Showing posts with label Author of the Month. Show all posts
Showing posts with label Author of the Month. Show all posts

Poetry: Allison Grayhurst (Author of the Month)

Allison Grayhurst

Talk

If I talk again,

I will keep my end-mind twisted

so it cannot speak or formulate

a plan.

I have no constitution for plans

or wherewithal for achieving

human-made provisions.

 

If I talk again,

silence me into prayer,

conversing only with the angelic order,

strengthened by devotion and the power

of obedience.

 

If I try to be a player,

remind me of my meek capacity,

sting me with regret and slap me

into a state of surrender.

 

If I try to enter a world not my own,

laugh at me, call me out

and put me in my designated low-chair place,

a dreamer, advancing

no further.

***



Walk


Then the bitter defeat

was burning like a sin

committed, recognized

and unforgiveable.

Then on a hill, heavy with

weighted down legs and

an injury there, debilitating but

unexplained, the challenge came

to walk.

 

Walk slowly at first, walk like

I can walk even though the reins

are dropped and I have lost my mother,

lost life’s victory over death and the comfort

of an unbreakable love broken,

altered, intangible now as an angel’s skin

or a hope held for decades unrealized.

 

Walk with my mortal burden, stumbling without

a path, a cane or a flat plane. Twist in my ankle, twist

in my knee, swollen, bloated with a hot fever, walk.

 

Face a direction, walk, slowly,

commit and make it my own.

***


 

Small Moon


A small moon melted

fleshed out a sure-footed sacrifice

but changed directions, too quickly

into the direction of a red star.

Then her heart was burned, crispy

and crumbling, no more a perfect circle,

drooping on one side, gravity became queen

of her false crescendo song.

 

Hiding her deformity in the dark red burn,

hoping no one could see her misshapened side,

which she tended to only in hidden rooms,

chanting for a cure, bandaging her bloodied side

to try and form again that perfect circle.

 

A small moon strained to keep her crust,

could not resist flinging curses from her

cavity craters as she went out, could not accept

her time had come, that in the end she never had

a compact core or a solid truth she could rely on. 

***



Open

 

 Soak the born

in their own initial conception

to remember the pure-memory-pockets,

the truth of miracles.

Underline everything that matters

and read it again until no small word

is skimmed over or taken for granted.

Open the shelter doors and let all animals

in, wild ones, broken ones, aggressive and tame.

Free with a blessing

every dream that isn’t false,

and follow your deepest duty -

both desirous and undesirous divine commands.

Under the blanket, conspiracies are made.

They grow limbs that look like light but exclude

humility and the thumb-print of surrender.

The atmosphere is big,

the button-hole is small.

I am small when I toss

my self-determination out as wisdom

and fail at every turn.

Mercy comes with obedience,

obedience comes with trust, and then finally

freedom.

The dying are trapped in their wounds.

The living, in their success at survival,

but the gift is always

open for everyone, and changing

even without core movement.

I have a boat and that is all I own.

I see flowers on the shore, rooted in the sand.

I see yellow and sometimes, I see gold.

***

 


Touch


The first touch was bitter,

tantamount to an attack, deception

from a vantage point

of spiritual superiority.

 

The second touch

was touching a tomb, still full of stench

though the flesh had rotted long ago -

just dry bones, barely

a full form.

 

The third touch

angered, like when a snake

snatches a fledgling, angry

at the innate brutality all around.

 

The fourth touch

was perfect, a release

from the swing-seat of darkness,

a blessed gift that came

at the first touch -

consciously cruel, compliant

to the sway of a lesser self.

***

Bio: Allison Grayhurst has been nominated for “Best of the Net” six times. She has over 1,400 poems published in over 530 international journals, including translations of her work. She has 25 published books of poetry and 6 chapbooks. She is an ethical vegan and lives in Toronto with her family. She also sculpts, working with clay; www.allisongrayhurst.com

Author of the Month: Dharmpal Mahendra Jain

Dharmpal Mahendra Jain
The Search Continues

There is a strange silence.

There is plenty of noise—
Vile, violent, meaningless—
Noise that brings silence.

Man to man
Lurks fear—
Fear of words.
Fear that gives birth to silence.

