Showing posts with label Annapurna Sharma. Show all posts
Showing posts with label Annapurna Sharma. Show all posts

New Lens: a review 'When Jaya met Jaggu'

Reviewed by: Sutanuka Ghosh Roy


Title: When Jaya met Jaggu

Author:  Annapurna Sharma

Page: 187

ISBN: 978-93-91431-35-8 (Paperback)

Edition: (2022)

Price: ₹ 400 * $ 14.99.

Published by Hawakal Publishers, Kolkata, New Delhi, India.


A Annapurna Sharma
      Annapurna Sharma is a nutritionist by profession and a writer by passion. Her maiden book of poems Melodic Melange has been awarded for Excellence 2019 by Pulitzer Books. When Jaya met Jaggu is her latest collection of short stories. There are nine stories in this collection based on the complex theme of love. Life, love, and art blend so delicately in this collection. The stories are from small towns and the themes are principally contemporary – child labor, displacement, east vs west, Alzheimer’s and human fragilities, the conflict between man and nature, etc. Sharma has embraced the middle-class and the mundanity.

The opening story “Jasmine Maid” is a realization story of a child maid that catches the readers unawares. Malli the little girl works as a maid “when her mother fell sick, she took over the job like it was sarkari naukari”. The juxtaposition of Indian words with English is a clever ploy of the writer to make it feel more at home. Indian writers writing in English have come a long way and have been using the English language very effectively in the Indian context and there have been warm-hearted global acceptance. Malli’s connection with the ‘black idol of Krishna’ is intricate and with each passing day, the bond becomes intimate. Sharma has deftly brought out how Malli is doubly marginalized as a child maid and also as a girl child. The little girl understands the ways of the world in a bitter-sweet way. “When alone, she opened her fist. There were three chocolates soaked with the sweat in her hand. On her way home, she threw them in the dustbin, the big one, where no one, even Baba or Madam could find the Coffee Bites. The sweetness oozed into her and spread like venom”. Coffee Bites for Malli associates memories of fear, sexual assault, forbidden desire, and other turbulent emotions. The readers are at once moved with empathy for the subaltern.

Sutanuka Ghosh Roy
      “Coffee Pleasure” the next story written in an epistolary form sets the tone of realism and humanism that shaped short stories and their proponents in modern times. The titular story “When Jaya Met Jaggu” symbolizes a Dickensian universality in an old lady’s (Jaya) contentious relationship with the world around her as she gropes for her identity. “Her lips curled credulously. She wanted to meet him. Nice man, she thought and turned around to leave the cage. She called the room a cage. She was often surrounded by men and women dressed in white from head to toe. They never allowed her to move freely. She missed home and the warm sand castles she made on the beach”. Her memory is elusive like many others who suffer from Alzheimer’s. The world around her is what Sharma draws her creative sustenance. Jaya at 55 forgot every other thing in her life --“her memory hanged in the air as fragile as a balloon with holes”—she did not even remember her son Amar however she somewhat remembered her childhood friend Jagadeesh—Jaggu and expresses her wish to be with him. This embarrasses her son who quickly wears the gauntlet of moral police—“She is 55 years old. What will the society say?” Sharma seems to suggest that life must transcend the self to celebrate ‘life’ through life’s fugitive moments and not confinement. Yet the realist residing in the idealist warns of the visceral violence that a loss of memory can lead to. All finite ambits—the individual, her community, mind, and matter—are transcended in a striking humane denouement. The end of the story feels like the embrace of a sentient universe. “Even after six months, Jaya didn’t remember Jagadeeesh’s likes or dislikes. She trailed him the whole day, just as iron pieces, negligible yet attracted to a magnet”.

      In “The Lame Mango” Sharma seems to have mastered the art of dealing with ultra-sensitive narratives and adapted and directed the story into a moving piece of drama. The narrative of Ajay, Pratibha, Mahuya, Sravan, and others is propelled by an efficient and easy-flowing language that does not loosen its grip even for a moment. Sharma has done a great job as a storyteller who finds expression in the way the story bends to diverse rhythms. “Alka darted like a bushy tailed squirrel and pointed to two saplings planted on either side of the axed mango tree. A house crow landed on the axed mango tree, glancing right and then left at the baby plants. Tears dropped endlessly”. “Gods without inquest” leaves the readers groping with emotions. The characters of Ranga and Rangi stand for two distinct world orders rather than becoming dense and appear to be jerky since “there is no place for greed in their lives”. The story assumes a different kind of storytelling, stitching together the fragments of their lives. “Ranga was intoxicated with selling toddy. Rangi loved red: redness of sky, redness of love, redness of truth, redness of the deity, redness of her fingers”.

