Showing posts with label 202007E. Show all posts
Showing posts with label 202007E. Show all posts

Half a Century of Setu, the Bridge

http://www.setumag.com/2016/06/author-anurag-sharma.html
Anurag Sharma
Hi,

Glad to present 50th issue of Setu. 
Thanks a lot for your support and encouragement. Supported by over 3,500 literary articles by over 800 authors, and over 1.55 million unique hits, Setu is at your service bringing excellent pieces of literature and art from all around the world. I hope we will be there to see a true half century of Setu in 2046. 


The month of Savan (or Shravan to be precise) is the season of Monsoon. I am proudly presenting 'Songs from a Monsoon Swing' the latest book from Setu which is a collection of poems by Lavanya Shah, a multilingual author from Cincinnati, who is already a well known name in Hindi literature. The book is available in paperback and ebook formats on Amazon.


Best wishes!

Yours,
Anurag Sharma
Setu, Pittsburgh ✍️ Setu, 50th issue Special

Edit - July 2020

Sunil Sharma
We turned four this June!
And entered the fifth year of monthly production.
A moment of joy.
And we are still in a celebratory mood, despite an overwhelming threat of Corona, and the enduring human will to triumph over odds, howsoever heavy.
There is this underlying belief we shall overcome this existentialist crisis also with collective efforts, safety protocols and solidarity.
We are all one global family---of humans and other interdependent species.
And words help---always---in every walk of life, stage of historical evolution.
Positive words, attitude and mindset are three allied strategies of overcoming the obstacles and staring the impossible in the eyes.
As Hemingway famous declares for and on behalf of the entire humankind, and, this declaration still sounds true and relevant, almost the testament of every culture:

But man is not made for defeat,” he said. “A man can be destroyed but not defeated.
Certain words!

They can prove prophetic. Sum up a basic civilizational trait so succinctly.
They define humanity and its core essence.
Great writers can write such uplifting messages. And thus become our teachers and masters.
The quoted lines keep on resonating powerfully in the ongoing pandemic and are adopted as an anthem by us as well.
A mantra.
Talisman.
In dark times.

At Setu, located as it is in a social world and its myriad problems, we not only try to survive crises but do so with dignity, courage and hope through the careful spread of inspiring art; even otherwise, these are the major tasks of writing and other media, artifacts that rise above the market forces and its clich├йs, to provide the humankind moral and ethical road maps for further actions.
Art not only heals but shows the path ahead.
For 48 months, we did that only---planting and tending to quality art and propose to do similarly in the coming months also. We shall keep on innovating further and involving as many talents as possible in our bilingual but mutually-independent editions in future also, through many other projects.
All this could happen, to reiterate, due to your best wishes and cooperation only and we are grateful for the same---your precious love.
Hope to get the same kind of patronage in future as well.

This July, Sutanuka Ghosh Roy guest-edits a special section on the Children’s Literature, a niche area so far. A lot needs to be done in this important field. Authors are required with narratives that can prepare young minds to face an adult world and its challenges and disappointments and delights, and, not wizardry and schools that take them on another flight and trajectory into sheer fantasy, in the name of parallel realms and realities. A healthy, objective and ethical narrative tradition and style must be encouraged and cultivated for the wide dispersal and the right preparation of the future citizens of a high-tech world with its own frontiers and outer limits.
The voices curated by Roy are very reassuring and signal such efforts. Hope the dialogue is further taken up by other stakeholders as well for a better literacy culture for the children.
There are other writers in top form. And some established authors and artists as well in the general section.
Our thanks to each one of them and the editors for their solid support.
Enjoy, please, the banquet!

Sunil Sharma,

Editor, Setu (English)
Mumbai Metro Area, Maharashtra (India)

Setu, July 2020


Setu

Volume 5; Issue 2; July 2020


Setu PDF Archives

Editorial

Poetry

Author of the Month

Fiction / Flash

Fiction/ Flash based on the prompt: The delayed tryst, on a moon-lit sea, in Avalon

