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| John Clark Smith |
10 Samu
Carina’s story and her abduction,
the identity of her patron,
Carina’s training,
the Cube Fortress
and why Rita died.
V├нhaan,
despite his own agenda, hadn’t forgotten
his
willingness to assist Hut├бn with two enigmas—
First,
who took Carina, where they took her and why,
and
Second, how did Rita perish from a heart attack?
A
few surprises surfaced despite the many details,
such
as the connection between Carina’s abduction
and
the series of events that ended in Rita’s death,
a
fact that meant, though rescuing Carina was a start,
Hut├бn
sought to know who risks abduction when Carina
had
a powerful and protective personal patron
as
well as members of the Remnant supporting her?
Long
ago he had learned that there is always more to know
and
new knowledge leads to ignorance and secret knowledge.
To
remind himself he would chant two lines of mystery:
“I
think not ‘I know well’ yet I know not ‘I know not;’ He
of
us who knows It, knows It, yet he knows not ‘he knows not.’”[1]
After
the meeting ended at Andaman headquarters,
Hut├бn
boarded a plane on route to a Polynesian
island,
Samu—a location The Schedule suggested—
a
forested island with gorgeous beaches, rocky cliffs,
one
hundred caves, a dormant volcano, several small
villages
around its coasts and one large town, Latika,
where
The Schedule disclosed they now were holding Carina.
On
the way he received a long text message from someone
unknown
to him but claiming he was Carina’s patron
yet
offered no name while acting as if he knew Hut├бn
and
requested Hut├бn ask Carina to contact him—
the
assumption being he couldn’t contact Carina
himself
but only it seems through the Remnant and Hut├бn—
and
say to her Eger, a word unfamiliar to him
until
he asked George, which promptly said it was a city
a
couple of hours by train from Budapest, Hungary.
Hut├бn
was aware that her unknown patron had guided
Carina
to the Remnant—she often talked about it—
by
encouraging her to go to a Buddhist retreat
in
Mount Shasta, California when Udaki was there
and
where Carina could show a corrupt Hungarian
politician
the toll his harsh policies inflicted
on
the constituency until a brutal snowstorm
struck
the region, stranding all guests, giving Carina time
to
meet and talk with Udaki—the politician’s mind
remaining
unchanged—talk that eventually convinced her
to
join the Remnant, though the patron had signaled Hut├бn
and
Udaki that Carina would be there and how much
he
wanted his prodigy to belong in the Remnant.
Yet
the meeting was fortuitous for the Remnant too,
since
Hut├бn and Udaki also scouted Carina
a
few months previous to the patron contacting them
and
were impressed with her focus, skills, and maturity.
They
too were waiting for the proper opportunity.
Now
the patron appears again here, clearly very aware
that
something has happened to Carina, and sends this code
word
Eger, which will mean something when Hut├бn rescues her,
a
rescue that had to remain uncertain as he was
without
his team, such as Carina herself, to help him—
since
Udaki and he had agreed he must act alone.
Yet
the patron was more aware than a code word would show.
This
patron also paid for and arranged a covert passage
on
a boat captained by a man who knew the back story,
the
causes why these events happened, and who was involved.
Though
he hadn’t traveled beyond the islands, to Hut├бn
he
seemed “to know the world without going about,”[2]
a man
essential,
for Hut├бn had never visited Samu,
had
no knowledge why Carina would have been taken here,
but,
most of all, he had always had a dreadful feeling
about
abductions—the abducted are either never found
or
they are found dead in rarely pleasant ways of dying.
These
were his thoughts when he rowed his boat to a dock
distant
from busy shores, a place where the captain said
he
would go unnoticed, and he trusted the old fellow,
because
what Hut├бn did know, he had learned from the captain,
who
not only knew about Samu and its politics and society,
but
about the people who caused this event to happen.
The
captain told the tale as told to him by the patron:
A
princess secretly bore an illegitimate child
and
let the father raise the child while the princess married,
became
a queen, had three sons—one of whom was Prince Andres—
but
the princess, now the Queen, learned that the father—who had
a
palace of his own on another island—had turned
her
daughter into a spy, a warrior, a martial
arts
expert, well-versed in weapons, the arts, economics,
sciences,
languages, but importantly, a cowgirl,
he
was proud to say, as rugged as any gunslinger;
and
that angered the Queen more than all the other training
he
was foisting on her daughter, because his obsession
with
the American West was so vulgar, so irksome
and
also so American, a culture she hated,
that,
even if he had Royal blood and she could have
married
him, she wouldn’t have married him, not when she saw
his
own palace and the tasteless interior d├йcor,
an
amalgam of house styles from that period—or what
he
believed copied the aesthetics of the Old West view
of
interiors—with a lot of objects made of wood,
stone,
leather, metal, in a simple hand-made rustic look,
and
a varied assortment of mounted animal heads.
She
couldn’t conceive of walking around every moment
of
her day looking at those rugs, furniture, and walls,
but
an even greater travesty was when he wanted
his
daughter to belong to that cowardly, liberal,
sissy,
Sunday school bunch of idealists, the
Remnant,
not
Dvorak, which she supported and greatly funded,
even
using her son Prince Andres on Dvorak’s missions.