  Sharma has depicted the clash of culture between the east and the west in her next story “The Temple under the Tamarind Tree”. The journey from Bengal to Boston remains a search for roots and food is a powerful tool for retrieval for Partho the protagonist of the story who “spent most of the time at the university teaching South Asian Literature”. His mother’s dreams of the fading shapes of God make Sharma’s narrative seem suspended amidst nothingness. The sense of otherworldliness can perhaps be attributed to the distance—of class, lifestyles, realities—that separates the readers from the subject. Myth, tradition, religion, and belief are woven as a continuous loom and Sharma has her reader in thrall with the art of fashioning her narratives with refreshing air. She writes, “tradition never claims lives. It merely holds all beings in a close circle, not the vicious web of spider, but the gossamer of love”.

     When Jaya met Jaggu is one of those books which leave you asking for more. Sharma through her intuitive artistic language and in her quiet way has succeeded in interrogating our established views of love and life as a whole.

 


Fiction: A MAROON SUNFLOWER

A Annapurna Sharma

Peering out of the grotto, I stared into the night. The iron of the window cold against my stoic cheeks, stars visible through the lattice challenged the city lights. The moon was obscure, part of it veiled by a dark cloud. Smoke forming curls, fracturing the air already swathed with sweat. Traffic below swirled in a mad rush, like me.

I recalled the hut, warm amid the rice fields on top of the hill where I used to live. My father’s earnings as a farm laborer sufficed our needs. My mother was an intermittent laborer. She trailed my father during harvest season when our minimalism shammed her and the crispy money beckoned her. My brothers and sisters and I, five of us stayed at home with Bajai who dished her vegetable broths, full of spice for us. When one of us caught cold she added more herbs. She played with us and on afternoons when it rained and we couldn’t play outside, she chattered the whole time – her stories of the knight never losing a battle, the fairy with a silver wand granting wishes, the maroon sunflower helping everyone and the clown with a limp making us laugh…stories of the magpie, she guffawed. Bajai, old and dusky, with her tales, no longer fresh, sent me away from home – ‘Your Baa is dead,’ she said.

My father died in that massive earthquake, mingling with the rubble under that building where he had gone to drink tea. They sent pieces, broken bones and flesh stitched and covered with cloth. His disfigured face was buried under a bed sheet thinner than him. It took them two days to dig out the dead from under the building. If the heap of cement and rocks really contained him, a farfetched possibility, expressed one digger. My mother recognized his shirt, the green one that he wore whenever he strolled in the evenings, to banter and drink some ginger tea with his friends. They regularly joked that they would live and die together. Probably they knew they would one day soar to the heavens in a bunch. I couldn’t even say a proper goodbye to him as they do when someone left home.

Bajai said, ‘we are a big family, we need money, to eat, to live. You are the son of this family. You must earn and send money home, so I can take care of them,’ her cracked fingers pointed to the bunch of them huddled in a corner, ‘your brothers, your sisters and your dumb mother.’

***

That day, the day I left home to work, kissing my youngest sister and patting and hugging the others, I hadn’t known it was the last goodbye. When I left with Bajai to the market, they cried and I giggled.

‘We will buy lipstick, pink color, your favorite, right, pink lipstick, a hair brush, talcum powder, what is that, jasmine scented talcum powder, pink skirt and a white blouse…’

Pink. I loved pink. The lighter shade. The pink of the oleander, the pink of the wild roses, the pink of the hibiscus, the pink of the sky, the pink of the ocean, the pink of trees, birds, pink, pink and pink.

‘Iha. Say something.’

‘Why?’

‘The first impression matters, at your first job, you must look pretty.’

‘Why spend money? I will manage with what I have?’

‘I don’t know if ever I will be able to buy you anything again.’

