Showing posts with label Avantika Vijay Singh. Show all posts
Showing posts with label Avantika Vijay Singh. Show all posts

Poetry: Avantika Vijay Singh

Avantika Vijay Singh
The Churning 

Deep within, rages—
the Samudramanthan
where Gods and demons churn,
for the treasures hidden in me.

A vast churning in my consciousness
from where first rises
Halahala—
a poison so deep
that the Lord held it in his throat.

I, too, learn that the vitriol
of poisonous words
must be held within—
unsaid, unuttered—
and avoided from spreading
like ink-stained satin shame 
in the name of truth.

Sometimes,
The illusion comforts…

And drinking the poison in,
blooms the Datura—
trumpeting peace,
but not without its thorns,
a testament to
peace at a price—
the price of having known strife.

The Datura with its thorns 
I surrender to the Lord
In the hope, He will 
Transcend my suffering… 

After I surrendered,
I healed. 
And at the end of the churning
emerged Amrit,
from the depths of my consciousness.

I knew the bliss 
of becoming—
Sat Chit Anand…

Avantika Vijay Singh

Avantika Vijay Singh
Avantika Vijay Singh is a writer, editor, poet, researcher, and photographer. She is the author of two solo poetry books i.e., Flowing… in the river of life and Dancing Motes of Starlight (her debut ebook). She is the winner of the Nissim International Award Runner Up 2023 and has been published in national and international journals. She also writes the blog “Ordinary People, Extraordinary Lives” in the Times of India.

Poetry: Avantika Vijay Singh

Avantika Vijay Singh
A Villanelle for Vandana

clouding of her vision—
a cataract from birth,
her spirit empyrean,

boom—an explosion,
her eye, a bleeding hell on earth—
clouding of her vision,

knows she revulsion,
an empty socket for her eye from birth—
her spirit empyrean,

knows she derision for this aberration,
from children cruel, in curious mirth—
clouding of her vision,

knows she devotion,
her parents’ love rebuilds her worth—
her spirit empyrean,

behind the cosmetic eye, the scars hidden,
strength and resilience quietly unearth
clouding of her vision—
her spirit empyrean
 
Author’s note: I’m grateful to Vandana Kumar, an acclaimed poet and a French teacher, for sharing her story and giving me permission to write. I have always admired her strength and resilience, ever since I first heard her story at the Yercaud Poetry Festival in Puducherry. This poem is written as a villanelle with 19 lines in five tercets and one quatrain. The rhyme scheme is ABA, ABA, ABA, ABA, ABA, ABAA. Line 1 repeats in lines 6, 12, and 18. Line 3 repeats in lines 9, 15, and 19.

Special Edition: Avantika Vijay Singh

Avantika Vijay Singh
Avantika Vijay Singh is a writer, editor, poet, researcher, and photographer. She is the author of two solo poetry books i.e., Flowing… in the river of life and Dancing Motes of Starlight (her debut ebook). She is the winner of the Nissim International Award Runner Up 2023 and has been published in national and international journals. She also writes the blog “Ordinary People, Extraordinary Lives” in the Times of India.

Sunrise in Kashi

under the dawning skies, on a boat I sail
in Kashi, where thinnest is the veil,
between the worlds—physical and metaphysical—
time and space dissolve in the city mystical…
the rivers of my mind merge and flow 
in eternal consciousness with the river’s sun-lit glow
 
on the flowing waters
time shimmers gold, flowing by on time’s altars—
history unfurling, the morning light revealing…
forts, palaces, ashrams, and temples sparkling,
on ghats supine like the cosmic man’s spine,
built for their proximity to the sacred design
 
dawn touches the city from time’s dawn
from Lord Shiva’s infinite column of light drawn— 
light that pierced the three worlds (trilok),
manifesting as the jyotirlinga bespoke—
dawn bathes the buildings and temples   
along the ghats in colours transcendental…
 
colours from them run into the river
rippling like brush strokes of a painter…
colours flow on the banks like art
colours flow right into my heart…
soft images come into focus
on the dreamlike tableau before us,
 
in the liminal space I stand
between what was and what is
echoes of time on waters linger
sifting truths on reflections that glimmer…
vaporising illusions that fade like smoke
from the funeral pyres that nothingness evoke…
***


The Dance of Healing

Ecstatic is the river,  
that to glorious heights rises,  
dancing wild in torrents of silver,  
through valleys and mountains, it slices.  

But in its long course to the sea,
in the sands, it often stutters, running dry—  
 
Life is not much different—
ecstatic are we with our glories  
till one day… the river is no longer magnificent,  
running dry in the sands of loss or injuries.  

