Showing posts with label Turkey. Show all posts
Showing posts with label Turkey. Show all posts

Attila El├╝st├╝n (Turkey)

Exclusive: European poetry: Curated by Agron Shele
Attila El├╝st├╝n (Turkey)

He is the second son of a teacher mother and civil servant father. He was born on 16/08/1961 in Ankara. He had his primary, secondary and High school education there. He had to postpone his education because of the worst period in Turkey; political, economic and political   chaos.
Then they moved to Istanbul with his family. Since primary school he was interested in literature, significantly poetry and was involved in various activities and educational studies.
Some of his poems were published in various literature magazines e.g.: Sair Cikmazi Dergisi-Dead End Poets Society Magazine, Yalin Ayak Dergisi-Bare Foot Magazine, Yasayan Yarin Edebiyat Dergisi-Living Darling Literature Magazine, because of the economic crises are not making profit he carries on working.
He has two sons Halit Dogus and Mustafa Baris and Atilla addresses them as his treasures. Atilla is a very humble person and leads a modest life.

A vagrant poem

flying in the mountains to the mountains
freedom is in between the bird’s beak
drop by drop presented
the wind is blowing reddish hair
of the pine trees
eyes are gravel at the horizon
at the tides of life
with undaunted hearts
running around from the plains
as if clawing our ears
Buzzards are screaming
‘bastards have laid an ambush’
and played irrational games which never came to mind
deadlocks and mistakes
how many more times will suffer
human dignity how many?
if escapes from the linseed garden
fresh bodies will be saved from being sold
woman girls and boys from execution, harassment and rape
I will write if I catch
a vagrant poem
galloping and throwing javelin in my brain.
Where is humanity? (for Syrian child Omran with perseverence)

Child has wiped his face
Looked at human’s face
Slapped the truth
He said
The human is not even a piece of shit.


You are my everything
For my wife

I love you with the fluster of the news of my first child
Like my mother and father
As a friend as best friend
Like a sunrise
And sunset
Like blossoming spring flowers
a full moon on top of my sky
I love you as you are
With my everything
And with all I have

Every moment
Always loved and I will love you
As I am.


Fall/not

its sword in hand
the night
is approaching me
on my mind…
the grey hair of my battle
and my loneliness
it’s the lovesick season
the pen fell in love with the paper
the agony on my guitar
autumn
on my tongue
your favourite/that
melancholy tune
my dream a pensive duck

as the hours struggle
i freeze…you


 Translation by: G├╝nsel Djemal

Poetry: Nuri Kan (Turkey- Holland)

Exclusive: Poetry from Europe and other Western locations: Curated by Agron Shele
Poet was born in a small mountain village of Erzincan in Turkey. He came and settled down to Holland at a young age and acquired citizenship. Poet has occupied with music,theatre, tale, painting and poem more since his childhood. He won international awards with study on tale, poem and painting. Poet held on exhibition in many countries and many of his books were published.

Poet presided international artist Union in three years. Besides,he had active and passive duties in organizations like UNICEF and Amnesty International. He worked as an art consultant teacher in private and government schools in Holland and Turkey.


Almira

Have you ever cried in the language of the rivers?
Almira
The girl with violet eyes.
Have you ever drowned the love of the wind on the clouds?
Has your heart ever trembled with the touch of life's riot?

Poppies

Are poppies always destitute in this city?
Do the curtains always smell sooty?
Do the drooping willows cry with coy?
Are springs always resentful?

Are the words sufficient
To tell and understand the love
─░f one’s language is not love
How to tell
How to be understood the love with frozen emotion?

‘tell’ you say
How can I tell Almira?
Are the words enough
To tell,to understand
Is the language enough?

Have you ever
Fallen in love to a bird at the sky,
Fallen in love to water in the earth?
Have you ever cried
looking at pain in an orphan child’s eyes
looking at the father’s face lost his son?
Do you donate your vision of a sightless person?