‘Why are you saying like this?’

‘Oh! I mean, I mean you will have more money and better things to buy in the city. And you know I’m growing old.’

‘Oh Bajai, you will outlive us.’ I didn’t doubt her smile, duller than her wrinkled face. As we walked, the road appeared wider, people in colorful clothes, busy with their work, some walking, some cycling, some on two wheelers, battery rickshaws, cars; I was soaring skywards on a carousel, a sense of pride leaped in my heart, that I would work, earn money, money for my family, and when I return as a rich woman…

***

At the check post – ‘Where are you going?’

‘To buy clothes.’

The officer gazed at me as though he wanted to ask something, but he didn’t. Amused by his uncertainties, I wanted to tell him about my plans to work, work in India but Bajai had warned me not to say a word about work.

‘Why?’

‘Jealous! They don’t want us to work in their country. You quiet.’

I nodded, a dumb dancing doll that I was. They questioned Bajai separately.

‘What did you tell them?’

‘Oh! I told them about my beautiful granddaughter.’

‘What did they say?’

‘What will they say? They smiled and allowed me to cross over.’

After shopping, Bajai and I stopped at a roadside eatery and ordered my favorite – shrimp noodles. I mentally calculated the wastage of money but thought best not to say a word for I enjoyed every bit of it, the clothes, the food and the people. Fear lurked in the corner of my heart that I might lose the moment, if I opposed Bajai’s over-spending. 

Only once in a year we had fun when Baa brought us to the market to buy clothes. ‘Iha, have some, it is tasty.’ Baa used to slurp shrimp noodles, his favorite and fed me some.

Tears welling in my eyes, I glanced at Bajai. Poor woman! She had cried and cried, her nose and cheeks turned pink, her eyes red and sore. I didn’t want to trouble her. I turned my face to the other side. And then a man approached us.

‘Go with him. He will take you to your workplace.’

How could I go with someone I didn’t know?

‘You trust me?’

I nodded.

‘Then go. You will be fine.’

‘My clothes?’

‘They will give you everything. Work hard. Don’t forget you have sisters and brothers at home.’

Mounting the bike I waved at her. Not a tear from her eyes. She waved back. I was dumb like my mother who stopped talking when she saw my father stuffed up in the sack. She sat in a corner and no tears rushed out of her eyes. I have seen women howl, beat their chests, mourn for days when their husbands died. But my mother became quiet, as quiet as the wind after a storm. Bajai thrashed her with a stick, thinking that she might cry out in pain. The neighboring women shook her, pulled her hair and snapped her wrists. She didn’t say a word nor did she drop a tear. 

‘Your mother is of no use. Shall I throw her away or better still shall I kill her? Will I do that to my own daughter?’

Next morning our neighbor enquired – ‘Did your Aamaa cry last night?’

‘Bajai did.’

‘Poor old woman,’ she said. Bajai wept, instead of my mother. She beat her chest and slapped herself, so uncharacteristic of her – on the days when our tantrums reached the peak or we troubled her with our pranks she chased us or lifted her eyebrows to frighten us but she hadn’t hurt us ever – I had never seen her so fragile and defeated.

I don’t know for how long I sat on the bike, but the sun had begun to descend, its glow red on my face. I reached a house where there were a lot of men and women. Some smiled, some smirked at me and there were some who scanned me from top to bottom like I were a gourd with defects. Displeasure textured my eyes, when a woman said, ‘You have lovely lips. A nice name. Tina.’

Before I could tell my name, she corked my mouth with her right palm, ‘your name is Tina. What?’

I didn’t answer. She repeated, ‘Tina.’ She uttered ‘Tina’ with mesmerism, ‘Tina. Say Tina.’ I disliked being manipulated but having no choice for it seemed she might go into a trance if I didn’t respond. I said, ‘Tina’.

Perhaps Bajai didn’t know what they did. She must have thought they will send me to work in an office in Bombay. I remembered her cringe as I squatted in the corner, beside my mother, holding her hands in mine – ‘I am growing old. I cannot go to work in the same way as a young woman. I need your help. Iha, I need your help. Iha means Prithvi, the Earth. Your baa knew it, which is why he named you Iha. Iha, I cannot manage without…’

Iha. Such an earthy name. I sensed the virgin breath pouring out of the virgin stream from the hills behind my home.

