| Laksmisree Banerjee |
** ISSN 2475-1359 **
* Bilingual monthly journal published from Pittsburgh, USA :: рдкिрдЯ्рд╕рдмрд░्рдЧ рдЕрдоेрд░िрдХा рд╕े рдк्рд░рдХाрд╢िрдд рдж्рд╡ैрднाрд╖िрдХ рдоाрд╕िрдХ *
Poetry: Laksmisree Banerjee
The Red Woman by Laksmisree Banerjee
The Red Woman
Laksmisree Banerjee
Black Eagle Books [Dublin. USA. India]
PP 108, Year 2025
ISBN 978- 1- 64560- 637- 6
PRICE ₹ 280
---Reviewed by Santosh Bakaya
There is no denying the fact that Laksmisree Banerjee is an important literary
voice in the present literary scene. I have read many of
her books and have found the impassioned intensity of her writing almost
palpable, impacting the reader powerfully.
In the pages of this new book, The Red Woman, published
by Black Eagle Books, [Dublin, the USA, India], Patriarchy, with all
its cruel claws, is in the dock!
| Laksmisree Banerjee |
Her poems cannot be stifled, but will
bring hope to the hopeless, revitalizing and resurrecting the women
languishing in the margins of society.
With remarkable panache, Laksmisree has woven together myriad female experiences in a Male-dominated society, symbolized by the powerful Red Woman, embodying pain, defiance, and the searing fire of rebellion. As she says in her interview with Rachna Singh, [Editor, The Wise Owl magazine], she has presented and poeticized 'The Red Woman in all her entirety."
She has a voice that excels at singing dulcet songs, but here her poetic voice reaches a crescendo of indignation at the centennial patriarchal mindset.
![]() |
| Santosh Bakaya |
With an edifying eloquence, she expresses empathy with the marginalized, the downtrodden, the silent sufferers, the child brides, the young widows, the victims of prejudice, and the invisibles. And, also, the new bride,' in closeted freedom of female glory', all dressed up in heavy finery, waiting for the doors to open,
' lattices removed,
for guests to enter, inspect, and laud
the newest toy in her in-laws' home."
Dedicated "to all such Abhayas, Nirbhayas, and fearless women
of the world, brutally treated daily, killed and raped by the
ageless guillotine of patriarchy", the book, in its 108 pages, attacks the sinister minds
responsible for the' female body and soul strewn in gory shards.'
" lacerated womanhood, the searing agony of a manacled
womanhood,"
In the Author's Note, she says
that, “the predominance of the Red Colour, its efficacy and usage is
interwoven in my poetic fabric."
”Fire and the colour red are powerful symbols that burn in her poems
and remain intensely personal, while also connecting with the reader because of
the universality and the immediacy of the issues raised," says
Debjani Chatterjee in her blurb.
The longest poem in the book is The Red Woman, pp 1-
5 - the woman who is lost in the meandering paths of
Songachi.
She exclaims,
"You are the whore,
not I
You have sold your soul
not I
You have revelled in perfidy
not I
You have traded in lust
not I”.
The back page blurbs speak highly of her poetic
talent.
Candice Louisa Daquin, [USA], calls the book 'a potent tour de force through
womanhood, culminating in a meticulous, polemic rebellion.
K. Satchidanandan says that she has consistently pursued the "painful secrets of the human condition."
The poem Timeless Sin p 30, hits hard at the regressive ritual of locking up a woman for
her crime of bleeding for 'four days a month'.
"My grandmother
was chained in darkness in the cowshed,
Barred from sunlight four days a month
It was a crime for her to bleed
Like it was for her to be a girl-"
After coming out, she would be purified with cow
dung and chilly Ganga water
"Strangling her every month
with pneumonia."
Unborn Kill, p 39 is
another hard-hitting poem on female infanticide.
"I felt my throbs
deep within
the frothy warmth of
my mother's insides...
I was she
a teardrop on the serrated edge
of being,
a dew on her hidden, clement leaf,
soon to be sucked out by
the boiling seas, the hot winds
of prejudice.”
In 'Renaissance after her Martyrdom', p 107
"No way will this upheaval ever stop
till a new awakened, sun rises in tearful blossom..."
No longer can we afford to remain complacent or
indifferent; we need to raise our collective voices against these atrocities,
against bruised womanhood, against all societal stereotypes,
In an interview with Rachna Singh, the editor of The Wise
Owl magazine, Laksmisree Banerjee says that the book
accentuates
'' the multifacetedness of women's experiences
throughout the world."
