| Anurag Sharma |
“Generations to come, it may well be, will scarce believe that such a man as this one ever in flesh and blood walked upon this Earth”. ~Albert Einstein
| The day I met Gandhi in Mauritius |
** ISSN 2475-1359 **
* Bilingual monthly journal published from Pittsburgh, USA :: рдкिрдЯ्рд╕рдмрд░्рдЧ рдЕрдоेрд░िрдХा рд╕े рдк्рд░рдХाрд╢िрдд рдж्рд╡ैрднाрд╖िрдХ рдоाрд╕िрдХ *
| Anurag Sharma |
“Generations to come, it may well be, will scarce believe that such a man as this one ever in flesh and blood walked upon this Earth”. ~Albert Einstein
| The day I met Gandhi in Mauritius |
Bio: Sonia Sharma is an author and speaker in the personal development industry. Her work centers on self-healing and living one's best life. She has also served as a University Lecturer for the last 15 years at various prestigious institutions such as Stanford, Columbia University and UC Berkeley. She has been interviewed on radio and television shows, participated and presented at international conferences and published articles and books. She can be reached at sonia108lotus@gmail.com.
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| Vivek Nath Mishra |
Book
Review
|
God
Particle and Other Poems Urdu original
by: Karamat Ali “Karamat” Translated by: Elizabeth Kurian “Mona” Educational Publishing House, New Delhi,
2021 ISBN:
978-93-91238-51-3 pp 112 | ₹ 200 / $ 15 |
On reading this fascinating collection of poems, the
first impressions that as a reader one gets, remind one of the famous words by
French poet Paul ├Йluard who was also one of the founders of the Surrealist
Movement and observed, “There is another world and it is in this one.” And it
beautifully sums up the collection that promises to transpose an individual
reading these poems to another world created by Karamat Ali ‘Karamat’.
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| Semeen Ali |
His poems reflect the world that he sees through his
eyes and ponders over it as he walks through the garden called life. His poems
are philosophically inclined and one can savour the words with ease and pause
to reflect on them. His writings have a strain of Sufism instilled in them and
make one rise above the unpredictable nature of life as one wades through a
vast ocean of the world. He ponders over ‘What is life?’ and ‘Are we the
puppets in a world that wants us to dance to its tune as long as we are alive?’
The opening poem titled ‘Toy’ (p 27 – Urdu original: Khilona) poses that question
to us. The poet stands in front of his audience seeking answers to questions
that he has amassed over the years of walking on the face of earth and shares
his wisdom of what all knowledge he has gained because of it. It is believed
that those who laugh a lot hide the deepest pain within them and that emotion
echoes throughout this book. The poet searches for the Truth but what is it?
What constitutes as reality and what in the end turns out to be an illusion?
The answer is to be found in the pages of this splendid book of poems. The
poems have been picked from two of his Urdu anthologies titled Shaakhe Sanobar and Gulkada Subahoshaam by translator Elizabeth Kurian ‘Mona’ who
writes poems in English as well as in Urdu. In her note, she explains in a charming
manner how it is not possible to translate each word written in Urdu into the
English language as the target language falls short of the ability to contain
the hyperboles that the original language makes use of. She talks about how she
has had to trans-create the poems. And this brings one to an important
commentary on just how much of work is involved while translating a text and
transporting it with all its essence into another language. One has to keep in
mind that the original flavour, if not the voice, is retained and maintained;
and does not get lost in the realm of a new language that houses its own sense
of identity and carries a set of cultural connotations and values that at times
do not have the space to accommodate the ingredients that the original language
brings with itself. Elizabeth has translated ghazals as well for this book and has done it beautifully so that
the bridge between the original and the host language is a seamless one and not
jarred.
Karamat Ali’s works dwell on the metamorphosis of an
individual. It dwells on one of the tenets of life which talks about the
melding of the self with the One and at times with the world that envelopes
one. The poems have a musical quality to them and one can see the rhythmic
patterns as the book progresses.
Now, where is the dancer? Where are her anklets?
Where are the flower
clusters? Where is their fragrance?