‘Are you listening Iha? There is food for only two days. What will we do after that? No starving with Iha around – the son of the family. She will work to keep us alive. She loves us. Iha. Promise me. Promise!’ I promised her. I pledged to the old woman that I would work hard and earn money, money to stuff the family with food.

‘Hey, listen…’ I nodded in random. ‘She might faint.’ The woman shook my shoulders to bring me back from my memories of home.

Why did she do that? I would have as well died, died an oppressed death, a body, unwanted. Lapping up the water she gave me I lay on a couch while she sat there caressing my forehead. I closed my eyes and my mind wandered in the dense bushes behind my home. Where have I landed? Those nights when we trembled to the howls of the hyenas resonating in the valley and tucked tightly in our beds beside Bajai, ‘Iha, stop crying. Your siblings will do the same as you. You know when we were kids, a tigress roared into the village every night…’ We slipped into sleep listening to the tale of the unpaired tigress and its conquests at night, sometimes about stealing a chicken or startling a dog or dragging a goat out of its pen. We wrapped the end of the story in our dreams. I don’t know for how long I slept. When I woke up, the woman was slouching beside me on the couch.

‘Ah! You awake.’

I stared at her.

‘There is a lot to learn, the kajal, see it is smudged, you should learn to run a thin, neat line, I will teach you how, and see, the lipstick drawn beyond your lips, spread over your entire mouth line. Did you eat a toffee? In your dreams?’

Her laugh reminded me of the witch on the bamboo tree on hot afternoons.

‘Oh! Don’t you understand a joke?’

What would I gain by painting my face black and red?

‘I want to go home.’

‘Home! Ah! This is home.’

‘My home.’

‘Hmm!’ Anger built up within her, the loud sigh, she might explode, hurt me, injure me, shouldn’t have asked her, but the longing was stronger than the probable bruises. ‘This is your home. You will have to learn to dress, to talk sweetly, to smile beautifully and to behave nicely.’

‘Why?’

‘Why! Now, now, now, as if you didn’t know why, don’t tell me, you don’t know anything.’ The woman put her hands on her hips as she spoke, the air about her visible in the way she stood with her legs apart, the way men stood. ‘I know you girls coming from the hills, you act innocent, but I know you. I know your nature, you race here to make money and then whine, as if we forced you. You want money?’

The heat from her nostrils rushed out with a sound, her chest heaved as if she scaled the highest peak. When she spoke her eyes danced red and wild, like someone possessed by some spirit – ‘Your brothers, sisters, whoever, they need to live, they need to eat, to survive, become, whatever, and you want to send them money. Right!’

As she spoke her hands accompanied her eyes making gestures in the still air of the room, ‘If you didn’t want the big money, then why did you come here? Did we beg at your house? Did we kidnap you? You came on your own.’

She paused a while, perhaps thinking what to say next. Her eyes searched mine – ‘You, beautiful. You just have to learn to please them.’

Did Bajai know about this? She wanted the money, badly. I could hear my heart beat faster and wished to scream at her, I couldn’t believe the old woman would do such a thing. Trust me, she said, the hag. I struggled to stay afloat in the waters of the ocean, the currents choking me, suffocating me. What was happening to me? Where did the ocean come from?

I heard some girls whisper, ‘We cater to their needs. The men you know, they make a lot of money, big businesses and such, they travel a lot, don’t have time.’ Excitement spurted in their voices, ‘they don’t have time to make it home, to their wives. But you know, their need, they need to relax…to work better…’ an eagerness to start work filled their chatter, ‘they need attractive girls. Whenever they ring us up we have to go in the cars they send for us to their hotels. It is big money…’

Big money! The air was shrouded by the sickening word – big money, I could hardly breathe. 

‘But we have to learn the tactics. You know, some are nice and polite while some rude, some abusive, I heard…you must know how to escape, because we don’t want to make noise, attract people, you know, the police coming in…there is so much to learn…’

It was apparent from their talk; they knew what they were into. I lost my mind. Bajai must have known. The dirty old one! I can’t imagine myself dressing up for some old fat fool of a man. The next door Rocky, when he winked at me, I felt embarrassed. When his tongue made wet circles around his lips, I wished to slash his face; instead I sprinted home. And now, what have I put myself into? I cried. My head ripped apart, ready to explode, the chaos in my heart, loud and clear.

