Showing posts with label 202110E. Show all posts
Showing posts with label 202110E. Show all posts

Gandhi is a True Global Citizen

Anurag Sharma
“Generations to come, it may well be, will scarce believe that such a man as this one ever in flesh and blood walked upon this Earth”. ~Albert Einstein

Twenty years ago, a friend of mine went to Turkey on a business trip. He was sightseeing, when a local asked him about his nationality. The friend mentioned, "India". To his surprise, the Turkish guy asked him where is this country. Apparently, he had never heard about India. 

My friend was unprepared. He never imagined that he was ever going to meet an English speaking gentleman who had no awareness of an ancient, and modern nation called India. The friend paused for a second and said, "Tajmahal...". The local asked, "Who is that?"

The discussion went on moving from Kohinoor diamond, to ancient temples to Indian Ocean, to lord Buddha, but the local had no clue.

Shocked and puzzled his newly discovered inability of introducing his country to a foreigner, my friend asked the native about his interests. 

"English movies", the native responded.

"Have you seen Gandhi?"

"Of course, I remember Gandhi, He is not real, right?"

My friend realized Albert Einstein's words about Gandhi were so true.

I saw Gandhi in Quebec

The day I met Gandhi in Mauritius


Gandhi in Pittsburgh

The world has seen many conquerors, but there has been only one global citizen, named Gandhi.

What Is Your Immortal Gift to the World?

Sonia Sharma


It is a fact that each of us that has ever been born lives for a set period of time and dies. Physical death is as certain as physical birth. However, what is perplexing is that many of us (including me) seem to live our lives assuming or behaving in a way that assumes that we will live forever. No one knows--perhaps some part of us may live on--but it seems that once physical death happens, the physical human form is transformed into other parts of nature and that person is no longer physically present as we knew him/her.

While some might find it depressing, irrelevant or unpleasant to talk about death, my goal in mentioning physical death is solely to illuminate the tremendous importance of the life and limited time we realistically have prior to death. When something is limited (such as our life) and inevitable (such as death), it makes sense to at least pay attention to it or act in a manner that takes its inevitability and limited nature into account.

My purpose in even broaching the subject of death is to highlight the urgency of living life that seems to go unnoticed. We tend to become so busy in our preset routines or everyday concerns and worries that there seems to be an illusion that things will always be the same, that we will always be living, that we will always have time or tomorrow. However, as we all know from the experience of losing a loved one, that is not true. Death is not something that happens only to other people.

Realistically then, how can we live in a way that honors our life right now? Not knowing when the final moments might be, are there ways in which we can consciously try to live our best life? 

Mortality consciousness: One way to do that is to cultivate a mortality consciousness. Research shows that many people who go to sleep do not wake up to see another day.  Each day, upon waking up, we can be tremendously grateful for yet another day of this intensely beautiful life. We can treat each new day as a new opportunity to make things right and truly, deeply live our life the way we actually want to live it.

Your Legacy: An important thing to consider is your legacy. What is the legacy of your life? Beneath all the words, actions and emotions, what is the message you seem to be sending to others or loved ones? What is the immortal gift that you will leave behind for the world? Tell me about how your life is precious! What makes it so sweet? What are things that make you ecstatic to be yourself just as you are? What are things that you are passionate about? These are all part of your unique legacy.

The Beauty around us: Individually, life is a limited resource. However, the beauty of life and this universe is unlimited. Another way to appreciate our life is to treasure the beauty around us, such as the beautiful trees, birds, animals, waterfalls, mountains, flowers, the sun, moon and the stars. What a gorgeous planet to be on! Beholding the beauty around us make us feel grateful and can assist in living from the beauty within us.

Pure Love: Another way to consciously live our best life is to cherish the tender, beautiful moments that occur in our life, the ones that are priceless for us. If we seek to understand the other person’s point of view and gently make our own point of view known, then it may be possible to put some of the conflicts aside and let love prevail. It just makes our life worth living and we have less regrets.

Shine on: Despite the challenges and wrongs that may have been done to us, can we still shine on? Can our true self and nature emerge and blossom and we be just to ourselves and others with whom we have relationships? This means that we are honoring our life, other lives and moving toward living our best life.

What do you think? What is your legacy? Mark Twain said, "the two most important days in your life are the day you are born and the day you find out why." What is your immortal gift to the world?

Bio: Sonia Sharma is an author and speaker in the personal development industry. Her work centers on self-healing and living one's best life. She has also served as a University Lecturer for the last 15 years at various prestigious institutions such as Stanford, Columbia University and UC Berkeley. She has been interviewed on radio and television shows, participated and presented at international conferences and published articles and books. She can be reached at sonia108lotus@gmail.com.

Intrusive Thoughts: Sanjay Narain

Sanjay Narain
The gentle moonlight,
slipping through my window,
and the sound of silence, 
somewhere far away, 
where I long to be too, 
It’s the way I thought,
my restless wandering,
was over...
and that I’d found...

It’s the beating of my heart.
the way I lie awake, 
playing with shadows,
slowly climbing up my wall,
whatever I thought,
I had found or wanted,
I started to collect then,
my belongings. 
to build a home,
behind the comfort,
of these four walls 
and a closed door
as much as I tried,
or pretended 
or imagined myself,
as a part of,
all the people out there.

I was still the one,
locking the door every night.
turning off the phone 
and blowing out the candles 
so no one knew,
I was home.
coz I was never really well,
around my expectations,
wanting to keep to myself. 
I haven’t been impressed lately,
by people or places,
or the way,
someone responds.

