Showing posts with label Snehaprava Das. Show all posts
Showing posts with label Snehaprava Das. Show all posts

Poems by Snehaprava Das

Snehaprava Das
Maa!


                                   A HOUSE LIVES IN ME

Years before,
I lived in a house that stood 
Undeterred on its inconspicuous ground
Its terrace-face to the east and 
Its back to the west;
I woke up to the crimson dawn 
That grew and glowed 
Across its front-yard, 
Over and around the tall coconut trees
That stood guard over the 
Peace and little joys 
The house hid in its silent folds 
Of brick and cement;

I sipped the sunset that slid in 
Through the back wall windows 
To fill the rooms with a shade of liquid gold;

I went to sleep 
Wrapped in the moonlit dreams 
That rolled inside in wispy coils
Through the wooden window-bars;

Years before,
I lived in a house that throbbed 
To the rhythms of the trains
Juddering down the tracks beyond 
The boundary wall which 
Slumped under the weight of 
Seasons and noises
And the obscurities the urchins 
Scrawled in charcoal
On its weatherbeaten face;

I put my wishes in the racing trains
And hoped secretly they would reach
A wonderland where they will come true
Never knowing of the precarious tunnels
The trains had to move through!

I lived in a house with a roof 
That hung gentle and low
I climbed a wooden ladder to its top
And reached out to touch
The foot of an elusive rainbow!
   **           
Years after,
When I met the house
It wore a fresh but distant look
Filled by unknown faces,
And inside its east-west bounds
Through another sunrise and 
Another sunset
I played Blind man’s Bluff with
Muted memories;

The beads of laughter 
And the trinkets of dreams 
That sat in the secret niches 
Now permanently un-homed,
Had boarded a runaway train 
And disappeared in the tunnels of time!
**
 Years before, 
I lived in a house I called Home
Stands a stranger now,
Staring at me from
Eerie, depthless eyes;

I no longer live in the house
But the house it was once
Now lives in me!  
***


2. I AM A CITY IN RUINS   

I am a city in ruins
A city that has lost its name 
In the ever-lengthening road of history
That never turns a bend,
How I thirst for the drops of moonlight
To relieve the night 
That fills me from end to end!

I am a no-man’s land
Gasping under a blanket of sand
For a short breath of green,
A vanquished warrior 
Splattered with my own red sweat
Struggling to wash myself clean;

I am a scorched woodland 
Sprawled by a river that has lost 
Its way to the sea
A storm trapped inside a blind fortress
Desperate to get free;

I am a living cemetery that
Houses memories under breathing blocks,
And solitary souls that crave to hear
Life whispering behind the curtain of rocks!


Bio: Dr. Snehaprava Das, Associate Prof. of English (former) is an eminent fictionist, poet, reviewer and translator from Odisha. She has three collections of English stories and five collections of English poems to her credit. She has translated thirteen texts of Odia both classic and contemporary, in English. Her works are published by Speaking Tiger Books, Oxford University Press, Penguin RC, Sahitya Akademi, Black Eagle Books and other noted publishing houses. She has received the Prabashi Bhasha Sahitya Samman, the Jivanananda Das Poetry award, the Fakir Mohan Senapati Translation award, the Lakshmi Narayan Mohanty Translation award for her contribution to literature.

Pilgrimage to Ayodhya, A Journey Beyond

Review by Snehaprava Das


Pilgrimage to Ayodhya
Pradeep Biswal
Publisher: AABS Publishing House, Kolkata, India
Year: 2019, Price ₹ 299/- / $10, Pages-91)


Pilgrimage to Ayodhya, the recently published anthology of poet Pradeep Biswal, is an assortment of forty-two English poems of varied lengths. Pradeep Biswal, a popular name in the scenario of modern Odia poetry has also proved himself as an experienced writer of thought-provoking poems in English. His poems, as always, conceal a substratum of intriguing emotional patterns and a mystical evocativeness underneath the deceptively simple exterior. Picking up his subjects from diverse areas of experiences, the poet aims at presenting a fine synthesis of social realism and philosophical truth. Not stopping at just expressing his reflections on the changing scenario of socio politic as well as the cultural environment, the poet moves on to explore deeper levels of human behaviour and its amazing response to the complex issues pertaining to human existence.