She emphasizes that the "resonant image of this book would be a
blood-smeared woman with an unfurled flag in one hand and a tight fist in the
other, proclaiming a crying rebellion for a better world of equality and
humanity."
This collection throws ample light on the brutal fact that
women continue to battle the evils of patriarchy, excruciating humiliation,
and isolation.
Some, like Maya Angelou's caged bird, alas, have forgotten to sing.
Like Laksmisree, I am also robustly convinced of the power of poetry to bring
about positive change. And this, I am sure, is one such book which will take
society by the scruff of its collar, and shake it out of its complacency.
Let me add an important point here.
Despite the bludgeoning and battering of women in a toxic patriarchal
society, Laxmisree reiterates that we continue to witness the grit and
gumption of such women to rise above the trials and tribulations of life, and We
Rise with Her.P 107
"No, we cannot stop till the seeds flower again
till the verdure of love sprouts in redressal
Till the womb stops bleeding in such a demoniac carnage
..............................
We now await appeasement of a new daybreak."
Two chilling
poems, Fire of a New Woman, PP 25, and SCARS: Burnt Woman, based on a real-life, personal Fire
Tragedy, sent chills up my spine:
In the concluding lines, of Fire of a new
Woman, I could read the message of resilience and fortitude. Out of the
ashes of the fire, a new Woman was born.
“You found your new sangfroid
I found the darkness of fire
the light of knowledge."
In [SCARS: Burnt Woman pp 23 -24] Despite ‘ice cold abandonment…”
“my tears hardened
Into granite chips…and the darkness of fire
taught her ‘the lessons of love and life’.
Bravo for writing such an important book- A book which deserves a permanent
place in the book shelves of all university and college libraries.
TRIBUTE & TRANSLATIONS OF RABINDRANATH TAGORE’S SONG-LYRICS
| Laksmisree Banerjee |
Laksmisree Banerjee
From ‘Prem’ Series of Tagore’s
Song Lyrics
‘Mone
Ki Didha Rekhe Gele Chole’
What
is that unsaid longing,
that
folded qualm, the reluctance
within
your heart, which you kept
from
me that evening while departing
in
the muted colours of twilight?
![]() |
| Rabindranath Tagore |
What
is that untold word
that
confession you wished
to
make but did not, as you
turned
your face once more to
look
back at me while going away?
I
could see that cryptic smile
and
flicker in your eyes while
I
sat in rumination with a heavy,
trembling
heart, still believing in
your
presence in a distant universe.
My
agony remains alive yet
in
the company of the flying birds
across the skies, wishing again to ask you
for those secret words of reticence
to
unmask your deepest feelings
I
still remain frozen in that moment
when
you suddenly left me
with
my injury in fond remembrance,
imbued
forever in the fragrance of
the
tacit pain of tottering Juthi flowers.
***
From
‘Puja’ Series of Tagore’s Song Lyrics
Je
Rathe More Duar Guli …….
That
dark night when the storm broke in
crashing
open my gates
I
knew not about your silent tip-toeing
across
my threshold
into
my home
When
the fearful blackness engulfed all
burning
out my lighted lamps
I
knew not who I looked for while
I
raised my folded hands
Upward
in prayer
As
I lay breathless in the dark
perhaps
in dream or in nightmare
I
knew not that the tempest
bore
your proud banner, the herald
of
your coming
Till
you awakened me in the morning
with
your shining presence
while
your arrival
fulfilled
me within the emptiness
of
my ravaged heart
***
Bohu din dhorey bohu
krosh durey**
Over
a long time, through miles of space
Having
spent a lot to see the grace
Of
wondrous hills, seas, lands and vales
Which
vastly adorn our worldly ways.
But
I never did view the bounteous sight
Of
the natural smallness beyond the heights
Being
just a few steps from my home
I
never did see that glistening gold
That
glory, that light at my very threshold
A
patch of greenery so well made
But
always pushed along the shade
That
beaming dew drop in the glade
A
sparkling smile on a tiny rice blade
******************************
Special Edition: Laksmisree Banerjee
| Laksmisree Banerjee |
Poems by Laksmisree Banerjee
| Laksmisree Banerjee |
The Phoenix and Cacti
(In memory of a Corporate Fire Tragedy in
1989 causing a lifetime Injury to the Poet)
Survival
is a gruelling task
when
severely injured through
cruel
negligence of another
One
more day of their heat-eyes
standing
erect as a black reminder
afflicting
me into perpetuity
Their
glare a spike in my flesh
though
they often conspire
against
my pulpy softness
I
manage to return the spike
with
struggling deliberation
against
destiny and the doers
Their
eulogies, emptiness, flowers
Explode
into envious slips of flame
ignited
callously at my back
Pushing
them into some unknown
judgement
day I am sure of
yet
my injuries remain irrevocable
On
that haunting day of hailing the Visionary
with
unforgettable cramping memories
of arrogant pomp with no vision or piety
Their
incendiary pavilion full of
meteor-eyes
fuming as if to
have
me burnt to ashes
When
the flames ate my flesh and silk
someone
enthused with callousness
“but
isn’t she scarred beyond recognition?”
