Showing posts with label 201811E. Show all posts
Showing posts with label 201811E. Show all posts

In Essence…

Karen O’Leary

Karen O’Leary


The barren trees frosted
with nature’s crystals
give the polar landscape
an artistic view.
The grove’s large boughs
support icicles, each unique.
They tinkle and sway
in the afternoon gale…
the tableau of innocence.

Setu, November 2018

My Parent’s Used To Say- Lessons Learned Just By Listening to My Parents

- Kelli J Gavin


Eat your vegetables so that you can grow big and strong.  Sit up straight or you will be hunched over by the time you are 40. Make your bed every day, it will make you feel better.  You are never too cool to wear boots and a winter jacket.  Dry your hair before you leave the house, or you will catch your death.  My parents said a lot of things to me growing up. Some useful and some half truths mixed with myth. Some so comical and far fetched, I still laugh thinking about them. But some of the things they said were meaningful, heartfelt, and so very, very important.

Part 1 of 5 “You were born in and will be raised in Minnesota.  Figure out a way to love it.” 

As a young child growing up in Forest Lake, Minnesota my parents were at a loss when it came to raising me.  I loved being outdoors in the summertime. I enjoyed harvesting vegetables from the garden, running in the fields, biking on the dirt roads and exploring the woods that surrounded our home.  I found humor in stealing as many raspberries as I could fit in my mouth and feeding stray cats because they always seemed to make their way to our house. My sister and I would play for hours in fallen tree forts and play with the dog in the backyard. We would build makeshift homes in the woods, gather pretend supplies and enjoy water fights and hide and seek until after dusk.

Winter was another story.  I hated the cold. I hated the wet. I hated the ice. I hated winter. Go play outside? Why would I ever want to do that? My socks would get wet. I didn’t have sufficient snow pants so snow would go up the back of my too thin jacket and I would fall apart.  The time it took to warm up in our very rustic basement next to our not up to code fireplace would sometimes take all night. What was the point? Boredom often set in. Apparently, now as an adult I have learned that Boredom often leads to Naughty Behavior. Naughty Behavior leads to Punishment. Punishment leads to Upset. Upset leads to parents doubting the punishment in the first place.

After such an incident of punishment, my dad sat me down. My dad has these amazingly kind bright blue eyes. Now, even in his early seventies, his eyes still shine brightly. With a deep intake and exhale of more air than was necessary, my dad began carefully. “Kelli. I love you.  You are an amazing child. I want to talk to you.  Have you noticed that you often get into more trouble in the winter months?  I think I know why.  In the summer, you are outdoors constantly. Your mom and I have to beg you and Angie to come in each night.  In the winter, though it is a different story.  You hate being outside. You say no each time we encourage you to even go out for a half hour. Then you confine yourself to staying indoors all day.  Your mom and I feel that you have started to think that your boredom is an excuse to do anything you want without asking. You are touching things that are not yours, making messes, destroying projects in the works, taking food from the root cellar and opening them just for fun.  You know these things are wrong, but you continue to do them.”

He paused for a moment and then continued. “Kelli, you were born in Minnesota and you will be raised in Minnesota. You need to figure out a way to love it.”  I stared at him. I guess I wasn’t really sure what he meant. “Tomorrow after breakfast we will begin.”

What was it that was about to begin? I guess I was still upset about being punished earlier in the day, and I chose to stay silent. 

The next day was Saturday.  My mom had laid clothes out for me and had pancakes and eggs waiting by the time I woke up. I sat down at the table and watched my dad sip his coffee.  We ate in silence.  But then as we both finished eating, my dad asked, “Are you ready for an adventure?” 

We suited up in all of our winter gear and my dad even gave me an extra pair of his heavy wool mittens.  We exited the house in silence and I followed him as he entered the woods about a block from our house. “Today, we will explore. First, I want to you find three things.  A bird. A fallen tree. Animal tracks.”  Oh. Okay. I could do this.  When I found the cardinal, we spoke in quiet voices about how much Grandma Re loved cardinals.  He told me to notice the quick turns of his head, the way he pecked at the air. We discovered many fallen trees that day. Even pondered why the good ones couldn’t fall closer to our home so we could make a fort in them. And as we progressed on our walk through the woods, we found animal tracks aplenty. Rabbits, deer, possible coyote. My dad encouraged me to touch each of the spots where the animals had left their mark. He asked me about school, about what figures I saw in the clouds, about friendships and voice lessons.

My dad told me that my Saturdays would no longer be my own.  I would now be in his employ. He told me I would need to get ready for the day, eat and then do any chores my mom requested of me. Then I would be helping him. I was dumbfounded.  What did he want me to do? His requests were odd at first. 10 small pines cones, 10 medium pine cones, 10 large pine cones.  Something beautiful.  Tree bark in three different colors. A sign of spring. For each accomplished task, I was paid 50 cents.

My boredom, my naughty behavior, the punishments ceased. I was given a job.  I was on a mission.  I was employed. I was earning money.  Spring quickly approached,  the snow began to melt as the crocuses and daffodils made an appearance. The temperatures got warmer and my excitement for summer reached an all time high. The last Saturday of the school year was upon us. My dad caught me early that morning. I met him in the garage after chores.  I saw a large metal trash bin with the lid on. Every item that I gathered per his request that winter was in there.  It then dawned on me.  My dad was teaching me to love my surroundings. Even when it was cold, even when there was ice. Even when my feet got wet and I shivered. He taught me to love the beauty of creation that surrounded me.  He taught me that boredom was no longer an option.

That summer, I turned 10, and that winter, my dad only revisited the troubles I had experienced the prior winter.  He explained, “This winter, I will not receive any reports from your mother about poor behavior. I taught you this past winter how to keep yourself busy and how to enjoy your surroundings. This winter, you will teach the kids in the neighborhood.  Two Saturdays a month, you will create and activity or a scavenger hunt.  Locating items, exploring, drawing pictures, timed or untimed. It doesn’t matter. It is up to you.  But you are now in charge of winter adventures for all the kids off Humber Street.”

Clever man my dad was, he disciplined me, guided me, encouraged me, taught me and then pushed me to do the same for other children.  For some reason, all the kids in the neighborhood began to behave that winter. They spent more time out of the house. They learned to love Minnesota in the winter and all that it had to offer.


Part 2 of 5 “Always sleep when you get a chance.”