Serial novel

Exclusive

Essay

Paintings by Dr. Jatinder Singh Bhogal

Book Review

Multilingual Poetry

New Poetry Form: The "Trilogy" Poetry

Translation

Video Poetry


Special Edition: Children's Literature 2020

Guest Editor: Sutanuka Ghosh Roy



Orange Dawn - Chapter 6

John Clark Smith
Aphra and I both liked to keep busy. To accommodate our imaginations and interests, we developed a chart to catalogue wildlife in the area. Most of the time we searched in the daylight, but there were a few nocturnal discoveries, usually involving the garbage bin. Most often it was racoons, squirrels, rats, though once there was a spotted skunk. One night, after we had closed the windows, I woke to the familiar sound of something trying to conquer the bin. Rolling over, I saw Aphra already at the window, her hand on the latch. She gestured for me to join her. In the moonlight we saw a long-tailed weasel with thin sleek body, a brown coat above and white belly below, supported by short legs. We noticed it just as it was dragging away a vole.
Each day was the same routine. We would get up before dawn, and spend most of the morning wandering the mountainside, searching, reporting and drawing pictures of what we had seen. I also wanted to see if any changes had occurred in Harding. At about midday, we would bring out our lunch, stare down at the city from different places on the mountain, and talk.
One day we had just finished reporting on a black-capped chickadee. We were at quite a distance from the hut, which rested in the mountains to the northwest of Harding. Our plan was to explore the lower areas first, then expand outward in concentric circles. We had just gone up to a sunlit area.
We sat down on two stumps and were beginning to eat when we noticed a man hiding behind a large protruding rock below. The sight of another human being startled us. Other than the person I had glimpsed when we returned from the store, we were used to being alone.
Aphra hid behind a large fir. “I’m scared.”
“Why?”
“It could be the Guard.”
“I doubt that. They have enough to do in Harding. Let’s see who it is. We’ll be quiet.”
She shook her head.
“Do you want me to go alone?”
She nodded. “But…”
“But you want me to stay too.”
She nodded again.
“OK, tell you what. See that rotten stump up there? We need to add more insects to our reports. You go up there with Peirce, but quietly, and report what you see. They’ll be plenty there. OK?”
She agreed and started her climb. I watched her for a minute. Then I descended, moving from tree to tree and staying as low to the ground as possible. Because there hadn’t been rain for some time, the grass and weeds were dry. Every step made a noise.
I hadn’t gone very far before I heard a sound behind me. It didn’t sound like a small animal or the wind. I stopped. It stopped too. I took four steps. It also took four steps. I grabbed a stick and quickly swiveled round.
Aphra jumped from a fir tree and faced me with a mischievous smile. The sight of her brought both relief and delight.
“Scare ya?” she said and walked down toward me. I gave her a pat on her head.
“I don’t want to be up there alone,” she whispered, holding on to my arm.
We slowly progressed to the shield of a large oak. There was a man bent over doing something with his hands in the soil.
Aphra laughed.
“It’s Glen.”
I put my finger up to my lips.
“I can’t believe it,” she whispered. “I’m so happy.”
I had to smile when I saw his face. A few days earlier Aphra and I had been walking along a small plateau when we noticed a large bird perched on one of the electrical poles that ran across the hills.
“Wow,” Aphra said. “Is it a vulture?”
“No,” I said. “I’ve seen those when I traveled out west with my family. We carefully moved closer. I had never been so near to a bald eagle.
Aphra giggled. I shook my head, but the eagle heard her and flew away.
“What was so funny?” I asked.
“It reminds me of someone.”
“Who?”
“Glen.”
Now that I could see him with my own eyes, I had to agree. Glen's large, deep-set eyes and long, pointed nose seemed to comprise his entire face. His cheeks and forehead were flat, his eyebrows were thick and met in the center, and his hair was cut close. He had the nervous jerking motion of a bird too, looking about constantly. It also resembled the person I saw near the hut.
“Do you want to talk to him?” I whispered.
“He must know we’re here,” she said. “These mountains are his domain.”
“I suppose,” I said.
“I do miss him.”
“So…should I…?
She shook her head. “If he wanted to talk to me, he would.”
“But he’ll tell your Mom we’re OK, right?”
She nodded.
The thick shrubs and trees hid him in part. For a moment he went down on his knees as he concentrated on whatever he was doing, then he rose and, with a last look around, rushed away through the trees. We immediately went down to the area. Except for his footprints, the area seemed to be undisturbed.

Naturally I was curious about what Glen was doing on the mountain. I couldn’t believe he was only keeping an eye on Aphra for her mother. There was no pattern to when we would see him, but over time it became clear that the locations seemed to be approximately the same distance from the city and from each other. Only on one occasion did we find any trace of him. Under some mushrooms near the entrance to the tunnel we’d used to escape, Aphra found what appeared to be a broken microchip.
I wanted to know more, but my only resource was Aphra. One day we talked while sitting on the edge of the Allegheny, our feet hanging off the bank.
“I don’t see any fish,” I said.
“You will. Glen calls it a nest.”
“Never heard that term.”
“Like home for humans. They come back here. Look, there’s a Rainbow trout, a small one.”
“Check it off,” I said. “So, what did you and Glen do together?”
“Nothing special. Play games. Wander through the tunnels.”
“Did he make the tunnels?”
“I don’t think so. But they go all over the place. Glen showed me how to escape from the downtown to my house, just in case. He has little places in them where he feeds and leaves food for animals. Sometimes he meets people in them.”
She lay on her stomach so she could get a better look. “What’s that?” Her face was only a few inches from the water.
“Musky, I think,” I said, leaning closer to the water.
“Really? They’re so long.”
“They are. So what did he talk about with these people?”
“I don’t know. He spoke in a native language. He was trying to teach me, but I only know a little.”
“Did your Mom go along too?”
“Mummy finds the tunnels scary.”
“What about Mr. Jones?”
“Sometimes. Look! A Walleye. They’re so beautiful.” She made a click as if she had a camera.
“Check it off.” I caught a glimpse of fleshy whiskers among the weeds and pointed.
She grinned. “Catfish.”
“I suppose Mr. Jones knew Glen’s father and grandfather too.”
“I guess. He’s pretty old.”
“So what did Glen talk about with you?”
“Stuff. Nature. We would see animals or plants when we were wandering about, but we wouldn’t keep track or write about them. He loves the outdoors.”
We moved a little farther north to another favorite place of Glen’s. Two streams met the Allegheny, creating a V. We sat on a large patch in the middle where the water was almost as loud as a waterfall.
I pulled out our notebook. “What’s he like?”
“He’s really nice. Kind. Weird sometimes.”
“Weird?”
She laughed. “He talks to animals.”
“Really?”
“We were in the forest and he saw a fawn. We hid between some large fallen trees. We were very close to the deer. He said to it in a squeaky voice, ‘Now Angie, where’s your mother? You know it’s dangerous alone here.’ The deer seemed to hear him and raced off. One time when we came out of one of the tunnels and there was a bear, right in front of us. ‘Walto,’ he said, ‘what are you doing here?’ The bear looked at him for a moment, then strolled away.” She paused for a moment. “What’s that smell?”
I caught a whiff of something weedy and rank. “Algae? Who knows what’s dumped in here.”
“It happens on the days the factories dump.” She put her hand in the water and brought some of it closer to her nose. “I’ll tell Glen when we get back.”
“Anyway, in the tunnels,” she continued, “he’d go into these places where he’d light candles and meditate. He tried to show me how, but it was hard.”
“He’d say, ‘Sit still and focus on that little light in the far distance of your mind.’ I couldn’t see any little light, but I didn’t want him to be disappointed in me.”
“I’m sure he wasn’t. Meditation takes practice.”
She managed a half-smile. “Hey, where are all the fish? Let’s go back to the other place.”
“Be patient.” I took a breath. “How did he know about the tunnels?”
“I think the native people showed him. There! Isn’t that a brook trout?”
“Speckled body, red belly, whitish fins . . .”
“Yep. They’re my favorite.” She watched it swim away. “Did you know the tunnels even go under the city. He took me everywhere.”
“He trusted you.”
She nodded, took off her shoes and socks, rolled up her pants, and began to wade toward the middle of the stream. I followed her.
She looked round at me. “One time we were on the other side of Harding, where you can hunt, and he stole guns from the hunters.”
“I was waiting at the tunnel entrance. He brought them into the tunnels, and took them to another location, and buried them.”
Aphra scooped up a minnow, looked at it, and returned it to the water. “One time he saw a farmer mistreating a horse. Glen took the horse.”
“Into the tunnel?”
She looked at me. “No, of course not. To an animal rescue farm for old and abused animals.” She smiled to herself. “I adopted a rooster.”
“There’s a largemouth bass.”
“We have it.”
I checked down the list. “You’re right.”
“You know, one time I went with him when he destroyed several machines that sprayed pesticides. He poured acid all over the engine parts.”
“He could have been arrested.”
“They were hurting the plants!” Aphra said sharply as she walked back to the bank. “And people too—”
“OK, OK, settle down.”
“Don’t criticize him. Other than Mummy, he’s my best friend.”
“Sorry. I was worried about you. He’s an admirable person, but I just don’t want you to get into trouble.”
We began putting on our socks and shoes.
“I shouldn’t have told you that stuff.”
“I won’t tell anyone. It’s our secret.”
“You promise?”
“I promise.”
“Glen wouldn’t hurt anything. He’s even a vegan. I’m going to be like him when I grow up. Mummy won’t do it. She said she needs the meat.”
Aphra saw several slender and dark goldfish with black fins swimming together where the streams meet the Allegheny. “Is that a black carp?”
“Yep. Check it off. Where does he live?”
“He always comes to our house.” She turned around and looked at me with narrowed eyes. “Why do you want to know so much about Glen?”
“Just curious.”
“Can we go?” she asked abruptly. “I’m hungry.”
*

