Showing posts with label 202503E. Show all posts
Showing posts with label 202503E. Show all posts
Setu Special Edition: March 2025
Special Edition: Unveiling Meanings
 |
| (“Jumping Diving” by Robert Maddox-Harle) |
Special Edition Authors: March 2025
Contributing Authors
The Setu Fests: A Note about Celebrating Vasant: A Collaboration
Finally, it happened---the much-anticipated “Celebrating Vasant” fest, a joint project, in Delhi, capital of India.
A spiritually-fulfilling, sensory, multi-media festival combining words, sounds and colours, curated by a top artist Sangeeta Gupta, without any complaint.
A seamless programme only she could manage to conduct, despite her very busy schedule and other pressing engagements.
The idea was to decentralise and involve communities in the spread of fine arts through such Setu Fests---mini or major.
It caught on.
Setu Bilingual Journal was happy to host a three-day multi-media and bilingual event, in collaboration with the iconic Prithvi Fine Art and Cultural Centre (Prithvi Centre), Delhi, under the dynamic leadership of the noted artist-poet-film-maker-former IRS officer, Sangeeta Gupta.
It proved to be a grand success, with high attendance over the three days.
The debut of the in-person mega programme, called “Celebrating Vasant”, held from March 21-23, 2025, in Prithvi Centre.
The first such event was held in Toronto, in May of 2019--- a well-attended bilingual programme.
Then the Covid struck.
And online programmes became the rage, the meeting points of interested persons; the virtual places of like-minded conversations on given themes.
As things changed and conditions stabilised, in-person programmes are back.
Setu Bilingual editors thought of staging the Setu Fests in various locations, again.
Close friends were approached for holding these fests in their respective cities. They graciously accepted the challenge and the logistics presented by fests run without corporate funding or big sponsors.
The Delhi edition of the Setu Fest is the first one---kind of parallel convention to glitzy fests.
Sangeeta Gupta kindly agreed to organise the three-day mega event, blending various forms of art and lit, inviting friends from different fields with a common trait---they are all art lovers and practitioners of various forms of sacred communication through their individual works.
She came up with the arresting title: “Celebrating Vasant (spring)”.
And delivered a blockbuster!
The collaborative fest was attended by some of the big names in Hindi and English, and from the world of music, film and painting; there were readings, recitations, book launches, discussions and duets.
A rich partnership between two platforms---Setu and Prithvi--- promoting fine arts over the years.
Setu with its online presence enjoys a staggering 5.2-plus million viewership. It has got more than 800 authors and published select titles.
The bilingual journal is going to complete 9 years of monthly production in June 2025.
Prithvi Centre---founded by Sangeeta Gupta---is a place of pilgrimage and a magnate for artists-authors from around the world.
The vibes and ambience are so uplifting there!
A safe sanctuary for the soul!
Sangeeta conducts year-long programmes and invites friends from around the world for these remarkable events---poetry, prose, film, painting exhibitions, book launches and musical sessions.
The important thing is she never charges for any event---rare these days.
Celebrating Vasant was no different.
She smilingly did everything for the cause of fine arts, solo, and with great enthusiasm and energy.
Setu remains grateful to the director of this festival, Sangeeta Gupta and all the participants who made it a huge success, for creating synergies, for their blessings.
More such editions are planned across the year in India and the USA---details shall be shared soon.
A detailed report by Sangeeta Gupta on the fest follows this note, in this edition.
A view of three days filled with mesmerising performances; laughter, discussions; kinds of camraderies over tea, snacks, books and songs.
The feedback was encouraging.
So was the presence of each guest.
Let the partnership continue!
Synergies and more
 |
| Sunil Sharma |
This March completes the last segment of
the three-month calls based on the stunning visuals of Robert Maddox-Harle,
the famous Australian artist who poeticises the pictures and visualises images
in his works of diverse genre.
Call them Ekphrastic--- a technicality;
name of a form of literary communication; kind of taxonomy.
Or, conversations with artifacts of
different types---interdisciplinary dialogues, interactions between
creative minds; responses of artistic kind.
Creating synergies.
How artists inspire others through their
individual works, that is the driving force of such projects.
Last three months have been pretty
productive in this direction.
Setu
often features works of the phenomenal Robert Maddox-Harle.
He is still largely undiscovered.
