Showing posts with label Shyamasri Maji. Show all posts
Showing posts with label Shyamasri Maji. Show all posts

Summer 2024: Shyamasri Maji

Shyamasri Maji
Summer of an Indian woman: three poems

Through latticed wall


An ox dozes under banyan boughs,
pedlars exhale widow’s sigh
birds sleep in mossy niches
hot winds swell the aluminium sky
Barren mango trees pray for a squall,
their leaves thirsty
like wives fasting on Shiva’s night,
Memories of March mourn in May
Curtains crave for icy moonlight
Buffaloes refuse to come out of moat
A cowboy drags them by their tails
Through latticed wall
I gawk at his sweaty sinews
A gust of loo tangles his mane
Drenched in mud the blue god strides
Breeze whistles to our fiery lanes
Clouds rumble in his tambourine beats
Shall we not dance if it rains?

***

 

Tattered veils


Their gaze is an empty pail
tied to the pulley of a dried-up well
 Along its salivating jawline
their pitchers prostrate bare
before the deity of dying dale
Tattered veils cover their copper hair
burnt sienna faces in sun-fire glow
cattle, like children, they take care
scorching winds of Jyaistha* blow
When Tulsi in your courtyard faints
they lick its arid roots
forgetting penalty and pain
Barefooted on scalded rocks,
they walk moons and miles
exuding smiles like scent of rain
 
*Jyaistha: a month in the Indian calendar (May-June)

***

 

Waiting


Don’t ask me to take a lithium test
Curse the hot winds for my mood swings
Be deaf, if your patience revolts,
Silence was never my cup of tea.
No matter how much you savour  
 samosas on Mrs. Sen’s sofa-cum-bed
nodding your head to her Asadha tales,*
on such afternoons, crows grumble
to belching skies and
in our room cordoned by red curtains,
I hear giggles of watermelon pies.
Outside, in the corner of our street,
a gypsy strips off to scare blistered genies
The sun swollen like his inflamed scrotum
hangs low on the gateway arc
Together we wait for silence of the sea
watching flamingos on purple waves
from the branches of a garrulous tree

*Asadha tales (proverbial) – cock and bull stories; Asadha is the third month in Indian calendar (June-July)


Skin Poems: Shyamasri Maji

Shyamasri Maji

Wrinkles

Lying prone on her little breasts
The senile sun heaves a sigh
Her skin hums an evening raga
Dusk and dawn have a knot to tie
Shreds of love on a lotus leaf
Stars fathom the midnight blue
He counts the lines on her face
Moonlight peeps into their loo

My Mottled Skin

Tonight, the sea raves
Black and white waves
Salt and pepper in the air
My mottled skin
Wrapped up in sin
Sips moonlight on a chair.
Shame has lost her senses
Sprinkle water on her face
She may die of salt and pepper
I’ll sip moonlight on my chair

Backless Blouse

The eagle flies high, across the tailored sky
Dipped in chocolate brown
Brocade clouds adrift, above her molten midriff
The silken sun kneels down

Narrow edges glide, the voyeurs chide
Flaky skin flaunts fashion!
Stay in your room, mock epic of a broom
Fasten your shrewish passion.

Framed in a fragile knot, an acre of patchy plot
The moon melts on the river cold
She catches a flying fish, unbuttons a dewy wish
Her blouse—backless and bold

The Witch

 A dolphin dives into my hairy cheek
Along the jaw line of our ancient creek
Across the hills and the purple fawn
I will ride a horse in the starlit dawn
My hooded cloak upon your eyes
Cloistered walls burrowed by mice
Cats do couch in the cauldron of love
Broomstick flies on the wings of dove

Shyamasri Maji


Shyamasri Maji is an Assistant Professor in English at Durgapur Women’s College, West Bengal. She loves to write short stories on women’s struggle in a patriarchal society. Her stories have been published in Unish Kuri (“Nijer Sange”), Muse India (“The Nettle Leaves”), Six Seasons Review (“Maya’s Apartment”) and Story Mirror (“The Birthday Party”). In a society governed by the patriarchal norms of beauty, women with not-so-beautiful-skin are often subjected to social discrimination, ridicule and pity. The “Skin Poems” is a creative project for representing the attitude of society towards women with different dermatological conditions and complications. It also highlights the agony, struggle, desires, anger and resilience of these women.