I am in search of a new dialogue.
Around me I see
The chirping birds,
The whispering wind,
The drifting clouds, 
The resolute mountains,
The rainbow trickling colors,
The whale in the sea,
The plants swaying on earth,
The flowing river, 
The timid animals,
The singing waterfalls—
They all speak that is unheard.

To converse with them,
My search continues.
***


The poet of the war-age

We lived in an age of intellect.

The world was submerged in darkness.
Pain thick and black;
Peace dead, clad in white,
We grieved our time. 

Beyond the dim veil of hope,
the smoke from pyres 
was heavy with sadness.
Time, divided into zones,
stopped for no one.

Voices lost into the wind.
The mad emperors
could never break free
from the prison of their own tongue.
Cities fled away—
in so-called golden age of ours.

A large piece of the future
floated before us,
yet far beyond our reach.

A lot of memories,
sickened with failures—
the bodies buried in debris
could not decide
whom to avenge and 
whom to forgive.
***


I Need A New Time

I am fatigued of this time.

The time that never ends,
That knows no emotion
But a shallow shimmer.
It can’t retrace its steps,
I can’t break it,
Nor leave it,
Nor even hide it.
It can’t move
Along with my thoughts.
It travels in a single measure —
Fixed, indifferent, joyless.
It’s hard to live
with this sluggish time,
While racing beside AI.

I need a new time.
***


During the Snowstorm

Autumn passed.
Time for hail with the storm,
and for ice to pierce the earth.

On this side of the quiet window,
a torrential rain of memories 
pours within me.

I recall those 
who passed away in the journey,
and those who returned as storms,
striking hard against me.

In this vast sky,
not a single bird is seen.
From the airports,
no planes have taken flight.
Only bare trees stand far and wide,
locked in combat 
with the quarrelsome wind.
The horizons turned in rebellion.

I know for sure
the tree will not lose.
Even if broken, it will still stand.
In the end, 
it is the wind that must stop.

Whether memories scratch 
The healing wounds,
or the storm tears up roots
I will grow stronger within.
***

Bio: Born in a tribal reserve in India, Dharmpal is a Toronto-based author who writes in both Hindi and English. He has published twelve books to date—eight acclaimed collections of satirical essays and four of poetry, including his debut English poetry collection Friday Evening. His English poems have appeared in several national and international literary journals. 
Dharmpal is also a proud member of the League of Canadian Poets.
dharmtoronto@gmail.com
416 225 2415  

Author of the Month: Kushal Poddar

Kushal Poddar
The author of 'Postmarked Quarantine' has eight books to his credit. He is a journalist, father, and the editor of 'Words Surfacing’. His works have been translated into twelve languages, published across the globe. 
Magnoliophyta

I

I cannot remember 
the proper name
of this blossom. 
The plant pulls up 
darkness from its roots.

I kissed no one 
for the first time 
in this glade. Now it's 
false memory 
seeks the ceiling of my mouth.

II

My skin, when I wake up
in the middle of the water,
wears miniscule green
and their pale and invisible 
flowers. They are complete.
They make me a myth.

Night hisses from a poisonberry;
my feet write the story 
of one's emergence 
from his emersion, of returning.
The green glows my shape.
I beg for your toxin. In exchange 
I can give you esse of life now.
***

The Aristocrat House

Beside the taxidermist's dream
of what should be the reaction 
of a tiger to a gawking visitor 
one bare skull of an antelope 
gazes at me with its absent eyes.

I think you want to be the God
of this dead jungle and of the antiques,
furniture, deceased lives' remnants,
albeit they do not worship you.

They share their grief with the maid.
Sometimes they talk to your son
who walks on the parapet when
you do not see it, and whisper in 
hos ears, "Ignite a fire. Purge the rich bricks."
***



My Wife's Ghost Pain

A ghost pain haunts 
my wife's body, and she
splits herself in two.

One bears the suffering 
of a deserted lane, be 
an abandoned building 
in the neighborhood of hazy trees.
The myth is that an old couple 
found death in it, and 
the authority couldn't find their boy.

The other cheers up 
my daughter on a dull morning,
be a bowl of honeyed porridge,
and a yellow bus with a blue streak.
She bids the kid goodbye and still
travels in her. The other shares
the bulletin of the pain with me,
and we seek its origin, argue
over it, light up some sage, burn
down the dwelling with love.
***

Author of the Month: SUDEEP SEN

Sudeep Sen
POLLEN DUST

On unpopulated rocky heights,
   I spot butterflies hovering over 

ancient stone receptacles — carved 
   unevenly by wind’s corrosive love. 

