- Chitra Gopalakrishnan
The glaucous
moonscape that matches the wrinkled, watered silk patterns of the sky. The
quiet scudding of clouds. The distant flickers of stars. The liquid song of breezes
in the warm darkness that cool the flush of the day. These elements, together, with
their faultless harmony, bring an inner calm, a serene peace, that erases the dissonance of
the day from Reva’s mind.
It is the month of
May. With her long, unruly, wavy, black hair, unevenly streaked with white, forming
a curtain over her face, Reva waits alertly for the moon’s rays to turn into
white diamond rays, for it to masquerade as dawn outside her window in her New
Delhi home in the leafy neighbourhood of Hauz Khas.
Ankles crossed, with
resolute deliberation, she seeks out this enchanted point in time, for the silvery
glaze of the orb to diffuse between tree branches, for the soft crush of
moonbeams underfoot.
In this small length of time, Reva lustily
takes in her world, rather pulls it within her, as it comes; its moods, its
textures, its dancing shadows, with their tugs of the wonderful just as she
does their undefined expectations that cast a delicate, impalpable cover over her.
She tends to this body-mind space, prolongs it. It is like she cannot get
enough.
For Reva
knows it will not always be like this.
Suddenly, quick and silent as could
be, and without her choosing it to be so, her surroundings could turn dark, forbidding
and depthless. The moon could become a grotesque monster, the stars could
explode, winds and owls could begin to call from dead trees that loom close to
her house just as the unearthly could strain at her windows and doors to get
in. The safety of her space could vanish. Just like that.
Of late, it has been a teeter-totter
of the seen and unseen for Reva. She loses herself without warning just as much
she loses her sense of ‘here’. Before she knows it she is shaped differently.
And, against her will, she has had to leave the knowable behind on the road,
under the slip-slap of her sandals, to be forever lost in the dust.
Reva is a writer in
her sixties. Tall with an unlined, appealing face, a delicate, aquiline nose and
black-framed glasses that sit firmly on her nose, she has been advised by her
best friend Tara to “talk to someone about the situations that go rogue on her
rather than be torn asunder by her own internal dialogues that turn into echo
chambers and before it is too late.”
To Tara’s astonishment and
frustration, Reva discounts the help of a counsellor or a psychiatrist, whose
services Tara wants her to avail, and opts instead for pranic healing that uses the body’s life force to heal the body
energy.
Pranic healer Preeti Kothari, a
compact woman, probably ten years younger than Reva, with etched features, a
lot of very soft black hair that frames her face and falls below her shoulder
in waves and thoughtful dark brown eyes, sits at an office in Vasant Vihar, in
the toniest part of this area.
Sparsely furnished yet elegant, her
workspace has an east-facing window, a profusion of healthy green plants, a comfortable,
supportive seating arrangement on the floor and nature-based artworks around
her. Preeti’s certificates on energy healing hang on the wall, the
air-conditioning is set to moderate coolness and her clean, beige mats on the
floor add to the feeling of openness and quietude, something that calms Reva
who is ready to take wing at the slightest feeling of uneasiness. There is also
no burning incense, something Reva has dreaded before she came here for she is allergic
to their perfumed vapors.
On a hot summer morning
in June, with an exuberant sun in the sky, the air crisp with heat, birds
singing on the trees and insects in the bushes, Reva sits cross-legged and very
straight on a teal blue floor mattress with yellow cushions. Her shoulders
squared, her hair firmly captive within a large black clip, a wistful
expression behind her glasses, she begins to speak to Preeti, as she insists on
being called, who sits facing her on another mattress leaner than Reva’s.
Reva’s throat
makes way for language that needles its way to find a grammar for her wounds.
Her curved lips moving, her laugh lines around her mouth deepening, she says in
a low and soft voice, “I was once un-separated. My bones, flesh, heart, spleen
and marrow had no space between and they knew just one truth. For an
unaccompanied woman with no spouse, children or relatives, there was a sense of
safety for me about this, however false.”
Eyebrows drawn, Reva’s
black eyes dart to Preeti to see if her words
make sense and as her healer nods, she clears her throat and begins to
speak rapidly, biting her lips in
nervousness, the corners of her mouth pointing downward, “Now there is a break
within and I am in a place of separation like having been taken apart. It is as
if there are two-halves of me, of my world, my impulses, one beckoning and the
other taunting. Such simultaneity forces me to navigate competing forces and put
my vulnerability on the outside.”
Preeti smiles in understanding. To
Reva, it is agreeable as it is prejudiced in her favor. Finding immense reassurance
in it, she continues, her posture more relaxed on the couch, “On
some days, my being pounds with an excited rhythm, with a strange, crackling animation,
with undefined expectations, with the possibilities of knowing things that are
not within my world. Joy bubbles within my body, my mind, and in its struggle
to be free it emerges as thoughts, light, frothy, expectant.”
With the sun glinting sideways, Preeti’s
brown eyes turn to a shade of light caramel. Her gaze carries its usual solace and
her being its quiet centeredness. It helps Reva ready herself to say more, the
difficult part of her story. Her forehead furrows and a nerve twitches on her
jaw as she tries to explain her situation, knowing she will have to make a rip
in the veil that lies over her innermost being. The writer in her makes her not
want to miss any detail, to say it correctly yet with a touch of ├йlan minus the
hysteria.
“On other days, I
am up against another part of me,” Reva says haltingly, “one that is familiar
with energies that are dark, desolate, depleting and terrifying. They grow within and
around me and take over my being with feelings of pain and inadequacy. They are
slippery, off-balance, unreasonable feelings that empty out my life and isolate me in the extreme.”