No,
she couldn’t tolerate that, she had to do something,
and
not let an idiot who struts in flashy cowboy
outfits
and boots, who attempts to talk in a
nineteenth century
accent
of Old West townsfolk, try to brainwash Carina.
No,
she wouldn’t allow it, none of it, she had to save
the
girl and introduce her to the ways of the Queen.
So
first she tried to threaten Hut├бn himself by warning him
she
would hurt his wife Rita unless he fired Carina,
a
common threat that Hut├бn ignored when used against him.
But
the Queen wouldn’t be ignored, she continued her plan
to
terrorize Rita constantly for several hours
by
barking dogs, pounding the windows and doors, girls screaming,
keeping
her from leaving, yelling out cruel threats at her,
shooting
bullets up to the sky, and non-stop banging drums.
Perhaps
another woman might have survived the trauma,
a
less fragile personality who feared less the country,
but
Rita lived in a state of fright before the terror,
her
heart panicked too many times, she fainted and awoke,
fainted
and awoke, five times to her worst nightmare,
a
scene she had seen in her imagination daily,
till
finally the heart, the mind, could not recover
and
her life slipped away, with no one nearby to save her.
Afraid
no more, her house under attack, Hut├бn’s dog Wink
placed
there to keep her company to scare off intruders;
but
there were no intruders. The danger remained outside.
Wink’s
last defense was to growl and bark and prowl for a while,
but
even Wink, when he saw Rita lifeless on the floor,
stopped
and lay down beside her, his head resting on her chest,
and
stayed beside her until they took her body away,
the
entire incident not what the Queen had intended.
She
wanted only to coerce Hut├бn to find a way
to
release Carina so she would then join Dvorak.
She
didn’t want the father to influence Carina,
but
in the end, she blamed Rita’s death on weakness and fear,
and
refused liability or regret and moved on.
At
that point the captain stopped and stared at Hutan’s tear-streaked
face,
this part of the story making him so furious
he
couldn’t stop his tears and rushed on quickly to the sea
as
if he was intending to plunge into its dark depths.
Instead,
he stopped at the edge and picked up a couple shells
and
hurled them into the water, then fell on to his knees
and
cried with far greater force, ending in a long shrill scream.
After,
he became very still and tried to meditate
and
“turn the light around to shine inward so that the mind
is
not aroused by things,”[3]
as he had practiced so often,
finally
relinquishing himself to the true story
of
how Rita died and dissipating his emotions:
‘The
Queen killed Rita? She caused her death? Carina’s mother?’
The
Queen never seemed to care whether her first paramour,
Carina’s
father, had big plans for his brilliant daughter
or
wanted her to become what he could never achieve
even
with all his money, a good outlaw in the Wild
West—but the “west” in this case was his homeland,
Hungary.
He
raised her to combine all her training, skills, and knowledge
and
ride into towns where corrupt evil people govern
and
save the town, to do what he wished someone could have done
for
his grandparents, immigrant victims of tyranny.
None
of these plans did the Queen know, and, if she did, she would
have
rebuffed them, even if all those tyrants Dvorak
controlled
and were planted there for the welfare of the town.
So
the patron, Carina’s father, watched her life slowly
unfold,
proud how she was growing into such a woman,
and
expected—with no help from The Schedule—that the Queen
would
try to change her views and ask her to join Dvorak,
or
if not, she would then jail her to prevent an escape
so
she couldn’t return to the patron’s choice, the Remnant.
Those
were the first assumptions, but the patron was guessing
about
the plans of the Queen, with no knowledge where the Queen
was
holding Carina, since the crisis now in Eger
required
Carina be found and freed as soon as he could
or
the crisis there and in other towns would escalate.
The
captain explained that the caves were the best means to move
around
the island without being noticed and Hut├бn
should
use them to find her and return her to the same place
the
captain brought him and take her home on the same boat route.
Hut├бn
stopped for a moment, sitting on the sand, and thought
about
Carina, how she was always supporting him.
“What
are tributes, freedom, or youth compared” to her,[4]
his muse,
how
effective she had been in executing his plans,
how
he first noticed her when she was dancing with Prince Andres
and
how her two giant guards had quickly rushed her away,
but
even then, he wondered why someone targeted her.
Carina
believed Dvorak was trying to threaten
her
patron, but Why threaten her patron? Hut├бn had asked.
Was
her mother the Queen somehow behind the poisoning?
Yet
that made little sense to him: why poison Carina
when
she was abducting her now for another purpose?
So
Dvorak once again became the perpetrator
who
sent Prince Andres to poison Carina at the ball
without
knowing she was his half-sister, their true motives
unclear
at first to Hut├бn, since he saw no connection
to
Prince Andres, who broke the maxim of a follower
and
a sage: “Follow not that of which you have no knowledge.”[5]
But
now Hut├бn understood why the patron was a threat.
The
patron planned to challenge Dvorak’s ubiquitous
dictators,
not only in Hungary, and the patron
had
trained Carina to stop Dvorak, even enlisting
the
Remnant to help before they focused on The Schedule.
