Showing posts with label Deeya Bhattacharya. Show all posts
Showing posts with label Deeya Bhattacharya. Show all posts

Poetry by Deeya Bhattacharya

Deeya Bhattacharya

1. The Untamed Sorrow

The moon reflects
weariness, speaks a
forbidden tongue-like
a mirror in the coagulating air,
a nascent sorrow in the cabaret of life,
leaving behind its skin of dreams.

Fillets of grief are
sausages to a cloudy eye
a perished tongue, raucous itch
of a dying hearth, of a charred home
silvery insomnia on the bosom
of burnt whispers that cajole
the journey of hugging sorrows
endless love

A na├пve heart
that bade a final goodbye
amidst sickening departures
and castrated whims .

2. The Convict

This morning thousand rays
of the auburn sun
crawls into the insipid skin
of the blue dome

eyes burn in silence and anguish
of a hushed day;
pastel hues inundate the backdrop
of mind

I speak of a day of fuchsia
dreams , of a syllabi
of hyped lilies and bougainvillea
the dews that hang perilously
from their mouth………

“The Flame Of The forest”
speculates a cawing crow, in its
frustrated call for its mate,
a cloths-line hums a desolate tune
the beetles feed on a cow-dung

A desperate soul stitches
the pensive hours in the
frame of time Bats blinded
by the day hangs on to the willow
trees by the marsh. A convict, in ambush
lurches about in iron manacles

3. After Plath: Hanging God

I could cause a root to bloom
or a bird to plummet in showers
that drenches my pallid skin
a toe or a foot

The uneasiness that pecks me
the dullness that I wear
my skin, is you
The darkness gives birth to a pain
that screws courage
- the courage of colours
casting a livid glow, to scarf up a
sticking eye or a laughing brace

Oh no you are not at it; cannot
be the dream of myriad tongues
that I raise to my lips as a toast
to nothingness, howling like a
scampering wind, the topography
of scars that burn my body

Pain is good, yes scars I admit
are a grape juice blushing at
my throat silences the sienna of words
that canvass you

I could float on your words, lie still
like a gull bracing the cold stiff wind
cringing to propel its body forward
a monster chaffing and grinding. I
rise to the smell of awkwardness
that bayonets the invalid air between us
pure and clean as a baby’s skin
innocent as it breathes, mapping the blue veins
underneath the olive skin supine like
a thousand year old banyan tree
housing infinite travelogues of
life and death, of dream and despair
of tales of curios stashed away
in an old China Shop.

For Sale - a Poem

(from a Dalit woman)


by Deeya Bhattacharya

I eat rats
and my skin is tawny;
I hold you gasping
in between my thighs, shrieking
till a dead woman;

My cheeks are hollow,
my eyes bulge
I wear the kohl of cremation
the water resides in me,
yet my breasts dry from menstrual pause
I abjure, the mockery
on my itchy skin, age old
I eat rats

My skin creases, there’s a
story behind my sagging breasts
stories that sob in  my vagina, the effortless ones
to wallow in your lust and dust scraped effigies
there’s no blood for bridal beds for me
I am sentenced for life

these blank and ugly blotches
on my skin, are a concession to
the caste I wear, the skin I bleed.

Deeya Bhattacharya


Deeya Bhattacharya hails from the Industrial town of Durgapur. She enjoys painting in verse. she is published in many National and International mag. E-zines, websites in prints and in Anthologies. She has attended Poetry Festivals In Bengaluru and Guntur 2013 and 2014. She is a Haiku poet and a poetry critic. 

Mentionable websites and e-zines www.dimdima.com, literary yard.com, Contemporary Literarry riview, Langlit, Criterion), Member of “Poets International”, Bangalore. 

Her poems have appeared in’ Poetry World’, Journal of Literatures in English, Gulbarga University, All-Round Monthly (Faridkot) and the website: www.dimdima.com for children, Dimdima in print, Contemporary Vibes (Chandigarh), TAJMAHAL REVIEW (Vol. 12, Number 2, Dec. 2013), HARVESTS OF THE NEW MILLENIUM (Vol. 7, Number 1, 2014, CLRI). www.literaryyard.com, New Academia, Criterion Journal (vol. 5, Issue 4, Aug 2014), Taj Mahal Review (Vol. 13, Number 2, Dec-2014). Subaltern Speak: A Journal Of Postcolonial Studies, Vol. 1 Issue and the English News Paper from Vijaywada The Sunday Hans. and International Mag like Tuck, oddball, Dissident Voice and learningandcreativity.com, The Scarlet Leaf Publishing Review. Duane’s Poetree Blog, Hall Of Poets,Piker Press, Muse –Pie press, Verbal Art, OVS Mag,, Green Silk Journal besides Setu Bilingual Journal of Arts and Literature.

She often writes by her pen name, Oleander, Korobi. She teaches English and Poetry in a State Government High School. She resides with her Husband and twin children in Durgapur, West Bengal, India. She has won a prize at Poetry writing competition organized by Xpress Publications at 7th National Poets Meet, 2016 this year. She has won a special mention category award at Sonnet Writing Competition arranged By Poetry Paradigm, Kolkata India and also Jury’s Favourite Category at a competition held by “English Poetry in India” a popular group on Facebook.

Her anthological appearances are
1. Haiku ( Poets International, 2013, Bangalore)
2. Art Of Creating Haiku ( Poets International, 2013, Bangalore)
3. Dr. Fakhruddin’s Poetics and Contemporary World Poets, 2013,
4. The Enchanted World, J.K. C College , Guntur (, Dec, 2013.
5. Aatish- On Fire ( An Anthology concerning social issues).

6. The Rainbow Hues, J.K.C College, Guntur, 2014.
7. THE BEST POETS 2015 FROM POETS INTERNATIONAL.
8.Multilingual Anthology from Vijaywada, Andhra Pradesh, India,2016
9. Women, Wit, Wisdom an Anthology Of Women Poets by Access Publication from Secunderabad, India,2017