These enterprises aim to stimulate
conversations around him as an artist of exceptional vision and
liberal-humanist orientation, two vitals sorely missing in the contemporary
landscape of writing, painting and cinema, worldwide.
No longer art questioning status quo but
promoting fantasy, monsters and bestiality, as the norms of being alive in a
hyper-competitive world driven by an unquenchable thirst for super profits.
In such scenario, sex, violence, explicit
language, murder, rape and serial killers sell---not serious art that
emancipates consciousness from the shackles of lies and untruths, and, unveils
truth in a dramatic moment of recognition and facilitates changes for a better
life.
In short, radical art for a radical world,
a world of equality and harmony and peace.
Last fifty years of the production of art
are very dismal.
It is, as the French theorists happily
point, more kitsch than serious art.
Even such radical critiques are missing in
a deradicalized world.
How we miss a Lyotard, Picasso or Brecht,
among others.
In such a grim situation, Robert
Maddox-Harle---aka Rob Harle--- comes as different, as fresh air.
Talking of his inspiration, Rob Harle
says:
"When I took this photo, it
struck me as ironic that the jetty was mainly occupied
by birds, they can't read, they don't need to read because they know how to
survive
unlike stupid humans. The sign is only there to protect the 'greedy' owners
whose jetty
encroaches public space from litigation."
How Rob acts as a stimulant can be seen
from this comment by a participating poet-artist Marjorie Pezzoli:
“I really have enjoyed Robert's
photographs for writing inspiration over these last few months."
Please enjoy these conversations around
him, titled “Unveiling Meanings”.
.
This month is also about the celebration
of Woman Power.
We invited eminent poet-presenter-senior
bureaucrat Neelam Saxena Chandra to guest-edit a section of poetry by
some top women. She came up with a selection of some heart-felt and sincere
poetry dedicated to the feminine, a tribute to Women's Day.
Talking of woman-centric poetry, Neelam
says:
"The poetry of eminent women writers captures the struggles she endures
and the resilience with which she rises."
We are grateful to her and other poets for
this.
.
Lastly, we are serialising a novel
composed in Verse form---rare these days. John Clark Smith returns with
this type of novel for our readers. A challenging form, expertly delivered by
the gifted novelist John Clark Smith.
Hope you enjoy this and other writings!
Sunil Sharma,
---Managing Editor, Setu (English)
Celebrating Vasant: A Report on the Three-Day Setu-Prithvi Fest
Celebrating Vasant,
held from March 21 to 23, 2025,
at Prithvi Fine Art and Cultural
Centre, Delhi, in collaboration with Setu, Pittsburgh, USA.
Prithvi Fine Art and
Cultural Centre in collaboration
with Setu, Pittsburgh, USA, hosted the
three-day cultural programme.
The event celebrated
the spirit of spring through a harmonious blend of art, poetry, literature, film and music, drawing an enthusiastic
audience of artists, writers, poets, and art lovers.
Day 1 – March 21,
2025
The inaugural day
commenced with great enthusiasm at 4:00
PM, with the gracious presence of the two chief guests:
---Sanjeev Kishor Goutam,
Director General, National Gallery
of Modern Art, Delhi
---Mridula Garg, Acclaimed Hindi Writer.
Opening Ceremony
The event began with
the auspicious Lamp Lighting
Ceremony, accompanied by Saraswati
Vandana rendered melodiously by Jasbir Kaur. The chief guests shared words of wisdom, emphasizing
the importance of cultural dialogues and artistic expression.
Art Exhibition – "Shabd Aur
Rang" (Words & Visuals)
The art exhibition "Shabd Aur Rang", featuring the evocative works of
artists Bharti Prajapati and Sangeeta Gupta, was inaugurated to
much applause. The synergy of words and visuals captivated the audience,
reflecting the essence of spring.
Book Launch –
"Feminino: рдХ़ुрджрд░рдд-рдП-рдХाрдоिрд▓"
The much-anticipated
bilingual poetry anthology "Feminino:
рдХ़ुрджрд░рдд-рдП-рдХाрдоिрд▓", edited by Dr. Sangeeta Sharma and Neelam Saxena, with Dr. Sunil Sharma as the Consulting
Editor, was officially launched. The anthology celebrates femininity in all its
forms, resonating with the spirit of spring.