And then slowly,
changed my mind,
to bring my thoughts,
in sync with my desires,
to get fulfilled,
a few of them,
my thoughts have finally,
achieved assimilation...
        ***********

I have been composing poetry and prose for a long time for self pleasure. I prefer prosimetrum format for my poems to make them easy to understand but write in other poetry format as well. I'm a content writer, blogger, compose poetry, voluntary Braille teacher, play violin for my soul satiation and work at a position of Chief General Manager with an oil and gas company for living and will be superannuating soon in June, 2024. -Sanjay Narain

Book Review: NO ONE, AN OUTSIDER by Vivek Nath Mishra

NO ONE, AN OUTSIDER 
Vivek Nath Mishra
Hawakal Prokashon
2021. page-127, ₹ 250/-

Reviewed by DURGA PRASAD PANDA  

------------------------------------------------------------
Vivek Nath Mishra's second book of short stories is significant on many counts. As he outlines in his introduction, "It's (story writing) a massive responsibility because a book can change lives, give readers perspectives". Ten delicately written stories in this sleekly brought out volume by Hawakal Prokashon do exactly that- offered "perspectives"- of a world that surrounds him- trying to make sense of it, in myriad ways. As apparent from the subtitle, 'Varanasi Tales', all the stories are set in Varanasi, the modern-day Benaras. This ancient religious town drawing people from across the world seems like a world unto itself. A strange place which, it looks as if it hasn't moved for centuries, where time got stuck, or moves a tad slow; much like the bulls of Benaras streets who inch forward lost in their own thoughts. Most of Mishra's stories bore this typical unhurried pace of life, a laid back attitude giving a damn to the rest of the world. The city serving as the trope and its people, as represented in all of Mishra's stories, both mirror each other. A close reading of his stories throws up 'epiphanies' illuminating the reader's universe. Sample these: " We have all been given oars in our hands, and I wonder if only to fool us ". "Most of the time, it is truth that people speak with terrible timidity". "Perhaps, the world has everything but a soul. There is too concrete for a heart to thrive". Amidst the bewildering maze of life, just see how the writer evokes a sense of place, "...but in Varanasi, nobody is a stranger. Nothing seems foreign. It takes people nothing to make friends..". Each town has its share of eccentrics. In a story, 'Plunge' one finds an eccentric madcap who refused to be a part of the rat race, resigned his job and chose to go 'slow' and sit 'still' on the periphery of life enjoying his own insignificance.

Vivek Nath Mishra
"I needed more slowness to watch- to see things as they were- not to be fooled by the time". Just think of someone quitting his job "to see the garden in the afternoon and seasons changing over it". The story 'a fake lotus' portrays a girl carrying the phobia of lotus flower well into her adulthood and beyond, all due to a psychological trauma inflicted on her by an insensitive father. These stories seem to grow under the giant metaphysical shadow of Vanarasi.

While capturing the ' lives' in these stories, Mishra's prose is lyrically captivating, the details are dense and surgical but without any clutter, with sufficient breathing space, with proper illumination spread out evenly over people, spaces and things.

Stories like this and so many others are an alert meditation on what it means to lead a small town life, a complex exploration of its vulnerabilities. The story 'It's Time' debunks the popular belief that places of pilgrimage offer peace and tranquility to an agitating mind and hold keys to overall happiness. But, yes, it does one thing, Varanasi makes philosophers out of common folk: "There is no memory. The world is a shadow. It has no shape. We are only smoke rising from the pyre", a protagonist blurts out. Not just this one, there are so many choicest one-liners peppered across the book.
"How can you lie to a person who trusts anything?"( Flood of Silence)
"Her father's callousness was equivalent to the governmental indifference to its people." (A Fake Lotus) Mishra's stories are simple and yet flamboyant in the sense that his is a self assured and confident voice, whose exuberance of narration lies in his childlike curiosity to know and imagine the 'interior' lives of people surrounding him. His eye for details is remarkable: "The blue veins on the back of her hands were bulging out. The look suggested that she had not been able to say all the things she wanted to say."

The opening story 'Flood of Silence' poignantly portrays a newly wed girl getting disillusioned, just two years into the marriage and learning to come to terms with the situation, in slow acceptance of her dull and drab life, trying to convince herself, even telling lies to 'herself' that things are just so fine. The story ends with a piercing question, "Where the children of bad marriage go?" Mishra delves deep into the psychic realms of his characters to bring out and show the lives lived in the dark recesses of their minds. thus, his stories meander through the small, ancient town, with its small talks, small dreams of people going about their lives as if the rest of the world didn't exist. Many of his protagonists seem a world unto themselves leading a life of crashed hopes and sabotaged dreams, of marital discords, suspicions and adultery; reflecting a worldview unassailed by the churnings that dog much of the world elsewhere; a life, unadorned and somewhat rustic but utterly genuine in its flow. It's worthwhile to note that his stories bear no great insights, no bombastic words, no ornamentation- just simple stories told with impeccable sincerity. But, this 'visible' simplicity is also deceptive in the sense that it has so many layers, and beneath the surface narrative flows a deeper undercurrent of life.
***

DURGA PRASAD PANDA is an accomplished bilingual poet, translator and critic whose works have appeared in prestigious journals like 'Indian Literature', 'Debonair', 'Kavya Bharati', 'The Little Magazine', 'Gentleman', 'Stag Hill Literary Journal', 'Outlook' among so many others. Some of his poems have been included in significant anthologies like 'Yearbook of Indian Poetry in English 2020-21', 'Shape of a Poem: A Red River Anthology of Contemporary Erotic Poetry', 'Witness: A Red River Anthology of Dissent'. He has attended several symposiums including 39th World Congress of Poets, 2019. Most recently he has edited a Reader on Jayanta Mahapatra's life and works for Sahitya Akademi.
 

Book Review: God Particle and Other Poems

Book Review

God Particle and Other Poems

Urdu original by: Karamat Ali “Karamat”

Translated by: Elizabeth Kurian “Mona”

Educational Publishing House, New Delhi, 2021

ISBN: 978-93-91238-51-3

pp 112 | ₹ 200 / $ 15

Reviewed by: Semeen Ali

On reading this fascinating collection of poems, the first impressions that as a reader one gets, remind one of the famous words by French poet Paul ├Йluard who was also one of the founders of the Surrealist Movement and observed, “There is another world and it is in this one.” And it beautifully sums up the collection that promises to transpose an individual reading these poems to another world created by Karamat Ali ‘Karamat’.