Then getting on firmer ground, she says with certainty, “These
energies, smiling and manic, show me the limits of my potential, my cosmos, and tell me that nothing
is manageable or tolerable and the inexpressible, the unthinkable will become
real. What is very scary for me is I become a person I don’t know with an
energy that has so much brutality and hopelessness that I cannot begin to put
it into words.”
Drained of emotion now, Reva speaks dully, her head bowed, “Preeti,
I am divorced from my head that belongs to the air. My body is alien to me. I
have lost my internal mechanisms and for me, there is no way of knowing when
either of these feelings, these vexingly wayward phases, will surface or when
the blurry line of what has been and what is will fade. I am joined by conflict
and I seem to be feeding both the wolves, the good and bad. And what I am left
with is a loss of my personhood, my innateness, my essential fibre.”
As if overcome by the
force of her tonal quivering, Reva’s hair escapes her clip and tumbles onto her
neck, shoulders and waist and her spectacles slip in the tremor. Brushing her
hair aside, setting her glasses on the bridge of her nose and staring
impatiently at the light segments made by the sun on the landscape paintings
around her, Reva whispers her thoughts, as if to herself, fragments of tense
language.
“With my disturbed neurological
connections, I have absorbed stress up to a
certain point. But it has now flipped, passed a tipping point and fallen into a
new state, putting me into an in-between life, one of permanent unease. My existence swings
between fiery flare-ups of pain and joy, between fear and freedom, leaving me like
a faulty fluorescent tube, flashing erratically, with no dramatic momentum
towards resolution. I don’t dare to move forward or retreat.”
Now the sunlight streams through the
deep blue cast of the summer sky and falls directly on Preeti’s face. Reva
wonders what she will make of her now that she has let her into her high-strung
world.
In a gentle, composed voice, Preeti
says, “Reva, you have so admirably told me of your rapidly changing self.
Without my needing to tell you, you yourself have a clear understanding of how
your energy field or aura that surrounds your body, organs and individual cells
is disturbed. While others may believe that what you describe is the nature of
human emotions and everyone experiences it, I know you are struggling with it
in the extreme. I know for you it must feel like chasing hurricanes and beating
down wildfires.”
After a brief pause, yet using the same clear, light and
pleasant tone, Preeti continues, “We will together, over the coming months, address
your blockages, anxiety triggers and open up the natural channels of your being
so that your mind, body, and spirit function optimally and in unison. This will
work to reverse dysfunction through your natural ability to heal yourself. Your
stagnant, disruptive energies will be minimized and a white universal energy
will take its place.”
Then in a more contemplative voice,
Preeti says, “But, in my opinion, your current condition has come with the
intent of telling you a few things.”
This piques Reva’s writer curiosity
and she is focussed on every word Preeti utters. Her lips pursed, her eyes
half-closed behind her glasses, hands in her lap, fingers interlocked, she
listens as Preeti speaks. hile it signals that your inner source of vibrancy is
strong and can correct your visceral unease, the message is also that there
will be always be twinning of joy and sorrow in your life as there will always
be a degree of agitation and dread within, however much we address it through
our sessions. Such angst comes with age, circumstances, isolation, rejection
and stress and as much with the limited understanding of the true nature of the
universe where time, space, good and evil, joy and sorrow hold no meaning. What
I am really saying is that there is really no true order or symmetry that can
be found in life at all times, something that could repair the present and the
future. You may have believed it to be possible in your youth but life is
telling you otherwise; that while hodgepodge and ambivalence are real and
constant, perfection is a humane belief but never really possible.”
In spite of the content, Preeti’s
voice continues to be warm and friendly and she smiles at Reva in
encouragement. “You will on occasions have to bear the burden of a hundred
things at once. Rather than discount or dislike the friction
and effort, there is a need for you to accept it with as much equanimity you can
muster and as much as you accept joy. Inner balance can only come with such an
endeavor. By showing your muscle inside called guts. It comes with the
understanding that you need the blackness of life for brilliant flashes to
happen, to be visible. Resistance to
this principle, on the other hand, will only bring dissonance.”
Preeti then walks over to Reva sits
with her on her mattress and reaches for her. Her hand is tiny and soft in Reva’s.
Looking into Reva’s eyes with
compassion and insight Preeti says to her, “A simple mantra to soothe the mind
and rid it of anxiety, to handle the weariness of doubt
and the wariness of certainty, is to remember this one thing. What counts as
reality is always a question of perspective, parameters and interests. If you stop
attaching importance to disruptions, they will not worry you. After all, it
takes two ropes to tie the knot but only one to untie it. When one is released,
the other falls too. Believe me, when you are able to do this the ‘now’, even
if terribly disturbing, will truly become a good place to be.”
As Reva ponders
over this, Preeti remains silent.
After a while, she
says, “Reva, when you shared your
story with me, your isolating pain and struggle for emotional survival, you
connected with me and placed a bit of yourself into me. And, I, by listening to
your feelings, converged with you and your feelings.”
Then looking into her eyes, Preeti says, “A thought has just
struck me. If we women can tell our stories to one another, like this, we can become
endurance guides for each other. And I truly hope that as a writer, you could
share your story, once healed, and that of many others, as a measure of your
generosity, so that multitudes of women can come home to themselves. For all
you know, it will be a sort of catharsis for you, a resolution of sorts, the
right journey at the right time.”
***
BIO: Chitra Gopalakrishnan, a New Delhi-based journalist and a social
development communications consultant uses her ardor for writing, wing to wing,
to break firewalls between nonfiction and fiction, narratology and
psychoanalysis, marginalia and manuscript and tree-ism and capitalism.
Author website: www.chitragopalakrishnan.com
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