A couple of weeks passed without us discovering the reason behind Glen’s activities. Meantime, the orange hung over Harding as bright as ever. Every morning, the Hardies went to the square past the soldiers posted on the bridge. The risk of re-entering Harding was too high, but the itch to know what was happening was becoming unbearable.
One day, we were exploring on a small hill to the south of the city. We would only go there in the middle of the day when most Hardies were at work. It was high and close enough that Aphra and I could easily peek through the trees with binoculars and see what was happening in Harding.
On that day we saw a large group of people gathered in the city square around a person upon a platform beside the flagpole. The crowd mushroomed until it filled the entire square.
The sight made me nervous. I felt certain the person was going to jump, but I didn’t want to say out loud what I was thinking with Aphra there. I grabbed Aphra’s hand and we began the long climb up the winding mountain path. Why was this crowd gathering? Who was the person on the platform? We didn’t have to wait long for an answer.



[To be continued ...]

Rosie (Chapter 8)

Glory Sasikala

Serialized novel, by Glory Sasikala

CHAPTER-8

all life holds—and more—is yours if by this one rule you abide
said the Moon, learn to gauge the ebb and flow—
synchronize with the tide

After Prateik left, everyone was silent for a while. Then Rosie said, “So... I must be going.”
Chetan, who had been immersed in his own thoughts, looked up and asked, “Going where?”
Rosie raised her brows, “To school dude. I’m on permission.”
She smiled at Priya, who was standing near the doorway to the inner rooms, “Good thing I'm already dressed.”
Priya made a face at her.
Rosie looked at her startled, “Priya, why that face? What have I done?”
“This is not how you dress when a boy comes to see you. You’re in your work clothes.”
“N-no,” Rosie corrected her, “I'm in my ‘good’ work clothes.”
“Bride seeing is a ceremony, a celebration. In our village, girls really dress up. They wear costly sari, jewellery, necklace... And they wear a lot more make up too.”
Grandma laughed, “Yes, even during our times it was like that. But I think what Prateik liked in Rosie is her simplicity. He must have seen so many sophisticated and well-dressed women, but he has liked Rosie, her simplicity. Arrey, this girl doesn’t even know that she’s beautiful.”
Rosie looked round-eyed at her Grandma, “Am I? Really?”
Both Priya and Grandma laughed.
Rosie got up from the divan, but Chetan reached out a hand and took hers, “Rosie.”
Rosie looked at him, “Yes Chetan?”
“You like him.”
It was not a question. It was a statement.
Rosie grew red but she held Chetan’s gaze. They were very close to each other and understood each other the way only siblings can. Grandma and Priya watched on, very interested and alert.
“Yes...I like him.”
Rosie released her hand gently and sat back down on the divan.
“But...I have just met him. The relationship...whatever it is...is new. It isn’t that deep yet. And I have faith in your judgement. I know that whatever decision you take on my behalf, on Rashmi’s and Suman’s behalf, on this family’s behalf, you would have reached that decision after a lot of thought and after strongly weighing the pros and cons. I respect your decision. Whatever you decide, that will prevail.”
“You mustn’t worry about me,” she continued, “Two days back I was a happy-go-lucky girl. I will...I will be happy again. I’m not weak. You know that.”
Chetan nodded.
“Thank you for your faith in me,” he said a little awkwardly.
Rosie nodded, “Can I go now?”
He nodded.
She got up and got ready, bid them all goodbye and left the house. As was her way, she spoke to everyone as she made her way downstairs. Everyone knew all about Prateik, and she laughingly promised them all the details when she came back from school.  When she got down the stairs and made her way through the yard, something made her look up, and she saw Chetan standing there, looking intently at her. He had never done this before.
She stopped and waved at him, “Chetan, go back in! Go do your work. Don’t worry so much!”
He waved back at her, “You too! Take care!”
Priya and Grandma exchanged glances as they watched Chetan standing outside.
“Shall I make tea?” Priya asked.
“Yes, please do. That will be good,” said Grandma.
“Okay. But don’t start without me.”
“We never do,” Grandma replied, smiling at her.
Chetan came and sat down on the chair again.
“Priya has gone in to make tea. Please wait,” Grandma told him.
He nodded.
Priya came in with a tray with three cups of tea. She placed it on the table and picked one cup and gave it to Grandma. Chetan picked up his cup. Priya took the third one and sat down on the chair opposite Chetan.
“So...” said Chetan, “What do you think?”
Priya and Grandma looked at each other.
“Grandma,” said Priya, “you speak first. I too want to hear your opinion.”
Grandma nodded, “Today, I’m very happy. I'm also very proud. I was sitting here hearing everything, seeing everything. And I’m so proud of the way my grandchildren behave. With love. With dignity. With understanding. So proud...”
“Grandma, me too?” asked Priya.
Grandma smiled and reached out to touch her soft cheek, “When have I ever left you out? You’re the one who made sweets and crispies for him. He was our guest, and you took care of him.”
“Grandma, I want your opinion about this. Do you think this is a good match for Rosie?” asked Chetan.
Grandma nodded.  “It is good, Very good. The boy is good. But for now, if we do agree, we must see how his family members will react. They still don’t know that he has liked someone. He hasn’t liked anyone till now. It will be a surprise for them. We don’t know if it will be a pleasant surprise or an unpleasant one.”
“Unpleasant,” said Priya, promptly.
Both Grandma and Chetan looked at her, startled. “Don’t you see?” said Priya, “He’s from a rich family. They would have high expectations for him, right? And then too, he’s not taking home one girl. He’s taking home three girls, and two are children. How can they be happy about it?”
“But he’s an independent man. He can take his own decisions,” Chetan pointed out.
“But family is important na? The family members should be welcoming. If they’re hostile, how will a girl be happy there?”
Grandma and Chetan nodded.
“Rosie likes him. We mustn’t forget that,” said Chetan, “And if she refuses to leave Rashmi and Suman, she might never get married.”
