Showing posts with label Abha Iyengar. Show all posts
Showing posts with label Abha Iyengar. Show all posts

Special Edition: Abha Iyengar

Abha Iyengar
Abha Iyengar is an award-winning, internationally published poet, author, editor, and British-Council-certified Creative Writing mentor. She has eight published books to her credit, and her collection of poems is titled, “Yearnings”.  Her poems have been included in various journals and anthologies, most recently Sahitya Akademi’s, “The Lie of the Land” (2020), Red Rivers' "The Shape Of A Poem" (2021) and "Witness: Red River's Poetry of Dissent" (2021). She was longlisted for the WE- Kamala Das Poetry Award '20. Website: www.abhaiyengar.com


Fair Game

She has made me remove my boots. I sit on a chair with long socks on. My head is covered with a small umbrella, its net veil forms a boundary around my face. My movements and vision are limited but I can hear the jungle’s relentless snarls echo in the surrounding wilderness. My heart beats with trepidation for I am at her mercy. My fingers clench, aching to reach for the axe embedded in the log in front of me, but I know it’s too far away. 

She is close, rifle in hand, and free to do what she wants with me. I cannot stand the tension that courses through my veins, and wish that she completes the job, pulls the trigger and puts the bullet through the back of my neck to let me fall like hunted prey.

She pushes the chair over and I fall onto the ground. My mind races. What does she want? Also— a desperate thought— any way I can get at that axe? I know it’s impossible, but a desperate mind will try anything, think of a way to get out. 

The umbrella still covers my face, its squashed against it. The brown, dry grass cuts my skin. There are flies buzzing around. Somehow, in the falling, my hands have become pinned under me; I have become immobile in every way. 

She stands atop me, her legs apart, and booms, “You are fair game, now, mister.” Her words hurt my ears. Her legs poke my sides. 

A shot rings in the air, and I scream. I am sure that I am dead; that I have stopped breathing. After a while, I open my eyes and find myself still on the ground, still breathing, but not easily. A heaviness is on top of me. It is the woman. What just happened? 

Blood trickles from the side of my body. I don’t know if it is mine or hers. I cannot move at all now.

The body on top of me is kicked over. I am scared, my breath coming in short gasps. I steal a sideways glance through the veil. The woman, who had ambushed me as I walked the woods, pushed me onto the chair, and with rifle in hand made me do her bidding, lies still on the side. She, who had just a while ago, threatened my existence, is dead. 


If I pretend to be dead, maybe the new predator will go away. 

I am wrong. I cannot fool them. They are not one, but many. They turn me over, remove the veil from face, and look at me. 

Countless women. Women of the jungle, but dressed like urban dwellers, no one would no different but for their sunburnt skin and unkempt hair. Some of them hold guns, some rifles, in their hands. Their leader, for of course they have one, towers over them. She is very tall, taller than me. Her head is shaved, and she has rings on her nose, piercings on her face, tattooed arms and legs. The rest of them are simply dressed, much like the woman who now lies dead next to me.

“She is a traitor. She wanted you all to herself. Had forgotten the lessons of the tribe. She has paid,” says the leader woman, the one with the tattoo. “You are ours now, for all of us.”

“You are fair game, mister,” she says, echoing my previous hunter’s words. I sense her salivating, the drool dripping from her mouth.

In the distance, a wolf howls.

One of them moves forward, removes the axe from the log in one easy lift, twirls it in the air with a laugh and throws it down again. I flinch. They all laugh, a loud, menacing laughter that chills my bones.

They replace the net on my face. Lift me in their strong arms. Begin to hum a low chant as they move in unison, holding my body above their heads.

I whimper. Small, low moans emanate from my mouth, but no one is listening. I can only hope that death, when it comes, will be fast.

Poetry: Abha Iyengar

Abha Iyengar
Abha Iyengar is an award-winning, internationally published poet, author, editor, and British-Council-certified Creative Writing mentor. She has eight published books to her credit, and her collection of poems is titled, “Yearnings”.  Her poems have been included in various journals and anthologies, most recently Sahitya Akademi’s, “The Lie of the Land” (2020), Red Rivers' "The Shape Of A Poem" (2021) and "Witness: Red River's Poetry of Dissent" (2021). She was longlisted for the WE- Kamala Das Poetry Award '20. Website: www.abhaiyengar.com

This Precious Time

Mother, my brother of another mother
Has sent you asafoetida from his town
Of Dehradun. 

Mother, you need to use it.
Crush the granules and release the smell
Let it infuse the sambhar and the bhindi.
Let it enter your pores through your hands
Surround you and not go away for 
A long time. 

It’s like the smell of love,
Lingering forever much after the person
Who brings it to you
Fades away from your life. 

Let it stay,
It is strong and powerful and full of life.
A reminder of this precious time.
*****


Dry Matter

I am attracted to dry things now.
A crisp leaf on dry sand
Nothing fluid here, 
no water in the substance
Just something that remains.
Black grains mix with brown grains.
Sand.