They flit, showering pollen-dust 
   on shallow algae-green waters

collected over time’s stagnation.
   This dense liquid stillness allows 

reflection — bright fluorescent light
   only noble metals can induce.

Even butterfly’s three-day lifespan 
   is enough to weave transient magic,

its slow-motion wing-flaps colour
   the air — exquisite histories etched, 

preserved carefully in stone bowls.
   I love their invisible heavy-breath 

recording season’s nuanced moods 
   as red-hued petroglyphs, fiercely lit.

Rachakonda, Telangana

*


KINTSUKUROI
for Munu

   The cracked bowl that I mean to repair everyday
keeps getting neglected by my secret awe for bone china
          and its story of unbreaking.
 
   There were happier times when it stood perfect
in its shape, its porcelain clay-fluted nape
elegant as a swan’s neck.
 
   I found it in a heap of beautiful pottery, 
one among many, that its maker carefully crafted
in her tropical rooftop studio.
 
   To me it was new even after it accidentally
slipped from my hands as I tried to wipe
the Delhi dust
 
   that clung to us like camel-brown film,
like innocuous powder — transparent and deceptive
like make-up.
 
   There are scenes I painted on its milk-white skin, 
words I wrote, lines etched in, fragments of poems 
left unfinished, hieroglyphic
 
   encoded secrets 
that only I knew and understood,
impervious to gossip’s glare and jealous chatter.
 
   Today, I shall bring out Super Glue 
and try to make repairs. 
Maybe I will splurge 

   on a rare metal —
silver or even gold, to seal the cracks and fill them
with molten healing. 
 
   Anointing it with gold, 
memory, love and desire, 
is better than the perfection
 
   of its prior shape. Unbroken, poised as it was, 
unhurt love is not necessarily purer 
than love that is flawed.
 
   Kintsukuroi — a gift I have been granted.
My bowl deserves the lacquer touch of a silver-wish
and the purest of rare gold.

*Kintsukuroi (n.) (v. phr.) “to repair with gold”; the art of repairing pottery with gold or silver lacquer and understanding that the piece is more beautiful for having been broken. 
*

SEA GODDESS 

An eroded wooden four-armed Hindu god
   throws two of them up in exasperation —

her expression obscured from my terrace’s
   intimate distance. Mere proximity does not

guarantee intimacy. Despite sitting atop
   a multi-tiered open pagoda with 180° view

of the ocean’s free expanse, she longs 
   to touch my outstretched palms-fingertips

in a warm embrace. The state-flag flutters
   close by, standing guard — its red and white,

policing the strict separation of burning flesh
   and purity — polygamy institutionalised 

as the only way. But the gods know better 
   than this — they worship polyamory. 

That’s why I hear her cry out — hands-up, 
   not in surrender but freedom from the norm.

The sea envelops everything around us —
   in its acrid sanctity, there is hope for a few.

*


PETALINE

Petals profusely carpet the mown grass —
   frangipani, hibiscus, bougainvillea —
 
lilac, purple, orange, red, gold, amber —
   dew-soaked, emerge shyly to welcome

dawn’s incipient morning. Courtship period 
   is short, yet unhurried, in these heated climes —

the sun too swift, sharp, strong for slow-
   artful lovemaking.  Before moisture

evaporates, sheathes of shimmering
   petaline-skin slow-gesture — their consorts

subtly-quick to pick up any pheromones
   in sight. Upon meeting, a colour-riot —

a frolicking petaloid symphony — nubile,
   wet, vapour-soaked — a short-lived ecstasy.
*


MA | MOTHER
[RATNA SEN 18.12.1940 - 27.01. 2013]
for Baba

As if in a dream, you disappeared 
   unannounced — untimely and unprepared.

The handwritten diary you left behind 
   weepingly revealed your sordid, searing pain. 