English Poetry
Reading (5:00 PM – 6:30 PM)
A distinguished
lineup of poets enthralled the audience with their soulful verses.
Participating Poets:
• Amrendra Khatua
• Malashri Lal
• Radha Chakravarty
• Mandira Ghosh
• Satbir Chadha
• Rachna Joshi
• Seema Jain
• Mukul Kumar
Anchor: Sangeeta
Gupta
Shabd Raag (6:30 PM
– 7:45 PM)
The evening
concluded with Shabd Raag,
a unique confluence of poetry and classical music featuring:
---Meeta Pandit, Classical Vocalist
---Sangeeta Gupta, Poet
Their soulful
performance left the audience spellbound, marking a vibrant start to the
festival.
Day 2 – March 22,
2025
The second day
featured a rich tapestry of Hindi poetry, literary discussions, and a cinematic
exploration of Kashmir.
Hindi Poetry Reading
(3:30 PM – 4:30 PM)
Participating Poets:
---Mridula Garg
---Leeladhar Mandloi
---Anamika
---Savita Singh
---Sangeeta Gupta
Discussion:
Relevance of Translated Verses (5:00 PM – 6:00 PM)
A thought-provoking
panel discussion on the relevance of translated poetry featured:
---Radha Chakravarty
---Malashri Lal
---Anamika
---Rekha Sethi
---Seema Jain
---Sangeeta Gupta
The session
highlighted how translations bridge cultural gaps, preserving the soul of
poetry across languages.
Kashmir in Films:
Myth and Reality (6:00 PM – 6:30 PM)
Anuradha Reddy, along with
Sangeeta Gupta presented an insightful session on Kashmir, exploring the myths
and realities portrayed in cinema and day today life in Kashmir.
Book Discussion
(6:35 PM – 7:00 PM)
Chetna Keer, novelist,
columnist, and poet, discussed her latest book, "Geisha in the Gota Patti," in conversation with A.J. Philip, Former Senior Associate
Editor, The Tribune & President of Kerala Club.
Hindi Poetry Reading
(7:00 PM – 8:00 PM)
Participating Poets:
Shovana Narayan, Laxmi
Shankar Bajpai, Mamata Kiran, Renu Hussain, Anuradha and Sangeeta Gupta.
The second day ended on a poignant note with
heartfelt poetry echoing through the venue.
Day 3 – March 23,
2025
The final day
showcased an inspiring blend of Hindustani poetry, literary discussions,
documentary films, and classical music.
Hindustani Poetry
Reading (3:30 PM – 4:30 PM)
The poetry session
featured eminent voices, including:
Naina Soi Sehar,
Deo Prakash,Meenakshi Jijivisa,Sunita Singh,Amit Kaur,Jasbir Kaur
and Aakshat Sinha
Book Discussion
(4:30 PM – 5:00 PM)
Rachna Singh, novelist,
discussed her latest book "Raghu
Rai: Waiting for the Divine" with Mandira Nayar, a senior journalist based in Delhi.
Documentary Film Screening
(5:30 PM – 7:00 PM)
The audience was
treated to the screening of "Weaves
of Time", a poetry film by Sangeeta Gupta, which beautifully portrayed the passage of time
through poetic visuals.
Classical Music
Performance (7:00 PM – 8:00 PM)
The festival
concluded with a mesmerizing classical music recital by Kasturika Mishra, leaving the audience
spellbound and marking a soulful end to the three-day celebration.
Conclusion
The Festival:
Celebrating Vasant was
a grand success, celebrating the spirit of spring through a confluence of art, poetry, literature, film, and music.
With participation from some of the most distinguished names in the literary
and artistic community, the festival reinforced the importance of cultural
exchange and creative expression.
The event was a testimony to the power of words
and visuals, echoing long after the curtains fell.
An Interface: An Innovative Attempt
Shabd - Rang: A Celebration of Words & Visuals
Shabd -
Rang, an evocative confluence of poetry and visual arts, much admired by the
audience; an innovative dialogue between art forms.
Featuring
the works of two distinguished artists—Bharti
Prajapati and Sangeeta Gupta—this
exhibition is a dialogue between the written word and the painted form, where
colors, textures, and emotions converge to create a profound artistic
experience.