Pradeep Biswal,
In The un-starry Night the poet makes an effort to romanticise a deep sense of loss and longing.
In the midnight’s parlour
Full of broken promises
Like the bitten wings of an airy bird
I still crave for your tender touch
The naked curves of your body
Someday somewhere else;

The mystique elements in INVITATION are obvious enough,
Please descend
The stairs of the sky;
Let all anxieties
Meet their dead end;

How Far I have Trudged describes a symbolic journey leading to a calm and peaceful closure of life. The poet, instead of any apprehending what awaits him at its end takes the journey with a positive spirit. He will keep on trudging, he declares, with an undeviating and a firm faith, till he reaches the finish line.
I know the rest of the journey
Straight to my end.
It’s not easy that easy to get me waylaid
Here there and everywhere.
The note of empathy is unmistakable in DO YOU KNOW where he says addressing his mysterious listener, who could be a friend or a neighbour or the entire human race for that matter, that everyone fights many battle and receives many wounds from it. Everyone cannot win or lose all the battles he fights but that does not prevent him from being a war veteran.
Like you I am a war veteran
I havewaged many battles
Won many lost a few.
There is no guarantee
You can win all
But losing a battle
Sometimes leads to win;
The calm confidence underlying the simple lines appears to reflect a Hemingway-like spirit, undaunted and indefatigable. A similar empathetic strain is discernible in the poem I KNOW IT WELL
I know it well
How many miles you have crossed
How many battles you have fought
How many swords you have crossed
How many wounds it
Has inflicted on you….
In Here I Am is we observe a fusion of the poet’s disturbing dilemma in the uncertain present time with a positive view of a future that holds many possibilities.

Snehaprava Das
Here I am
Crouching in the hollow
Of a Sal tree,
And the poet in me
Sandwiched between
The chirping of a fledgling
And a snake….
  ………………………………
But this much
And all that I know,
There I am
Where another poet
Will come into the world;
The poet’s belief that love is a magic balm that can heal a wounded heart and repair a broken soul at any given time and space finds expression in moving lines like
You are too late in my life
I know you are from a distant shore
But still the sun has not set
………..
When I hold your hands in mine
I get mesmerized…
Is it the magic of love?
Social realism tinted with a mild sarcasm sets the mood of poems like Bharat Barsh 1, Bharat Barsh 2, The Kunduli Girl, Metamorphosis, Nero isn’t Dead and a few others.
 In Monalisa’s Smile the poet tries to delve into the recess of human conscious and discover the dark, corroding truth hidden under that enigmatic smile.
I don’t know
What they felt about you
But I see
Shadows of deprivation
And shallow dreams
For ages
Turning into a volcano
And lurking behind
A synthetic smile…


 The Pilgrimage to Ayodhya is a metaphoric journey that the soul embarks upon to attain some kind of an illumination. The beatific smile on Ramlala’s face, according to the poet, has a transcendental effect. It can elevate the sprit to a state of sublime joy, lift it above the trivial conflicts that hinder its evolution.

Mr. Biswal with an expertise of a seasoned writer guides his readers smoothly to an exciting world of poetry through an effective interfacing of reality and imagination, myths and metaphors. He can add new dimensions and new meanings to things that appear ordinary and common place through skillful employing of right words and right images at right places.To go through the collection, will undoubtedly be an engaging experience for the poetry lovers.


Reviewer: Snehaprava Das, former Associate Prof. of English, has translated a number of Odia texts, both classic and contemporary, in English. Worth mentioning amongst them are the first novel in Odia Padmamali, Fakir Mohan Senapati's Prayaschitta, RamSankar Ray's Bibasini, Pundit Gopabandhu Das's Kara Kabita and Bandi ra Atmakatha. Her translated works are published by The Speaking Tiger Books, Kendriya Sahitya Akademi, Oxford University Press, Odisha Sahitya Akademi and BLACK EAGLE BOOKS (DUBLIN, United States of America)
Dr. Snehaprava Das also writes poems in English. She has four collections of English poems to her credit, (Dusk Diary, Alone, Songs of Solitude and Moods and Moments).