Grief-struck, I run around city’s municipal offices
   rummaging through bureaucratic files,

seeking your death certificate for validation —
   as if losing you, wasn’t loss enough.
*

Sudeep Sen’s [www.sudeepsen.org] is widely recognised as a major new generation voice in world literature and ‘one of the finest English-language poets in the international literary scene’ (BBC Radio), ‘fascinated not just by language but the possibilities of language’ (Scotland on Sunday). He received a Pleiades Honour (at the Struga Poetry Festival, Macedonia) for having made “a significant contribution to contemporary world poetry”. His prize-winning books include: Postmarked India: New & Selected Poems (HarperCollins), Rain, Aria (A. K. Ramanujan Translation Award), Fractals: New & Selected Poems | Translations 1980-2015 (London Magazine Editions), EroText (Vintage: Penguin Random House), Kaifi Azmi: Poems | Nazms (Bloomsbury), Anthropocene: Climate Change, Contagion, Consolation (Pippa Rann, 2021-22 Rabindranath Tagore Literary Prize winner), and Red (Nirox Foundation, 2023). He has edited influential anthologies, including: The HarperCollins Book of English Poetry (editor), World English Poetry, Modern English Poetry by Younger Indians (Sahitya Akademi), and Converse: Contemporary English Poetry by Indians (Pippa Rann). Blue Nude: Ekphrasis & New Poems (Jorge Zalamea International Poetry Prize), and The Whispering Anklets are forthcoming. Sen’s works have been translated into over 25 languages. His words have appeared in the Times Literary Supplement, Newsweek, Guardian, Observer, Independent, Telegraph, Financial Times, Herald, Poetry Review, Literary Review, Harvard Review, Hindu, Hindustan Times, Times of India, Indian Express, Outlook, India Today, and broadcast on bbc, pbs, cnn ibn, ndtv, air & Doordarshan. Sen’s newer work appears in New Writing 15 (Granta), Language for a New Century (Norton), Leela: An Erotic Play of Verse and Art (Collins), Indian Love Poems (Knopf/Random House/Everyman), Out of Bounds (Bloodaxe), Initiate: Oxford New Writing (Blackwell), and Name me a Word (Yale). He is the editorial director of AARK ARTS, editor of Atlas, and recently on a fellowship as a writer-in-residence at the Nirox Foundation (South Africa). His professional photography is represented by ArtMbassy, Rome [http://www.artmbassy.com/artists.html]; and currently the inaugural artist-in-residence at the Museo Camera (India). The Government of India awarded him the senior fellowship for “outstanding persons in the field of culture/literature.” Sen is the first Asian honoured to deliver the Derek Walcott Lecture and read at the Nobel Laureate Festival.


Author of the Month: Pranab Ghosh

Pranab Ghosh
Tamanna: A Protest Poem

(A poem in protest of an preventable loss of a Class-IV girl child following violence that erupted in a victory march, celebrating the win of ruling party in a recently-held by-election in the Nadia district of West Bengal, India.)

The sky's gray...
The islands appear and disappear
Carrying the weight of our aspirations!

Nine springs ago
A dream was born...
A floating cloud-island 
Amidst blue-gray sky...
Sometime in September, perhaps.
Was it springtime then?

The hearts of some, whose aspirations fructified, confirmed...

It's spring!
It's spring!
It's spring!

Last evening the cloud-girl with all her angelic looks and princess like locks flowing over her shoulders disappeared, hit by hate of revellers, who were celebrating ‘election victory’

There was the sudden cloudburst...
A bolt from the blue
The moist interior of the cloud-islet and all accompanying aspirations died... 
In a bat of the eyelid...
‘I found my left side burning...
Then I found Tamanna, lying on the ground...”! A mother lamented.
Nine young years were covered in blood...
Life vowed before 
Taking a final bow
As ugly victory
Marched through...
A death walk, like drunken moonwalk... perhaps, that no fans wanted to replicate...
No copycatting
No ‘hullaballoo’
Please...

Only a sigh piercing the hearts
Of the casual onlookers,
Who thought of nothing so gory
As they gathered in front of their homes, watching the ‘victory March!

Their Tamanna dead
They were determined to tread an avenging alley
That’ll bring new rain
On the perched land
Cracking up like bruised lower lip of a seventy-plus,
Who once was a beauty to behold!

Let justice win
Let the evil fall
Once and for all!