That
day I garnered my realization
from
the ruins of reality
from
the cinders of cruelty
The
fire tearing at my spirit and body
writhed
upwards and inwards
like
a hungry, lascivious female ---
My
arms and soul outstretched
an
umbrella hard to open
to
save my only fledgling
Times
have gone by since that inferno
but
I have risen with the rainbows
in
rain and sunshine from the ashes
A
tigress or a phoenix I do not know
never
debilitated nor sunk
yet
unable to cremate
The
charred corpses still deep inside
bristles
over-crowding within
a
tangled forest of cacti---
REPAIRING A BURNT BODY
The
doctors saw my body,
scarred,
naked
and
shamelessly identifiable
The
scorched moon dying
with
the shrinking sun
in
my blood
My
splintered self
breaking
under the scalpel
with
my simmering corpuscles
A
lump of flesh examined
closely
by burns specialists
while
I made my consciousness
and
awakening
wait
outside ---
The
body had to revive
and
the spirit to die
with
wilful erasure
Though
I never allowed
the
hard rocks in me
to
ever wane or dissolve
Photographs
of my
snake-skin grafts
helped
Dr. Bhargava
to
fetch his degree
Masters
or Doctoral
in
the skilled art
of
redeeming
burnt
bodies
I
wailed in searing agony
with
outstretched, dishevelled limbs
While
he pulled out my bandages
to snap-shoot my bleeding wounds
BOUQUET
OF FLINTS
My
body feels like a grave
With sprouting flowers
Adorning
its lovely crafted facade
My mind a lonely peak
Free
and breezy at the summit
In its dizzy stance of
World-watching
in aftermath
Defying the storm.
The
cinders inside have
Caused efflorescence, transformed into
Endless
contentment of victory
And forced tumescence
At
having known and conquered it all.
I
have learnt to walk on burning coals
And feel yet the icy cool,
The
balmy wind playing on my face
And the slag of black pains
Which
I have waded across
Gathering still in memory
The
aromatic white sprinkles
Of the springtime grounds.
I
have faced it, fought it,
Learnt to accept the scars
Of
hidden illness as trophies
To make my bouquet
Of
flints and sparks of victory.
Now
I see
A scintillating, slim ray
Across
an endless foliage
Perhaps my fractured sun
Will
rise yet again
From the violent billows
And
touch me with his baby-pink
Soft incandescence
To
light my thorn-ridden path
Perhaps, perhaps someday ---
Poetry: Laksmisree Banerjee
| Laksmisree Banerjee |
The Artistry of Patchwork Quilts
![]() |
| Deepa Agarwal |
Dust-Decked Rainbow Quilts
By Laksmisree
Banerjee. Penprints Publishers, Kolkata, 2023. Pages 103; ISBN: 978-819667772. Price ₹ 250,
$30
Review
by: Deepa Agarwal
Dust-Decked
Rainbow Quilts—an intriguing
title for a poetry collection, yet so apt for eminent academic and poet Dr. Laksmisree
Banerjee’s latest offering.
I had the pleasure of reviewing
Laksmisree’s earlier collection The Blue Phoenix and Other Poems
some time ago and thus have some familiarity with the poet’s compelling inner
world.
In her preface she provides the
explanation a reader might seek for the title. Referring to her perspective
both as humanist and womanist she states: “the metaphor of the “Quilt” has been
deliberately used from the usage or context of Feminist Historiography in which
the artistry of embroidered or patchwork quilts or crocheted bedspreads, made
by Women across ages and geo-spaces, becomes the archetypal crux of Women’s Stories.”