Have you ever
talked to the birds in the forests
talked to the fishes in the seas
talked to the clouds in the sky?
Do you give your hope to the hopeless people
filled with compassion way?

Do you know
the frustration of a jobless father not bringing home the bread
sadness of a prisoner without tobacco?
Have you ever felt desperation of a woman being raped in your heart?

Have you ever spoken
at the languages of butterflies
at the language of flowers
at the language of freedom?

Do you speak
far from grudge,
far from hatred,
far from hostility,
─░n a friendship and brotherhood ,Almira?
Have you ever cried in the language of rivers?

Life
─░s a drama,Almira
A role in a film
Pre-prepared text of a masquerade ball in our hand we read.
Foolishly,shammerly,shallowly.

Love
─░s not communed with brotherhood,
─░s not fed with friendship
─░f it isn’t set up far from worry
far from war and hostility,
on freedom and friendship.
Love is not love,Almira.

─░f love is love and
─░f your love is my love
Then only then
Then only then
Then only then
Your love is my love Almira

Carefree, properly, sincerely.
***

PASSION FOR FREEDOM

I loved the sky,interminably
I couldn't like captivity at all
I loved the pigeons in white and White
at the sky.

I picked flowers in green branches blooming
with my feeling by feeling.
As far as I've known myself
I want neither a flower pot nor a cage
Even if birds in golden cage,
I want birds to be free
flowers free
children free
─▒ don’t like narrow places.
I wish earth belonged to flowers

Sky belonged to pigeons
Everywhere fondled by sun
smell love like spring.
Oh! I wish it were possible


Oh! I wish it were possible

Oh! ─░t had been possible
I would have made happiness from sorrow
I would have made hope from happiness
I would have split my heart into sorrows
I would have sold love to all children of the World.

I wish it were possible
when a child got shot
─▒ would be a mother go into mourning
─▒ would bound up wounds affectionately
─▒ would be a father, I would cry instead of them.

Oh! ─░t were possible
I would make peace from war
I would make man from peace
I would make happiness from sorrow
I would make friendship from hope
I would throw poem to children every morning instead of bullet.
***

I AM OUT

I am out
─░f living is so ugly
─░f labor is ingrate
─░f profit is every door’s key

I am out
if love is as worthless as one night stands
if friendship is measured by Money
if betrayals, fights, darkness isn’t sadden
if poverty isn’t embarrassed

if virtue is so little
and if lies is so grand
if dreams not exist
if hopes nonexist
if love gardens isn’t blooming
if glove doesn't tell the yearning

what we call life,
if killing the time
dirtying the blue,eating,sitting back and burping.
─░f swearing one who doesn’t support you
True, my friend,I’m contrarian

Let them be yours
Duplicities, shammerly,
Let them be yours
Comfort,luxury, fame, reputation, status
A slice of poem
A bit of love is enough for me.

Enough
A warm smile
A bunch of dream
And seven colours of the rainbow

Mesut ┼Юenol (AKA Mesut Senol)

Mesut ┼Юenol
Graduated from the Political Science Faculty of the Ankara University. Earned his Master’s Degree in Public Administration and Public Relations. Served as District Governor, Vice- Governor and Mayor in various regions of Turkey. Worked as an editor at the Directorate General for Press and Information, and produced and presented programs for TRT and some private TV channels featuring cultural events, NGOs, works and lives of artists and litterateurs. Served as Prime Ministry’s PR Division Head and Prime Ministry Advisor responsible for international Institutions and Organizations. His five poetry collections were published, and many of his poetry and literary translations appeared in many national and foreign literary publications and anthologies. A freelance translator and instructor on public relations, communications, public speaking and voluntarism. Attended in a number of national and international poetry and literary festivals in the country and abroad, and acting as an organizer for some of them. His poems have been translated into more than a dozen languages. An Honour Prize laureate of Naji Naaman’s Literary Prizes 2011. He served as the first editor-in- chief of an international multilingual literary magazine called “Rosetta Literatura”. Mr. Senol is a member of many national and international professional organizations. He sits on the Executive Board of the Three Seas (Baltic Sea, Black Sea and the Mediterranean Sea) Writers and Translators Council headquartered in Rhodes. He teaches at the Communications Faculty of Bah├зe┼Яehir University in Istanbul.