Priya and Grandma nodded. Grandma laid a hand on Chetan’s arm, “Son, you decide. Rosie was right. The relationship is recent. You think out all the pros and cons and decide. Not now. Go to work. Think about it and tell us your decision in the evening. What do you say Priya?”
Priya nodded, “Yes, I think your decision will be correct.”
Chetan nodded.  He got up. “I must go now. We’ll talk in the evening. I’ll think about it. You both think about it too. If you feel there’s something I’m missing out, you can tell me.”
They both nodded. Chetan and Priya left the room.
Rosie made her way hurriedly to school, exchanging a gay word here, a hello there. Nothing in her external demeanour gave away the turmoil in her mind. She entered the class unnoticed by her students who were too busy and occupied to notice her. She went behind her desk and picked up the scale and tapped it smartly on the table several times. The children stopped in their tracks and turned towards her. Some of them hurriedly made their way to their own places. Rosie did not say anything. She stood silently waiting till they were all in their proper places. Then she closed her eyes, folded her hands and led her students in prayer. This was a daily routine to start the first session in the morning and in the afternoon with a prayer. Only, today it went beyond that for Rosie, for whom only that morning, in the few hours just left behind, so much had happened, so much had changed that she seemed to have lost control of her destiny. The very ground was slipping beneath her feet, and it was imperative that she grasp at some hold somewhere, somehow, lest she have a deep damaging fall. So she clasped her hand tightly together, shut her eyes and prayed fervently.
It turned out to be a rather long and tedious day that left very little time to think about anything else.
“Hi Rosie!”
“Hi!” said Rosie, smiling at Shaheena, a young colleague. “All of them have gone home,” she said to her, “Peace finally!”
They both laughed.
“Do we like this peace?”
“Not for long, no?” said Rosie, shaking her head.
“Going home?”
“Well…” said Rosie, uncertainly. “I thought I’d go to the temple first.”
“What’s wrong Rosie? You look very worried.”
“It’s nothing Shaheena,” said Rosie, shaking her head and looking at the ground. Then she looked up and smiled, “Well, actually there is something, but I can’t talk about it right now. I’ll tell you later.”
“Alright, but is there anything I can do to help?”
“No, it’s nothing like that,” Rosie said, smiling again.
“Okay,” said Shaheen, doubtfully, looking rather curiously at Rosie, “I’ll see you tomorrow then. Bye!”
“Bye!” said Rosie.
Rosie went to the temple. After washing her feet at the pool, she entered the premises. She then knelt down in front of the deity, pulled the shawl over her head and grew oblivious to her surroundings and immersed herself in prayer.
"God, I don’t know this new path through which you are leading me, but I know only this much—that you are with me wherever I go. You are my strength. You are my guide. You are my protector. You are my saviour. It is only because of you that all this is happening. Oh God! How can it happen? How can a woman lose her heart in a moment to a man she does not know. What magic is this O God? Today, I’m the same Rosie who came to you yesterday, and yet, I’m not the same. Today, my heart is not with me. Today, I have given my heart to someone else. He has it. Tell me is this possible or am I the only crazy creature in this world? Please be with me God and guide my footsteps. Please my Father, do not desert this fatherless child. Help her Father! Help me!”
She stayed quiet for a while, feeling rested and peaceful now.
That night, Chetan said to Rosie, “Rosie, we need to sit and talk.”
Priya, who was standing near the main doorway said, “Shall we eat first? I've made pulao today.”
Grandma nodded her head in delight, “Wah, wah! Today we’re having pulao! Wah, wah!”
They all laughed.
Chetan looked at Rosie, “We need to talk now, Rosie. Rashmi and Suman are out. We need to talk while they are not here. We can include them in the conversation later. It’s their future too. Food can wait.”
He looked at Priya. She nodded.
“Come in and sit down,” he told her.
She came in and sat down. Rosie sat down next to her grandma.
“Tell me,” she said to Chetan. Her face was impassive but there was a flutter in her heart, a little anxiety about how things would go.
Chetan looked at her. He said, “Rosie, I have decided that this is a good match. The boy is good. He will take care of you. And even if I’m not happy about you taking Suman and Rashmi with you, in my heart of hearts I know it’s good for them, a good atmosphere to grow up in. And they will be close enough. I can drop in. They can spend their holidays here. It will work out well. But...”
“But, there’s one problem, which Priya and Grandma pointed out to me. Their family is big one. They are four brothers. Two are married. They might not have said anything so far about Prateik getting married, but they might have had faith that he will marry from a good family...a rich family. We don’t know. It might be hard for them to accept you. It’s not a very big thing. Rich or poor, there are always people in every family who don’t get along. My worry is not about them, but how Prateik handles it. If he can guarantee that he’ll take care you and shield you and protect you and ensure that you are treated with dignity, then I have no objections. I cannot see my sister unhappy. No one can approach a woman who is protected by her husband. And, within his protection, it is up to you, as the person entering the household, to be patient and loving and gracious...which you are. So....we have to talk to Prateik tomorrow. He has to give us this guarantee. If he does, then I have no other objections.
Rosie had been listening intently. She now nodded.
“I understand. You don’t worry. Whatever you decide, I will abide by your decision. I know that you would have weighed all the pros and cons to arrive at a decision. I respect that.”
Chetan reached out a hand and tousled her hair. “Rosie-Posie!”
They smiled at each other.
“Arrey Grandma! Why are you crying?” Priya asked.
They turned to see tears pouring down Grandma’s face.
“Grandma, why are you crying?”
“My grandchildren are so good! Everybody has grandchildren, but mine are so good!”
“Grandma,” said Rosie, putting her arms around her, “That’s because of you! You taught us to prioritize the right things in life.”
Priya nudged Grandma at her elbow, “Me too?”
Grandma smiled through her tears, “She keeps asking this. Me too, me too, me too!! You mad girl! When have I ever left you out? Go! Go and bring that pulao. It must be eaten when it’s hot.”