I have to find a way out – out of this catacomb. In the night, I decided to slip through the backdoor, when it is quiet, when the guards are shrunken in sleep. I could slither in the manner of a viper down the hill till the market and then run back home.

‘What are you thinking Tina?’

Who are these girls to ask me? Turning aside I closed my eyes.

***

‘Wake up. Wake up.’

I sat up groggily on the bed and noticed the other girls in the room sleeping as if they were at home.

‘Come with me.’

A maroon sunflower swayed in the air before my eyes. It’s radiance like the aura around a holy man, a spectacle I hadn’t witnessed before. It must be the one, Bajai told us about, the sunflower helping good people.

‘Hurry, quick.’ The urgency in her voice made me wonder where. Bajai must have sent the sunflower, to rescue me. I had imagined myself locked in a dungeon below the earth. The sight of the sunflower brought some relief and I mused – following the sunflower might be the only way out of the crypt. There seemed no harm in pursuing a sunflower rather than the harm that I could foresee. Swift as a nimble footed nymph I jumped off the bed and followed her.

She glided ahead. I ran after her and fell on my face, thrashing my nose against the hard floor. She looked back and said, ‘careful.’ I got up and ran again. Increasing my speed I crossed several thresholds and doors. This time, I banged my head against a door. I sat in a daze and peered at the miniature door in front of me. The door was purposefully made small, so that one needs to bend to enter or go.

‘Come on,’ the sunflower prompted me from the other side. I hurried after her. Down the steps we went and into the backyard filled with shadows. ‘Follow me.’ I walked close behind. Darkness of the night dared to frighten the light emanating from the sunflower. Not a soul around.

She said, ‘there’s a rope ladder.’ I had never climbed a tree before and I stared at the only escape hanging over the enormous, white concrete wall, the size of a hill. It appeared if I didn’t climb; the wall might swallow me. ‘There’s little time,’ she almost yelled and I grabbed the ladder. The twisted strands of coir bruised my palms, making them pink, a shade darker than their original. Every time, I slipped a rung, I glanced at the smiling sunflower, taunting me with her, ‘will you be able to?’ looks.

On the final rung when I collected my wits, I wasn’t aware what was in store next – the shiny, curvy point of the glass piece, embedded with care on the deadly bulwark, pierced my tender skin. The bastards, I cursed and plucked the shards from my hands and feet. My eyes fluttered as the white wall stained red with the color seeping from the gashes. Escape wasn’t an easy goal to achieve and I jumped on to the other side. It was all in my mind – if I wanted to fail and go back…just as the marathon I ran every day, with Zahira, to collect firewood from the forest, and I failed and cried. But, I did try, everyday. I scrambled to my feet and ran through the mat of thorns. And every time I let out a cry, the sunflower shushed me with her long ‘shhhhh…’

The desire to see light was powerful than the mighty sun, I gagged myself with my hands, tasting my own blood. I don’t know if it was out of pain or what, but I dared to whisper, ‘how long?’ She pointed, ‘just out of the tunnel.’

I gasped at the darkness of the tunnel and walked through the wildly grown bushes eager to kiss my body. I couldn’t allow my precious tears to ruin my will. Focusing on the only light in front of me – the sunflower, I dragged my marooned feet. A faint smell. Was it characteristic of a tunnel, wrapped in death? The smell became strong, nauseating, overpowering, flesh and blood, I could literally smell the rawness of my skin. The sounds of the tunnel muffled my blood-curdling cries. Was it the hyenas or the cannibals? They were fierce than any animal I knew on earth. Their hands wriggling all over me, in places I never knew, in places I thought were sacred. What was I taught at home?  I fail to remember. But it was all the places that never existed for a girl of thirteen.

I don’t know for how long I traveled. I could see only her, leading me away, away, away…we see the redness, the redness of the wounds, but there is the unseen redness of the heart that longs to heal and so I will heal, I repeated to myself.