Semeen Ali

His poems reflect the world that he sees through his eyes and ponders over it as he walks through the garden called life. His poems are philosophically inclined and one can savour the words with ease and pause to reflect on them. His writings have a strain of Sufism instilled in them and make one rise above the unpredictable nature of life as one wades through a vast ocean of the world. He ponders over ‘What is life?’ and ‘Are we the puppets in a world that wants us to dance to its tune as long as we are alive?’ The opening poem titled ‘Toy’ (p 27 – Urdu original: Khilona) poses that question to us. The poet stands in front of his audience seeking answers to questions that he has amassed over the years of walking on the face of earth and shares his wisdom of what all knowledge he has gained because of it. It is believed that those who laugh a lot hide the deepest pain within them and that emotion echoes throughout this book. The poet searches for the Truth but what is it? What constitutes as reality and what in the end turns out to be an illusion? The answer is to be found in the pages of this splendid book of poems. The poems have been picked from two of his Urdu anthologies titled Shaakhe Sanobar and Gulkada Subahoshaam by translator Elizabeth Kurian ‘Mona’ who writes poems in English as well as in Urdu. In her note, she explains in a charming manner how it is not possible to translate each word written in Urdu into the English language as the target language falls short of the ability to contain the hyperboles that the original language makes use of. She talks about how she has had to trans-create the poems. And this brings one to an important commentary on just how much of work is involved while translating a text and transporting it with all its essence into another language. One has to keep in mind that the original flavour, if not the voice, is retained and maintained; and does not get lost in the realm of a new language that houses its own sense of identity and carries a set of cultural connotations and values that at times do not have the space to accommodate the ingredients that the original language brings with itself. Elizabeth has translated ghazals as well for this book and has done it beautifully so that the bridge between the original and the host language is a seamless one and not jarred.

Karamat Ali’s works dwell on the metamorphosis of an individual. It dwells on one of the tenets of life which talks about the melding of the self with the One and at times with the world that envelopes one. The poems have a musical quality to them and one can see the rhythmic patterns as the book progresses.

Now, where is the dancer? Where are her anklets?

Where are the flower clusters? Where is their fragrance?
(Ruins, p 29
Urdu title: Khandhar)

There is a preoccupation with the ephemeral quality of the cosmos. The imposing idea that the world was made out of destruction, and will destroy itself to create anew – and how the poet never wishes to be a part of the world that thrives on mortality. He accepts his fate as a mortal being and how one day he will merge with the very elements of the world that created every limb of his body and fibre of his soul. He celebrates the life that he has on this earth and illuminates the idea of how one is the helmsman of one’s own boat. He holds on to his writing instruments so that he can chronicle his life, and how he sees/witnesses the world. He is willing to part with everything else that he possesses but cannot make do without that one sole possession that breathes life into the experiences and memories that he holds within.

One of the thought-provoking poems is ‘White ants’ (p 49 – Urdu original: Deemak). It talks about the white ants that do not care about the status of humans or the value of the possessions that one has. They destroy all the things that come in their way irrespective of all the ideas that one holds dear and measures one’s value with. The core idea behind this poem is to show the perishability of the self as well as of the material possessions that one holds on to, not realising that when one finally takes leave from this world, one leaves empty handed. 

As the poet observes, even the “I” is not permanent (Truth, p 28 – Urdu original: Haq). The markers of one’s identity that one holds on to and lives by for a lifetime have but to dissolve in the end. The book dwells on the hollowness of life and the emptiness that one constantly tries to fill by relying on others or through material acquisitions. The beautiful jugalbandi between the poet and the translator makes this book a beautiful addition to turn to for answers in one’s search for the self.

Its memories come to trouble me

I hope it comes close to me

And then it embraces me.

         What is it? My lover?

         No friend, it’s my childhood!

(Riddles, p 108 – Urdu title: Kahmakarniyaan)