[To be continued ...]

Guest Editor’s Note: Children’s Literature

(Setu Special, July 2020)

As we are trying to cope with the troubled times our feelings and emotions are bottled up. We all are engaging in various activities to keep ourselves busy. The children are the worst sufferers for they fail to understand the new sick world around them. They miss their school, their friends and the playground. This special issue of SETU on “Children’s Literature” will surely put back the lost smile on their lips. Reading the poems and stories will stimulate their imagination and add to their visual imagination too. They will be Alice in their own wonderland or be a Nancy Drew trying to solve a problem on their own. 

Some of them will find a broomstick to fly like Harry Potter and enter into a magical world of potions. Nowadays childhood is stolen from the life of the children. Reading will help children weave their own dreamy yarn and experiment with different ways of seeing the world. We hope that the little angels will hover in their imaginary make-believe world and travel through time to touch the stars!

I am thankful to all the contributors who sold their rainbow dreams to make the children happy!

Happy reading!

Sutanuka Ghosh Roy
Kolkata  July 2020.

Sutanuka Ghosh Roy


Bio: Dr Sutanuka Ghosh Roy is Assistant Professor and Head Department of English in Tarakeswar Degree College, The University of Burdwan. She did her doctoral dissertation on Two Eighteen Century British Women Poets: Hannah More and Lady Mary Wortley Montagu. She has been teaching at the undergraduate and postgraduate level for twelve years. She is currently engaged in active research and her areas of interest include Eighteenth Century literature, Indian English literature, Canadian Studies, Post-colonial Literature, Australian Studies, Dalit Literature, Gender Studies etc. She has published widely and presented papers at National and International Seminars. She is a regular contributor of research articles and papers to anthologies, national and international journals of repute like The Statesman, Muse India, Lapis lazuli, Setu etc. She is also a reviewer, a poet, a critic and an avid painter.




Fiction: The Filthy Foursome and Alice

Santosh Bakaya

Santosh Bakaya

It was a dark, dismal night, and a tempestuous wind was blowing through the jungle. The trees were moaning and writhing, as though in great pain. A twelve year old girl was walking through the jungle, lost in thought. She was missing her mother, who had time and again reprimanded her for her slothful ways, especially her habit of not washing hands.
Stuck to a tree was a wooden board, which said, To Malevolent Land. Malevolent Land! The name sent shivers up her spine and she slumped on a fallen tree trunk to recover her breath. The moment she sat on the trunk, some voices fell into her ears.

“Twirl the hula hoop. Twirl the hula hoop
Are you hard of hearing, you nincompoop? 
What will you folks have, stew or soup?
 Wash your hands, scrub away, nincompoop!
 Twirl the hula hoop. Twirl the hula hoop
Stew or soup, stew or soup? Twirl the hoop
Twirl the hula hoop. Twirl the hula hoop.
Wash your hands, scrub away, nincompoop! 

“Let me twirl the hula hoop, please let me. Who …. are ….you four?”  She stuttered, as her eyes fell on four cloaked and masked men sitting on a tree stump, every now and then dipping their hands in a bucket of water and scrubbing their hands.
Frantically. Vigorously. Frenziedly.
Four scrawny necks whirled in the direction of the voice, and their eyes fell on the most innocent face they had ever seen.
“This is our territory, and we are the four wizards of Malevolent Land, h ah ah a. We don’t tolerate any intruders.” The Filthy Foursome guffawed in malevolent glee, pointing towards the board which said, Malevolent Land. The girl shuddered. The four waved their gnarled and grotesque looking hands, soon there were cookies, doughnuts and scones dancing in the air.
“Every globule of our blood will rise in revolt if you don’t eat! Eat! Eat! Eat!
Now eat! Eat! Eat! Eat!” Said the wizards. 