(Ruins, p 29 – Urdu title: Khandhar)
There is a preoccupation with the ephemeral quality of
the cosmos. The imposing idea that the world was made out of destruction, and
will destroy itself to create anew – and how the poet never wishes to be a part
of the world that thrives on mortality. He accepts his fate as a mortal being
and how one day he will merge with the very elements of the world that created
every limb of his body and fibre of his soul. He celebrates the life that he
has on this earth and illuminates the idea of how one is the helmsman of one’s
own boat. He holds on to his writing instruments so that he can chronicle his
life, and how he sees/witnesses the world. He is willing to part with
everything else that he possesses but cannot make do without that one sole
possession that breathes life into the experiences and memories that he holds
within.
One of the thought-provoking poems is ‘White ants’ (p
49 – Urdu original: Deemak). It talks about the white ants that
do not care about the status of humans or the value of the possessions that one
has. They destroy all the things that come in their way irrespective of all the
ideas that one holds dear and measures one’s value with. The core idea behind
this poem is to show the perishability of the self as well as of the material
possessions that one holds on to, not realising that when one finally takes
leave from this world, one leaves empty handed.
As the poet observes, even the “I” is not permanent
(Truth, p 28 – Urdu original: Haq). The markers of one’s identity that
one holds on to and lives by for a lifetime have but to dissolve in the end.
The book dwells on the hollowness of life and the emptiness that one constantly
tries to fill by relying on others or through material acquisitions. The
beautiful jugalbandi between the poet
and the translator makes this book a beautiful addition to turn to for answers
in one’s search for the self.
Its memories come to trouble me
I hope it comes close to me
And then it embraces me.
What is it? My lover?
No friend, it’s my childhood!
(Riddles, p 108 – Urdu
title: Kahmakarniyaan)
| Ernie Brill |
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| Robert Maddox-Harle |
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| Mirza Sibtain Beg |
| Christine Larsen |
Once upon a very long time ago, we two were dairy farmers. But first we were apprentices, using our own rule book (and any information we could gather from far and wide... even sheep farmers' variety!). Would we have allowed anyone else to suspect our 'newbie-ness'? NOT likely!
On one
of those earliest milky days, venturing forth into a pea-souper of a fog to bring the cows in for late afternoon
milking, I promptly lost myself in their paddock. Being undulating land, all is
well no matter how thick the whiteout,
once you find a fence... Everything going uphill leads to home and the desirous
dairy. At least you will arrive at a gateway…
eventually! But if you are even a metre or two away from the salvation of a
fence, you have no idea where you are… ALL is hidden in that lost world
threatening to choke you with its ever and everness.
You call 'C'mon, c'mon...' over and over in the forlorn hope the cows may possibly wear some miraculous GPS, invented long before Man and all his 'techie' stuff. You cheer yourself up no end with the thought they will definitely know where to go.
And you won't believe it. They DO! They can walk soundlessly on those great hoofed feet until abruptly LOOMING up right next to you, only to pass on by, on their dedicated way to... ('P-L-E-A-S-E let it be to the dairy', you whisper fervently). And when you finally find a fence and follow it ever upwards to the RIGHT gate and make your way along the race to the dairy...
THERE
they are.
Every.
Last. One. of Them!!!
And
their great googly eyes say, 'What kept you?'
***
To Sleep: Perchance to Dream
***
Why Did the Echidna
Cross the Road?
“Naa-na-na-naaa-naa…catch
us if you can!”
and stopped
at the rim of their ant-hole homes and wiggled their bottoms at him.
Well-ll-ll, I
can't promise those were the exact words verbatim, after all the wind was quite brisk, but that's the gist I
got on an unexpected photo opportunity near the Cape Nelson lighthouse, once upon a long time ago.
Certainly, I DID clearly hear the words,
"Gunna Get Me an Ant or Twenty for Afternoon
Tea!"
I can promise
that this erstwhile Echidna took up the challenge big time, waddled across
the road and cleaned them up, with a whuffing sort of grunt when his nose was
buried up to his eyeballs, and he hit 'paydirt', as it were. This prickly
character scared the living daylights out of me at first, until I realised it
was actually a statement of deep satisfaction that he had found his afternoon
tea.
At such times in Life, you just need to listen carefully, and all comes clear.
| Sushma Malhotra |
| R. P. Singh |
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| Mirza Sibtain Beg |