My dad worked the majority of my childhood for 3M Corp installing and maintaining Corporate Alarm Systems and as a Home Improvement Contractor.  He was very good at both jobs, great with people, knowledgeable and hardworking. He was an asset to 3M and an excellent businessman once he became self employed.  My dad often worked what I thought were strange, long hours.  He would leave as I was going to bed, work all night installing alarms and return home as I prepared to leave for school.  He would take two Excedrin, eat a large bowl of oatmeal or farina and crash into bed. 

He would sometimes still be sleeping when Angie, my sister and I returned home from school.  My mom would often meet us at the door with her finger pressed against her lips, “Your dad is sleeping, keep quiet. I have a snack for you and Little House on the Prairie will be on in 10 minutes.”  Our evenings were filled with lots of whispering. Dinner dishes were saved until dad woke up when cuddles and bedtime stories were aplenty.  My dad always looked tired. Always.  Even after a good 8 hours of sleep. He struggled with the nights and days and back again and just tried to be as present as possible when he was awake. 

Angie and I often found we wore out our welcome with our mom.  She tried her best, but she was trying to do it all. She often worked part time, was always home to get us off the bus, and also was very involved in helping at my sisters dance studio (so that lessons would be free).  She would observe my sister or I moping about. “Angie, I know you are bored.  I got you some cardboard from work today to make more rooms in your basement Barbie Village.” “Kelli, let’s play dolls. I made a new scarf and booties for your Cabbage Patch Doll.”  But often, our mom knew our moping was because we missed our dad.  He was exciting and funny and silly and enjoyed everything that kids enjoyed.  Even though he was there. I missed him.

I struggled with this. One afternoon when Angie and I returned from school,  we increased our speed when we saw our dad was awake and waiting on the front porch. Hugs and kisses and animated stories of our day were shared freely.

Dad had us sit down, and when we finally settled and told him everything there was to share, dad broke in. “Oh daughters of mine, I wanted to talk to you this afternoon.  I know that I haven’t been home or even awake much lately because of my work schedule.  I am working very hard right now so that we can save money for the winter.  Work is hard to come by for me in the winter months, and having a cushion is important. To pay for food and gas for the car, the house and clothing. And I know that I don’t get the chance to spend much time with you on bike rides and just playing anymore.  But something I have discovered is that you should always sleep if you are given the chance. Now that I focus on trying to get a good solid 7-8 hours of sleep each day, I enjoy my job more and I am more productive. I also have more energy when I am not working and can enjoy our times together as a family. So even though I miss you guys all the time and maybe you miss me too, I still want to tell you guys that for the rest of your life, always sleep with you get a chance. Your mind, your body, your family, your employer, will be happy you did.”

As an adult, my dad’s words can still be heard, but also understood. When I worked a split shift at the bank for two years, 5:30 am to 8 pm, I had three plus hours off in the mid afternoon. I always laid down to rest and often would sleep two hours.  When my son was tiny and had been up six to eight times the night before, I would take a nap when he did in the afternoon before leaving for work.  Now that my kids are older,  I work when they are at school. But on Mondays, I get home 45 minutes early before my sons bus, to insure that I have time to rest.  I wake up when he arrives home, get up and conquer the rest of the day. No, I don’t always sleep when I lay down, but I often feel rested, physically and mentally and ready to take on whatever comes my way.  And it also makes me wonder why children fight sleep. Why?  If you are given the chance to sleep, don’t you always feel better when you get up?  Never fight sleep. Always give in.


Part 3 of 5  “Wipe your tears and keep trying. You will thank yourself tomorrow.”

I had a bike crash when I was ten years old.  I had received my first adult ten speed bike and was elated.  I was sorry to see my too small bright yellow bike with the banana seat go, but was excited to show off my new, shiny red bike. The first day I rode my bike, I approached the first stop sign, I squeezed the handle bars instead of the brakes. I wasn’t used to them yet. My banana seat bike had step back brakes and this hand brake was new and different. Handlebar squeezing, low and behold, doesn’t stop a bike.  I crashed into the stop sign and fell to the ground. 

My legs, my knees, my hands and arm were a bloody mess. My dad helped move me to safety. The tears flowed freely. My dad grabbed a handkerchief from his pack and proceeded to put water on it. I screamed as he washed my wounds and picked gravel from my right knee (where to this day, I still have a scar). I got it together enough to mount my bike and head back home on my own as we were only just over a mile from home and at the beginning of our ride. My dad and sister had loved on me a bit and tried to make me smile as they waved goodbye.

That was the longest 1.3 miles I ever rode on my that shiny red ten speed.  I got home and saw my mom on the front porch armed with a first aid kit, paper towels and a wash basin.  How did she know I was hurt and needed help? She smiled. “Your dad called me from the gas station. Come here sweet girl and let me have a look. Your dad said that you argued with him about the brakes. Don’t argue, just listen to him, you will learn and this won’t happen again.”  She lovingly wiped my tears, further cleaned my wounds and bandaged me up right proper.  “Kelli. I want you take a break. But then I want you to wipe your tears and keep trying. You will thank yourself tomorrow.”

What? You couldn’t pay me to get back on that bike. I was just going to fall again. I was in pain. A half hour later, my mom found me on the front porch with my dog Peanuts. She smiled, ushered the dog into the house and went to stand by my bike in the driveway.  She looked at me and didn’t say a word.  She was going to make sure no matter what, that I got back on that bike. I stood slowly trying to seem brave and went to get back on my bike. I stumbled as I swung my leg over and almost fell again.  My ten year old dagger eyes were firmly stabbing my mom. I got on and reluctantly swerved down the driveway to the main road. I didn’t dare turn back to look at her, as she would probably be smiling, and that would have made me angry because she was always right.  I peddled to the main road and took a left. I then rode out to the highway and back. I did that over and over. Testing the brakes, first slowly, then quickly and setting my right foot down on the gravel each time. 

The next day after church, my dad approached and said, “Will you be joining us today for a ride?”  Brave. I was brave.  I said yes.  And believe it or not, that ride with bandaged legs and knees was the most satisfying 8 mile ride of my life.  I am so very glad I tried again.


Part 4 of 5  “Just love him. Love him like your life depended on it.”

At two months old, my son Zach started to cry. Not really cry, more so just scream.  Scream 6-8 hours a day.  In addition to the screaming, he was up no less than 6 times per night. Projectile vomiting 2-4 times a day and constant diaper changes disabled me from leaving the house even on the best of days.  I was exhausted, unhappy, and felt like I was failing as a parent, as a mom.  I was trying to make our family “work” on about three hours of sleep a night.  It wasn’t working. Nothing was working.  My husband was amazing and did everything he could to help me, but nothing seemed to change with Zach. 

