's portrait
(Preethi Govindrajan)
I am aware of every line
and every contour
of your body- tending it
lovingly for three weeks.
I wonder if you are still
cared for, same as yesterday
or has the dirt creeped in
the crease of your skin folds?
Did someone infuse affection
as the steam was given
or rubbed in oil lovingly 
every time you were turned?
Did they spend a minute to hold your hand
did they whisper endearments
and peep into your soul
as I do in my imaginations?
What goes on in your mind
do you miss seeing my face
I am curious to know
if you even recognized me?
I am glad I brought you home
in your familiar surroundings
the window open to fresh sounds and sights
the sheets and clothes are only yours.
I miss fixing your glasses and tilting
the TV screen to fill your view
Propped on pillows- you sometimes seemed
keen, sometimes you closed your eyes.
I wish you would learn
to gradually recover
or leave the misery 
no longer to suffer!
I wish to bargain with God
but I know I can’t.
It is time to end my restlessness
and surrender, to wait.
Yet it will be what God decides
I will pray for your comfort
and hope that all my love and care
will soothe  away your hurt.
***


MY FLIGHT BACK

My eyes are closed, but my ears perk up
as I hear a little girl’s voice
she chatters away with her Dad,
her best friend of choice.
I open my eyes to see them
He has everything she needs 
he dotes on his daughter
she follows around, as he leads.

It is a scene from my life
a few decades ago
I had held my Dad’s hand
though it seems ages ago.
I had just said goodbye to my Dad
but he wasn’t aware
he nodded once, as though
he was really there….
I am not sure though his eyes
had opened wider 
their whites seemed duller
their brown ever imploring
searching me deep
does he see or hear me?
does he want to tell me
something important,
details I will never know.
I kissed his brown forehead
a million times
whispered into his ears
“ I love you, Daddy,
I am coming back soon.
Others will take good care of you
until then”
He turned around and held
onto the railing by the window
really tight….
I shed a tear and closed my eyes
to save this sight.
In my present, I find my eyes melting
the sharp swell hurting my throat,
tiny drops trapped in my lashes,
then gently flowing.
The tears flow finally free
as though they have been waiting
to hear a word, to see a frame
that has a Dad and daughter relating!
My cheeks have bathed 
in my copious tears
washing my sore consciousness
soothing my untold fears.
I am bleeding beneath,
a helpless, painful core!
I was covered in plastic
until now, it wasn’t me anymore.
Now I am attracting attention
but it doesn’t bother me
someone asks me if I am fine
I nod, I am okay
I  mumble
but the gush continues….
my face puckers
someone gives me a tissue
and I sniff into it
finally venting
after days of holding fort
of practical instructions,
and careful tending
my heart needed a time out
time for my mending!
***

In the Park of the Jolly Meat Beaters

Gary Robinson

There’s no time to lose in this world
made more beautiful by its end so near
—Enrique Lihn

Each has staked out a tree a bench
—children mothers at sunset the day jubilant to be done with
shadows begin their encroachment like a bath house
males ready to trample with the downpour of night
third eye bewildered unblinking
Grass flowers cooling expanding into soft geometries
my mind thinking to pollinate reaches its verses of dry heaves
Men silent dog-faced as a sail of blue stars
though children are immune stripped tragic
dreams milked fragile as bones
Finally I awake to see the crime so plainly so bald
the crime the acts the desperate acts
while panic sprawls has been sprawling
There was Paradise once the garden flooded colors
I understand why the men leave their rooming houses
—escape the colloquies of crematoriums
the park unfetters improvises
takes away the past the future
This is their square foot of absurdity assurance
Mania challenges the hairy sun’s accusations
I am an autistic spasm that arranges the gauntlet
scattered when heaven somersaults into morning
***

Gary Robinson lives in Ottawa, Canada. He has written poems, short stories, and a novella. He enjoys reading and writing. Currently he is working on a new collection of poems and writing a novel.

