Cristina
Umpfenbach-Smyth was raised and educated in Germany, subsequently living in
France for a number of years. She then moved to Manhattan, where she resided in
Greenwich Village. She now lives in Ridgefield, WA.
Once
a staff reporter for a German travel magazine, researcher and reviewer for the
German Tourist Bureau, Cristina Umpfenbach-Smyth now writes poetry and short
stories. Her second collection of poetry “Shouts, Whispers and other noises”
was published in March of 2023.
Presage
We
waited anxiously for summer.
Spring
was not enough to satisfy
The
longing for sun on our skin.
Now
sun, too much, too bright, relentless.
Not
a whisper of cloud, not a breeze,
No
storm gathering with refreshing rain.
The
river has nothing left but dry stones.
Blight
has befallen the crops, they come to waste.
Wells
run dry.
We
stay inside. Heat seeped into walls,
Sucks
the last cool from stone floors.
Fields
are parched, gardens wilted.
Chimneys
spew acrid fumes,
Rain
forests die in slash/burn,
Ships
plow the seas through
Fields
of plastic trash,
Tourists
watch glaciers calf, disappear,
Drinks
in hand, from decks
Of
behemoth vessels.
Walking
is a sport we do not indulge
As
a means of transportation.
Remedies
to stop the rape of the earth
Are
mere suggestions.
It
is not a question of if,
But
a matter of when we breach 1.5C
The
tipping point to doom.
And
again and again
The
sun sets in molten gold.
Glorious
to behold. Oblivious to our doing.
Cause Celebre
“Nana,
this is serious” he said,
with
a worried old man’s look
on
his college kid face.
She
smiled inwardly.
Every
generation has its Cause Celebre.
She
remembered protesting the war.
He
talked weather, global warming, climate change.
He
said: “when the dominoes start falling,
They
will fall fast and hard”.
With
his fatalistic bend envisioning doomsday.
When
the sea claimed the stretch of garden
Between
the house and the cliff’s edge,
She
grew concerned.
When
the well ran low for 2 summers
She
worried.
And
when the fires turned the hills
Into
patches of crumbling dirt,
She
believed.
The
ground shudders under the assault of the sea.
Waves
pounding the bluff
Spill
over the edge.
Shingles
fly,
Windows
explode.
The
house moans, shifts into
A
surreal vision of cubistic rubble,
Slides
over the edge.
A
life’s dream dissipated
The
dominoes have started to fall.
Unopened
Like
a cheap gadget, tightly wrapped
in
a plastic shell, the box is unopened.
It
does not hold
much
of a threat to begin with.
It’s
more like a joke that got tired.
She
sees the slash burn of virgin forests,
poisoned
water, famine, genocide,
the
river Styx a maelstrom of the dead.
Miasma
unchecked.
A
sinkhole turns into Abyss.
A
new race, homo noxious, has risen,
dances
around a bloated golden calf
to
artless rhythms.
Pale
moon rises above the horror,
the
bloody scenes of their making.
No,
it’s not her doing.
The
box never opened.
Pandora
falls into exhausted sleep.
She
dreams of owls,
their
wings a gentle whisper.
Nursery Rhyme
Black
silhouettes in shadow boxes sway,
think
of escape.
Marionettes,
strings broken,
lifeless
puppets,
think
of freedom.
Unarmed
tin soldiers
ride
headless rocking horses.
The
music box skips every other note.
The
children have left a long time ago.
Silhouettes
in black limousines,
bloated
with power,
pull
strings of marionettes
in
a dance macabre.
Soldiers
die in foreign places.
Headless
horses of the apocalypse
trample
freedom
to
the tune of greed.
The
children have grown up.
Through A Lens
Sharply
Colors
bright under the midday sun,
Green,
red, orange, yellow,
And
a touch of blue.
A
perfect picture. A perfect angle.
Tribal
cloth draped around her
Against
a bright blue sky,
Billows
in the breeze which carries sand
over
the parched expanse that is her life.
She
sings softly, swaying,
Waving
away flies
On
the face
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