The Least You Can Do For Your Poor Old Mother

Ernie Brill

- Ernie Brill


So when are you coming to pick me up already? I’ve been waiting two weeks. I’m much more comfortable after the cremation. I don’t have to lay in that horrible nursing home with that pain. You could drop dead helps arrives.
  When your father died, the last light went out. It wasn’t the same. You came, you couldn’t wait to leave . I can’t blame you. I was no barrel of laughs. Who wants a ninety year old woman who mumbles? Morphine clenched my mouth, my lips so parched. Are we in the Sahara desert? They dole out water.  I kept screaming “HELP! HELP!”
I love the ocean. I could swim for days. If I believed in reincarnation, I was once a whale. Your father would have said well you‘re big enough or  other puerile comments, denigrating everyone to cover his own stifled emotions.
Then he would chew my ear off when you and your sister were not around or in California where you fled to avoid us.
My father said, “Everyone makes their own way”  So we supported you and your sister . You finally got sea respectable job. What were you- forty? Ok you were a writer all who barely made enough to scrape by. You can’t say I didn’t warn you. I said “Get a trade.”
Come get me. I’m not comfortable . . Everything here’s so tastefully mournful. 
  They have fake Louis the Fourteenth furniture. Do they think loved one we want imitation of royalties, the hushed atmosphere. Get me out of here. 
I don’t care what you do with anythin -  pictures, furniture- none of it’s important.  As for the ashes, don’t get anything too expensive. I’ll trust your judgment.
Just don’t lose me. And, for God’s sake, don’t leave me in this mausoleum. 
Bring me home.
When I had my own life, I seldom had a minute to myself. Now I have eternity. So talk to me. Tell me all the stories you never had a chance to tell me. How are you? How are the kids? Tell me the stories you made up to help me pass the time. I liked those.
            At least you put me in the front seat, not like in the trunk like your poor father who you drove around for two weeks before taking him out. If that’s not hostile, I don’t know what is. I know you’re very busy but try to think of how other people feel, in this case, your own father!
Admit it’s peculiar. You rode around with him in your trunk for six weeks and you didn’t pick me up for almost an entire month. There’s a message there, not a particularly nice one. A therapist might have a field day with that one.
          Your sister claims we neglected you. More to the point:  I neglected both of you. So typical: her wonderful father never bears the brunt of her disgruntlement. I, terrible mother, the awful mother who only took care of you for your entire childhoods while your poor father worked two jobs and came home at ten o’clock every night or later while I worked, rushed to school,  made sure you had hot meals and clean clothes in that horrible apartment in those god-awful projects where most people had never read a book  (unless it was a comic book) and whose idea of a good time was mahjong or throwing a football around and whose level of discourse was if the Dodgers had won or if a Chevrolet was more desirable than a Plymouth.
         And what about all those days I stayed home when you were sick. You seemed to have tonsillitis or strep throat or the flu your entire childhood. Nobody asked me how I felt staying home, making pots of soup and doing arts and crafts projects you seldom appreciated. You only wanted to sleep and read. And fussy! Wouldn’t eat this. Wouldn’t eat that. Scared of the veins in the chicken. OK, maybe I did over-boil it on occasion. You were timorous about eggs- the yolk and whites “too gooey”. And yes they were undercooked a few times. I had so much on my mind, but why fuss and whine so much?
I had too much in my mind and was sick at heart after the war with the horrors revealed,  the soldiers coming home, the Nuremberg Trials, and when we realized the entire European side of our family had been slaughtered. It’s unspeakable.
Then that maniac McCarthy, the poor Rosenbergs. To this day who can answer my question: Why were two Jews the only ones electrocuted?
            Your sister feels I neglected you, but does she ever consider my feelings? Does she try to understand I didn’t have a second to myself ? With working, studying for this exam that exam, running for the bus to the train to finish my Social Work degree for better life, planning meals, , trying to do laundry like everything else in those bargain days like with your father’s“great deal” that threatened to break down any minutflood that rat-hole  they had the nerve to call an apartment.
I felt bad leaving you at home alone by .Then we got the television. I didn’t want you to watch it too much but I had to work t fly off to school and most of the time I couldn’t find a babysitter you wouldn’t take advantage of, like poor Ms Hensley whom you told your sister had a rare blood disease and needed extra sugar so she was allowed to eat- for every supper, with your assistance – most of a box of Lorna Doones or Oreos. How you pulled the wool over that woman’s eyes I’ll never know. Well, you always loved stories so it was inevitable you’d use them for your own nefarious purposes.
Let’s try not to dwell in the past . You finally picked up my ashes: now what?
Do what I asked. Spread my ashes in the ocean. I understand that you are planning to go out to Cape Cod this summer to that beach you like.  I want most of myself to go into the ocean. Some handfuls on shore are ok, but don’t overdo it.
People might get upset. Here they are, walking along the beach.  They’ve spent their hard-earned money on their measly vacation. Suddenly on the gorgeous sand replete with beautiful shells and occasional creamsicle colored crab shells bleaching in the sun there’s strangely smelling bits of peculiar grey material not like the sleek grey of a seagull feather. They might get suspicious. So be careful; keep your wits about you.
I don’t care what you do with the urn. I like it, by the way. It’s not ostentatious. For once in your life, you’ve shown good taste choosing mahogony - a bit pricey, what they’re charging these days is ridiculous. Maybe you could use it for a vase. Put flowers in it. 
Yes, you can remember me by the flowers you never seemed to manage to send  unless your sister signed your name to the ones for my birthday or our anniversaries. I know what you are going to say - she sent the flowers with our own money since we’ve supported her most of her life which you reminded us incessantly for YOUR whole lifetime, but you must admit she’s had her problems so we have helped her out some - not always as you claim, but it’s our money, our child, and even if she is your sister in a way it’s none of your business.
 My question now is: how long will you plotz around before you take me to Cape Cod and fulfill your final responsibility? I’m sitting on this shelf in your living room with your father and your wife’s mother - and you haven’t even had the courtesy to introduce us. Manners, what are those? I understand your sister will receive your father’s ashes. Some things never change, do they?
For once in your father’s life he’s keeping his mouth shut and not telling me what I’ve done wrong this time or which relatives or best friends have betrayed him so thank God for small favors.
I don’t mind sitting on the shelf for a while, but have some consideration for your poor old mother and realize it’s February. Although you leave home to go to work and turn down your heat to save money - and I understand the heating costs are outrageous - I’m the one stuck here and it is quite cold. I could, despite my current condition, use a little warmth.
And just because I’ve changed my corporeal form, doesn’t mean I still don’t have emotions. I’m here. I’m interested. I’m a woman of the world. I’m not a person who just goes off and drops dead, and that’s that. Obviously, there’s always been a lot more to me! 
It’s bad enough in life I seldom got what I wanted, too busy pleasing my parents or trying to show that I could be better than what most of my generation thought women could be or do. I wanted to be more than a housewife or a secretary. And don’t get me wrong. I have nothing against secretaries. Their work is more important than most people realize. They are one of the most maligned groups in the world, grossly underpaid, and if there is a God in heaven, he should be forgiven for making secretaries work in those horrible high heels that no human should ever have to wear, and while we’re at it throw the girdles in too, or, rather, throw them out!
After I ‘d finished pleasing my parents- did I ever finish - it was your father, a fulltime job with all his lunacy, reassuring him, editing his papers, his “talks” at all his important conferences, helping him - God in heaven- with his lunatic family. A collection of certifiable psychopaths if ever there was one. You might have wondered why I never visited them when your father took you and your sister. His mother loathed me; she would have despised anyone he married. She still clutched her umbilical chord, and I spent a good part of my life cutting it away.
Some philosophers claim we are never free of The Mother. There may be some truth there. But I spent so much time advising the mothers of our family to be more than they thought they could or should be.
Yes, your sister claims I was always on the phone, to my sisters, my in-laws, always giving advice, lending a helping hand, the Social Worker of The Century your sister once called me. Yes, I helped people. Who else would do it? I’ll tell you: no one – that’s who.
But who was ever on the phone to me?
Five years ago, you asked me about the drawers in the desk in the basement. Deep in the drawers, under old high school pictures and college yearbooks, in the dusty mustiness, you found my old sketchpads and pictures: the unfinished horses, hundreds. Yes, I drew them. I drew since I was a little girl. Horses and elephants. 
But my parents were too busy raising five of us in the depths of the Depression and then the Holocaust to really look. And how do you look at pictures of horses and elephants when thousands are murdered or starving or walking the streets with no jobs, no food and no shelter? Who looks at pictures of the poor when you discover your people are annihilated? 
Later, I picked it up again. Here, there. But who had the time? So we tried to give you, your sister, your generation the time. You wouldn’t have it as hard as we did. So, tell me, honestly, did you have it as hard as we did?
On that note, if it’s not too much to ask, take me soon. Don’t make me wait too long. Do what I ask for once, like the years I asked you to clean your room, and you okayed me to death.
Be kind to your old mother. Take me where the water meets the sun.
You know how much I loved the ocean. You know I love to swim out way way out, let my worries float away to the horizon. An illusion surely, but the sun’s bright, the water’s warm, and I can’t hear a soul save  breeze-carried far-off voices of volleyball joy, kids wanting ice cream, laughter.
I’d feel so refreshed, cool and calm, serenely watching the horizon.
So have a heart for the woman who brought you into the world. Take me to the ocean, and give me to the waves.


