Laksmisree Banerjee |
** ISSN 2475-1359 **
* Bilingual monthly journal published from Pittsburgh, USA :: рдкिрдЯ्рд╕рдмрд░्рдЧ рдЕрдоेрд░िрдХा рд╕े рдк्рд░рдХाрд╢िрдд рдж्рд╡ैрднाрд╖िрдХ рдоाрд╕िрдХ *
Special Edition: Laksmisree Banerjee
Poems by Laksmisree Banerjee
Laksmisree Banerjee |
The Phoenix and Cacti
(In memory of a Corporate Fire Tragedy in
1989 causing a lifetime Injury to the Poet)
Survival
is a gruelling task
when
severely injured through
cruel
negligence of another
One
more day of their heat-eyes
standing
erect as a black reminder
afflicting
me into perpetuity
Their
glare a spike in my flesh
though
they often conspire
against
my pulpy softness
I
manage to return the spike
with
struggling deliberation
against
destiny and the doers
Their
eulogies, emptiness, flowers
Explode
into envious slips of flame
ignited
callously at my back
Pushing
them into some unknown
judgement
day I am sure of
yet
my injuries remain irrevocable
On
that haunting day of hailing the Visionary
with
unforgettable cramping memories
of arrogant pomp with no vision or piety
Their
incendiary pavilion full of
meteor-eyes
fuming as if to
have
me burnt to ashes
When
the flames ate my flesh and silk
someone
enthused with callousness
“but
isn’t she scarred beyond recognition?”
That
day I garnered my realization
from
the ruins of reality
from
the cinders of cruelty
The
fire tearing at my spirit and body
writhed
upwards and inwards
like
a hungry, lascivious female ---
My
arms and soul outstretched
an
umbrella hard to open
to
save my only fledgling
Times
have gone by since that inferno
but
I have risen with the rainbows
in
rain and sunshine from the ashes
A
tigress or a phoenix I do not know
never
debilitated nor sunk
yet
unable to cremate
The
charred corpses still deep inside
bristles
over-crowding within
a
tangled forest of cacti---
REPAIRING A BURNT BODY
The
doctors saw my body,
scarred,
naked
and
shamelessly identifiable
The
scorched moon dying
with
the shrinking sun
in
my blood
My
splintered self
breaking
under the scalpel
with
my simmering corpuscles
A
lump of flesh examined
closely
by burns specialists
while
I made my consciousness
and
awakening
wait
outside ---
The
body had to revive
and
the spirit to die
with
wilful erasure
Though
I never allowed
the
hard rocks in me
to
ever wane or dissolve
Photographs
of my
snake-skin grafts
helped
Dr. Bhargava
to
fetch his degree
Masters
or Doctoral
in
the skilled art
of
redeeming
burnt
bodies
I
wailed in searing agony
with
outstretched, dishevelled limbs
While
he pulled out my bandages
to snap-shoot my bleeding wounds
BOUQUET
OF FLINTS
My
body feels like a grave
With sprouting flowers
Adorning
its lovely crafted facade
My mind a lonely peak
Free
and breezy at the summit
In its dizzy stance of
World-watching
in aftermath
Defying the storm.
The
cinders inside have
Caused efflorescence, transformed into
Endless
contentment of victory
And forced tumescence
At
having known and conquered it all.
I
have learnt to walk on burning coals
And feel yet the icy cool,
The
balmy wind playing on my face
And the slag of black pains
Which
I have waded across
Gathering still in memory
The
aromatic white sprinkles
Of the springtime grounds.
I
have faced it, fought it,
Learnt to accept the scars
Of
hidden illness as trophies
To make my bouquet
Of
flints and sparks of victory.
Now
I see
A scintillating, slim ray
Across
an endless foliage
Perhaps my fractured sun
Will
rise yet again
From the violent billows
And
touch me with his baby-pink
Soft incandescence
To
light my thorn-ridden path
Perhaps, perhaps someday ---
Poetry: Laksmisree Banerjee
Laksmisree Banerjee |
The Artistry of Patchwork Quilts
![]() |
Deepa Agarwal |
Dust-Decked Rainbow Quilts
By Laksmisree
Banerjee. Penprints Publishers, Kolkata, 2023. Pages 103; ISBN: 978-819667772. Price ₹ 250,
$30
Review
by: Deepa Agarwal
Dust-Decked
Rainbow Quilts—an intriguing
title for a poetry collection, yet so apt for eminent academic and poet Dr. Laksmisree
Banerjee’s latest offering.
I had the pleasure of reviewing
Laksmisree’s earlier collection The Blue Phoenix and Other Poems
some time ago and thus have some familiarity with the poet’s compelling inner
world.
In her preface she provides the
explanation a reader might seek for the title. Referring to her perspective
both as humanist and womanist she states: “the metaphor of the “Quilt” has been
deliberately used from the usage or context of Feminist Historiography in which
the artistry of embroidered or patchwork quilts or crocheted bedspreads, made
by Women across ages and geo-spaces, becomes the archetypal crux of Women’s Stories.”