Alone in the universe of grief,  
we suffer for the loss of flow we once knew,  
mired in frustration from the lack of relief
wondering when life will renew,
cursing the turns taken wrong in misplaced belief.  

Know that healing is not a return, 
where the goal is as before—the same,
but a transforming on a new turn,
to something greater… a brighter flame.   

Much like the Lord’s Tandava; cosmic energy
pulsating to His damru’s cadence.
His flowing locks in frenzy
tossing and turning the plane of existence 
unravelling the old, familiar reverie—
tempests carrying away the resistance.

Shiva dancing in cosmic glory,
the dance of creation and destruction—   
the ending is not merely an ending
but a pause, an interlude in the symphony
before the leap to the transition—
burning the old, the known… the rudimentary.

Fall away… habits, people, relationships…
the stage set for the next step of evolution…

On to this levelled plane
flows the Ganga from His matted locks 
nourishing, life-giving like the rain
seeding creation again…
the river of life halted by insurmountable rocks
flows once again

Healing is finding that Ganga within—
the river below the river,
the subterranean stream of strength within
that floods our forgotten channels inner—
a pristine tide of gratitude for all that has been…
from bitterness to deliver.

Healing is to dance again like the river,
rising from the razed rage of the Tandav’s passing,  
accepting the vulnerabilities that make us quiver,
but transforming suffering into a new beginning…
Just like the Lord, who drank the halahala,
 transformed suffering into saving creation.

Healing is showering the Ganga of patience, love, and care,
not giving in to despair…
He, the Lord of Healing, blessing the essential repair—
not just merely returning to living, but rising ‘aware’
a renewal that the Lord symbolises… a ‘new’ beginning— 
gold dust on sunbeams shimmering...
*** 

Special Edition: Avantika Vijay Singh

Avantika Vijay Singh
Why Must My Heart Weep So?

God, the mighty painter
took a brush of silver,
and splashed greens and blues,
a symphony of hues
across a blank canvas—
Paradise must be thus.

But where He gave beauty
Also, came poverty
As if to balance scales…
Paradoxical tales.
Oh! Why must it be so?
Why can both, we not know?

Perhaps, because it needs
people strong to stem the bleeds.
People with courage grand
to match the richness of the land,
only those could harvest
seeds sowed by the artist.

Natural disasters
often visited her.
Stoically she faced
the tragedies that traced
broken lines on her hands—
Her life was in His hands.

For in the shades of green,
and waving tangerine
there was a confidence
born out of providence
that it would serve their need,
beyond that was plain greed. 

But that was set to change
When people came strange
Viewing them from scarcity
and not the lens of plenty,
birthing inequity,
discontent and misery.

Why must the barrenness
of the inner compass
point the way to “riches”?
Is a decrepitude 
of spirit and attitude
the way to plenitude?
 
Why is there scarcity 
in lands with much beauty?
Why must the land be robbed,
raped, pillaged, and plundered
of its rare element?
Is this development?

Why must my heart weep so?
***

Bio: Avantika Vijay Singh is a communications professional, wearing the hats of a writer, editor, poet, researcher, and photographer. She has authored two solo anthologies, edited three anthologies, and has been published in national and international journals. She received the Nissim International Award Runner Up 2023, WE Gifted Poet 2024, and WE Illumination Award 2024.

Poetry: Avantika Vijay Singh

Avantika Vijay Singh

Awaken the Goddess Within

 

Rise! Find purpose and presence within.

Make life an extended inspiration

of the Navaratri celebration.

Awaken the Goddess within

and embrace the divine feminine!

Irrespective of gender, align

with the divine feminine!

 

Shailputri…

Daughter of the resilient mountain

blessed by birth with courage uncommon.

Symbolic of power and patience

to pursue goals with devotion,

She serves as a divine inspiration

to achieve goals and trust intuition.

 

Brahmacharini…

Who pursued in bare simplicity,

penance, sacrifice, and austerity

encourages inner strength and ability

to let go of much in humility

while walking the path of austerity

to achieve goals with equanimity.

 

Chandraghanta…

The Goddess of duality,

symbolic of charm, grace, and beauty,

when required dons a fearful identity.

The epitome of feminity

fights with terrifying ferocity…

This contrast is everyone’s reality.

 

Kushmanda…

The divine light ray in the darkness,

the Creator of the universe

with the light of her smile luminous,

and all gods and beings in the cosmos,

inspires similarly to dispel the darkness

with the light of love luminous.

 

Skandamata…

Mother to Kartikeya, God of War

nurturer and protector, for sure

emblematic of motherhood pure—

Be it the teacher or mentor’s chore,

To shape and sculpt for sure

future generations galore.

 

Katyayani… Mahisasurmardini

The fiercest of Her incarnations,

Slayer of evil, salutations!