Gandhi: Visual and Video Tribute by Robert Maddox-Harle



Link to video tribute of last year: https://www.facebook.com/watch/?v=644370696444513

Robert Maddox-Harle

Mahatma Gandhi: A Harbinger of Truth and Non-Violence

Mirza Sibtain Beg
Recalling, remembering Gandhi is to rise and awake,
Slept conscience’ swag for humanity’s goodness sake,
Beleaguered brute bigot ostriches’ striptease is to rake,
Bulwark of harmony honed on his sacrifice is to shake
Non- violence supples centripetal force to win a battle,
A centrifugal force to make barbarism’s bones rattle, 
A philosophy that can enlighten even a frenzied cattle,
With its bricks and peace, world will be a haven habitable.
O’ apostle and advocate of truth and non -violence,
You swam ocean of thorns with sheer nonchalance,
Mollified aching hearts with melody of benevolence,
Tour de force spurred Tagore to call Mahatma in essence.
Your tenet of non-violence served the world a light-pole,
You changed history of revolutions with ideology to roll,
You shone in sky like moon with rays of harmony to dole,
Your sacrifice sets to wipe out menace from world a goal. 
You changed the definition of victory with thy philosophy,
You exhorted world the power of sacrifice with tenacity,
You practiced peace and turned uprising a serene symphony,
You cuddled oppressed with dalliances of equity and dignity.
True homage is to eradicate oppression from the globe,
Peace, truth, no-violence, compassion be world’s robe,
Hegemony, Hatred, bigotry, injustice needs a deep probe,
Light the lamp of love to spread light with amity’s knob. 

Poetry: Christine Larsen

Christine Larsen

The morning was whitely blinding...

Once upon a very long time ago, we two were dairy farmers. But first we were apprentices, using our own rule book (and any information we could gather from far and wide... even sheep farmers' variety!). Would we have allowed anyone else to suspect our 'newbie-ness'? NOT likely!

On one of those earliest milky days, venturing forth into a pea-souper of a fog to bring the cows in for late afternoon milking, I promptly lost myself in their paddock. Being undulating land, all is well no matter how thick the whiteout, once you find a fence... Everything going uphill leads to home and the desirous dairy. At least you will arrive at a gateway… eventually! But if you are even a metre or two away from the salvation of a fence, you have no idea where you are… ALL is hidden in that lost world threatening to choke you with its ever and everness.

You call 'C'mon, c'mon...' over and over in the forlorn hope the cows may possibly wear some miraculous GPS, invented long before Man and all his 'techie' stuff. You cheer yourself up no end with the thought they will definitely  know where to go.

And you won't believe it. They DO! They can walk soundlessly on those great hoofed feet until abruptly LOOMING up right next to you, only to pass on by, on their dedicated way to... ('P-L-E-A-S-E let it be to the dairy', you whisper fervently). And when you finally find a fence and follow it ever upwards to the RIGHT gate and make your way along the race to the dairy...

THERE they are.

Every. Last. One. of Them!!!

And their great googly eyes say, 'What kept you?'

***

 

To Sleep: Perchance to Dream

The voices float ever upwards.
"Shh, he's asleep."
They whisper
but I hear them.
"Poor little man… SO tired after his big climb," says another.
Louder.
That one really wants me to wake up. I can tell.
"What a honey. A ball of fur, like a rolled-up,
extra-extra-fluffy dressing gown."
Dressing gown?
"Maybe he had a big night out?" questions one,
and another wannabe funny-man croons,
"Neath the light—" and the first one joins in,
"…of the silvery moo-oo-oo-n!"
And a third adds,
"His lady-love he'll nightly 'spoon'".
And they all fall about laughing.
That funny human 'haw-haw' sound!
Should I open my eyes?
Reveal their bleariness:
Could they guess the TRUTH?
Why I sleep my life away?
If they could speak Koala, I'd confess. Maybe.
I'm high in the ol' gum tree. That's true.
But I'm far higher than that
on the eucalyptus leaves of that ol' gum tree.
SHH-hh-hh!

***


Why Did the Echidna Cross the Road?


 Because the ants on the other side thumbed their noses and chanted,

“Naa-na-na-naaa-naa…catch us if you can!”

and stopped at the rim of their ant-hole homes and wiggled their bottoms at him.

Well-ll-ll, I can't promise those were the exact words verbatim, after all the wind was quite brisk, but that's the gist I got on an unexpected photo opportunity near the Cape Nelson lighthouse, once upon a long time ago.


Certainly, I DID clearly hear the words,

"Gunna Get Me an Ant or Twenty for Afternoon Tea!"

 

I can promise that this erstwhile Echidna took up the challenge big time, waddled across the road and cleaned them up, with a whuffing sort of grunt when his nose was buried up to his eyeballs, and he hit 'paydirt', as it were. This prickly character scared the living daylights out of me at first, until I realised it was actually a statement of deep satisfaction that he had found his afternoon tea.

 

At such times in Life, you just need to listen carefully, and all comes clear.