The term “dust decked”
itself offers a clue to her unique and skilful handling of language that the
reader will encounter over and over again in this collection. The distinctive
prism of her imagination throws up many such phrases that have an enduring
resonance. It is indeed a mark of the poet’s calibre that she negotiates the
maze of poetic language with such a practised felicity. We rarely think of dust
as something ornamental and this rare juxtaposition evokes both the past and
the beauty of oft ignored, rarely appreciated toil of women.
the trapped sunshine of hues sprinkle all
over
from the riotous tints of bygone ages
embroidered coverlets of centuries
of female trajectories buried from sight
or their parallel humans in subaltern
blight
of captive lives emitting culture- soaked
light
to illumine our lucent todays
The poet uses a familiar device—invoking
the past to find meaning in the present but her singular vision sketches a
pattern that is her own inimitable creation. The same unusual use of language
adds a particular luminosity to the poem “People’s Poet Jayanta Mahapatra: in
Fond Memory” in which she pays
homage to the iconic poet who left us so recently.
the calm of your cherry pain
leavening our shredded soul
your wincing butterflies wing
through our ambrosial manna
These are indeed words replete with
multilayered meaning.
The
themes of Banerjee’s poetry are wide ranging. However, certain tropes become
evident as you examine the poems deeply. Her “womanist” concerns come across
strongly in poems like “Silent Scream” and “Object D’Art”. The plight of women
who have no control over their lives is expressed in stark unsparing terms in
the former:
Worship, immersion, festivity, facades
all drown fading into memories and births
of generations of women with silent
screams
dying every instant with their fortitude of
dreams
The objectification of
women is set forth in “Object D’Art” in intense and graphic language, where the
newly wed is portrayed as a puppet whose role has been predetermined by others.
She was
reconstructed
with finery,
jewellery
a good
status-symbol
for private use and public display---
While
poems like these may decry the ways of patriarchy, she also finds joy in man-woman
relationships. In the poem “Love Marriage” she uninhibitedly celebrates the
union of two bodies and the overall tone is one of hope.
we have pilfered time for loving each
other
in the surge of the storm wheezing past
the turbulence of deep silent permeation
“Rivers Meet” similarly
reads like an ode to love, though its mood is somewhat melancholy as it dwells
on the tenuousness of human relationships.
Her humanist side and her social
consciousness are evident in poems like “On A
Greyhound from London To Northampton”, which is a scathing commentary on
racism when a white bus driver brutally forces some coloured passengers off a
bus.
That was an eye-opening day though
with squally skies and a blurred vision
when the cosmic lights went off
darkness prevailed more within
than in the arrogant winds outside,
the usual crowd of white predominance
with a minuscule of blacks and browns,
a thick smoke of supremacy clogged
the free flowing air with spurts in frowns
“Siachen (To the Unknown
Soldier)” dwells upon the plight of those anonymous guardians of our frontiers
with deep empathy.
On the highest battlefield of this
cold-hot world
we are the ones who script forgotten,
illegible history
sing unsung heroic songs of bravery often
erased
we the ones who dance in the silence of
doom
we live and die in anonymity, in glory
gone silly
give up lives, families for our national
family
still we remain ever decided sentinels of
freedom ---
Banerjee paints vivid mindscapes with
great energy. The brilliant colours that
ornament her poetry—coral and azure, indigo and sapphire add a particular
radiance to her verses. While her poetic pallete is incandescent with colour,
she adeptly brings a chiaroscuro of darkness and light into play as well, which
adds another dimension to her poetry. The five elements—earth, air, fire, space
and water are also evoked to convey poetic meaning as in the poems “Rain
Rhapsody”, which plays joyful tribute to nature’s healing power:
Look Mommy, the
rains have created magic
Clumps glossy
plumaged
I see these silver
slivers
Lancing the earth playfully
With so much
tender chuckle
Slanted splinters
of watery crackers
Implosions of sky
and earth
This multi-dimensional poetic sensibility
can be experienced in several other poems as she presents a variety of points
of view to illuminate different facets of meaning. Indeed, Banerjee’s poetic
voice is almost like a clarion call alerting the reader to possibilities that
might have escaped their notice. She is all heart and spirit and her passion
for life and living is vividly evident as she negotiates the high and low notes
of language with consummate skill. The poem “Chance Meeting” reads like an
affirmation of faith. After beginning with the traumatic scene “where mutinous
mobs ran, at each other’s throats”, in the end there is exuberant celebration:
God reappeared in the skies blessing me
As I cried in joy, my hands stretched
upward
“Yes I have found him—I have found my
answer
It is love, love, the endless River of
Life”--
Thus, while she
bewails the imperfection of human existence and throws merciless lights on the
dark fissures in our society, she also soothes us with a ray of hope, a belief
in the essential goodness of humanity. To quote from her poem “Game of
Numbers”:
So the gaming sprints through time and
space
Yet humanity lone belongs to another race
A wholesome knit of goodness breed
As we reap the verdure from that seed---
It is impossible to do
justice to this vast patchwork quilt of Banerjee’s poetry in this short piece.
All I can say in closing is that the diligent reader will reap much verdure
from this poetic seed.