“But first wash your hands, nincompoop!
Don’t you carry a sanitizer with you stup….
id girl?”  Bellowed one.
“Oh, my mom is always after me to wash my hands, but I am too lazy to do it”. She confessed almost on the verge of tears. 
“What is your name?”
“Alice”.
 “Oh, that crazy, confused, forever hallucinating girl? Sometimes you wander in Wonderland, oft, you are caught peeping through the looking glass”, One of the four said with a smirk, trying to smack of sanity.
“But, we are wizards, we know you are lying, they call you Malice.”   Said one, looking absolutely gray. 
“No! No! When I was small, I could not pronounce my name properly, instead of Alice, I called myself Malice, so the name stuck.

“Stuck! Stuck! Stuck”, they chanted.
“I am Alice of the present century; that confused Alice lived in the middle of the Victorian era, and she was merely seven years old.  You claim to be wizards and you don’t even know this!”  She rejoined impishly, but they went on chanting, unfazed.

Stuck! Stuck! Stuck
Now, you are stuck here
Alice is full of malice
Malice is full of Alice
you have always been ‘wildly curious’
Wash your hands, or we’ll get furious
Alice is full of malice
Malice is full of Alice
Stuck! Stuck! Stuck

She dipped her hands in the water bucket owned by the wizards, washed her hands while the Filthy Foursome looked on impatiently. Then she gobbled up the cookies, scones and doughnuts and while the four were busy washing their hands, she slunk away. Behind her she heard the sound of running feet, and highly agitated yells of “Off with her head!”

She stopped and threw a counter yell in their direction, “you weird wizards, if you can do nothing else, at least be original! The Queen of Hearts will start turning in her grave, and Lewis Carroll will not like it.  [Actually I am confused whether it was the Red queen who said it, or the Queen of hearts, but anyway, she mumbled]  The moment she said this, the sounds behind her stopped and her eyes fell on something dark huddled under a tree.

“Hey, what is that? The Cheshire cat? Ah, purrfect!” She said in a flurry of excitement, heading towards it, when suddenly the cat started caterwauling.  A strident and piercing scream rent the air.
“How dare!” The cat growled, suffixing the growl with an indignant Meow. A meow which seemed to trigger an earthquake more than 7 on the Richter scale.
“How dare, what?”
“Mistake me for the Cheshire cat? MEOOOOOOOOOW!”
“Oh!”
“I have my own identity! And I hardly ever grin. ME….NO CHESHIRE CAT. I only frown, and tell me, can anyone do anything but frown in these circumstances? But, did you wash your hands, girl? ” It strode toward her at a menacing pace, glowering.

No specialist in feline psychology, but, Alice realized that the cat was more bark than bite, nay, more meow than munch, and grinning in relief, recalled her dad reading from Old Possum’s Book of Practical Cats*  just a few hours back.
 “Are you Bombaulrina then? Or, maybe, Macavity?”
The cat grinned a grin which was dangerously near a smirk and said,

“The name that no human research can discover –
BUT THE CAT HIMSELF KNOWS, and will never confess.”
Never confess – never confess ……the words resounded with a new vigour and slowly many cats came out from the shadows and started singing some incomprehensible cat song – a slow, eerie chant at varying feline pitches and inflections.

As the chant reached a crescendo, she furtively left the place, frantically wondering what the name of the cat was ……..

Rumour has it,  that the Filthy Foursome are still there in Malevolent Land, washing hands and spewing doggerel,  and Malice, oops Alice is cured of her hallucinations, but can be seen washing hands at all odd hours of the day and night . 
Frenziedly. Feverishly. Vigorously.

* It is a collection of whimsical poems [Faber and Faber, 1939] penned by Nobel laureate, T. S Eliot about feline psychology.

Bio: Dr. Santosh Bakaya, recipient of the International Reuel Award for writing and literature [2014] for her long narrative poem, Oh Hark!,
 Setu Award [2018], Bharat Nirman Award for literary excellence [2017] Keshav Malik Award [2019], is an academic- poet- novelist- biographer - essayist -Ted Speaker- creative writing mentor, whose Ted talk on the Myth of Writers' Block is very popular in creative writing circles.
She runs a much appreciated column, Morning Meanderings, in Learning and Creativity. Com which is a kindle version. 
Her poetic biography of Mahatma Gandhi [Ballad of Bapu], has been internationally acclaimed.

 Under the Apple Boughs [Poetry], Where are the lilacs? [Poetry], Songs of Belligerence [Poetry], Flights from my Terrace [Personal essays],  Bring out the tall Tales, [short stories with Avijit Sarkar], A Skyful of Balloons  [novella] are some of her books  which have received laurels. Her latest book is a biography of Martin Luther King Jr. [Only in Darkness can you see the Stars]   

The Warning: Arpan Dasgupta

When home is no more
And all creatures are helpless,
Beware, people of Earth
Danger has stepped on your door!
Save mother earth
Or perish in the raging fires
You once preserved
Which will lead to utter destruction
Of the human race.

The worst is yet to happen,
And all of us know it
In the deepest corner of our hearts,
Beware, humans, beware:
You have been warned,
And this is the last chance
You have got.


Bio: Arpan Dasgupta studies in standard VI, Delhi Public School, Ruby Park, Kolkata. He is an avid reader and enjoys writing poems. His other interests are music and baking.