She invokes courage and inspiration

to slay the evil of ego and toxic relations.

Made by the Gods’ collaboration,

For teamwork, she inspires cooperation.

 

Kaalratri…

Slayer of Chanda-Munda demons,

Inspires us to slay our demons

Slay ignorance and break stereotypes,

To drink up our desires in legions

Like She who drank the blood of Raktbeej demon

To prevent it from multiplying into more demons.

 

Mahagauri…

The most divinely beauteous form,

In holy waters, she did transform

From a dark form to a radiant form—

Pure and compassionate, her reform.

Reminder for humanity to reform,

Fairness and compassion, to be a norm.

 

Siddhidatri…

The bestower of siddhi

With Her wisdom and spirituality.

She, within each human the nari

in Ardhnareeshvar’s divinity,

bringing ‘wholeness’, balance, and harmony

along with the divine masculine in sublimity.

 

Awaken the Goddess within

irrespective of gender; Awaken

devotion, austerity, resplendence, creation.

Destroy the darkness of negativity

borne from the ego, like the Mahisasurmardini.

Awaken the divine feminine

And bring peace and harmony to the world!

 

 

 Bio: Avantika Vijay Singh is a writer, editor, poet, researcher, and amateur photographer. She is the author of two solo poetry books i.e., Flowing… in the River of Life and Dancing Motes of Starlight (her debut ebook). She has been awarded the Nissim International Award Runner Up 2023, WE Gifted Poet 2024, and WE Illumination. She also writes the blog “Ordinary People, Extraordinary Lives” in the Times of India and contributes to the Speaking Tree.

Summer 2024: Avantika Vijay Singh

Avantika Vijay Singh

Pride of India/ Jarul/ Queen’s Crape Myrtle

 

A palette of purple

Displays the Queen’s Crape Myrtle

Blooming like the silver mist

Amidst April’s hues from light to deep amethyst.

With petals that typically crinkle.

 

Lilac hues adorn

Hushed whispers on the morn’…

A tea brewed from its leaves…

Holds the cure for diabetes.

Such power to it is born.

 

Its heart holds a calyx

of a star with points six

A Shatkona…

That in Hinduism has grown

To symbolise balance in its mix.

 

Between Shiv and Shakti…

The unity of opposing energy.

Between heaven and earth…

A balance convert

The symbol of balance and harmony…

 

Is it any wonder then

That gazing upon the Jarul brings content.

Aligning the mind, body and soul,

In a complete whole…

At peace immense.

***

 

Jacaranda

 

Lavender trumpets,

Trumpeting spring,

Springing through early summer…

Jacaranda.

 

Amethyst arbour

Lushly loom

Storming sapphire skies

Amaranthine…

 

Eternal… wisdom brought from the moon by a priestess

On the Jacaranda she lands with the Mitu bird

According to Amazonian legend,

Shares her knowledge with the people and then returns

From the Jacaranda

The staircase to the moon…

 

Violet in the vault of heaven

Trumpeting His glory.

A sigh from the soul

Peace. Tranquillity.

 

A native of South America,

but now a global traveller.

Travelling continents,

creating a tropical storm.

 

A tropical storm that calms…

Calming is the effect it generates

Generating a cosmic symphony

Breezing through my consciousness.

***

 

Gulmohar

 

Flames of fire

Dressed in a flower’s attire

Rise higher

With summer’s ire.

 

Travelling from Madagascar

It arrived into an Indian summer…

A vibrant stunner,

Is summer’s drummer.

 

Flamboyant in their ferruginous

With gold-tipped filaments numerous

Waging wars illuminous

On the morning mutinous.

 

Crimson tongued-petals converse

With the universe

In heroic verse

And I in their glory immerse.

 

A crimson lake increases

Beneath the trees

With the morning breeze

As the flowers fall with ease…

 

My feet carry me through this tapestry

That remind me of a soldier’s gallantry…

On the battlefield for his country

And the subsequent honour in a grand pageantry.

***

 

Rangoon Creeper/ Madhumalti

 

Madhumalti…

A dressy flower

Changing colour…

white to pink to red.

 

Shy and demure…

flowering in bunches.

Gazing downwards

On the vine she grows.

 

Madhumalti…

Reminds me of the

ashta nayika –

the eight types of heroines

in ancient Indian literature.

 

Bedecked in vibrant hues

she is Utkanthita nayika …

the one who awaits her beloved

in shringhar rasa…

 

Her long tresses perfumed

with flowers beaded amongst them

and jewellery adorning her…

Her face aglow with expectation.

 

Like Radha waiting for Krishna…

Incidentally, ancient tales

Compare the pink flowers to Radha

And the white ones to Krishna.