Suddenly, there was silence spread over the night except for the wind whistling, a different tune. At places where the bushes burgeoned, they parted to give us way. The softness of the lush undergrowth under my bloodied feet relieved my pain.

‘Speed up!’ When she spoke she dazzled similar to a lightning in the open fields.

‘Where are you taking me?’ My voice sounded rusty like that of a lock that hadn’t been opened for years.

‘You will see.’ She smiled. I smiled back, my first smile after I left home.

Branded as the talkative girl at home, Bajai often ordered me to shut my mouth. ‘What did you eat, when you carried her in your stomach?  Firecrackers?’ My mother smiled at Bajai’s complaints and I burst out laughing, sometimes making sounds that resembled real firecrackers. My eyes grew wistful as I laughed at the pleasant remembrance.

The sunflower smiled again, ‘you must laugh. Laugh always – happy times or sad. Good for you.’

‘How long?’

‘Ah! We are here.’

The tunnel seemed to end abruptly and we reached the edge of the hillock. ‘There you can see the village. Dash down the hill, cross the fields and hurry home.’

‘Home?’

‘Your home.’

‘My home?’

‘The one where Bajai lives, your mother, brothers, sisters. Run now.’

My home! I hadn’t expected to ever see any of them again. I visualized the joy in their eyes; finally I would be home, with my people. I wanted to dance, sing, somersault…

I turned around to thank her. The maroon sunflower wasn’t there. I searched the surroundings – behind the trees, under the bush, in between the wild flowers, I couldn’t find her. Alone and thwarted, I peered around – from the edge of the cliff I could see the village, amongst the captivating foliage, fires at dawn, the smoke rising from huts as they heated up to make tea. The smoke mingled with the virgin dew from heaven and formed a blanket covering the village. I had to race down the hill to reach my place. I put my foot forward. I stumbled over a root jutting out and fell forward. My head hit a hard surface. Nursing the bump on my forehead I rose from my stupor. The cold floor, harsh and cruel, guffawed at my imprudence. The other girls were blissfully asleep.

Early morning dreams turn out to be true, Bajai often said. Her words on the last night at home just as the resonance of the temple bells – Your brothers will own a tea shop – Iha tea shop. One of your sisters, the younger one can become a teacher, one of us must study, don’t you think and the other, happily married, nursing her little one at home…and your mother and I will soak in the winter sun in the backyard, knitting mojas and sweaters and debating about your brother’s marriages. What do you say? Isn’t it lovely?


A. Annapurna Sharma, INDIA

RANGI – THE TODDY SELLER

She hates this season
she hates the early morning sun
the sweet-sourness of toddy
How she hates it?

He tells her – Rangi, come fast
I am off to collect toddy
How her body aches to get up
from the coziness of sleep

Toddy, is like buttermilk
Only that the palm adds its sweetness
melancholia mixes with mesmerization
as she collects it
in one pot and sits at the crossroads

As the sun climbs the sky
the palm toddy loses its sweetness
Ranga taught her to taste it
to add some sugar to make it sweeter
when it sours
just as she with him

She hates the smell
like the rotten curd
or the brokenness of her life
souring and souring
each time she adds sugar
and sips a drop from her palm
her lost love is strongly bonded
with the toxicity of toddy

Who said, moonlight is white
her toddy, her life when she drinks
it is white (fairer)
when the other men
scrambling to buy bottles from her
ogle at her
And there were others that stop
to drink from the palm cups
the ones that she makes
they ask her- did you mix love looks in it
to make it toxic than ever
She stoops down to look
at the oodles of fat
stealthily staring at the men
from the folds of her saree
trying to escape the clutches
of her marital bond
to elope with the looks of the men

She knows the heat
building within and without
she merely stares at the
blood stains that the palm leaves
paint on her fingers
She grasped the unrestrained leaf
to make one cup
but the leaves lose no time
to remind her of her status

She hates it all
how she wishes she could be home
letting the baby suckle her warmth
letting the hearth cook her love

She waits for the night to descend
to drag herself back to the dwelling
Ranga beats her for wasting the spoilt toddy
Was it her fault?
If only a few came in
to drink from her eyes
he tells her to dress better the next day

The toxicity of the toddy
vanishes with his manliness
she tries to sleep
nursing the bruises
She wishes - the sun didn’t rise the next day
She hates being the toddy seller…


ARE YOU A FEMINIST?