I often called upon my mom when things got really bad.  I had slept about 12 hours in 4 days and I became a weepy mess.  Josh, my husband, called my mom and asked if she could come and stay for a few days.  To take care of Zach, maybe do some laundry and the dishes and cook a meal or two. But mostly, I know he called her to take care of me.

My mom arrived with so many bags, I thought she was moving in. Photo albums, baby books, notebooks, journals.  I strongly believed she may have packed everything she owned.  She walked in, stashed her belongings in the corner and took Zach right out of my arms.  She wanted to know when he last slept, when he was last changed and how much formula to put in his bottle.  She explained that she didn’t want to see me for at least two to three hours.  She would have dinner going by that time. She wanted me to rest. To put earplugs in and rest.  She wanted me to take a long hot bath. She wanted me to read a book. She just wanted me to have some time to myself.  I thanked her, hugged her and kissed Zach and walked upstairs to my room crying.  This was hard. I was tired. Oh so tired. I think I may have fallen asleep as fast as my head hit the pillow. I slept. I slept for three straight hours. I woke up confused, not sure what day it was, and panicked for a minute, not really sure where Zach was.

When I walked down stairs after taking a quick shower, the smell of dinner was so amazing. I was starving. I questioned if I had even eaten yet that day.  I rounded the corner and saw that the entire main floor was clean and there were three folded baskets of laundry in front of the fireplace. The dishes were done and there in my mom’s arms was a content sleeping baby.  “He ate, he slept, he peed a lot and he even told me a story. The story of his tired mom who can’t do it anymore.  He told me to tell you he loves you and to never forget that. He told me to tell you that it will get easier. That these days are hard and long, but that you are great mom and things will get better.” Tears rolled down my cheeks. My mom stood and put Zach in the bassinet. I hugged my mom, and thanked her.

My mom had laid out two photo albums on the kitchen counter. She warmed a plate of food for me and encouraged me to take a look. The beauty I found in those pages. Babies. My grandmothers, my mom and my dad, my sister and I, aunts and cousins. So many wonderful stories and memories. The notebook? My mom kept a journal after I was born.  Entry after entry I read. “I am tired. I haven’t slept in two days. Was I meant to be a mom? How am I going to be a good mom to these two girls when I can’t even seem to take care of myself? “ My mom had all of the same doubts when I was a baby. She smiled when I met her eyes. “Kelli, you can do this.  It is always hard at first. Just love him. Love him like your life depended on it.”

I remember these amazing times with my mom from almost 16 years ago like they were yesterday. My mom passed away 5 ½ years ago, and I miss her so very much.  Zach, now at over six feet tall and 15 years of age is amazing.  Diagnosed with Autism at a young age, I felt even more challenged at being his mom. But what do I do when I feel overwhelmed, unqualified as a parent and discouraged?  I just love him. I love him like my life depended on it.



Part 5 of 5 “Life isn’t fair. You will not always get what you want. Sometimes that is a good thing.”

I began singing when I was 9 years old. First at church,  then small local and regional competitions. I moved onto state, then joined traveling singing groups and enjoyed all that it entailed. I was known as the vocalist amongst my friends at school. I enjoyed the attention and the accolades. I found my calling in high school with musical theater productions of Because Their Hearts Were Pure, Carnival, and the role as The Mother Abbess in The Sound of Music.

Not sure what I really wanted to do with my life, I did know that I wanted to sing and see how far that took me.  I went to Crown College in St. Bonifacius and was very excited to recreate myself as I began my adult life. Upon arriving at school and after getting settled in the dorms, I was excited about auditions for Chamber Choir and possibly the traveling music group I had always had my eye on. Auditions went quite well I thought.  I was well prepared with three songs and sang all the scales which showed off my powerful soprano voice.

With great disappointment, I wasn’t admitted into Chamber Choir, but to Women’s Chorale. And I didn’t make it into the traveling group either. But wait. I was the accomplished, well trained vocalist. There had to be a mistake.  I went back and checked the posting a second time, just in case I had read it wrong.  Nope. Women’s Chorale. I walked calmly back to my dorm on first floor main and lost it. I couldn’t stop crying or catch my breath.  I felt sick. How was I going to tell my mom and my friends. I had talked a big game and shared all of my lofty ambitions before I left for school.  I got myself in check by dinner and went to grab a quick bite, determined to return to my room and call my mom.

The moment I heard her voice, I wept. I explained what happened. She was quiet for a bit and let me cry. Let me work it out and share my heartbreak.  “Kelli, life isn’t fair. You will not always get what you want. And sometimes that is a good thing.”  Why was it that my mom, all 5’4’’ of her, could drop these truth bombs all the way from Anoka County to me in Carver County?

“Did you ever think that possibly there was something bigger and better in store for you? That by you not getting what you always want, that you will learn from this, grow from this and come out more driven and determined in the end? You have been blessed beyond measure in this life. You have always gotten what you have wanted. Now you will learn what it is like for the rest of us.”  We call those Jo Cook-isms.

And of course she was right. My mom was always right.  I was able to receive an amazing amount of encouragement and training from Dr. Klempay in Women’s Chorale and grew immensely as a vocalist under the tutelage of two private voice teachers.  I had fantastic opportunities through referrals to sing at huge fundraisers, weddings of epic proportions and corporate sponsored events. I am not sure if I would have even said yes to any of those requests if my time was consumed by Chamber Choir or the other music group. I also had the benefit of learning at 18 that you don’t always get what you want, rather than struggling through that truth at 25.  My mom telling me that not getting what I wanted was a good thing, was a foreign concept back then, but is now an everyday truth.   When I didn’t get that bank job, I found a better one at an insurance agency as a bank consultant.  When I didn’t get the medical test results that I wanted, I made changes that affected my overall physical well being and I have improved significantly.  When I was told to not carry any more children, I became content and discovered that I had a heart full of love for the two kids I was already blessed with.  And when I got rejection letter #156 from the Blinder’s Journal, I started writing for the local paper.  Indeed. That is one of those good things.

These life lessons were not always easy lessons to learn.  But they were lessons learned just by listening to my parents.