Author of the Month: Rob Plath

things i might’ve missed if i didn’t have insomnia this week 

i might’ve missed placing my hand on my whimpering cat & waking her from a bad dream & her blinking at me three times & curling up closer to my leg 

i might’ve missed re-reading these lines from  the rubaiyat of omar khayy├бm: “i need a jug of wine & a book of poetry / half a loaf for a bite to eat / then you & i, seated in a deserted spot / will have more wealth than a sultan’s realm...” 

i might’ve missed stubbing my toe & suddenly thinking of you coming to visit me after midnight & kissing me & kneeling to untie my combat boots, laughing how i’d sleep in them if it wasn’t for you

i might’ve missed the rapture of that chocolate chip cookie in the dark kitchen

i might’ve missed getting nostalgic & watching clips of the johnny carson show & laughing at johnny laugh at robin williams’ frenetic madness 

i might’ve missed the moonlight projecting the maple boughs across the walls like bare nerve cell shadow puppets 

i might’ve missed having gratitude for how the night unsharpens the edges of things & rounds out the world 

i might’ve missed the simple excitement anticipating sourdough toast & a cup of earl grey in the morning 

i might’ve missed the beating of my heart, lonely as it may be, & the ease w/ which it opened & closed at such an hour
***


inside-out 

did you ever convince yrself 
someone long gone 
waits for you to come home?
so the day is not a bucket of lead 
& yr knees don’t buckle? 
did you ever convince yrself 
somebody long gone 
waits for you? 
so when you get into yr car 
the tar isn’t just one long 
stretch of terror? 
the moon not some 
mocking lidless eye? 
did you ever convince yrself 
someone long gone 
waits for you at home? 
someone sitting w/ knees 
sweetly pulled up 
in yr favorite chair 
smiling in the warm 
yellow glow of a lamp? 
fresh gardenias in water 
on the table? 
did you ever in yr mind 
lift the body of a ghost up over 
its own shape like a dress 
& pull it back down inside-out 
so it’s flesh & bone again 
b/c you want to race home? 
even if it’s just one more time? 
did you ever stoop 
to such foolishness? 
such utterly desperate measures
just so you could race home?
***


eating alone in my own little blue kitchen 
(for my mother) 

you always seemed to be chopping garlic 
or onions on yr long-gone mother’s wooden paddle-shaped bread board in yr yellow kitchen 
today i wonder as i prepare red lentil soup 
how much grief was in yr own grip 
in the pressure of yr fingertips against palm-flesh 
in the heart-strike in the ball of yr thumb pressing against the handle of the knife 
how much absence played a role in the rise
& fall of the blade 
how much ghosts really feed those who are lucky enough to be seated at the table 
to feast & be present
***


haiku from hell 

my damn heart chakra 
is a .38 slug hole 
full of bloody pus
***

BIO: Rob Plath is a writer from New York. He was once tutored by Allen GInsberg for two years from 1995-1997. He has published 22 books and a ton of poems in the small presses over the last 26 years. He lives with his cat and tries his best to stay out of trouble.

Poetry: Emalisa Rose

A simple “sorry”

Rain on the sycamore
metaphorically syncs with
the meeting of mourners.

The circling of silver gulls
sketches the sky in the
pop art of prophecy.

We both could have said it -
a simple "I'm sorry."

Instead, I watch graveside,
as diggers stand by, shovels
in hand, ready to bury you.

O sister, dear sister.

Forgive me!

There.. I just said it,

the clouds, bearing witness.
****


To where do you go, scarlet songstress

Having just watched your night flight,

to where do you go
scarlet songstress?

It’s eight degrees cooler, this
pre-autumn morning. The sky
shirks the chill, having played
escort, to your southern bound
sojourn.

I imagine you’re resting, paused
on some shoreline, not far from 
these sands that once hosted you.

Here, as I window watch,
spinning scenarios

when you need be away
from me.
****


The haunting of loose leaves

Equipped with a toolbox of
retrospect, whifferall, sixth sense
and post midnight epiphanies.

Determined to flee from the season
of something, I’d struggled to shed
from my psyche.

Let’s digress to the sycamore. 

Moonfulls post Autumn, yet springtime 
still clings to both bough and the branch,

in dangling remnants - pale pinks
pallid purples; leaves on a limbo.

I blinked twice, edging miles past
the harvest’s finale.

Little leaf twirls metaphorically,
then sheds itself free from the hold 
of the mother tree. 

Everything passes.

You can no longer haunt me.
****

Bio: When not writing poetry, Emalisa Rose enjoys crafting and hiking. She volunteers in animal rescue and tends to cat colonies in the area.  She leads a birding group through the neighborhood trails bimonthly.  Living by the beach, provides much of the inspiration for her art. Her work has appeared in MadSwirl, Writing in a Woman’s Voice, The Beatnik Cowboy and other great places. Her latest collection is “On the whims of the crosscurrents,” published by Red Wolf Editions.

Poetry: Sushma Malhotra

Sushma Malhotra
Flashback

Who says time flies?
Today, forty years ago the clock stopped 
for you, the day you left us all.
It seems this happened only yesterday,
not a span or stretch of a long time.
Now as I reflect and think of you,
I perceive your hands with blessings on me.
Your protection and shielding kept me going,
even now when I don't see and notice you around.
The last train ride I took with you,
your heart to heart conversation echoes in my ears.
Life moved on and we all progressed too,
feeling your presence and existence around.
Few things happened as you wanted,
others made their own way and a course.
Writing was always your love and passion,
now I will follow to pen down, as to send it to you.
You may or may not read my written words,
I know you hear me, as my heart beats for you. 
***


Indelible Year

Finally, the last day of this year is here,
Imprinting many signs of its atrocities; 
What is there, henceforth to make it endear;
When the masses focused only on reciprocities.


One small virus, traveled from an unknown place,
Compelled residents to vacate for a new habitat;
Forced even the toddlers, wear masks on their face;
From day to evening, masses defied combat.


Festivals and rituals came, but families stayed afar, 
Worried for each other, expressing their concern;
Meditating and praying, for an enlightened avatar;
Whereas intellectuals are helpless to conclude and discern.


So subside it, degenerate it, and let it be quiescence.
The radiant sun rays scatter and disperse fluorescence.
***


Orchids and My love

Your love and beauty with solemnity
Grace and elegance talk of the town,
Attempted to find a flower for comparison
The orchid came into my mind as a crown.

Walking in an orchard during the summer
Crimson color and reflected shades secured,
Distinguished from all others in the garden
 Bright glistening pink radiance procured.

Spreading aura of beauty and fragrance
Exhibiting strength in front of nature,
Exemplary unusual charm in each part
Leaves bask in sunlight with tender texture.