Bharti Prajapati: Weaving Rural Narratives into Art
Bharti Prajapati,
a celebrated painter and designer, finds her muse in the resilient spirit of
rural women. Their daily lives, bonds, and deep connection with the land form
the heart of her visual vocabulary. With a rich tapestry of earthy tones and
intricate patterns, her paintings evoke the grace and strength of women rooted
in tradition yet evolving with time.
Her
extensive travels across Indian villages have shaped a keen sensitivity towards
the nuances of rural life, inspiring themes such as Mother Earth, Shakti, One
Tribe, and Earth Story. These narratives unfold through a blend of
textile-inspired designs, folk motifs, and organic textures, reflecting a
tradition that is rapidly disappearing in the face of modernization.
A
graduate of the National Institute of Design (NID), Ahmedabad, Bharti
seamlessly integrates her design sensibilities into her art, creating works
that are both aesthetically captivating and deeply emotive. Her exhibitions
have spanned the globe, from New Delhi, Mumbai, and Bangalore to Singapore, New
York, and London. She has also participated in prestigious showcases like the
Harmony Show and Lakm├й Art & Fashion Show, alongside international auctions
supporting South Asian women artists.
Her
contributions to the art world have earned her numerous accolades, including:
•
Critics' Choice Award, World University of Design, Delhi
• Bharat
Kala Ratna Award, Gujarat Kala Pratisthan
• Lalit
Kala Gaurav Puraskar, Gujarat State Lalit Kala Academy
• FICCI
Women Achiever Award, Gujarat
Through
her art, Bharti preserves the essence of India's rural ethos, ensuring that its
beauty and wisdom continue to inspire generations.
---Sangeeta Gupta: A Journey across Poetry, Painting, and Cinema
A
distinguished poet, artist, and filmmaker, Sangeeta Gupta embodies a creative
spirit that transcends boundaries. With 36 solo painting exhibitions and 35
published books, including poetry anthologies in Hindi and English, her
literary and artistic works resonate across cultures, having been translated
into German, Greek, Mandarin, Hungarian, Bangla, Dogri, Tamil, and Urdu.
Her
textile painting series, Aadiyogi Shiv – A Journey in Cosmic Indigo, a
groundbreaking body of work, has been recognized in the Limca Book of Records
and has traveled to 17 prestigious venues in India and abroad. This includes
exhibitions at India's leading museums such as:
• Bihar
Museum, Patna
• Bharat
Bhavan Museum, Bhopal
• Salar
Jung Museum, Hyderabad
Internationally,
her works have been showcased at:
• Indira
Gandhi Cultural Centre, Dhaka, Bangladesh
• Zainul
Gallery, Dhaka University
• Nehru
Centre, London (2024)
•
Sheraton Grand Krak├│w, Poland (2024)
•
University of Rzeszow, Poland (2024)
Sangeeta
Gupta’s artistic practice is deeply intertwined with her literary explorations.
Her
creative biography, Song of the Cosmos, reflects her journey across
disciplines, highlighting her ability to merge the visual and the verbal into a
singular artistic expression.
As a
filmmaker, she has directed and scripted 36 documentaries, with six of them
archived in the Library of Congress, USA, a testament to their cultural
significance.
Recognized
for her literary achievements, she was honored as:
• Highly Commended
Poet of the Year (2020) by Destiny Poets, UK
• Doctor
of Literature (D.Litt.), 42nd World Congress of Poets (2023)
Sangeeta’s
works have been acquired by renowned institutions, including:
• Museum
of Sacred Art, Belgium (in collaboration with NGMA, Delhi & Mumbai)
• Bihar
Museum, Patna, where her painting is part of their permanent collection and is
currently traveling to Kazakhstan
• Bharat
Bhavan Museum, Bhopal
Beyond
her artistic endeavors, she has also served as (IRS) Chief Commissioner of
Income Tax and as Advisor (Finance & Administration) at Lalit Kala Akademi
and as Member Finance Committee, Jawaharlal Nehru University, Delhi bridging
the worlds of administration and creativity with remarkable ease.
Shabd - Rang: A Harmonious Fusion
Through
Shabd - Rang, Bharti Prajapati and Sangeeta Gupta brought together their unique
artistic languages—one rooted in the rural landscapes of India, the other
traversing the cosmic and the spiritual.
In their
works, words find colors, and colors echo poetry, creating an immersive
experience that celebrates the timeless interplay of tradition, transformation,
and transcendence.