Bio- Kelli J Gavin lives in Carver, Minnesota with Josh, her husband of an obscene amount of years and they have two crazy kids. She is a Writer, Professional Organizer and owns Home & Life Organization and a small Jewelry Company. Look for Kelli’s first book of short stories and poems in 2019. You can find her work with The Ugly Writers, Sweatpants & Coffee, Writing In a Woman’s Voice, The Writers Newsletter, Writers Unite!, Academy of the Heart and Mind, The Rye Whiskey Review, Spillwords, Mercurial Stories, 121 Words, Hickory Stump, HerStry, Ariel Chart, The Basil O’Flaherty, PPP Ezine, Southwest Media, Otherwise Engaged, Pleather Skin, Paper.Li, The New Ink Review, among others.
Find Kelli on Facebook, Twitter and Instagram @KelliJGavin
Blog found at kellijgavin.blogspot.com

Being-in–the World and Beyond: A Review of Nandini Sahu’s Zero Point

- Gagan Bihari Purohit

Dept of English, R.N. college, Dura, Berhampur, Odisha
Mobile: +91 943 725 9420


Philosophically speaking, a zero always looks forward to attaining higher goals in life. It is proved, more often than not, as the beginning of new epistemic access to life at the behest of life’s ordinary course of experience as a worldly-wise (wo)man. The dexterity, with which life sets out in its diligent as well as quotidian course, only becomes real add-on for analyzing the higher values of life. This kind of a situation is really ripe for an understanding and experiencing the larger-than-life goals set by a poet, catering to all her womanly needs at first ask, certainly is a big ask in comparison to common parlance prevalent in the contemporary world. Yes, Sahu’s poetry has travelled the distance to pay due attention to beyond-the-life goals. Nandini Sahu’s sixth collection of poetry Zero Point (2018) proposes philosophical vantage positions for unraveling the deeper truths of life.

            The first poem, “Zero Point”, out of total forty-three, just initiates brilliantly the summing up of the life’s philosophical sojourn which accounts for “Nirguna Brahman”, “ timeless ambiguity / the known-unknown” (15). Its range is panoramic; beginning from primitive realities based on the basic needs of life characterized by the oxymoronic phrase “attached –detachment” the body, cosmos, physical and metaphysical realities have definitely enriched the gamut of operation. It relates to both life and after-life.

Another poem that easily catches the attention of the reader is “From Dust to Dust: A voyage” where the five elements related to life are represented with a view to projecting the deeper realities of life. The “Air” section refers to both weightage and emptiness in an unambiguous way. Its marginal presence, one cannot see it; only experiences it, is presented side by side with the power it is invested with when required. It does not make a distinction between the “sacred” and “profane”. Death is the universal leveler here; preaching the lessons of life in a unique way.

When we switch over to the “water” section, one is at a loss to solve the riddle of ambiguity where all good association of water are explored expect perhaps one word “disappointment” to describe the side effect of otherwise life sustaining qualities of water. Another interesting poetic device of comparison and allusion is used in the poem, making the pursuit of the poet grander by any count. By recourse to water being used by Sophocles to survive a difficult phase of life, the poetic persona also invokes water to recharge her “fiery being” (20). Her firm assertion to attain the scales of the sun is really worthy of mention which would stand women’s cause in good stead. 

The “Earth” section appears to be more earthly as the poetic persona compares itself with and flourishes adhering to the stern strictures as well as the sound signs of “green earth”. It finds close proximity with the earth which keeps watchful eyes on the poetic persona providing the ways of rejoicing “the fusion” of life.

The “Fire” section shows off the persona under fire. The emotional outbursts hold life accountable for all known and unknown failures of life. It has been in a giving spree without expecting anything in return: “I have been just a giver, an instrument of giving, conquering all fire” (21). That it has become an “eternal Socrates” for pursuing goals without much success. What is significant here is, the intrinsic worth of being firm to deal with dire needs of death and other difficult courses that life has on offer.

The loftier world of the sky section is at odds with the saner world the persona is subjected to. Plato’s plight is being used here to describe its unconquered woes. Perhaps the philosophical implication that all human beings born to this world bear the imperfect mark is at play here. How human beings take easy recourse to unjust ways looking down upon truth and justice forms the bedrock of this section. But the persona is optimistic about coming out with core issues concerning women persisting with a clean slate. Though the world does not have easy let outs to women, “Much in it is my not-yet being”, yet the persona pursues the subtle ways of life with the assertion that “still today’s ether is bright winged” (22).

Taking cue from the Hindu philosophy, the five elements represent five distinct yet crucial stages of life in order to give a complete view of the world an individual must encounter in life time in the process of completing the earthly assignments before he or she calls it a day. Sahu’s poetry is passing through a fair degree of maturity relying upon the first hand needs of transition from physical to metaphysical world view.

A higher form of body politic is also perceived with precision and economy of word use in the poem “The Song of Liberty”. Published originally in Ireland amidst rave reviews, it represents original, intimate and innovative tales of South Asian women vying prominently for self identification in the age of globalization. The persona speaks explicitly about her body part, more specifically, vagina as a precious possession of and universal access to understanding the reality around her. Unlike the common place association one would like to read with, the persona uses it as a secret weapon to voice out her individuality in a fiercely competitive world to establish her unique identity. It is a performing agent with the thrust on “such a relative many pronged act!” (81). No wonder she succumbs to “… my day of yielding crops/ in an unremebered time / in the history of vagina-tales” (83). She wants to write off the entire act of love making involving the vagina in retaliation to and in connection with her emerging individuality. The metaphor of home with all its protective overtures and patriarchal repressions is quite disgusting for the persona; she simply cannot afford to fly away from such burdensome relationships, metaphorically rejoicing her freedom unlimited. She just wants to participate in the subtle process of family; it does offer any easy respite, though. Poignancy characterizes the lines inviting readers’ empathy: “’Home became a blood curdling place / from where I wanted to flee. Hard hitting / domestic slaps”(85). Her flight from family and home seems temporary in the larger context of assuming responsibility to rectify the faults of a patriarchal society and to set the records straight of the cause of women emancipation. She becomes a victim of body politics or vagina game leading to her symbolic flight from home on account of untold domestic violence. However, resorting to a representative and responsible woman she just subverts, her fleeting symbolic stand of deserting home, family and society.