Images: Anita Nahal




Anita Nahal
Anita Nahal, Ph.D., CDP currently teaches at the University of the District of Columbia. She’s a poet, professor, short story writer, flash fictionist, children’s books author, and D&I consultant. She’s held numerous professional positions such as, Assistant Provost for International Program, Howard University, Mellon Fellowship Program Administrator at the National Museum of African American History and Culture, and Associate Professor at Sri Venkateswara College, New Delhi among others. She has been a Fulbright Senior Scholar in Residence at SUNY, Binghamton, an NEH Summer Faculty award winner, and a gender scholar at Berkeley, CA. Nahal has two volumes of poetry, Hey...Spilt milk is spilt, nothing else (Authorspress, 2018) and Initiations (Pitamber-1988), a collection of flash fictions, Life on the go-Flash fictions from New Delhi to America (Authorspress, 2018), and three children’s books (Madhuban-Vikas, 1993-1995,) besides academic writings. Her recent poems and flash fictions can be found in Aberration Labyrinth, Confluence, Better Than Starbucks, Aaduna, River Poets Journal, Colere, Lapis Lazuli and in a number of Medium publications. Nahal is also the co-editor of the anthology, In All The Spaces-Diverse Voices In Global Women's Poetry, (Authorpress, 2020). Nahal is the daughter of Sahitya Akademi award-winning Indian novelist and professor, Late Dr. Chaman Nahal, and her mother, Late Dr. Sudarshna Nahal was also an educationist, author and principal of a K-12 school. Originally from New Delhi, India, Anita Nahal resides in the US with her son, Vikrant, and daughter-in-law, Sumona. In her free time, she loves dancing, and practicing and teaching Yoga.  For more on Anita: https://anitanahal.wixsite.com/anitanahal

Poetry: Aneek Chatterjee

Aneek Chatterjee

Mother


Mother you love me. 
You’ve structured my
daily routine with much care. 

Seven to nine
in the morning: language;
nine to 11: maths;
11 to 1: biology
Lunch, rest etc
thereafter.  
From the afternoon to
late evening: tuition from
reputed teachers

Mother, do you know
a football ground
laughs in my language book; 
grasshoppers jump from
biology lessons;
& an ominous planet threatens
me from my physics lexicon ?

#
Sometimes I want to be
your father
& wish to take you back
to days of yore  
when you played hide &
seek, kho – kho;
when you dreamed to be a
leg spinner; 

& tell you 
stop spinning around
your son 
______________________________


Elders!

Look at the lovely sky
Where I wish to fly

The aroma of flower
Signals nature’s power 

The naughty river flows
Through jungle, meadows 

I’ve visited in my dream. 
But I like to scream

When a dog crashes under the car
A bird is caged by the neighbor; 

& there is a fence around my mind
Oh elders, be patient, be kind
________________________________________


Bio: Aneek Chatterjee is a poet and academic from Kolkata, India. He has been published in reputed literary magazines and poetry anthologies across the globe. His recent credits are:  Chiron Review, Better Than Starbucks, Poetry Potion, Shot Glass Journal, The Stray Branch, Dissident Voice, Caf├й Dissensus, Literary Yard, Ann Arbor Review, Chicago Record, Setu, Ethos Literary Journal, GloMag, New Asian Writing, Montreal Writes, Scarlet Leaf Review, Pangolin Review, Mark Literary Review, Merak Magazine, Taj Mahal Review etc. He authored 13 books including two poetry collections titled “Seaside Myopia” & "Unborn Poems and Yellow Prison" (Cyberwit.net), and a novel named “The Funeral Procession”.  Chatterjee has a Ph.D. in International Relations; and has been teaching in leading Indian and foreign universities. His poetry has been archived at Yale University.

Poetry: Amit Shankar Saha

Amit Shankar Saha

1. Freedom


Dear child,
Yesterday you kept
your head on your father's lap
and perhaps you slept,
lost yourself in musical strains,
found yourself in a different world,
whereas in this world
of bending roofs and cringing walls,
where to breathe is to disgrace
and the mind's a cellular space,
where thoughts of pain
no music can overcome,
we celebrate independence,
you celebrate freedom.
***


2. Freedom Reloaded

Dear child,
A year ago on Independence Day
I wrote a poem for you.
Do I write one this year too?
But who will share?
If I stare
long at the phone
will it ring?
No. One day you will know
why freedom is also forgetting.
***

3. Revisiting Freedom

Dear child,
You still smile in freedom,
not the momentary smile
of photo consciousness,
but something primordial,
as if we are still being born
and nothing has happened yet,
as if we can still look back
at the gloaming hour of our
independence and rescue
from the cornice of hope
the frightened existence
of our innocent freedom.


Bio:
Amit Shankar Saha is a widely-published award-winning poet and short story writer. He has been nominated for the Pushcart Prize and the Griffin Poetry Prize. He is the author of two collections of poems, "Balconies of Time" and "Fugitive Words" and the e-Chapbook "Illicit Poems". He teaches in the English Department of Seacom Skills University.


New-Age (Non) Human: A Posthuman Investigation of Suzanne Walker's 'Mooncakes'