Author of the Month: Michael Burch

Michael R. Burch

Michael R. Burch's poems have been published by hundreds of literary journals, taught in high schools and colleges, translated into 22 languages, incorporated into three plays and four operas, and set to music, from swamp blues to classical, 65 times by 34 composers.


The Divide

 

The sea was not salt the first tide . . .            

was man born to sorrow that first day?

The moon—a pale beacon across the Divide,

the brighter for longing, an object denied—

the tug at his heart’s pink, bourgeoning clay.

 

The sea was not salt the first tide . . .

but grew bitter, bitter—man’s torrents supplied.

The bride of their longing—forever astray,              

her shield a cold beacon across the Divide,

flashing pale signals: Decide. Decide.

Choose me, or His Brightness, I will not stay.

 

The sea was not salt the first tide . . .

imploring her, ebbing: Abide, abide.

The silver fish flash there, the manatees gray.

The moon, a pale beacon across the Divide,

has taught us to seek Love’s concealed side:

the dark face of longing, the poets say.

 

The sea was not salt the first tide . . .

the moon a pale beacon across the Divide.

***

Isolde’s Song

 

After the deaths of Tristram and Isolde, a hazel and a honeysuckle grew out of their graves until the branches intertwined and could not be parted.                  

 

Through our long years of dreaming to be one

we grew toward an enigmatic light

that gently warmed our tendrils. Was it sun?

We had no eyes to tell; we loved despite

the lack of all sensation—all but one:                                               

we felt the night’s deep chill, the air so bright

at dawn we quivered limply, overcome.

 

To touch was all we knew, and how to bask.

We knew to touch; we grew to touch; we felt

spring’s urgency, midsummer’s heat, fall’s lash,

wild winter’s ice and thaw and fervent melt.

We felt returning light and could not ask

its meaning, or if something was withheld

more glorious. To touch seemed life’s great task.

 

At last the petal of me learned: unfold.

And you were there, surrounding me. We touched.

The curious golden pollens! Ah, we touched,

and learned to cling and, finally, to hold.

***


For All That I Remembered

 

For all that I remembered, I forgot

her name, her face, the reason that we loved ...

and yet I hold her close within my thought:

I feel the burnished weight of auburn hair

that fell across her face, the apricot

clean scent of her shampoo, the way she glowed                 

so palely in the moonlight, angel-wan.

 

The memory of her gathers like a flood

and bears me to that night, that only night,

when she and I were one ... and if I could ...

I’d reach to her this time and, smiling, brush

the hair out of her eyes, and hold intact

each feature, each impression. Love is such

a threadbare sort of magic, it is gone

before we recognize it. I would crush

 

my lips to hers to hold their memory,

if not more tightly, less elusively.

***

 

To Have Loved

 

Helen, bright accompaniment,

accouterment of war as sure as all

the polished swords of princes groomed to lie

in mausoleums all eternity ...

 

The price of love is not so high

as never to have loved once in the dark

beyond foreseeing. Now, as dawn gleams pale

upon small wind-fanned waves, amid white sails ...

 

Now all that war entails becomes as small,

as though receding. Paris in your arms

was never yours, nor were you his at all.

And should gods call

 

in numberless strange voices, should you hear,

still what would be the difference? Men must die

to be remembered. Fame, the shrillest cry,

leaves all the world dismembered.

 

Hold him, lie,

tell many pleasant tales of lips and thighs;

enthrall him with your sweetness, till the pall

and ash lie cold upon him.

 

Is this all? You saw fear in his eyes, and now they dim

with fear’s remembrance. Love, the fiercest cry,

becomes gasped sighs in his once-gallant hymn

of dreamed “salvation.” Still, you do not care

 

because you have this moment, and no man

can touch you as he can ... and when he’s gone

there will be other men to look upon

your beauty, and have done.

 

Smile—woebegone, pale, haggard. Will the tales

paint this—your final portrait? Can the stars

find any strange alignments, Zodiacs,

to spell, or unspell, what held beauty lacks?

***

 


Aflutter

This rainbow is the token of the covenant, which I have established between me and all flesh.—Yahweh

 

You are gentle now, and in your failing hour

how like the child you were, you seem again,

and smile as sadly as the girl

                                                   (age ten?)

who held the sparrow with the mangled wing

close to her heart.

                                 It marveled at your power

but would not mend.