The persona’s ambivalence with vagina being a potent weapon of child birth and rearing, and opting out of a home is characteristic of new Indian woman who does not want to desert the family set up yet asserts her individuality by adopting the ploy of “vaginaless love”. Initial pangs of life gives way to getting out of confined life with husband being be all and end all of life. The new breed of woman wants to be more assertive and individual in her choice belying   absolute, often brutal control of the husband. The persona’s quest for completeness amidst harsh realities of life matters when the vagina representing the body is perceived as a gateway to attain the demands of soul. The culmination comes with “vagina song” becoming the “song of liberty” when women are empowered to “speak with their bodies” (93). Far from falling prey to patriarchy, the persona shows women compellingly, the way to face the world with “the vagina truth” (95). Sure enough, the poem can be considered as a universal equalizer, if not conqueror, in the age of ‘me too’.

The poem can be considered in the broader context of body and the political directions it can take in crucial situations involving women. The theoretical proposition of political philosopher Maurice Merleau-Ponty comes handy here vindicating the insight that the “use a man is to make of his body is transcendent in relation to that body as a mere biological entity”. That is, a body can be used as an effective and transcendent tool in respect of the increasing number of challenges a woman faces in day to day life.

The body is the locus of many physical and metaphysical experiences in the world incorporating torture, starvation, physical denigration, social and psychological alienation and a predominant desire to transcend all physical limitations unraveling the very ways of god-realisation ultimately. The experience of finitude and incompleteness, of overcoming the fear of natural death, leads to self transcendence and foregrounding of self assertion opting for a voluntary death. Worldly existence becomes insignificant in such a scenario but the poet in Sahu  is not pessimistic even for a moment. Hers is a self assertion supported by a renewed vigour and vitality that forms the crux of the matter when coping with obvious challenges of the world both as a woman and as a representative writer. Both these challenges have been well coped with, maturity and exactitude being her innate forte.

The phenomenology of death and dying as put forward by Heidegger in Being and Time comes to our aid in a big way while attempting a ready access to Sahu’s poetic philosophy and metaphor of zero point. She makes her stand clear in a poem like “Death” which simply puts forward the thesis that one would do well to understand the fact that death is a normal activity like every other common chores that we undertake daily. She asserts in a matter of fact way: “The most appalling thing / about death is / when she visits / you are absolutely / inevitably / on your own” (63). Overcoming the fear of life and death through the dare devil act of self assertion and firmness in pronouncing the urgent and fundamental needs of life is perceived as central here.

The most important and satisfying thing about Sahu’s present volume is that she is not a scapegoat rather she assumes responsibility of panoramic and death defying dimension to help her cause on personal front and for her depleted class in general. Prosaic and at times clich├йd expressions pales into insignificance under the shadow of philosophy of life. Readers are bound to derive delight and wisdom dealing with collection in an absorbed way. No wonder, then, reading is relishing. The cover design is just an overall add on and the price well within reach of an avid reader.  

Poem: The Turning Radius of Flowers

- Aditya Shankar


A man who loved
to paint flowers,
dreamt of wheels.

He didn't know why.

The dreams of flowers
must have been
about wheels,

about how  to rewrite
in bold black that
color is not an invitation,

that fragrance
is a construct of
the lover’s nose,

that a garden is
a pleasing lie.

In the flower’s dream,
the buzzing of
pleasure seeking bees

makes way for
dumping ground committees
of vultures.

The true stink of life, like
vulcanized tires burnt
in those garbage dumps.

The vultures resemble
young Karl Marx and co.

addressing the
downtrodden rats,
the wilted frogs,

listening out
the near-swat
experience of flies,

mosquito tales
on bloodless cities.

Along the food chains
that humans locked out
for lack of profit,

the vultures sit on a huge
mountain of waste,
the new God.

The flowers, wilted
and meaningless,

wakes up from their dream.


Bio Note: Aditya Shankar is an Indian poet, flash fiction author, and translator. His work has appeared in international journals and anthologies of repute, and nominated for literary awards. Books: After Seeing (2006), Party Poopers (2014), XXL (Dhauli Books, 2018). He lives in Bangalore, India. 

Instagram: adityan.s
Twitter: @suncave

Setu Awards рд╕ेрддु рд╕рдо्рдоाрди

Setu Awards for excellence for year 2018
Individual winner: Santosh Bakaya
We also congratulate the winners in the Special Mention for their contribution to the field and thank everybody for their participation.
1. Shelly Sethi
2. Rhythm Divine Poets
3. Karen O'Leary
4. Padmaja Iyengar 'Paddy'






Setu Awards for excellence for year 2017

Setu is honored in honoring these distinct signatures acting as a crucial Setu (bridge) between different nations and cultures through their unifying visions of humanism and liberalism in these toxic times. These are comforting voices. Setu awards for excellence, 2017 are being awarded to these four authors from across the globe for their uplifting works. The citations are being shared by the editorial board. Congratulations to these writers, who have always supported good cause, literary journalism, little press, and journals. We, indeed, are lucky and celebrating at Setu, the global community of artists, this great event.

Our commitment to serve the society and culture via Setu continues in humble way. You are welcome to be part of the caravan.

рд╕рди 2017 рдХे рд▓िрдпे рд╕ेрддु рд╕рдо्рдоाрди рдиिрдо्рди рдЧुрдгीрдЬрдиों рдХो рдк्рд░рджाрди рдХिрдпा рдЬा рд░рд╣ा рд╣ै:
  1. рд╢्рд░ी рд╕्рдХॉрдЯ рдЯॉрдорд╕ рдСрдЙрдЯрд▓ाрд░ (рд╕ंрдпुрдХ्рдд рд░ाрдЬ्рдп рдЕрдоेрд░िрдХा)
  2. рд╢्рд░ी рд░ॉрдм рд╣ाрд░्рд▓े (рдСрд╕्рдЯ्рд░ेрд▓िрдпा) 
  3. рд╢्рд░ी рдЕрдд्рд░ेрдп рд╢рд░्рдоा рдЙрдк्рдкрд▓ूрд░ी (рднाрд░рдд) 
  4. рд╢्рд░ी рд╕े. рд░ा. рдпाрдд्рд░ी (рднाрд░рдд)
рдЗрд╕ рд╕рдо्рдоाрди рдХे рд▓िрдпे рд╕्рд╡ीрдХृрддि рджेрдиे рд╣ेрддु рдоैं рдЗрди рдЪाрд░ों рдЧुрдгीрдЬрдиों рдХा рд╕ेрддु рд╕рдо्рдкाрджрди рдордг्рдбрд▓ рдХी рдУрд░ рд╕े рдЖрднाрд░ी рд╣ूँ। рдЪाрд░ों рд╕рдо्рдоाрдирдиीрдп рд╡िрдЬेрддाрдУं рдХो рд╕ेрддु рдХी рдУрд░ рд╕े рд╣ाрд░्рджिрдХ рдмрдзाрдИ।





Setu Awards 2016



  • English
    • Usha Kishore
    • Tabish Khair
  • Hindi
    • Maitreyi Pushpa
    • Shailesh Bharatwasi



Tabish Khair and Usha Kishore: Writers that have electrified us by their sheer energy and monumental presence. 