Poet Maya Herman Sekulic’s Epic Poetica Raises Awareness

Mesut ┼Юenol

Lecturer at the Communications Faculty of Bah├зe┼Яehir University (Istanbul), Author, Poet, Translator & the Executive Board Member of the Three Seas Writers and Translators Center


Poet Maya Herman Sekulic’s Epic Poetica Raises Awareness

Abstract

Mehut Senol
In human civilized history, there have always been women figures who proved and asserted themselves against the backdrop of the majority of the cases where women were on a lower status or repressed. Dr. Maja Herman Sekulic thinks and feels that she is very much connected and associated with Old Europe’s Moon-White-Death Goddess as the embodiment of the whole cycle from birth to death and rebirth. In “Lady of Vincha”, the lines give us a sense of a narration bridging those mythical stories to us. Do women possess some divine and omnipotent capabilities or are they so deeply visionary human beings that they cause good and bad? Since the Moon-White-Death Goddess can control all the cycles of life, it is worthwhile to listen to the voice of an extremely intuitive and perceptive poet, - as it is her claim that true poets are always women -. We can readily see in Maja Herman Seculic’s poetica both a spiritual and legendary formula to give us a sense of the old days’ myth when women were much more potent leading figures. And her poetry certainly makes us question who we are and what we should do to correct the wrongs in today’s constantly changing, and unfortunately in many ways unjust, societies.

KEY WORDS: woman poets, spiritual leaders, poetry, awareness.



Poet Maya Herman Sekulic’s Epic Poetica Raises Awareness

Introduction

Today we have an abundance of distorted and biased knowledge about our past depending on who wrote our history books and how things were characterized. Up until modern times, the perceptions, thinking, attitudes and actions about ourselves and others have been influenced by those of embedded clich├йs and stereotypes. “These clich├йs and stereotypes – whether they are positive or negative, true or untrue – fundamentally affect our behavior towards other places and their people and products.” (Anholt, Competitive Identity: 1)

Actually literature is one of the ways to overcome these clich├йs and stereotypes. A celebrated author, musician and UNESCO Goodwill Ambassador Z├╝lf├╝ Livaneli asserts his views on this subject:
         
Literature treats people solely on the basis of their being “human”, separating them from symbols such as religion, nationality, uniform and flag. An example I admire is A Journey to Arzrum (Erzurum) by Alexander Pushkin. The great poet travelling with the Russian army fighting against the Ottomans and gaining some land in the Eastern Anatolia. One cannot find in any sentence of the poet any hidden prejudice whatsoever that conveys concepts of militarism or friend-or-foe. He speaks of both the Russians he belongs to and the “enemy” Turks with the same clean-hearted approach. (Livaneli, Rosetta Literatura 02: 9)

What kind of womanhood saga is embedded in the history of humankind? Have women had their time of enlightenment, power and recognition superior to men? This is obviously all about the journey of men and women together and their interdependence or proportionate power sharing relationship, and an equilibrium established according to their given societies in certain periods of time.

Poet Maya Herman Sekulic’s epic poetry raises an awareness in the recognition of the leading women figures in European history – be they poets, warriors, commanders, administrators, scientists, philosophers, artists, magicians and other public personalities. Poet Sekulic’s being vocal about her mythical thesis adaptable to modern times in terms of its spiritual validity, is something that should resonate strongly among contemporary poetry circles in the world. Actually in every corner of the world, humanity has witnessed such legendary women’s existence and their imprints in true history which is not always written the way we have known.


