Showing posts with label Holly Day. Show all posts
Showing posts with label Holly Day. Show all posts

Poetry: Holly Day

Holly Day’s poetry has recently appeared in Analog SF, Cardinal Sins, and New Plains Review, and her published books include Music Theory for Dummies and Music Composition for Dummies. She currently teaches classes at The Loft Literary Center in Minnesota, Hugo House in Washington, and The Muse Writers Center in Virginia.



The Orphan

my mother brought home a sweet 
little baby sparrow
so
small and helpless 

I knew I could take care of it
it had most of its feathers 
it ate well 
it seemed healthy but the day before I 
was going to take it 

to the park to set it free 
I forgot to turn up the heater 
in its cage for the night and
the little bird froze to death 
while I was sitting downstairs in 
the living room drinking 
cranberry juice 
and vodka, 

watching some stupid TV 
program I 
DIDN’T EVEN LIKE! and
the next morning when I 
went to check 

my little 
friend I found 

him curled up in a huddle 
in the corner of his 
cage 
eyes still open.
***


Formless

my daughter lies in her crib screaming
and screaming and screaming and I wonder
if it’s me she hates so much or if she’s
just angry at the whole world in general
some formless, aimless rage and I
say to her, because I can, and she
doesn’t understand a word I’m saying

what will you say when it’s me in the crib
in a coffin, lying back, eyes closed
sewn shut will you suck angrily at your
cigarette and call me a fucking bitch
say you’re glad that I’m dead that I
was a horrible woman or will you
cry silent reminisce pat my folded dead
dry hands miss me?
***


The Rescue

my father’s hands parting
the water, trying to see
past leaves, dead fish, floating branches
diving down and finding
nothing

every time the wind blows the curtains in
every shadow that doesn’t belong
where is she

thirty years later and I’m still
waiting for her ghost
***


The New Farm

we plant the apple trees in long, straight rows, twist
the thin, soft limbs into gang symbols, secret signs
chuckle amongst ourselves at the thought of a someday forest of giant hands
flash-frozen in “East Side!” “Longhorns!” and “peace.”

halfway through the day, we break for lunch, spread picnic blankets
on the unturned earth, contemplate the mechanics
of crop circles, wonder
how many sunflowers we’d have to plant
to make a smiley face visible from space. 
*** 
 

Wednesday’s Mail

Suddenly, I know what is in the package. It’s 
another  piece of child, sent to drive me crazy.  The package 
is just the right size to hold either 
a bunch of little bits 
or one big piece, a torso, perhaps, 
a well-cushioned head. 
I gently pick the package up and put it 
in the spare bedroom with the rest of the packages 
the tiny finger-sized boxes
the still-sealed shoeboxes concealing bare, uncalloused feet.

The rest of the mail sits waiting to be sorted through 
I flip through pizza coupons, form invitations 
to local beheadings, a flyer advertising the opening 
of a new Baptist church in my neighborhood. 
At the very bottom of the stack is a large manila envelope, 
thick with paperwork. I open it, curiously, not 
recognizing the handwriting, watch in confusion 
as photographs of people I don’t know 
pour out onto the floor. 
***

Poetry: Holly Day

From the Garden

I come in from the garden and I’m covered
in slugs. Tiny slabs of snot with antennae waving
slowly moving over my sandaled
feet, pausing in confusion at trying to pass
a particularly thick black ankle hair
navigating the rough etched surface
of a heavy Tibetan silver anklet.
I don’t touch my hair because
I don’t want to know they’re there, wrapped in tangles
dreadlocks with chewy centers.

I pull my clothes off by the washing machine
and start the hot rinse cycle immediately, reconciling
my guilt at running the washing machine
with only two items of clothing in it
with images of hordes of horrible soft bodies
tumbling through the soapy water with my clothes
hopefully boiled alive. If there were more clothes
in the mashing machine, the slugs would be trapped
throughout the load, might find sanctuary
in sweater pockets and socks
might make it out
alive.


My Places

All my favorite places have been overrun
by kids who look at me as though I’m
some old lady who lost her way, stumbled
into their club late at night on the way
to buy last-minute groceries or some important
old lady medication.

All of my regular haunts are being haunted
by children who don’t understand how important
these places are to me, children
who will grow up to become boring adults
have boring jobs, live boring lives
forget why they ever came to these places
and will wonder about
strange old ladies like me.


The Things That Need to Stay With Yesterday

I wake up and I
can still feel them in
me scratching my skin

with callused hands and
ragged nails get back
I mumble in my
sleep get back to being dead.


The Snowman

we drive our stakes and shovels through the heart
of the beast and pray for an end to
winter. we stomp on its head, kick its black coal eyes
far across the yard and take back our
old clothes from its body. no more snow,
we pray. no more cold.

the snowman lies where we kicked it down
arms outstretched in supplication, begging
for mercy against the onslaught of our
thick winter boots, lit torches
paper packets of early-sow seeds
held close to our chests in anticipation of spring.


Fred

the vampire stalks into my
room his eyes are big black holes
in his head he looms over me, claws
outstretched, the stench
of the undead on his breath. my heart
dies in my chest

at his approach, fangs bared
lower jaw quivering
in anticipation of my
surrender, of the inevitable
spurt of blood destined to stop my life
what I am—I don’t want to
die here, not this way.

Poems by Holly Day

            Beneath Our Feet

the warm breath
of giants sleeping as the snow comes down
carves holes in the unbroken
white landscape.

the giants sleep as the village children
drag heavy sleds up to the highest peaks
of bulbous noses, before hurling themselves into the air.

Just Get in The Car

Let’s go to Florida, slather our bodies with suntan lotion, drink.

Let’s go to Ohio, trade our car in for a tractor, drink
Tell incredible stories about futures that will never happen. Let’s just drive.

Let’s go to California, stop at Kinko’s to run off sets of business cards
Of people no one’s ever heard of, stop for pedicures in Beverly Hills,
Strap ourselves into a convertible, drive until we hit a surfer

Drive straight into the sunrise, drive until the tires hit the water.
Drive until our car hits a cow, or a buffalo, or an Indian.

            Afterwards

as death—“what’s happened to my son?”
the eyes, so tightly closed
elvin frail and pale
questions she should never ask.

screams and tries to look behind the smile
reclining in his midnight coffin
pulls apart his lids
in hope of finding answers.


Holly Day

Short bio:

Holly Day has taught writing classes at the Loft Literary Center in Minnesota since 2000. Her published books include Music Theory for Dummies, Music Composition for Dummies, Guitar All-in-One for Dummies, Piano All-in-One for Dummies, Walking Twin Cities, Insider’s Guide to the Twin Cities, Nordeast Minneapolis: A History, and The Book Of, while her poetry has recently appeared in New Ohio Review, SLAB, and Gargoyle. Her newest poetry book, Ugly Girl, just came out from Shoe Music Press.