---Sangeeta
Gupta
Director, Festival: Celebrating Vasant
President, Prithvi Fine Art and Cultural
Centre, Delhi, India
Reunion with my father
Sanjay Narayan
Beyond the clouds, where angels sing,
I’ll find you, Father, in eternal spring.
In heaven’s glow, so pure, so bright,
We’ll reunite in endless light.
No earthly bounds, no tears to fall,
In your embrace, I’ll feel it all.
The warmth, the love, the guiding care,
In heaven’s peace, we’ll always share.
Time can’t sever the bond we hold,
Our story lives where stars unfold.
Until that day, in faith, I’ll soar,
To meet you, Father, forevermore.Poetry: Kiren Babal
 |
| Kiren Babal |
RESOLUTIONS VS 2025
My mind always plays
A perennial boggling game.
What new resolutions would be?
For the coming year?
This time too...
I scratched my head
Squinted my eyes
Chewed the pencil stubs.
For the list was long
Did not understand
Which ones to focus
And which ones to shun.
2025 Came loud and clear amidst all cheers.
Still caught in the web
The brilliant ideas for
New Year's Resolution
Stayed at bay.
Unmindful of my thoughts
2025, in its goblet held
A unique champagne
To hold a toast, cheer
And celebrate The New Year.
1st Jan, A gift from my cousin surprised me
A ticket to see a movie
An energy packed thriller
Fully energized me.
3rd Jan,
My daughter virtually airlifted, for a family surprise trip
It fully mesmerised me.
My dancing heart, on the clouds of nine
Learnt yet another lesson of life.
Right now, this moment, Enjoy
What life has brought in store?
Let resolutions take a backseat.
The flow of time will decide and
Make its own resolution.
And my mind... cleared of all webs
Gave a grand salute to
The New Year. And its resolutions.
***
LOVE PERSONIFIED!
I am love,
Yes! For you to know;
I have no beginning,
I have no end.
I just flow, like a rapid fire;
From one heart
To another, I fly
Without a hue or a cry!
I am hidden within
A cupid's arrow!
Oh! Please don't fret
For there is no threat!
It's not to pierce,
Nor anyone to bleed;
But touch a gentle soul,
With that happy feeling.
To make the eyes sparkle,
For Hearts to skip a beat,
And language so to speak,
All sugar and honey-sweet.
You may not know,
Let me apprise you,
I don many a hats,
Come I'll show you some!
The baby in the cradle,
That Apple eye to mother.
Her breasts feeding milk,
Is oozing Love in suckle.
A sibling bond cherished,
Is none other than me, for
That sacred divine thread,
That’s Love my dear friend.
Parents, Lonely and forlorn
In twilight years staying alone,
Yet smile a toothless smile.
When the son visits, even for a day.
That day love is there,
In their home to stay.
In their moist eyes,
And kitchen noise.
So you see my friend,
I reside in everyone's heart;
The whole of mankind,
Whether they know it or not.
You may desert me,
It's your own choice,
Just tap your heart
When, wish to seek.
Close your eyes,
And see me rise,
In all the shades,
Of colour red!
***
Bio: An Educator, Voice modulator, Author & Poet, Radio-Artist, Creative Artist for Crafts and Dramatics, Kiren Babal has a rich experience of 60 years; with a flair for writing both in English and Hindi. To her credit she has many children's books, poetry books and anthologies both in English and Hindi. Her focus always remained in keeping her hobbies alive.
She is passionate about storytelling and loves to interact with NGO children by way of storytelling. Life unfolds itself in all her creative pursuits, be it writing, singing, painting , poetry , storytelling, or social services.
Every new creativity is a new identity of her persona. So does she believe!
A new beginning, a new understanding in the world she belongs as she treads the path of her life!
The journey goes on…
***
Special Edition: Toolika Rani
 |
| Toolika Rani |
Returning to Base
Based on the picture ‘Jumping Diving’ by Robert Maddox-Harle
The clouds changed forms-
sometimes foamy, wispy or looking like a sponge
So did the sky-
when darkened the clouds their snow-white boots
it took just a while to carpet the wild scarlet and move
swiftly into the more liminal hues of sobriety and
a subdued mood.
The waters below followed suit;
the galloping waves returning to base
to form a gentle ripple smooth.