Gender Issues

Gender issues play a huge role in growing our own biased opinions towards the expected personality traits of men and women throughout the centuries. This unnatural formation of personality in boys and girls, pathetically though, have been causing many women to nurture an obsession which could alienate them from their own valuable potent common humane qualities and womanhood. In other words, they fall into the so-called beauty trap given the conditioning environment in their respected communities.

Extensive records show that the use of beauty aids in ancient Rome rivals that of contemporary women. Wealthy Roman women spent hours being primped and painted by their slaves. Although their clothing was loose and they did not corset their bodies, they used vast quantities of scents and cosmetics. Some women even used a different perfume for each portion of their bodies. (Baker, The Beauty Trap: 16)

There is a very strong correlation between the way women dressed and the degree they were being repressed in their social environment. Through their struggle women, in time, have gained a relatively equal footing and freedom in dressing now in comparison with their male counterparts.

During Elizabethan times, women were extremely repressed socially, which was reflected in their wearing of restrictive corseting and broad skirts and their exaggerated concern with their hairdos and toiletries… In the eighteenth century, tremendous technological advances made fabric easier to manufacture and dye, and an age of elegance was born. But women were still restricted politically and socially, and their clothing reflected their social status. (Baker, The Beauty Trap: 17)

And there are somewhat heroic and tragic stories of the women who were able to capture the imagination of certain generations in history. One of the recent historical figures to analyze is Marilyn Monroe who has been considered a matchless beauty as well as a dumb blonde. However, when you investigate her life, you may find how clever and capable, how brave a woman she was, although she was suffering some psychological problems. Here you have a renowned Slovak playwright Milan Richter’s words:

Who was Norma Jeane really and who was Marilyn Monroe? A promiscuous, uneducated girl yearning for an acting and modeling career? Was she a woman of unique beauty and sex appeal that no man could resist? Was she an orphan longing for her father’s love? A wife and a lover demanding absolute love and devotion from her partner? A woman yearning to have babies whom she could give a happy childhood? Was she an actress wishing to play in a Shakespeare or Dostoyevsky drama? (Richter, Marilyn Monroe’s Short Unhappy Life: 20)

Another sad story comes out into the light by the Irish novelist, Sebastian Barry, and his novel called “Secret Scripture” where an old woman in a mental hospital writes about an ordeal she had gone through in the last century’s extremely conservative Ireland. Literary critic Joseph O’Conner writes:

Roseanne McNulty, forgotten centenarian, long-time resident of the Roscommon regional mental hospital, is facing an imminent upheaval. The decrepit Victorian institution is soon to be demolished, leaving its residents displaced in a starkly changed modern Ireland that has all but buried its violent origins. Attempting to organize her memories, some reliable, others shifting, she embarks on the writing of a chronicle. (theguardian.com/books/2008/may/24/fiction1)

Men and Women – Discussion on Natural Difference from Sociological and
Political Psychological Points of Views

In scientific circles, debate continues to reveal the difference between men and women in many respects. Even in sociology though, there are theories opposing or supporting the natural difference approach.

How far are the behaviour and communicative practices of women and men the result of biological differences? Some scientists hold that aspects of human biology, ranging from hormones to chromosomes to brain size to genetics, are responsible for innate differences in behaviour between men and women. These differences, they claim, can be seen across all cultures, suggesting that natural factors produce gender inequalities in society. For example, evolutionary psychology draws attention to the fact that, in almost all cultures, men rather than women take part in hunting and warfare. Surely, this indicates that men possess biologically based tendencies towards aggression that women lack? Sociologists remain unconvinced by these arguments, which tend to be reductionist – reducing complex human activities and social relations to a single biological ‘cause’. Anthropological and historical evidence on human behaviour actually reveals much variation over time and place. Because a trait is more or less universal, it does not follow that it is biological in origin; there may be cultural factors of a general kind that produce such characteristics. (Giddens & Sutton, Sociology: 624)

When in group, social and psychological settings, individuals may act in a conformist way to go along with their group norms or actions even to a degree leading to massacres and killings. This also provides an explanation why historically and socially woman intellectuals and leaders have been repressed and seen as second class people in their societies.

