Aneek
Chatterjee is a poet and academic from Kolkata, India. He has been
published in reputed literary magazines and poetry anthologies across the
globe. His recent credits are: New Asian Writing, Chicago Record, Ethos
Literary Journal, Shot Glass Journal, GloMag, The Stray Branch, Ann Arbor
Review, Montreal Writes, etc. He authored two poetry collections “Seaside
Myopia” & "Unborn Poems and Yellow Prison". Chatterjee has a
ph.d. in International Relations; and he taught at the University of Virginia,
USA as a Fulbright Visiting fellow. He also received the prestigious ICCR
Chair to teach at reputed foreign universities.
Chocolate
Square
they
won’t allow me to the podium
so
i climbed up a tree with great difficulty
i
could have climbed the podium
with
much ease; they won’t allow
the
tree is much above the podium
much
higher to me, my now forgotten id,
much
higher …
the
happy chairs look so small,
flowers
decorating the podium look so plastic
faces
of vibrant dead men are nothing
but
surreal paintings
and
the lady announcer
vanished
all of a sudden
the
podium invited me, why, i do not know
they
obstructed my entry, why, i do know
happy
chairs turned sad, why, i don’t know
plastic
flowers appeared real, why, i do not know
why
the lady vanished, i don’t know
why
I climbed up the tree, i do know
#
my
solace, my id now scanned the podium
my
tired hands and legs instructed me
to
stay on the tree
chairs
look so small, and the podium
a
little box i fancied as chocolate square
in
childhood
chocolate
chairs adults prefer
in
a little box
Dilapidated
Wall
The
train that slowly moved
past
a dilapidated wall,
pink
flowers, suddenly took
a
reverse gear
A
boy surreptitiously
crossed
a big whole in an
ancient
wall to fish from the
black,
silent pond;
pink
flowers watching with
surprised
birds and ghosts
And
in winter nights,
the
dilapidated wall crumbled
several
times to allow dacoits
with
big, primitive guns.
The
boy shivered in fear
till
the morning whistle
of
the locomotive creates
a
rhythm of safety
and
silent laughter
Inside
Out
Wrinkles
on my face
are
like unhappy lines of
a
dry river bed.
They’re
saying
I’m
getting old. In every winter
breathing
trouble ails me
&
I’m unable to express my feelings
due
to intermittent bouts of cough
Arteries
& veins inside my body
are
getting thicker due to trashes
gathered
from society & flow of
oxygen
to my heart is getting choked
day
by day
But
believe me, I’m young at heart
I
still love migratory birds to adorn my gardens
I
like mothers peeling oranges for their
children
in sunny winter mornings
I
like the tingling sounds of
uncertain
trams sailing over
I
play football with both
green-maroon
& yellow-red jerseys
Long
addas on cemented rocks
still
rejuvenate me like a sudden
poem
in the dingy, smoky coffee house.
Don’t
look at my face
You
may be fooled
Instead
dig deep into my heart,
my
young heart
I’m
waiting for
a
magic touch from you
to
turn a dry river bed
into
a flowing Ganga in search
of the magnanimous
oceanVoices Within-2020 :: Setu, February 2020
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