                                      And so the world renews

old vows it seemed to make: false promises

spring whispers, as if nothing perishes

that does not resurrect to wilder hues

like rainbows’ eerie pacts we apprehend

but cannot fail to keep.

                                         Now in your eyes

I see the end of life that only dies

and does not care for bright, translucent lies.

Are tears so precious? These few, let us spend

together, as before, then lay to rest

these sparrows’ hearts aflutter at each breast.

***



Author of the Month: Scott Thomas Outlar

Scott Thomas Outlar
Scott Thomas Outlar originally hails from Lilburn, Georgia. He now resides and writes in Frederick, Maryland. His work has been nominated multiple times for both the Pushcart Prize and Best of the Net. He guest-edited the Hope Anthology of Poetry from CultureCult Press as well as the 2019-2023 Western Voices editions of Setu Mag. Selections of his poetry have been translated and published in 15 languages. More about Outlar’s work can be found at 17Numa.com.


Weeble Wobble

We tasted the black
      of seemingly spent orbs

   an amalgamation of spheres
             wielding cherub swords
       in triangulated focus

   & the syrupy center
             lodged at the depth of abyss
      proved an archaic truth
            that there is life left yet
   hiding somewhere 
               behind those peepers

We were numbed
        by the haste
    with which they clouded us
        in a smoky haze

We were summoned to
        a dazed chamber of grace
  & inundated with explanations
            about the theory of madness

We were fashioned
      by the hymns
  of a discordant choir
            with tongues laced
     in languages of metallic
                       mandala chaos

We were given unto
    the fits of a fiery passion
  
   poised at the precipice
      to receive fulfilled prophecies
   of great change heralding
            annihilation
       or integration into a slipstream
                   altering perception
                          at the roots

We were organized as atoms
        by cellular osmosis
                at the soup’s boiling point
          where genes swarm
                   in kinetic creative frenzy

                               a bit of a tizzy
                           when spells start spinning

We were promised a turn
          on the merry-go-spiral

a crimson carousel 
a chariot of bedazzled gold

           churning wheels within wheels
   
   & blood unto dust
   & marrow back to dirt
   
   & all the finer accoutrements 
                  provided along a ferry
                         headed straight 
       into the heart of the sun

We were shown the
                 melted plasma
       of entropy’s empty dissolution
  & licked three times
                 before crunching hard
           into the owl’s forlorn wisdom
***


A Scarf Upon Each Spike

Mouthing the design
with a silver tongue
agape and sighing into the breeze

a breath resourced in reason

Trusting the process
of Tao entering dragon
chasing down the grand finale

one scale at a time

Winter’s spell all-becoming
last proud gasp at intermezzo
now the sting isn’t quite as sharp

as the worm and season turn

Seven patterns etched in fabric
woven in fur around warm collar
turned up like Elvis, Numa, and West

but only two wore it well
***

Instant Gratification

Lately, it feels
like an open pulse
from source portal
is dancing with plasma
across electric wires

Magnetic sphere triangulated
rolling waves of the spiral’s transmission

Grasp with two open palms
the lines of time etched strongly
able minded for the transformation

The eternal Tao spinning in silence
whooshing now with the winter’s wind

That’s not just tinnitus 
humming inside the frenzy

Baby, we’re in the golden age
a symphony of the stars in love
***

Pulse Electric

dust of seven ages
squeezed like fresh daisies
with centrifugal gears
itching as scratched platitudes
in sore eyes
sordid sight, first rhyme I
digest tonight

and fade one degree deeper
into a feeling of comfort
two shades off the beaten path
of numb tingling and wizened orbit

a leaf, fluttering, freefall
enter the wishing well of dandelion portal

now ripped through the great divide
neuron cabinet whips out archaic relics and recipes

stir up divergent opinions in the pot
while vultures and ghouls point shadowy fingers

if you learn to grow through disillusion
the jeweled net of contentment stretches out wider
during novel periods of arcane virtue

as all the perching peacocks of inverted righteousness
slip from precarious angles of moral hypocrisy

crumbling into the heap of virtuous stones
they’ve been tossing over the spit-stained ledge

tear ducts barren
cut with shattered glass
sands of cultural hours
turned over, spilling tide
on tip of tongue
dots trace blood
taste of change and copper sizzle
***