They ask – are you a feminist?
I don’t know, I say
Thoughts percolate
Who is a feminist?
Is it the one who fights for females
Or the one who abuses men
Yes, the one who is man’s adversary

But I love my man –
his words dipped in honey
play piano in my ears;
his lanky fingers dance
on the nape of my neck;
his eyes are the windows of my vision;
his sweaty presence behind the door –
an inspiration to live.
He spoons morsels of rice
with oodles of love
into my parched mouth.
He embraces my deficiencies and dispositions…

Do you know –
I wear a choker of colorful beads,
always, of his warm hands
as an emblem of his love

Churning in his charismatic eddies
I am mesmerized…his playful love
Am I not a feminist?
I get a chance to drive the car
He cooks half days of the week
We share the chores of a cluttered life

No, these are all what any man could do
Am I not a feminist then?

I am a woman
Half of him
Who lives and let him live
For we are one and not two


AT SQUARE ONE

When I was five –
Don’t you go out, screamed my father
I stared –
as bullock carts and cycles strolled
as the red mud flew with the wind
to make love to the green grass.
People strode with bundles on their heads
and burdens in their lunch boxes.
‘You can’t cross the road!’
said he.

When I was fifteen –
Don’t go out alone, advised my husband
I gaped –
as auto rickshaws, scooters and cars plied
as the gravel grunted and hissed
crushed with time
with the gravity of life
‘You can’t cross the road!’
said he.

When I was forty –
Take my hand and cross, said my son
I followed implicitly
Midway – my legs refused to move
I stood stoic
Vehicles zooming around me
above me.
I look up at the clear sky
the sun blinded me, dazed me.
He dragged me to safety
to the fringes of the other side of the road

I look back –
My shadow on the other side
It was still there,
Where I began my journey

My physical self crossed the peripheries
those ephemeral boundaries
that kept me alive.
But I was there, still there
waiting to get up and walk
on my own
I was never given a chance
I was there, underdeveloped
poor, pathetic, pitiable…

The whole world transformed
I came from a village, to town, to city
but I was just there.
At square one,
with only a square meal a day


Annapurna Sharma is the Editor of Your Space / Muse India. Her maiden book of poems ‘Melodic Melange’ was launched recently. She is a recipient of Savitribai Phule National Women Achiever Award – 2018. She was adjudged a Distinguished Writer - International in the 4th Bharat Award for Literature (short story contest 2018) by Xpress Publications and her poem was shortlisted for All India Poetry Competition – 2017 conducted by The Poetry Society (India). Her short stories, articles, poems have appeared in national and international publications.

Three Poems: A Annapurna Sharma

A Annapurna Sharma
AM I CURSED?

I am a saint
Once, in deep penance
On the iced peaks – The Himalayas.

Donned in white and saffron
Now, I frequent the backyards
Of mortals.

The white gathered in frills
Around the wheel of time –
Only a night to spare.

The saffron, sturdy and stoic
Sniffed the perils of time –
A reminder of destiny.

I bloom with the moon,
My consort for life
The bridesmaids sequin the nocturnal sky.

The zephyr loads its lungs
With my intoxicating fragrance
And ferries it far and wide.

I suffuse an aura of bliss
A downpour from my pot of passion
Wrapping mortals in the rug of desire.

I wait in the dark
For the bowl of carnal pleasures
To fill to the brim and deluge the night.

Not much time to waste
As my mother waits at the foot
With a crypt of soil.

I strive for a noble cause –
To build a conscience
Of the transience of existence.

I am a healer
I treat all fevers and pains of the night
And inflammation of the heart.

With my soothing touch.
Yet I have only a night
Before merging with Thee.

I wander with a sobriquet –
The tree of sorrow –
The Night Jasmine.

In the one night
I survive
The ambush of limbs.

Am I a…
I wonder –
Am I cursed?