Yet
Dvorak wasn’t behind this Samu abduction,
this
was the Queen’s scheme—though Dvorak would gladly back her—
a
personal matter between the patron and the Queen
where
the Queen had to prevent this molding of her daughter
by
what she described as anti-establishment, vulgar,
na├пve,
idealist propaganda and corruption.
After
these thoughts and the captain’s avid encouragement,
Hut├бn
entered the caves and took the captain’s instruction,
as
well as the information given by The Schedule.
Most
of the trip was dark, even with a light evident
far
down different paths, each leading to a different
location
on the island, some of them stopped at the shore
areas,
others remained level and led to inland
spots,
while thirteen opened to the city, exiting
from
the underground into diverse places, such as shops,
people’s
homes, from under the street, the churches, and temples,
the
police station, the bank; but the captain, who had lived
his
life on Samu, guided him where The Schedule pointed.
Hut├бn
came up from under the street and was confronted
with
a two-story concrete cube without windows or doors,
and
he thought, as he sat on a curb on the street and watched
at
least six people roaming about and looking at him,
‘Now
this building reminds me of a place to keep someone
abducted
or imprisoned.’ Entering it from above
or
below the building were choices anticipated
by
Hut├бn, for which the patron gave a helicopter
but
which couldn’t be useful until her situation
was
far more clear. The Schedule could say she was in a room,
it
couldn’t describe her plight. Hut├бn needed to witness
how
they were guarding her and her mental and physical state.
He
walked up to the building and scanned its walls to find out
if
there was a way he could climb up, but nothing appeared.
He
went around the back of the building to see if there
was
a fire escape or some other device for scaling,
yet
each side of the cube looked like a military fortress
without
any means to enter. He hurriedly returned
to
the curb and realized that entrance from above may not be feasible.
Perhaps
from below a cave path might lead to an entrance.
He
climbed down under to the path that brought him to the street
and
tried several underground paths until he found one
that
The Schedule approved as leading to the concrete cube.
The
path had four guards, two at the start, two at the end,
Hut├бn
disabled the first two with paralyzing gas,
the
second two he allowed capture until they opened
the
door and then spit out two knock-out darts at their forearms,
dressed
in one of their uniforms, and cautiously wandered
up
the spiral stairs to an open and dim vestibule
so
frighteningly quiet he had to remove his shoes
and
tread lightly the next spiral stairs to an oval shaped
area
bordered by Corinthian pillars, at the center
a
blue pool with Carina floating there on a mattress
face
up, a rope tied to legs and arms and to four pillars.
Hut├бn
hid behind one of the pillars, looking for guards.
Though
no one was noticeable, he knew they must be close
since
she needed to perform basic functions at some point.
After
an hour of waiting, two female guards came, released
the
ropes so she could stand and walk up the steps in the pool
and
offered a table, chair, and a portable toilet.
Carina
sat and ate her meal, used the toilet, returned
to
the water without speaking or any protesting—
which
Hut├бn found most odd, ‘Was she doped?,’ he thought at the time—
but
he learned that escape from this trap was impossible.
He
had to act quickly since soon the effects of the gas
and
the darts would wear off and the guards would quickly find him.
When
he saw the guards leave, he cut the ropes, and Carina
followed
him to the roof, where the guards appeared and attacked,
but
Carina had no difficulty defeating them.
While
the helicopter flew them to the shore, Carina
kept
her arms around Hut├бn and continuously thanked
and
kissed him, and for the first time did what she had promised
she
would do, laying on that mattress in lonely darkness:
express
her true feelings for this man she had so long loved
and
ignore the risk that had always plagued her. I love you,
she
whispered in his ear, and he held her face a long time
and
stared into her eyes and in them Rita was smiling.
A
stubborn wall of bricks crumbled for such a waiting heart
that
pounded hard at the sight of her and feel of her skin,
and
as one once blind, he acquired vision with her embrace.
I
love you too, he said, the words
changing a man grieving
into
a man looking into a future that could be bright and light.
I’m
sorry you had to wait so long for me to see you,
but
that’s done: Forever now you’ll be “in my hair and eyes.”[6]
They
returned to the same shore where awaited the captain
who
took them to the patron’s island and a private jet
that
flew them both back to the headquarters of the Remnant.
On
that jet was the patron, Carina’s father, in tears,
so
happy to see his daughter escape from the Queen’s trap,
but
who soon returned to his own plans to free Hungary
from
the many tyrants now installed there by Dvorak,
plans
that Hut├бn and she eagerly heard and accepted,
and
on which the Remnant had labored before The Schedule
but
upon which they couldn’t act until they had resolved
all
the problems and present dangers facing the Remnant.
[2] Dao De Jing 47, trans. Ariane Rump.
[3] The Secret of the Golden Flower, VIII.11, trans. T. Cleary.
[4] From “The Muse,” by Anna Akhmatova (1889-1966), trans. S. Burnshaw.
[5] From The Quran (610-632), Chapter 17, trans. M. Z. Khan.
[6] From Kenneth Fearing’s poem, “Love, 20C The First Quarter Mile.”

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