 Setu, USA, is honored in honoring these two distinct diasporic signatures acting as a crucial Setu (bridge) between different nations and cultures through their unifying visions of humanism and liberalism in these toxic times. These are comforting voices. Setu awards for excellence, 2016 are being awarded to both the artists. The citations are being shared by the editorial board. Congrats to the writers that have always supported good cause, literary journalism, little press and journals. We, indeed, are lucky and celebrating at Setu, the global community of artists, this great event. 


Next month, Setu awards for excellence in Hindi will be announced. 

Our commitment to serve the society and culture via the e-zine Setu continues in humble way. You are welcome to be part of the caravan.


рд╕ेрддु рд╕рдо्рдоाрди 2016
рдХिрд╕ी рднी рдХ्рд╖ेрдд्рд░ рдоें рдкुрд░рд╕्рдХाрд░ рдпा рд╕рдо्рдоाрди рдХी рдкрд░рдо्рдкрд░ा рдХा рдХ्рдпा рдоूрд▓्рдп рд╣ै рдпрд╣ рд▓рдЧрднрдЧ рд╣рд░ рд╡्рдпрдХ्рддि рдЬाрдирддा-рд╕рдордЭрддा рд╣ै। рджрд░рдЕрд╕рд▓ рдпрд╣ рд╕рдо्рдоाрди рдХिрд╕ी рд╡्рдпрдХ्рддि рдХो рдирд╣ीं рд╡рд░рди рдЙрдирдХे рдж्рд╡ाрд░ा рдЙрд╕ рдХ्рд╖ेрдд्рд░ рд╡िрд╢ेрд╖ рдоें рджिрдП рдЧрдП рдЕрд╡рджाрди рдХो рджिрдпा рдЬाрддा рд╣ै। рдФрд░ рдХрдИ рдмाрд░ рдпрд╣ рдпोрдЧрджाрди рдЗрддрдиा рдорд╣рдд्рд╡рдкूрд░्рдг рд╣ोрддा рд╣ै рдХि рдЬрдм рдХोрдИ рд╡्рдпрдХ्рддि, рдкрдд्рд░िрдХा рдпा рд╕ंрд╕्рдеा рдЗрд╕ рд╕рдо्рдоाрди рд╕े рдХिрд╕ी рдХो рдирд╡ाреЫрддी рд╣ै рддो рдЙрд╕ рд╕рдо्рдоाрди рдХो рд╕्рд╡ीрдХाрд░ा рдЬाрдиा, рдк्рд░рджाрди рдХрд░рдиे рд╡ाрд▓े рдХा рд╣ी рд╕рдо्рдоाрди рд╣ोрддा рд╣ै। 
рдоैрдд्рд░ेрдпी рдкुрд╖्рдкा 

рд╣िрди्рджी рд╕ाрд╣िрдд्рдп рдоें рдЙрдд्рдХृрд╖्рдЯ рд▓ेрдЦрди рдФрд░ рд╡िрд╢्рд╡ рднрд░ рдоें рд╣िрди्рджी рд╕ाрд╣िрдд्рдп рд╡ рднाрд╖ा рдХे рдк्рд░рдЪाрд░-рдк्рд░рд╕ाрд░ рдХे рдЪрд▓ рд░рд╣े рдк्рд░рдпाрд╕ों рдкрд░ рд╕ेрддु рдж्рд╡िрднाрд╖ी рд╕ाрд╣िрдд्рдпिрдХ рдкрдд्рд░िрдХा рдиिрд░ंрддрд░ рдиреЫрд░ рд░рдЦे рд╣ुрдП рд╣ै। рдЗрди्рд╣ीं рджोрдиों рдмिंрджुрдУं рдХो рдз्рдпाрди рдоें рд░рдЦрдХрд░ рд╕ेрддु рдж्рд╡ाрд░ा рд╣िрди्рджी рд╕ाрд╣िрдд्рдп рдоें рдЕрд╡िрд╕्рдорд░рдгीрдп рдпोрдЧрджाрди рдХे рд▓िрдП рд╡рд░्рд╖ рдк्рд░рдердо рд╕ेрддु рд╕ाрд╣िрдд्рдп рд╕рдо्рдоाрди рд╕ुрдк्рд░рд╕िрдж्рдз рд▓ेрдЦिрдХा рдоैрдд्рд░ेрдпी рдкुрд╖्рдкा рдХो।