Jagari Mukherjee


Graphic novels constitute a popular genre in the twenty-first century, continuing from the tradition of the “Superhero” comics of the previous century. These graphic novels usually are labelled as “YA” novels, as their target readership consists of young adults (teenagers). One of the latest graphic novels to be published in 2019 is Mooncakes, penned by Suzanne Walker and illustrated by Wendy Xu. This article proposes to look at Mooncakes from a posthumanist angle.
The conclusion of Francesca Ferrando’s seminal essay on Posthumanism, entitled “Towards A Posthuman Methodology: A Statement”, Ferrando asserts that “Posthumanism has to acknowledge the whole abstract experience in order to be receptive to the non-human and be open to unknown possibilities.” Ferrando defines Posthumanism in terms of its function, mentioning that it “criticizes anthropocentric humanism and opens its inquiry to non-human life, from aliens to other forms of hypothetical entities related to the physics notion of a multiverse. In so doing, it articulates the conditions for a posthuman epistemology concerned with non-human experience as the site of knowledge.”
The aim of this article is to examine Mooncakes in the light of Ferrando’s words. The main characters of Mooncakes are decidedly non-human. The heroine, Nova, is a witch who works in a bookstore owned by her two grandmothers, Qiu and Nechama. Nova’s parents are dead but their ghosts visit Nova and her grandmothers for Thanksgiving and express their disappointment because at Nova’s decision of not going in for apprenticeship to learn witchcraft and to stay at home instead. Moreover, it would be difficult to answer the question as to whether the novel has a “hero” in the traditional sense of the term: the other protagonist, Tam Lang, is a werewolf who prefers to use the gender-neutral pronoun “they” (Tam corrects Grandma Qiu once towards the beginning of the novel when Qiu addresses Tam as “she”). Thus, Mooncakes normalizes the non-human and is inclusive of the LGBTQ spectrum. Nechamma and Qiu discuss Nova’s previous romances with boys in the light of her present budding relationship with Tam, voicing their approval for the latter. Mooncakes’ target audience are ‘young adults”, judging from its tone, and thus belongs to what is known as the YA category.
The historical depiction of witches in medieval literature has been biased at its worst, and marginalized at its best. In Shakespeare’s Macbeth, the three witches dancing round the cauldron darkness of the forest lend a sinister atmosphere to the play. They are known as the “weird sisters”, a term that the late British novelist Terry Prachett parodies in his novel Wyrd Sisters, which is a part of his Discworld series belonging to the genre of fantasy. In Prachett’s tale the witches are largely benevolent, have names and personalities, and coexist with humans in a magical milieu (the first novel in the Discworld series is named The Color of Magic and features a wizard as its protagonist). Witches had a place in literature before Harry Potter And The Philosopher’s Stone was published in 1997 and became the third highest grossing novel of the twentieth century with an estimated 120 million sales. However, one may remember that the protagonists of the Harry Potter series are wizards and witches in an essentially human world; they still belong to the minority community. However, in the multiverse of Mooncakes, humans are decidedly a minority, here represented by Nova’s friend, the sceptic scientist Tatyana, who believes that her friend is a witch but seeks scientific explanations behind witchcraft.
As far as its plot is concerned, Mooncakes uses the ancient trope of the victory of good over evil. The novel opens with Tam revisiting his old neighborhood after many years, the neighborhood where Nova lives, in order to escape his demons: there are dark forces which want to harness Tam’s “wolf magic” and turn him into an evil demon in order to access forbidden power. This Satanic-Faustian ambition is thwarted by the joint efforts of Nova and her close ones. In the very first chapter, Nova rescues Tam from a horse demon let loose by the dark forces. This sets the tone for the rest of the story where the female protagonist rescues her beloved from the bad guys, thereby shattering stereotypical depictions off helpless damsels rescued by princes and knights in shining armors. Nova is as strong as Tam is soft and vulnerable: she refuses to give up in the face of difficulties, and ropes in her grandmothers to come up with a new kind of magic that would be powerful enough to ward off the evil forces. Nova is not perfect: she uses hearing aids and is full of stubbornness in her refusal to go in for an apprenticeship: it is only at the end, when all of the combined magic of Nova, her grandmothers, and Tatyana have managed to banish the evil forces that she realizes that she needs formal training in witchcraft, and finally decides to leave home. Tam decides to go with her, and the novel ends with the young couple kissing, locked in an embrace. In spite of the danger lurking throughout the book just around the corner as a threat to Tam, there is decidedly a feel-good factor about the story. This is no less reinforced by the physical representation of Mooncakes: the pages are of high-quality glossy paper and Wendy Xu’s artwork is colorful and easy on the eyes. The characters are black-and-white in their depiction: the good and good and the bad are bad with no grey shades in between; there is no Batman-type “Dark Knight” complexity and dilemma. The forest in the novel is crowded with a host of magical creatures, loyal to Tam and Nova, but threatened, as per the plot, by the cult who belong to the dark side.
Nova’s home, adjacent to her grandmas’ bookstore, gives an insight into the abode of a young modern witch. The bookstore is named as Black Cat Bookseller Caf├й and the family keeps a number of black cats as pets. Nova’s room exemplifies the room of a teenage witch. A flying broom is kept at the foot of the bed, a wooden treasure-box is placed on her bedside table in which she keeps her magic wand and gemstones, old books lean against the wall, pile on top of one another, a wooden bookcase stands on the other side, full of books presumably on witchcraft, and a jack o’lantern with silvery light hangs overhead. Even Nova’s bright blue earphones are magical: she uses a trick with them to stun the evil witch, Mrs Crawford. The ceiling has constellations mapped out with toy stars and planets, which Tam and Nova had set up as children. As a witch, Nova has all the constellations imprinted in her memory, as Tam recalls. Qiu and Nechamma’s kitchen is full of herbs and potions. When Tam is imprisoned by Mrs Crawford, the two old witches locate him with the help of a potion brewed in the cauldron, as the smoke arising from the potion falls on a map pointing to his exact location, to which they fly using brooms. Although most of the story is set in Nova’s home, the climax of the novel occurs in the forest where good and evil forces converge together.
In Mooncakes, the world of magic and enchantment is normalized. Like the poet Coleridge, Suzanne Walker and Wendy Xiu familiarizes the strange and the unfamiliar. They represent a posthuman milieu which is more tolerant of differences than is prevalent in the real world.


Text
Walker, Suzanne and Wendy Xiu.Mooncakes. Lion Forge LLC, 2019.

Reference
Ferrando, Francesca. “Towards a Posthumanist Methodology: A Statement”. Frame: Journal For Literary Studies, vol. 25, issue 1, pp 9-18.

Bio: Jagari Mukherjee is a gold medalist in English Literature, a Best of the Net 2018 nominee, DAAD scholar from Technical University, Dresden, Germany, a Bear River alumna. Her poems and other creative pieces have been published in different venues both in India and abroad. Her latest book, The Elegant Nobody, was published by Hawakal Publishers in January 2020. She is the winner of the Rabindranath Tagore Literary Prize 2018 for Book Review, Poeisis Award for Excellence in Poetry 2019, and also the recipient of Reuel International Prize For Poetry 2019, among other awards. Jagari is a part of the Reviews team at The Blue Nib.