Your grace and aura always mesmerize me 
As white, purple and yellow orchids swing,
Resupinate flowers with their heads up
Bring good luck when orchids bloom in spring. 
*** 

Three Poems by R P Singh

R. P. Singh
Yet none to hear

A precious word in sun and rain 
for years, stoic to pain…
Yes, it harks 
to the fathoms of virtues empanelled 
and for the system stale.
 
Some feelings squirm 
Yet none to hear .
Unseen calls and moves 
unknown feelings yet to come 
but the word now grows 
just mushrooms , 
nothing else.
***


A shining morning after hailstorm

And the buzzer is on 
a shining morning after hailstorm .
Life changes its familiar course 
meanings yet there to decode. 
Frequent puzzles 
and emotions encased,
 thoughts in inflammation 
still on …
Surface sees the wounds not known,
communication yet to start .
Let thought take its course 
Its flashes clear over there,
unheard across the shore. 
***


No words to plead

Inflammation on feelings 
no words to plead ,
sordid customs still on 
yet the feelings absent .

Desires urged the long night through ,
the sighs as dew surround ,
bud yet stoic ,
 morning sullen a moist 
and the lights abstain to go .
I am not me , not I myself ,
Says the carrier in lowly mood ,
No words come, 
a long mood…
No words came 
a long wait 
and the feelings in 
The sender doomed .
Diary again turns the page .
***

Poetry: Mirza Sibtain Beg

Mirza Sibtain Beg
Woman

Woman is fragrant flower of the garden of life,
Builds honeycomb deriding the stiffness of strife,
Feeds with nectar lineage with magnanimity rife,
Acrobatically acts as mother, sister, daughter and wife.
Woman is rose, smiles unwary of thorns’ turbulence,
Spring swaggers, autumn leaps seeing me askance,
Snow-capped mountains pride with my elite exuberance,
At her sight frost of flowers sparkle and sunrays prance.
She is nature’ trove, not a strawberry,
Her soft shoulders generations carry,
Injustice, spite can’t turn volition weary,
Can ooze oasis with will in desert dreary.
… 
May male-chauvinism let her have astral flight,
To bloom to her full potential with equal right,
Respect and care will enable her to radiate light,
We will bequeath golden glistering world bright.
***


Virtues of Woman

I am a woman,
Born with His benediction,
To give the world benison,
For its primly pollination,
For flailing flowery fixation.
I am a woman,
Armed with love, strength, and wisdom,
Clad in cloak of endurance’ dulcet diadem,
Pertinacity, patience, poise are in my thraldom,
Audacity, adaptability, affability set notes of rhythm.
I am a woman,
More precious than pelf, more gracious than pearls,
Inexhaustible river of love and compassion that revels,
Excelled in all fields, kissed sky with high zest levels, 
Bears subservience, segregation silently and hardly rebels.
I am a woman,
To the desolate world, a blessing in disguise,
With prudent prance turned the planet cerise,
Proved an oasis in every desert with traits wise,
Like verdant tree sheltering all I ever prioritise.
I am a woman,
Like mountains faced storms with resolve strong,
Nurtured, and nestled generations in pain for long,
Never deviated from right path with means wrong,
Heralded trumpet of peace singing propriety’s song. 
***


I Am Born a Woman

I am born a woman:
To cultivate earth’s garden,
To spawn flowery generation,
With fountain’s feisty passion,
To serve as a selfless warden.
I am born a woman,
In regal robes of heaven,
Gifted with stars seven:
Love, resilience, courage, compassion,
Forbearance, passion and patience’s cannon.
I am born a woman:
To scent males’ bastion,
With fire in eyes’ ocean,
To glorify God’s reflection,
As a vivid nature’s validation.
I am born a woman:
Slush snow of mountain,
Benevolence’ blistering fountain,
Calm, composure always I maintain,
Bear subservience for relations to sustain.
I am born a woman:
With goals driven,
Braving segregation,
Never have any deviation,
From assaying all roles with elan. 
I am born a woman,
Turn planet inhabitable station,
Measured earth, sky and ocean,
Not weary of predators, vultures and raven,
My silvery sojourn will make wind halcyon.
I am born a woman,
To glow like beacon,
Don’t want to be a fashion icon,
Treat me with esteem and affection,
My tears can tremble the sky even.
***


Smell of Woman

Woman is a fragrant flower of earth’s garden,
Descending from Venus radiates light of Eden, 
Blossoms bloom to scent with smell of woman,
Sunrays touch with pride, spring rapture stricken.
Rehabilitates planet congenial with august presence,
Blesses life with intrinsic glow and extrinsic fragrance,
God carved comely, caring gilded with glitz of resilience,
Resolute to grasp falling star with blistering buoyance. 
Thy pulchritude turns parched heart fragrant zone,
Tulips, roses, lilies, lilacs spell with aroma known,
Through charm’s prism refracts rainbow’s cologne, 
Races respected you witnessed prosperity’s sun shone. 
 Love, affection, and compassion doles out to world,
Her selfless service from dusk to dawn glitters like gold,
Copes every twist, turn and tryst with resolution bold,
Bears pains smilingly as God gave her diamond mould.
***

Poetry: Banhi Sarkar

Banhi Sarkar
A World Beyond Plain Water Lilies 

The water stands calm, 
as a witness to the lover's quarrel 
on a drenched afternoon.

I was standing in a corner,
oblivious to the couple's conundrums 
reaching my ears
and filling my heart with loneliness;
 
I haven't seen you for months now 
and I haven't even thought of you for days...

But everytime someone mentions Victor Hugo 
and how he hid his artwork 
in fear of overshadowing his literary art,
I'm reminded of how you introduced me to Hilma af Klint
and her circle of five;
she believed she was commissioned by the afterlife to
draw, paint, and design with ink and paper into
what we now call abstract art.

You told me how she was not crazy, but 
a mystic, a misfit yet a glorious mind that dared,

you told me how you, too, believe 
in a world beyond plain water lilies...

A world of doppleganger, deja vu and ectoplasm,
simply because the mainstream was too rundown for you. 

Because kissing under the pines
means more than just two thirsty souls
yearning for touch.

Because holding hands intertwines 
two beating hearts.

Because lying on bed with
one eye closed and one eye open,
looking at the person next to you,
means more than an idle afternoon
amidst slow reverie and slower clock hands.

Because the couple who fought by the water,
did so not by sheer happenstance
but by choice, with despair.