рд╣िрди्рджी рдЕрдХाрджрдоी, рджिрд▓्рд▓ी рдХी рдЙрдкाрдз्рдпрдХ्рд╖ рдоैрдд्рд░ेрдпी рдкुрд╖्рдкा рд╕े рд╣िंрджी рдкाрдардХ рднрд▓ी-рднांрддि рдкрд░िрдЪिрдд рд╣ैं। рд╡े рд╡рд░्рддрдоाрди рд╣िंрджी рдХे рд╢िрд░ोрдордгि рд╕ाрд╣िрдд्рдпрдХाрд░ों рдоें рд╕े рдПрдХ рд╣ैं। рджिрд▓्рд▓ी рдиिрд╡ाрд╕ी рдоैрдд्рд░ेрдпी рдЬी рдХे рд▓ेрдЦрди рдоें рдкाрдардХ рдм्рд░рдЬ рдФрд░ рдмुंрджेрд▓ी рд╕ंрд╕्рдХृрддिрдпों рд╕े рдкрд░िрдЪिрдд рд╣ो рд╕рдХा рд╣ै। рджрд╕ рдЙрдкрди्рдпाрд╕, рдЖрда рдХрдеा рд╕ंрдЧ्рд░рд╣ рд╕рд╣िрдд рджो рджрд░्рдЬрди рд╕े рдЕрдзिрдХ рдкुрд╕्рддрдХों рдХी рд▓ेрдЦिрдХा рдоैрдд्рд░ेрдпी рдЬी рдиे рдЕрдкрдиी рд▓ेрдЦрдиी рдоें рдЧ्рд░ाрдоीрдг рднाрд░рдд рдХो рд╕ाрдХाрд░ рдХिрдпा рд╣ै, рдЙрди्рд╣ोंрдиे рднाрд░рддीрдп рдиाрд░ी рдХे рдЙрд╕ рдкрдХ्рд╖ рдХो рдк्рд░рд╕्рддुрдд рдХिрдпा рд╣ै рдЬिрд╕рдХा рдЪिрдд्рд░рдг рд╣िंрджी рд╕ाрд╣िрдд्рдп рдоें рд╕ाрдоाрди्рдп рдирд╣ीं рдеा। рдЙрдирдХा рдХрдерди '1947 рдоें рднाрд░рдд рд╕्рд╡рддंрдд्рд░ рд╣ुрдЖ рдкрд░ंрддु рднाрд░рддीрдп рдиाрд░ी рдЕрднी рднी рд╕्рд╡рддंрдд्рд░рддा рдХी рдк्рд░рддीрдХ्рд╖ा рдоें рд╣ै' рдЙрдирдХे рд╕ाрд╣िрдд्рдп рдХे рдПрдХ рдоुрдЦрд░ рдкрдХ्рд╖ рдХी рдЭрд▓рдХ рджिрдЦाрддा рд╣ै। рд▓ेрдЦрдХ рдЕрдкрдиी рдмाрдд рдХрд╣рддा рд╣ै, рдкрд░ंрддु рдкाрдардХ рдЕрдкрдиी рд╣ी рдмाрдд рд╕рдордЭрддे рд╣ैं। рдЕрдЪ्рдЫे рд▓ेрдЦрдХ рдЕрдкрдиी рдЕрднिрд╡्рдпрдХ्рддि рдХो рдкाрдардХ рддрдХ рдпрдеाрд╡рдд рдкрд╣ुँрдЪाрдиे рдоें рдоाрд╣िрд░ рд╣ोрддे рд╣ैं। рдпрдеाрд░्рде рдХा рдмेрдмाрдХी рд╕े рдЪिрдд्рд░рдг рдХрд░рдиे рд╡ाрд▓ी рдоैрдд्рд░ेрдпी рдЬी рдХे рд▓ेрдЦрди рдХी рдкрд░िрдкрдХ्рд╡рддा рдЙрдирдХे рдЧрд╣рди рдЕрдиुрднрд╡ рдФрд░ рдЧрдо्рднीрд░ рдЕрд╡рд▓ोрдХрди рдХा рдкрд░िрдгाрдо рд╣ै।

рд╢ैрд▓ेрд╢ рднाрд░рддрд╡ाрд╕ी 
рд╣िрди्рджी рд╕ाрд╣िрдд्рдп рдХे рдк्рд░рдЪाрд░-рдк्рд░рд╕ाрд░ рдХे рд▓िрдП рдк्рд░рдердо рд╕ेрддु рд╣िрди्рджी рдк्рд░рд╕ाрд░рдХ рд╕рдо्рдоाрди рд╣िрди्рджी рдХे рд▓िрдП рдирдИ рд░ाрд╣ рддैрдпाрд░ рдХрд░рдиे рд╡ाрд▓े рд╢ैрд▓ेрд╢ рднाрд░рддрд╡ाрд╕ी рдХो рдк्рд░рджाрди рдХिрдпा рдЬा рд░рд╣ा рд╣ै।

рд╣िंрджрдпुрдЧ्рдо рдХी рд╕्рдеाрдкрдиा рдХे рд╕ाрде рд╢ैрд▓ेрд╢ рднाрд░рддрд╡ाрд╕ी рдиे рд╡рд░्рддрдоाрди рд╣िंрджी рдХो рдЖрдзुрдиिрдХ рддрдХрдиीрдХ рдХे рдк्рд░рд╡ाрд╣ рдоें рдмांрдзा рдеा। рд╣िंрджрдпुрдЧ्рдо рдиे рд╣реЫाрд░ों рднाрд░рддीрдпों рдХो рдпूрдиिрдХोрдб рдХा рдк्рд░рдпोрдЧ рдХрд░рдХे рдХрдо्рдк्рдпूрдЯрд░ рд╡ рдоोрдмाрдЗрд▓ рдЙрдкрдХрд░рдгों рдкрд░ рд╕рд░рд▓ рд╣िंрджी рд▓िрдЦрдиा рд╕िрдЦाрдпा। рд╣рд░ рдоाрд╕ рдПрдХ рдпूрдиिрдХोрдб рдХрд╡ि рд╕рдо्рдоाрди рджेрдХрд░ рд╕ंрд╕ाрд░ рднрд░ рдХे рдЙрднрд░рддे рдХрд╡िрдпों рдХो рдПрдХ рдкрд╣рдЪाрди рджी। рд╣िंрджी рддрдХрдиीрдХ рдХे рд╡िрд╢ेрд╖рдЬ्рдЮों, рд╕ाрд╣िрдд्рдпрдХाрд░ों рдФрд░ рд╡ॉрд▓ंрдЯीрдпрд░्рд╕ рдХी рд╕рд╣ाрдпрддा рд╕े рд╕ुрдк्рддрдк्рд░ाрдп рд╣ो рд░рд╣ी рд╣िंрджी рдХो рд╣िрд▓ा рджिрдпा। рдмाрд▓ рдЙрдж्рдпाрди рдиे рдмाрд▓ рд╕ाрд╣िрдд्рдп рдХो, рдХрд╣ाрдиीрдХрд▓рд╢ рдиे рдЧрд▓्рдк рдХो, рдЖрд╡ाреЫ рдиे рджृрд╢्рдп-рд╢्рд░рд╡्рдп рдХो рдФрд░ рд╣िंрдж рдпुрдЧ्рдо рдиे рд╕ाрд╣िрдд्рдп-рд╢िрд▓्рдк рдХो рдмрдвाрд╡ा рдФрд░ рд╡ैрд╢्рд╡िрдХ рдкрд╣рдЪाрди рджिрд▓ाрдИ। рдЖрд╡ाреЫ рдФрд░ рд╣िंрджрдпुрдЧ्рдо рдиे рд╡ैрд╢्рд╡िрдХ рдЗंрдЯрд░рдиैрдЯ рдХрд╡ि рд╕рдо्рдоेрд▓рди рд╕рдо्рднрд╡ рдХिрдпे। рд╣िंрджрдпुрдЧ्рдо рдиे рд╕рдмрд╕े рдкрд╣рд▓े рдк्рд░ेрдордЪंрдж рдХी рдХрд╣ाрдиिрдпाँ рдФрд░ рдорд╣ाрджेрд╡ी, рджिрдирдХрд░, рдиिрд░ाрд▓ा, рдкंрдд, рдЖрджि рдЬैрд╕े рдорд╣ाрдХрд╡िрдпों рдХी рд░рдЪрдиाрдУं рдХो рд╡ैрд╢्рд╡िрдХ рдк्рд░рддिрдпोрдЧिрддाрдПँ рдХрд░ाрдХрд░ рд╕ंрдЧीрддрдмрдж्рдз рдХिрдпा। рд╡рд░्рдзा рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп рдХे рд╡ैрдмрд╕्рдерд▓ рд╣िंрджीрд╕рдордп рдХा рдмीрдЬ рдк्рд░ेрдордЪंрдж рдХी рдк्рд░рдердо рдСрдбिрдпोрдмुрдХ рд╕ीрдбी рдХे рд╡िрдоोрдЪрди рдкрд░ рд╣ी рдкреЬा рдеा।