The pale brown leaf lies on top. 
A woman sunning herself 
beyond the pale, will never return
to green, never return to pliable.
Will survive as whole
Or break into dry dust
If required to mix.
Leaf.

On the side a wooden spoon,
Crafted by an unknown hand
Another shade of brown
From the same natural materials
Cannot mix, will never mix.
It is hard, unyielding,
Can scoop sand.
Can scoop leaf.
Can throw both back 
in different forms
Mixed and broken.
Will survive, holding 
or withholding.
Wood.

Dry things show a different face,
Granular, crisp, hard, is good.
I am drawn to dry matter.
*****


Raindrops

Hunched shoulders at bus stops
A girl at the paan shop plays 
With a lighter
A man in bright blue shirt 
and mustard pants 
Holds his car keys tight and
coughs loose into the air

There is the threat of rain.
A boy plays with his mobile
A lady taps tobacco into her palm
Indifferent to the stares
She is used to it, she's pretty.
And chews tobacco, 
Her teeth are not so pretty.

Graffiti on the sidewalk wall
A number in black, 
‘To stop termites, call Deepak,’ 
That will suffice.
A cyclist wheels past
Enjoying the fresh air
For it also rained last night 
When everyone lay 
In bed, oblivious to the swelling
of the sky.

But now they wait at bus stops
Bracing against the chill
Coughing, lighting a small
Flame from a lighter,
It's play, but also
An unconscious seeking of warmth
The cyclist pedals on
As a few drops fall
gentle and still soft.

Hard, a man slaps an errant child
Half naked and crying,
The wails increase
The rain falls harder
Everyone scrambles for shelter
Not the naked child and
that girl with the lighter.

They look at each other.
A slow smile spreads for the rain. 
They open their hands
out and twirl their fingers
Feeling the falling water.

Magnolia flowers drip wet
from a nearby tree.
*****


A Cup of Tea

Today I am making
Just a cup of tea.
Not green, not camomile, 
Nothing restful.

I am making masala chai
Which to many may seem
An exciting of their senses.

It is spicy, aromatic,
Dark made light with milk,
Mixed, nothing pure about it,
And cooked a lot on the fire
To mix some more before
All things that made it happen are
Filtered out,
The tea leaves, thick and brown
The cardamom green and small,
The cinnamon stick, long and light
The star anise, I know, not used,
But I use it. 
The black eye of the
Peppercorn stares back at me. 
Why throw me out with the rest,
it seems to question.

And yet despite the filtering,
Everything remains, mixed
And hybrid. Masala chai.
You cannot call it pure,
this spicy, heady concoction.
It’s just my cup of tea.
*****

Abha Iyengar (Colours of Love and Barriers)

Abha Iyengar
Abha Iyengar is an award-winning, internationally published poet, author, editor, and British-Council-certified Creative Writing mentor. She has eight published books to her credit, and her collection of poems is titled, “Yearnings”.  Her poems have been included in various journals and anthologies, most recently Sahitya Akademi’s, “The Lie of the Land” (2020), Red Rivers' "The Shape Of A Poem" (2021) and "Witness: Red River's Poetry of Dissent" (2021). She was longlisted for the WE- Kamala Das Poetry Award '20. Website: www.abhaiyengar.com


This Fight is Not Over

The rod falls on his back.
Again, and then again.
His back is lean, young.
It is not used to torture.
It has only known love.
Umesh has only known love.
The love of Suhail.

The rod that falls is vicious.
It only talks of hatred.
The man wielding the rod
Is a policeman. He has a florid face,
A fleshy body, a sagging stomach
Held up by a thick belt, a steel buckle. 
He hates Umesh’s back.
The rod falls harder.
“You love the boy, Suhail?”

Umesh can only nod.
His mouth is clenched tight,
His eyes want to stop 
The tears from falling.
“You are a boy who loves
a boy?”
Umesh whispers, “Yes!”
The policeman walks
To the other side.
His face is close now.
 “Tell me now, you love a boy?”
Umesh screams, “Yes!”
“Yes, it’s not against the law.
No one can stop us.”
The policeman guffaws. His belly shakes.
“Quiet, boy. We are the law.”

Umesh hears screams from another cell.
It must be Suhail. His lovely, beautiful,
Fragile Suhail. 
“Let them do what they will.
We will come out. We will not hide,”
That is what Suhail had said.

The rod is now on his thighs.
Hard. Vicious. Unforgiving.
Umesh collapses on the bench.

Someone throws water on his face.
“Get up, you are free,” says a sweet voice.
He stumbles out. 
Suhail stands there, unharmed.
Suhail of the perfect skin. Unblemished. 
Beautiful, smiling Suhail, his smile harsh.

‘I am sorry, Umesh,” he says,
“I told them I did not love you.
There is nothing between us.
They let me go. And now you.”
He turns his back and leaves.
The woman with the sweet voice follows.

The policeman guffaws, his belly caught
by his too-tight belt. 

Umesh stares at him. He says,
“This fight is not over. My love will win.”