The term “dust decked”
itself offers a clue to her unique and skilful handling of language that the
reader will encounter over and over again in this collection. The distinctive
prism of her imagination throws up many such phrases that have an enduring
resonance. It is indeed a mark of the poet’s calibre that she negotiates the
maze of poetic language with such a practised felicity. We rarely think of dust
as something ornamental and this rare juxtaposition evokes both the past and
the beauty of oft ignored, rarely appreciated toil of women.
the trapped sunshine of hues sprinkle all
over
from the riotous tints of bygone ages
embroidered coverlets of centuries
of female trajectories buried from sight
or their parallel humans in subaltern
blight
of captive lives emitting culture- soaked
light
to illumine our lucent todays
The poet uses a familiar device—invoking
the past to find meaning in the present but her singular vision sketches a
pattern that is her own inimitable creation. The same unusual use of language
adds a particular luminosity to the poem “People’s Poet Jayanta Mahapatra: in
Fond Memory” in which she pays
homage to the iconic poet who left us so recently.
the calm of your cherry pain
leavening our shredded soul
your wincing butterflies wing
through our ambrosial manna
These are indeed words replete with
multilayered meaning.
The
themes of Banerjee’s poetry are wide ranging. However, certain tropes become
evident as you examine the poems deeply. Her “womanist” concerns come across
strongly in poems like “Silent Scream” and “Object D’Art”. The plight of women
who have no control over their lives is expressed in stark unsparing terms in
the former:
Worship, immersion, festivity, facades
all drown fading into memories and births
of generations of women with silent
screams
dying every instant with their fortitude of
dreams
The objectification of
women is set forth in “Object D’Art” in intense and graphic language, where the
newly wed is portrayed as a puppet whose role has been predetermined by others.
She was
reconstructed
with finery,
jewellery
a good
status-symbol
for private use and public display---
While
poems like these may decry the ways of patriarchy, she also finds joy in man-woman
relationships. In the poem “Love Marriage” she uninhibitedly celebrates the
union of two bodies and the overall tone is one of hope.
we have pilfered time for loving each
other
in the surge of the storm wheezing past
the turbulence of deep silent permeation
“Rivers Meet” similarly
reads like an ode to love, though its mood is somewhat melancholy as it dwells
on the tenuousness of human relationships.
Her humanist side and her social
consciousness are evident in poems like “On A
Greyhound from London To Northampton”, which is a scathing commentary on
racism when a white bus driver brutally forces some coloured passengers off a
bus.
That was an eye-opening day though
with squally skies and a blurred vision
when the cosmic lights went off
darkness prevailed more within
than in the arrogant winds outside,
the usual crowd of white predominance
with a minuscule of blacks and browns,
a thick smoke of supremacy clogged
the free flowing air with spurts in frowns
“Siachen (To the Unknown
Soldier)” dwells upon the plight of those anonymous guardians of our frontiers
with deep empathy.
On the highest battlefield of this
cold-hot world
we are the ones who script forgotten,
illegible history
sing unsung heroic songs of bravery often
erased
we the ones who dance in the silence of
doom
we live and die in anonymity, in glory
gone silly
give up lives, families for our national
family
still we remain ever decided sentinels of
freedom ---
Banerjee paints vivid mindscapes with
great energy. The brilliant colours that
ornament her poetry—coral and azure, indigo and sapphire add a particular
radiance to her verses. While her poetic pallete is incandescent with colour,
she adeptly brings a chiaroscuro of darkness and light into play as well, which
adds another dimension to her poetry. The five elements—earth, air, fire, space
and water are also evoked to convey poetic meaning as in the poems “Rain
Rhapsody”, which plays joyful tribute to nature’s healing power:
Look Mommy, the
rains have created magic
Clumps glossy
plumaged
I see these silver
slivers
Lancing the earth playfully
With so much
tender chuckle
Slanted splinters
of watery crackers
Implosions of sky
and earth
This multi-dimensional poetic sensibility
can be experienced in several other poems as she presents a variety of points
of view to illuminate different facets of meaning. Indeed, Banerjee’s poetic
voice is almost like a clarion call alerting the reader to possibilities that
might have escaped their notice. She is all heart and spirit and her passion
for life and living is vividly evident as she negotiates the high and low notes
of language with consummate skill. The poem “Chance Meeting” reads like an
affirmation of faith. After beginning with the traumatic scene “where mutinous
mobs ran, at each other’s throats”, in the end there is exuberant celebration:
God reappeared in the skies blessing me
As I cried in joy, my hands stretched
upward
“Yes I have found him—I have found my
answer
It is love, love, the endless River of
Life”--
Thus, while she
bewails the imperfection of human existence and throws merciless lights on the
dark fissures in our society, she also soothes us with a ray of hope, a belief
in the essential goodness of humanity. To quote from her poem “Game of
Numbers”:
So the gaming sprints through time and
space
Yet humanity lone belongs to another race
A wholesome knit of goodness breed
As we reap the verdure from that seed---
It is impossible to do
justice to this vast patchwork quilt of Banerjee’s poetry in this short piece.
All I can say in closing is that the diligent reader will reap much verdure
from this poetic seed.
Laksmisree Banerjee (Women and Spring)
Laksmisree Banerjee |
GANDHI (Gandhian Philosophy)
Laksmisree Banerjee |
Laksmisree Banerjee (Towards Visibility)
Laksmisree Banerjee |
Poetry: Laksmisree Banerjee
Laksmisree Banerjee |