BANQUET AT DAWN

 Aha! The party of the wealthy
The aroma, spicy and sugary
I can’t wait to befriend the chili
To gnaw into the green flesh
From the perch atop the neem
I smelt their guffaws and gorges
I yearned to dash down
For a piece

Alas! The orb of the moon
The cause of my blindness
I can grasp a glimpse of the delicacies
With my nostrils alone
Keep an eye open!
Was my mother’s counsel
The night appeared long and sore
And I donned the garb of a lookout

Aha! The banquet at dawn
I can’t wait for the sun to wake up
To swoop and grab
Before my competitor arrived –
The lame man and his blind wife
Digging their talons
Into the food
That is rightly mine

Ca! Ca! Wake up! Wake up!
The big birds with their guttural howls
The sun is up
You overslept they cried
We must stuff in mouthfuls
Of the grimy leftovers
Before the tap of the stick
At the end of the street

Why can’t they go?
And ask the rich
To throw some food or money
Why do they holler over
To the dustbin
Depriving us of our
Fair share
Of the banquet at dawn…

 WHEN I GOT LOST

My friend and I strolled in gaiety
We plucked the evening blooms
Waved at the receding tide
Munched on mundane gossip
Strode the stoic road
Leaped over boulders
Witnessed gunfire
The troops and the travails
Gazed at the pearly sky
Dozed on a lone park bench
Until
The wind picked us up
To be delivered across oceans and seas

Stuffed in a wooden cupboard
Plagued by silverfish
When I gazed at my mirrored self
Jagged pieces of glass pierced me
The blood in my chambers froze
At the sight of stains of gingered tea
Tit bits of savory stuck like glue
My eyes burnt
Unable to bear the brunt of spice and chili
When my dog-ears alerted
At the crescendo from the hall
I peeked as if I were a thief
My friend swayed just as a Holy Man
Dressed in ochre garb
Sermonizing with a rosary in hand
Gossip and page three were her stilettos
Sensationalism and fabrication slid down her arm
As adjectives and adverbs tapped
To the modern tunes
Was it Bieber or Swift?
Or Maroon5 or
One Republic or…
I don’t know, but
She appeared glossy and glitz
Embraced by one and all

My yells of truth
Stuffed in a stinking dustbin
Suffocated, I pitied my tattered self
My silent sighs smothered
As the paper boy
Whisked me in the air
And I land on the faded doormat
Of dear dwellings
Braving another nippy morn…

A Annapurna Sharma

A Annapurna Sharma is an English poet, her maiden book of poems ‘Melodic Melange’ released recently. She is the Editor of Your Space/ Muse India, a UGC approved e-journal, a recipient of Savitribai Phule National Women Achiever Award – 2018, Guest of Honor on World Poetry Day, 21st March 2018 held at Geetanjali Institute of Science and Technology, Nellore in collaboration with the World Union of Poets, Italy, a booklover and an avid learner. Writing, a remotest goalpost happened serendipitously. She is adjudged a Distinguished Writer - International in the 4th Bharat Award for Literature (short story contest 2018) by Xpress Publications, poiesisonline.com. Her poem is selected for The Voice of Poets, International Award by Verbumlandiart, Italy. Her poem has been shortlisted for the All India Poetry Competition – 2017 and published in an anthology by Poetry Society of India. Her short stories, articles, poems have appeared in Women’s Era, Reader’s Digest, several online portals, in anthologies – “A Quick Read” compiled by C.A. Simonson, Taj Mahal Review, Glomag, Muse India Issue 75 and 78 (Indian Feminism Feature), The Hans India, Amaravati Poetic Prism 2016 & 2017, Chitra Lele’s Oh My Sweetest Love – A Timeless Treasure and WWW Women, Wit & Wisdom – an International Multilingual Poetry Anthology of Women Poets. Her poem about the rivers of the world, “Divine Confluence” was a part of the speech delivered by Dr. Varsha Das, an eminent writer at a conference collaborated by South Asian University and Dhaka University on Hydro Diplomacy.

Her journey of writing started with her articles in Epics of Health, Hygiene and Pollution. Her publishing began with a free eBook for children ‘Rainy flies to the Indian Ocean’.

With a decade long stint as a nutrition lecturer she pitches in occasionally with nutritional counseling. Her motto – to weave the warp and weft of life to create and re-create a tapestry of hope, love and cheer.

A Annapurna Sharma
weaves the warp and weft of life!