Many of the ethnic conflicts that occurred in the post–Cold War era have
been shockingly brutal and can devolve into genocide. How can violence become so severe? These are situations in which the group perceives an intense threat, which, in turn, increases cohesion; dehumanization of other groups; deindividuation, so people see the group as responsible for events, not their own actions as individuals; and strong pressures for conformity and unanimity in the face of threat. The emotions emanating from ethnic out-group stereotypes are often extremely powerful. They
can change from simmering bitterness and resentment to rage and hatred toward other ethnic groups when underlying conflicts increase in intensity. (Cottam and et. al., Introduction to Political Psychology: 259)

Some Mythological Context

As it is evident in Maya Herman Sekulic’s OPUS, the European women had their heydays in European history. Let us see how it was in the Black Sea Region of Anatolia as far as powerful women lived—known as Amazons, are concerned:

The Amazons are the legendary people of this region. The Amazons, who are thought to be the warrior women living between Giresun and Samsun, from the accounts of the legends, had come to help Trojans during Trojan War against Achaeans to defend Anatolia. This is so because again according to the legends, Aphrodite who was considered the mother of the Amazons is from Troy. Even it is cited that Penthesileia, the queen of the Amazons, fights with Achilles one to one. She would not be recognized as a woman in her armor. Through trickery Achilles manages to wound her, and when he takes off her armor he falls in love with her, but it would be too late to do anything.  She dies in the hands of Achilles. Who can claim that the queen of the Amazons is not our country-women? (Dizman, Second International Ordu Festival of Literature: 196)

Another historical woman figure is Hypatia. She was in her time a very influential and respected woman. 

Hypatia (born c. 355 CE—died March 415, Alexandria), mathematician, astronomer, and philosopher who lived in a very turbulent era in Alexandria’s history, was in her time, the world’s leading mathematician and astronomer, the only woman for whom such a claim can be made. She was also a popular teacher and lecturer on philosophical topics of a less-specialist nature, attracting many loyal students and large audiences. Her philosophy was Neoplatonist and was thus seen as “pagan” at a time of bitter religious conflict between Christians (both orthodox and “heretical”), Jews, and pagans. (www.britannica.com/biography/Hypatia)

In human civilized history, there have always been women figures who proved and asserted themselves be it in political, social, cultural or intellectual life spheres.

Maya Herman Sekulic’ Modern Mission to Raise Awareness
about the Modern Women’s Place in Society

Maya Herman Sekulic revisits its roots to create an awareness in her inner self as well as in others’ conscience via her poetry she uses as a powerful weapon.

She takes her grand and divine muse from the Goddess of Birth, Death and Beauty which also refers to the embodiment of womanly qualities, so to speak. She talks about some forgotten women powers not recognized properly in our modern times. She thinks we lost the good memory of what capabilities women used to have as leaders, healers, warriors, survivors and saviors of their communities. Being in true harmony with nature, revering the moon instead of making it a mere satellite of the Earth, Maya sees the poet as the truth-teller as Goethe does. And her poetry collection entitled Lady of Vincha, is not only a culturally and intellectually relevant to her philosophy and mission she has taken for the rest of her life, but also a very close acquaintance to her soul since there is a link between Lady of Vincha and her ancestral lines. This fact makes her a genuine activist of her own cause to promote symbolism of the first truth telling person, and through her, the heritage of Old Europe giving wise women a very special place and prominence.

Vincha’s script and other archaic, ancient writings are testimony to old and extraordinary wisdom and spirited poetic expression the world should be aware of and recognize fully. The aim had been to create a harmony between nature and humankind, and women are best suited to lead the way. The influential role of women was not limited to Europe as Maya Herman Sekulic indicates. It was even more the case in those ancient civilizations in Africa, Asia and Americas.