 

And together they dance the raas leela…

celebrating the eternal bond

of love

in the sea of devotion.

***


Gulmohar the dancer

 

Tak dhina dhin dhin

dhin dhin tak

The sound of the mridangam

resonates in my ears as I see

in full bloom…

the Gulmohar…

 

The flowers

sway gently in the wind

decked in brilliant crimson and gold

like a Bharatnatyam dancer

tak dhin dhin 

dhin dhin dhina tak…

 

 

The five-petalled gulmohar

with its four crimson petals

and the fifth one cream

with splashes of red

akin to the pleated fan of

a bharatnatyam dancer’s saree…

 

The red magnifies…

with red petaloid sepals

below the red petals

like the underskirts…

While their undersurface

remains green.

 

Their sinuous scarlet stamens

like maidens in multiple mudras.

I am enchanted

with their beauty and grace

and their innate rhythm

as they dance upon the breeze…

And my heart dances with them.

***

 

Bio: Avantika Vijay Singh is a writer, editor, poet, researcher, and photographer. She is the author of two solo poetry books i.e., Flowing… in the river of life and Dancing Motes of Starlight (her debut ebook). She is the winner of the Nissim International Award Runner Up 2023 and has been published in national and international journals. She also writes the blog “Ordinary People, Extraordinary Lives” in the Times of India.

Two Poems: Avantika Vijay Singh

Avantika Vijay Singh
Float free – A Dandelion

No sense of 
Self-aggrandisement
Self-entitlement
Arrogance
Hubris 
Anger – 
Float free.

Edges fraying
Unravelling…
A lightness I feel  
As I float free
Melting in the gold dust on sunbeams
In the abundance of the universe.

The webs springing around my edges
Are not chains that contain me
But home to others who thrive with me
For we all live together
This world is yours and this world is mine
For whatever time we are in it.

Float free
Free in the golden sunshine
Free on the breeze
Free in my being
Free in the Universe of love.
***


Joyous Dance of Life

In time…
People go away,
Shedding their mortal coils.

A lifetime lived like 
A glorious grain of sand 
On the vast beach of life
Whipped to life 
by the breath of the wind 
And dancing there ecstatically 
Its dance of life!

And when the wind stops…
From its ecstatic frenzy 
It comes to rest 
Once again at one with the beach
Mingling with the vastness of the Universe
At rest on the beachfront 
To be swept away with the waves
Perhaps deposited on other shores.

And, then one day again
When the wind plays hard
The grain of sand shall rise once again
To dance its euphoric dance of life
Perhaps on those very shores
Or even distant ones
For it is its nature 
To rest and dance
Dance and rest!

But until it rises again,
All that remains is
Golden memories of the gold dust on sunbeams
Rising from the sands of time
To joyously, gracefully 
Dance its golden dance
Swirling to the lilting tunes of the wind
Whirling like a dervish on the beach.

Gold dust on Sunbeams
Floating in the sunshine…
Warming the heart
With the warmth of memories
A smile here, a laugh there…
Some heartwarming words
And the warmth of actions past
Warming the heart 
like golden sunshine on a winter morning.
***

Bio: Avantika Vijay Singh is a writer, editor, poet, researcher, and photographer. She is the author of two solo poetry books i.e., Flowing… in the river of life and Dancing Motes of Starlight (her debut eBook). She is the winner of the Nissim International Award Runner Up 2023 2023 and has been published in national and international journals. She also writes the blog “Ordinary People, Extraordinary Lives” in the Times of India with a touch of humor.

Harshringar – stars on the ground (Gandhian Philosophy)

Avantika Vijay Singh
In delicate whiteness abound
With hearts of saffron
That fall to the morning sun.

Mahatma Gandhi was not much unlike this flower…
One of the messiahs of humanity with immense spiritual power
His philosophy of non-violence symbolized by the white
Tinged with a saffron heart of courage and sacrifice bright.

And like the flower that stains the ground saffron where it falls in a flood,
For the motherland his life sacrificed and the ground stained with his blood.
But the fragrance of his principles like the Harshringar flower,
Continue to guide the country's foreign policy and hold immense power.

In the darkness of the night
To the tree we are drawn by the fragrance at its height
His principles, too, have the power to timelessly guide the country’s destiny 
Based on the timeless philosophy of the Gita that is our country’s spiritual identity


Bio: Avantika Vijay Singh is a writer, editor, poet, researcher, and photographer. She is the author of two solo poetry books i.e., Flowing… in the river of life and Dancing Motes of Starlight (her debut eBook). She is the winner of the Nissim International Award Runner Up 2023. She enjoys a good laugh over herself, as attested by her blog “Ordinary People, Extraordinary Lives” in the Times of India.