Wither Civilization? A Bengali Perspective

Pranab Ghosh
A personal journalistic essay by Pranab Ghosh

Civilization. This is perhaps the most intriguing word in the history of culture and progress of human beings, more so if you happen to stay in this part of the world. If you are an Indian, whatever part of the world you may be living in right now and think about Indianness, whatever that can mean to you or others as long as the spirit of being an Indian excites you, and India, you will surely admit that the ‘governance’ prevailing in the country is increasingly getting guided by one word and that is ‘controversy’ and not ‘discussion’ or ‘debate’, the cornerstones of a true democratic civilization.
The rulers of the Union of India are often accused by the Opposition of indulging in ‘divisive’ politics, based on things pertaining to ‘religion’, more so when elections come calling and they who deny the charge by flaunting the ‘governance’ card however, must admit that stuff like wearing scarf inside a classroom or studying or not studying about the Mughals while reading Indian history are and must be needless, unnecessary topics of discussion in the natural course of imparting education. Isn’t it?
But these things have become topics of national debate. People, both common man as also those who are known as intellectuals are a divided lot. For and against what is happening in the educational sector in this country. That should not have happened. Do you not think that these are needless controversies whipped up in the education sector just to keep people busy pondering over ‘nonsense’ than real issues that shall be arousing the ‘interests’ of students and their parents – issues such as increasing unemployment and job loses that have direct bearing on a student’s future, especially if one is in Class XII or is doing her/his undergraduate studies?
Perhaps to keep their attention focused on ‘unnecessary necessities’ than ‘necessary necessities’ is the idea behind generating such unwanted debate that more often than not leads to ‘controversies’ that subvert ‘governance’ leading to clash of ideas and thus we are forced to confront ‘civilizational crisis’ that is mostly unwarranted.
Thus far to give you, the readers, an idea about the prevailing state of affairs in this part of the world that has a bearing on civilization.
Now, if we go to the roots of ‘civilization’ we will see that in most cases a river has nurtured ‘civilization’ on both its banks and has helped it spread beyond the banks. Many well-known metropolitan cities of the world are situated on the banks of some major rivers. The city I live in, Kolkata, is no exception and neither is its twin sister Howrah. On the banks of Hooghly River (The Ganges, while flowing into the Bay of Bengal, is so called in West Bengal) are nestled the twin cities, the better known Kolkata, once the capital of British India (Kolkata was Calcutta then) and now the capital of West Bengal and one of the four metro cities in India, the names of which are taken in the same breath – Kolkata, Chennai, Mumbai, the financial capital of India and Delhi/NCR, the capital city of India and Howrah, its lesser known sister once called the Sheffield of India for her home-grown industry that has eroded over the period of time. Industry that had once sprung up on the banks of River Hooghly, including the jute mills that can be found on both the sides of the river, is not going through its most glorious phase, one may arguably conclude without even trying to dish out facts and figures. And you the readers can see for yourself:  (click the link) https://t.co/bwqtmvJ4MQ
(https://twitter.com/gpranab2012/status/1625106718068965377?t=YcYOdGigdkvUT_-IJBcCqg&s=03)
Needless to say that industry comes up as the progress of civilization evolves and enters a matured state. And when the same industry begins to erode, individual factories down their shutters, workers become jobless, families of workers begin to perish, what do we conclude of the civilization and its accompanying significance?
We begin to try and resurrect the lost glory or we begin to play a blame game, trying to find fault with policies, ideally implemented during the time of the previous government? But where does the blame game take us to? Especially in the post-pandemic scenario? The answers are obvious, as the economic indicators of global ramification will speak in unison, as we stare at unprecedented unemployment figures and bleak growth forecast. It’s ‘slowdown’ syndrome the pundits will say. We all know. But then?
Well planning could be the key. Increased government expenditure in infrastructural development process could be the key as many economists often point out. There are many other keys and all the keys when put to work are expected to open many doors – doors that will lead you to a more civilized world, especially to a world that has more jobs in store for the employable, to say the least; a world that will give you better opportunities to lead a decent life. Isn’t it? But, that in reality is not happening. Flip through the pages of CMIE and the figures you will stumble upon are by no means encouraging. According to a Business Standard story quoting CMIE data India’s unemployment rate rose to 3-months high of 7.8% in March 2023.
What are the governments, both at the Centre and the state, doing? Well, among other things, trying to divert your attention from the glaring problems and getting you glued to a narrative, which at best can be termed ‘questionable’, as ‘conflict’ seems to be the cornerstone of that narrative, as it is when you attempt to write a short story, a piece of fiction, mind you. What is that ‘conflict’? Well in most cases it is the ‘opium of the masses’ – religion. Look up the media outlets of the country and you will surely stumble upon news related to cow-protection and manhandling or even killing of someone, mob-lynching or thrashing of minorities, Dalits or downtrodden people, tension getting generated in connection with some ‘procession’ or ‘gathering’ to celebrate a religious festival or something related to religion in frequent intervals.
In these troubled times, people tend to take refuge in religion and we may find such ‘shelters’ on both sides of the river. [See for yourself the Kali Temple of Dakshineswar, an abode of the mother goddess that is related to the Ramakrishna-Vivekananda cult… (https://twitter.com/gpranab2012/status/1643214128608350211?t=cEa8hIUHaQ0Td8Yr0SA4Mw&s=03)] There are railroads, highways and waterways that take you to some or most of these refuges. [See for yourself… https://t.co/gykidHXVxj
(https://twitter.com/gpranab2012/status/1619505026736754688?t=1cydThdoxmMdYWj4q-H6Pg&s=03]. And these are major sources of revenue for the local authorities as well. [https://www.setumag.com/2023/01/a-poem-by-pranab-ghosh.html].
But the activists that back the government have different things in mind. They are hellbent on using religion as a political plank that polarizes voters. The outcome often becomes serious as the ideals of civilisation take a backseat in the process. To win an election is the most important issue, it seems and not sustaining the rich civilisation that India represents!
All we need is change in the way we think. The mindset, especially of the ruling class, needs to undergo a sea change to ensure that with progress of time we get a more civilised world to live in.
***

Author’s short bio:
[Pranab Ghosh is an award-winning Indian journalist and writer, who has worked for major news outlets of the country, including HT Media Ltd., Eenadu Digital, TNIE, Business India group etc.. His books of poems have been published by English and Canadian publishers.]