Poetry: Brandon Marlon

The Land Between 

Once the country of our defeat,
now a liminal ecotone, zone of our appreciation,
an abundant overlap blending
Canadian Shield with St. Lawrence Lowlands
to forge a biodiverse greenbelt of grassland birds,
oaken forests, cattle grazing in pastures,
a natural paradise of wild rice
soon processed or reseeded,
of granite barrens, glacial tills,
alvars, rivers, lakes, wetlands,
home of Muskoka and Kawarthas,
the Trent-Severn waterway, the Delano scar.

Puzzle over petroglyphs etched against stone
as the skink lizard scurries through niches
and shrikes glide overhead, keen to impale prey.

Imagine all those who came before you
and traversed this corridor of wilderness,
whispering to the ruby-throated hummingbird,
observing dark night skies,
partaking of a habitat's embarrassment of riches.



Miami Beach 

Considering all the eye-catching pastel and neon
of a haven where every building is uniquely named,
where every hour is happy, small wonder
you only realize several days later
that you've been treading all this time
along pink sidewalks cool as the breezy mornings
greeting risers eager for sand and surf,
for the pushback of salty Atlantic waves;
tread nimbly, stroller, else you're bound to startle
scurrying lizards or grazing chickens down below
while high above by rooftop pools loungers
sipping margaritas and mojitos tan
and speakers blast reggaeton like they mean it. 
We all don and doff per activities and weather,
usually paradisal, occasionally catastrophic,
luxuriating for a time always too fleeting,
prompting vows to return and explore
even more in sessions of sun still to come.



Las Vegas

If Times Square expanded into a city, a theme park 
hub luring wide-eyed comers from all corners 
eager to revel in amusements and excesses 
contrasting against a spare desert backdrop, 
if it were popularized by gangsters and performers
as Mammon's den, paean to hedonism, ode to overkill, 
in time infused with the urge to mimic attractions 
from elsewheres, establishing thereby a celebration 
of imitation, then indeed it would look much like this.

Like toddlers, fulgurating lights insist on 
our notice and attention, whelming then fatiguing
even the most spry among the flock.
Easy marks and high rollers alike, 
we linger in herds before geysering fountains, 
succored by accompanying soundtracks, 
inspired to similarly transcend bounds. 

Those wearied by debauchery's delights
self-respite by digressing to the rouge gorge 
awaiting just west, patient and demure, where 
iron-pigmented stones compel meanderers away 
from the artifice of signage and avarice of slots, 
from acrobatics and pyrotechnics astonishing 
sore eyes yet falling short of imbuing an akin 
sense of serenity amid grandeur.


Orogeny

Braving prevailing winds, at times gale strength,
seekers adieu the routine of feathering one's nest,
and with a brisk volte-face venture afar
into wilderness as wayfarers, each humble as a pebble,
risking allegations of vagabondage for insights
fresh as rainforest.

Paralleling the river ushers them toward rugged piles
high as the neck will tilt, the acme misty and ice-clad;
air thins as they ascend sinews of stone
and summit the tor in lockstep with moonrise,
apogee and perigee coinciding.

For a transient instant, quietude
endued with a sensed presence; 
starlit, the sage agrees to greet them
and barter solitude for company,
unanticipated yet not unwelcome.

In reply to clamant queries, a still voice
only ever heard by those listening
imparts acumen for the ages, gleaned by discernment,
a message intoned in nature's undying dialect
about sediment made of silt, moraines made of till
in turn composed of clay, sand, gravel, rock,
each reflected in human nature with counterparts
similarly leaving vestiges in their wake,
striations of experience etching the surface
of character and mindset, sundrily manifested
as schist or gneiss or karst or, if life has been akin
more to lahar, tuff—the latter's nomenclature
understated though apropos.
 
They transcend, the sage assures, the mere reunion
of disaggregated fragments, the sum of which
never tallies the whole any more than
raveling the universe could account for
the cosmic instinct; absent meaning and purpose,
the sage implies as dawn impends, can we be
otherwise than wizened outcrops and crags
weathered by elements across the wasteland of time?



Challenges

Treating others as you initially intend and prefer,
not according to their behavior towards you, and
distinguishing the person from the person's behavior
are sibling challenges interacting humans face,
trials at times excruciating, impossible, beyond even
the saintliest and most angelic amongst us.

When is the high road too costly due to its toll?
At what point do actants become identical
with their chronic conduct?

Anger ever endeavors to devour
and so often succeeds, sapping our best selves,
warping our poise, caging our grace.

We are the guardians of our own quiddities;
none else preserves the respectable self-image
each of us cherishes and aims to reify time
and again lest we mar the mirror's reflection
with blemishes unbecoming.

And yet, when goodwill goes unreciprocated
or we tire of the same harms inflicted
by the same unrepentant perpetrators,
how shall we marshal and deploy - even while
teetering on the fulcrum of the moment -
our immanent equanimity, refinement, self-possession,
or a ladybug's admirable imperturbability,
and thereby transcend baser instincts
anchoring us to the seabed's depths?

Such struggles are unmonopolized; much remains
to be gleaned from sages and elders, dignity's paragons
whose exemplum models a mechanism for coping,
a method for discernment, promising the hope
of edification, relief for those conscientious.



Brandon Marlon is a writer from Ottawa, Canada. He received his B.A. in Drama & English from the University of Toronto and his M.A. in English from the University of Victoria. His poetry was awarded the Harry Hoyt Lacey Prize in Poetry (Fall 2015), and his writing has been published in 275+ publications in 30 countries.  www.brandonmarlon.com