I would like to share here with you a part of Maya Herman Sekulic’s long poem called Lady of Vincha, to me a meaningful representation of her powerful poetica:
……
At the edge of meadow, in the chaos of stones,
Hidden from views by high blades of grass
She lays naked shameless, fearless,
She has a nice name – Freedom,
She became Mother and Mistress
Of life and death, of fertility – Goddess.

The Goddess of Moon, he loved her
Lips, her small feet, he kissed,
He sculpted her in clay, in stone,
With those big eyes, masked,
Omniscient, omnipresent – Vidovdanka
 “Not of this world”, in owe he prayed.

She was his, mine – Maya, our Proto Mother,
Lady of Vincha, of Divostima, of Danube,
Bent arm over her heart, in prayer, in spite,
Painted black and red to stand out among equals,
The mistress blessed of a Thousand-year Empire,
From Mura to the south of Vardar river,
peaceful and fair as in fairy tale.
Still, when he would hear her cry
He would take her in his arms, her with wide hips,
And he would kiss her eyes, he with those wide shoulders,
Her eyes otherworldly, scary, passionate,
Illuminated under moonlight,
He would kiss her white face, her white thighs.

…. (Sekulic, Lady of Vincha: 21)

Conclusion

With her credentials and living in both the US and Serbia, Maya Herman Sekulic has elevated herself to a level of becoming the first internationally recognized woman poet in Serbian literary circles in her particular position. To make sense of current social and political relationships in a given society, some of the most revealing indicators have to do with the intellectual personality figures and their composition. So, Maya Herman Sekulic proves to be a woman poet now embraced in her beloved country and a scientific conference on Maja Herman Sekuli─З’s Contribution to Scientific Research, Literary and Translation Studies organized by the Faculty of Foreign Languages, Alfa BK University in Belgrade.

Since she is listed in the official history of Serbian literature, since she has produced numerous literary works in different genres, in different languages, and also since she provided so many literary translations into various languages, Maya Herman Sekulic deserves to be recognized as one of the leading literary figures to create a more inducing and encouraging psychological environment to make more Serbian woman litterateurs come forward. I think Maya Herman Sekulic’s advocacy on Old European Culture and the Role of Women in Today’s World shall be understood widely in time throughout European countries if not in the whole world.

List of References

- Anholy S. (2007). Competitive Identity. London, Palgrave Macmillan
- Baker N. (1984). Beauty Trap, New York, Toronto, Franklin Watts
- Cottam M. et. al. (2016). Introduction to Political Psychology, New Yourk & London, Routledge Taylor & Francis Group
- Dizman I. (2011). Revisiting Ordu’s Distant History, Second International Ordu Festival of Literature Book, Ordu, Alametifarika
- Giddens A. & Sutton P.  (2013).  Sociology, Cambridge UK & Malden USA, Polity Press
- Livaneli Z. (March 2013), Goethe’s Dream, Rosetta 02, Istanbul, p. 9
- Richter M. (2015), Marilyn Monroe’s Short Unhappy Life), Istanbul, Opus
- Sekulic M. (2017). Lady of Vincha, Belgrade, Pesic & Sinovi,
- O’Conner J. (24 May, 2008), The Secret Scripture, Retrieved on 22 January 2018,  theguardian.com/books/2008/may/24/fiction1  
- Encyclopeadia Britannica (online), britannica.com/biography/Hypatia

W. B. Bayr─▒l

Biography:

Real name: Vural Bahad─▒r BAYRIL.
Turkish Poet, writer (Family origin: Albenia)
Born in 1962, Magnesia/Turkey
He graduated from Fine Art Academy of ─░stanbul Faculty of Basic Design, Art Critique and Art History. He completed his masters thesis in the same faculty.
Since 1980, his poems and articles about painting, literature and poetry have been published in many reviews and newspapers.
He established ┼ЮiirAt─▒ (means: Pegasus) poetry magazine & publications with his associates in between 1985-2010. He published more than 50 poetry books that made revulation in Turkish poetry history.
He recevied an honorable mention from the review Yar─▒n, in the field of poetry critique in 1983 and an honorable mention at the Enka Science and Art Award with famous poet’s.
He won the 1992 Beh├зet Necatigil Poetry Award with his first book Melek Ge├зti (Angel Passed) and the Writers Union of Turkey Award for ┼Юer Cisimler (Evil Things) in 2000.
He has worked in the advertising busines as creative director in ─░stanbul for 30 years.
He is a member of jury of Seyhan Er├╢z├зelik Poetry Award.
He is media sponsor and creative designer of Poet─░stanbul and Femin─░stanbul Poetry festivals.
He has also joined to many collective books, poetry almanacs and literature festivals. His poems were translated into many languages.

Poetry Books:
Melek Ge├зti (Angel Passed, 1992)
┼Юer Cisimler (Evil Things, 2000)
Arzuda Tehna (Desolate Desire, 2009)
Elmas S─▒k─▒nt─▒ (Diamond Distress, 2016)
Rosa Das Rosas (still in press)

Poetic Essay Books:
Her Zaman ┼Юair (Always Poet, 2017)
Arkada┼Я─▒m─▒n A┼Яk─▒s─▒n (Lover of my Friend, still in press)

Garland Book:
├Цteki Poetika (Other Poetic: Assays About Bayr─▒l Poem, Hilal Karahan, 2012)

A Member of:
Creative Advertising Writers Union

Communication:
+90 532 4957173

bbayril@gmail.com

Hilal Karahan

Dr. Hilal Karahan: Turkish poetess, writer, translator, mother and medical doctor (1977, Gaziantep/Turkey).

Her professional poems, stories, interviews, articles about poetry have been published in various national and international poetry-culture-literature magazines since 2000. She has joined to many collective books, bilingual poetry almanacs and found in organisation comittee of international poetry festivals. Her poems and selected poetry books were translated into many languages.
She is recently a member of Turkey PEN, Turkish ambassodor of World Institute of Peace (WIP) and Turkey director of  Writers Capital Foundation (WCP) and World Festival of Poetry (WFP network sites. She organises Femin─░stanbul Poetry Festival every year.
Since 2017, she is a member of publishing council of international bilingual poetry magazines of  Absent and Rosetta Word Literatura.

Poetry Books:
Self Dictionary-Summary of One Day (2003)
In Front of The Hill (2003)
Secret and Mist (2004): Found as “remarkable” in 2004 Ya┼Яar Nabi Nay─▒r Poem Election
Delayed Mummy (2010): Found as “successful” in 2010 Cemal S├╝reya Poem Election
The Night Sundering Passion (2012): Given Burhan G├╝nel Private Award in 2013 M. Sunullah Ar─▒soy Poem Election
Strada Care Cautс║╡ Marea (Selected Poems, Translated to Romanian by Niculina Oprea, 2014)
La Rue Qui Cherce La Mer (Selected Poems, Translated to French by Mustafa Balel, 2016)
Between Night And Fire (Selected Poems, Translated to English by Hilal Karahan, 2017)
Fourty Wounds Fourty Patchwork (May 2017)

Prose Books:
Poem and Quantum (2012)
Nook and Cranny Poem Notes (2014)

Awards:
Secret and Mist: Found as “remarkable” in 2004 Ya┼Яar Nabi Nay─▒r Poem Election
Delayed Mummy: Found as “successful” in 2010 Cemal S├╝reya Poem Election
The Night Sundering Passion: Given Burhan G├╝nel Private Award in 2013 M. Sunullah Ar─▒soy Poem Election
2017 “World Icon of Peace” award from World Institute For Peace

Contact: 
hilalkarahan108@gmail.com
hilalkarahan@yahoo.com
www.hilalkarahan.com