Because there's nothing like a calm water
and green mosses by its banks
to make you slip and hold on to your partner,
look at each other,
sprinkle water drops
on their faces and laugh out loud,
drowning those sorrows and griefs 
in the water itself.

For the water has stood witness for far too long
to not ripple, 
but carry away every lover's melancholy
from the shore,
off the current and
into the deep blue;
the water today 
reminded me of a world beyond 
that of plain water lilies,
the water today
reminded me of you.
***


Do You Know Where The Earth Ends And The Moon Bends

Do you know where the Earth ends and the Moon bends?
We'll go there someday,
Beyond all those years of glistening sunshine,
We'll climb the flight of infinite stairs
And hear our heart beats under the porcupine.

I wish I was there to soothe you the day
You came out, to one and many among strangers
Under the halogen;
You held my face in your cupped hands and gazed,
You said you were glad I wasn't there or then
Under the halogen.
I can only imagine what took you so long,
It was a weekend in when we smoked bong;
That's where the Earth ended and the Moon bent that day,
We locked our gaze
And cupped each other's faces,
I remember how you smiled
Through the smoke and under the halogen,
Kissing my knuckles
And shivering all through!
I wanted to take us further,
Bring all of you with me,
Closer than you already were,
Further than the moon bends
And beyond than where the Earth ends.

Do you know where the Earth ends and the Moon bends?
We'll run away there someday,
Away from the dark alleys and shady bars,
Where you don't need to come out,
To me or I to you,
Or us to others and others to us,
We'll be in unison,
Under one flag, one norm.
I wish I could take you back to those days,
When we were kids  and young and free and wild,
To all and for all,
You nuzzled your nose against mine and said,
You were glad that we were still all those
And more, between the two of us, and not
To all and for all.
I can only imagine more endless days before meeting you,
I was a weak whimpering kid that longed for love;
That's when the Earth ended and the Moon bent that day,
When you brought me my first pint
And insisted in calling me by a name
That I didn't even know I could have.
We shook hands and nuzzled each other's noses,
I knew we disappeared right then and there,
To all and for all, around that bend.
Over the smell of coffee,
As you took my breath away,
I wanted to call your name
With the same warmth that you had bestowed to me
Again and again, over mine,
Long after the Moon bends around that corner
And forever after the Earth ends beyond that line.

Do you know where the Earth ends and the Moon bends?
We'll take our own Sun there,
We'll take the rivers and the trees.
We'll carry the Earth and build the Moon its home;
The Earth will be free to dance beyond its axis and a Sun,
The Moon will finally shine just for its own.
You can sit on the Earth
And I on the Moon,
We'll wave to each other
From where your Earth ends and my Moon bends,
The Sun will shine just enough in that corner,
Enough for us to see each other's shadows in the light
And for the world to see two blinking dots in the dark.

We can be the trees and the rivers there
Or we can be their traces on the Earth's face.
But what if all we come down to
Are those craters on the Moon,
That carry signs of dried up water
Which show past signs of life?
Does that mean we're dead in that corner where the Moon bends?
Or that one day we were alive
Around that same corner where the Earth ends?
Does Earth still remain Earth
If it doesn't go round the Sun?
Does Moon still remain Moon
If it doesn't go round the Earth?
Do I still wave
Even if you don't,
Will you still wait
Even when I won't?
Or do we go to a different planet altogether
With a different soil and a revered soul.
Mars is called the Red Planet
Where they say life existed...
Were all those lives straight
Who lived and then bled to death
Or were all those lives gay
Who only bled, and bled to death?
Did love paint its soil red
Or did red give its soul love?
Can the Sun shine on Mars,
Where I'll sit on its earth and you on its moon
And we'll walk the bend together,
Hand in hand
Hip to hip
Lips to lips
Kiss to kiss
And into the halogen
Under the norm,
Carrying the one flag
As brothers in arm.
We'll walk around that bend and look upon
Where the Earth ends and the Moon bends
And wonder at those blinking dots from far away,
Each thumping to someone's beat
Each craving for someone to love
Each waving to someone's hand
Each cooling in someone's heat;
Wonder, if they too,
Want to find a corner safe enough,
Where the Earth CAN end and the Moon CAN bend
And where they, too, CAN love.
***


Paper People 

The day my Ma lost her second baby
I had stepped into a pool of blood in the bathroom
And had to call Abba over the phone;
I kept asking Ma for weeks,
Where did the baby go? Did it vanish?
Was it, too, afraid of blood, like me?
“The blood was the baby, Noor, 
The baby got lost in the blood.”

The day our neighbour Shaheen Aapa was thrown out of her house
My Abba said nothing could be done to claim her rights. 
He explained to me, that there were no papers to her name
Papers to prove it was her house too,
That she was married to Nawaz Chacha for 20 years
Papers to prove that she existed as Shaheen Khatun.  
My 12 year old heart let out a cry
Thinking all these years,
I must have enjoyed the biriyani cooked by her ghost.
For if there were no papers to prove that Aapa existed
Did it mean she never really existed?
My Ma said that these papers were called documents,
“Without which people don’t exist
(On paper).”

There are towns that exist on map but not in the world
They’re called Paper Towns.
There are people who exist in the world but not on paper
They must be called Paper People.
I finally understood why there was no baby that day 
When I stepped into my Ma’s pool of blood in the bathroom.
The baby was in the blood
But not on paper.
The baby didn’t exist.
The baby was one of the Paper People.
***


Bio: Banhi Sarkar is currently pursuing her Master’s in Media and Cultural Studies at Tata Institute of Social Sciences (Mumbai). She has completed her Bachelor’s in Chemistry from Lady Brabourne Collge (University of Calcutta). Her interests lie in research, writing, filmmaking, public policy, and social work. She has previously worked as a freelance content writer at HookedUpon, TrippinTraveller and GreEdge, and as a translation coordinator for organisations like Calcutta Research Group and StoryWeaver. An introvert by nature, a film buff and an avid reader by choice, she finds writing as the most instrumental medium for her to express herself. Most of her poetry covers an intimate and personal exploration of topics both temporal and political. She wishes to work in the fields of media and research in the future and create awareness about different social issues through her work.