The signal spread, the birds stretched their wings to find a landing safe
and gliding below, spotted a log, jutting into the sea-surface,
perched upon this rickety refuse their beautiful necks they gracefully moved
to survey the calming quietude;
A storm perhaps was being brewed
against the rigid attitude
of those who stubbornly refused
to either change or break the bonds that fettered them to a particular form.
Versatility was the nature’s norm.
The jetties safe a century before
were now declared a dangerous spot,
perhaps the one with a mind hot
would heed the warning and respond
to the call of calmness and restraint.
Wiser at times to loosen the strings of maniac control.
***Special Edition: Kushal Poddar,
 |
| Kushal Poddar |
From The Jetty To Perpetuity
The stork turns as if
to talk with the gull hopping behind
about something it
should recall, but cannot, neither at this
juncture nor ever.
The pylons, rogue, broken free
from the jetty, bears the weight of the light
knee deep in the water.
Since the authority
has posted the 'Danger' warning near
the head of the elevation
the local buddies are frequent here.
Not now. Now no human
crowds the scene. The structure returns
to nature one rotten bit at a time,
and now, 'now' ceases to measure time.Women's Day: Waheeda Hussain
 |
| Waheeda Hussain |
Holding Back
What holds you back?
What holds you back dear girl?
Is it the fear of the crumbling walls,
By the ferocious winds hounding?
What holds you back dear girl?
Is it the fear of filling your entire spirit with dry spell,
By stormy dust raging?
What holds you back dear girl?
Is it the fear of breaking your inner self,
With volcanoes erupting?
What holds you back dear girl?
Is it the fear of freezing your heart
By the snowsquall awaiting?
Soon the wind will calm down
The stormy dust will subside.
The oceans will come to its original demeanour.
The snowsquall will give way to a sunny day.
Before your fear takes root and manifest itself,
Rise up and march ahead,
Do not hold yourself dear girl.
Women's Day: Seema Jain
 |
| Seema Jain |
Seema Jain is a bilingual poet, short story
writer, translator, editor, critic and reviewer. Ex-Vice Principal &
Head, PG Dept of English KMV Jalandhar, she has fourteen published books of
English and Hindi poems, translated poems and novels, and two edited poetry
anthologies (one for Sahitya Akademi). A recipient of many prestigious awards,
with her poems published globally in 140 anthologies, Seema has been a
Speaker for Sahitya Akademi's Sahityotsav, the JLF, SAARC Countries'
Litfest FOSWAL and the Washington DC South Asian Literature Festival.
Women's Emancipation
A swollen eye and a gash on my
grandmother's beautiful face
My childhood memories are often haunted by
my grandfather's fit of rage.
My mother too suffered immensely but rock-like
stood by me;
She wanted me to be free and script my own
destiny.
Whether it was choosing my clothes, my career or
my groom
It was she who provided me enough room.
She wanted her daughter to live in such a world
Where she could fly freely like a bird!
Where none stopped her from taking birth
None put tethers on her flight and worth
Where none viewed her as a plaything for
pleasure
Where she could explore her inner treasure.
Where she was not being cast in a fixed mold
Where none else could the key to her
happiness hold
Where chains were broken and nectar flowed
And her entire being with divinity glowed.
She wanted my canvas to be the limitless sky
Everyday mutinies of countless unsung sheroes like her enabled me to fly
She knew the era of emancipation doesn't come overnight
It takes centuries for this sun to shine bright.
Women's Day: Rita Malhotra
 |
| Rita Malhotra |
her tears have no dreams
the soul soaked in fear
she is sold from man to man, each
grazing along pastures of blind lust
like a fragile rose petal carried away by
ruthless mountain winds, she is victim
to cruel carnal pleasure in animal eyes
time seems to have crossed the fence
of all reason
her body under a scanner
the soul torn out of her being, she is
a trafficked bride for a male heir
religion of humanity shamed
another history is subsumed in
warped social perceptions
was that really the Shiva-Linga**
she worshipped from girlhood
to womanhood
or merely a piece of rock?
else why would those intense prayers
lead her to the wolves’ den?
in her anguished agony is heard a
soul-wrenching call “Draupadi,
i beseech you to circumscribe me”
today, she is a stranger even
to her own shadow
her mute screams of protest drown
in the murky abyss of savaged silence
will darkness ever pave a path to light?
i am bereft of any answer
uncertain tomorrows trace a question mark.
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