Showing posts with label 201610E. Show all posts
Showing posts with label 201610E. Show all posts

Poems by Holly Day

            Beneath Our Feet

the warm breath
of giants sleeping as the snow comes down
carves holes in the unbroken
white landscape.

the giants sleep as the village children
drag heavy sleds up to the highest peaks
of bulbous noses, before hurling themselves into the air.

Just Get in The Car

Let’s go to Florida, slather our bodies with suntan lotion, drink.

Let’s go to Ohio, trade our car in for a tractor, drink
Tell incredible stories about futures that will never happen. Let’s just drive.

Let’s go to California, stop at Kinko’s to run off sets of business cards
Of people no one’s ever heard of, stop for pedicures in Beverly Hills,
Strap ourselves into a convertible, drive until we hit a surfer

Drive straight into the sunrise, drive until the tires hit the water.
Drive until our car hits a cow, or a buffalo, or an Indian.

            Afterwards

as death—“what’s happened to my son?”
the eyes, so tightly closed
elvin frail and pale
questions she should never ask.

screams and tries to look behind the smile
reclining in his midnight coffin
pulls apart his lids
in hope of finding answers.


Bipolar Man Mark Cornell Fiction

Mark Cornell

Brian Ronson came into work every day lugging a large black back pack over his shoulders. Apart from his lunch, nobody knew what was inside of it. His sandwiches always consisted of tin spaghetti, dripping, or sauce and butter. Brian drank a lot of what people thought was red cordial in a plastic cup. His job included wheeling a trolley around the office to pick up and deliver files to his work colleagues. But; most clerks considered themselves above him. As a result, Brian had no friends. If this ostracizing annoyed the clerical assistant he never showed it, he always had a cheerful demeanour and prided himself on his efficiency.

 Brian’s skinny office was wall to wall filing shelves; he could tell you straight away where a file was. Nobody knew how long he’d been working there. The office had a few veteran clerks who reckon he’d been there for at least twenty five years, and hadn’t changed a wink. The clerical assistant liked to dress in grey windcheaters, grey track suit pants and old runners. Some of the less sympathetic in the office used to complain about Brian’s personal hygiene to Management. Management tried to ignore the bickering, but had no choice when it kept building. They discussed the matter with one of the Union veterans of work, Doug Jones. Doug said he thought the matter trivial and bloody ridiculous, but agreed to assist, because he had a high regard for Brian.

 The way the clerical assistant could produce a file at the click of his finger was sheer magic. Unlike the others clerks, Doug had a rich life; he’d gone from being a hippy travelling all around the world, to a published poet, then a policeman. He was one of the last of the dying breed of Australians in that he had nothing but scorn for management, “they couldn’t manage their own bowel movements,” a fair go was his prime motivation. Doug suffered from a nasty heart attack while he was a copper, when he recovered they placed him in an office where nobody worked except for Brian and Doug. The floors were full of people with journals on their desks which had figures added to them now and then.

 While the clerical assistant was on another floor, Doug Jones cautiously stepped into Brian’s cave like office. At first he smelt nothing. But then came, a distinctive, pongy odour of something burning. After sniffing a while Doug made out the smell of burning wood. That’s it ! Doug thought to himself, it’s the smell of an open fire. Doug shook his grey head, silly stupid bloody pompous clerks! All living in houses with the latest electric mod cons, none of them had any idea of the trance like joy of an open fire. Doug’s favourite author, Thomas Keneally, once called the family hearth, “White man’s Dreaming.”

 Doug went to leave, but noticed some drawings on Brian desk. He picked up a writing pad; there were multiple pictures of the Earth. One sketch had the giant ball of iron of the Earth’s core surrounded by an outer layer of molten metal. The rest were of sketches of our blue planet’s magnetic fields, with notes on the side of these sketches stressing migrating birds used these fields to navigate by. Other sketches charted the movement of the magnetic poles; the North was moving towards Siberia, the South was travelling across North West Antarctica. Frenetic notes on one page warned that Earth’s magnetic field was weakening, perhaps because they’re getting ready to flip. It’s not just the earth’s poles that will flip but the crust as well, so Australia could end up in the northern hemisphere; and Greenland in the southern hemisphere. The ex- hippie/poet/ copper shook his head, but shrugged his shoulders, he’d read worse.

 Brian’s trolley bumped through the door. As the clerical assistant came in with a wide grin, Doug noticed he was as bald as a badger with no signs of hair anywhere on his body. His eyes were a different colour to each other, his skin translucent, his cheek bones high. But it was the smile that gave Brian away, Doug had seen it may times as he escorted people with psychological problems into the local institution.

 ‘Ah! You’ve been looking at my research eh?’ Brian didn’t seem to mind, ‘I was a bit worried that my work would upset the earth’s magnetic field or god forbid I’d disrupt the migration of birds and whales but nothing’s happened yet.’

 ‘So what are you working on?’ Doug pointed his grey pony tailed head to Brian’s backpack.

 ‘I’d rather not say yet Doug, It’s early days. But once it’s finished you’ll be the first to know ’

 ‘Fair enough mate, none of my beeswax anyway. I was looking for the Hamley case, where do you reckon it is?’Doug asked. Brian climbed up to the top of a ladder, flew all the way across the office, plucked the file, then gently handed it down to a Doug, shaking his head with respect, who then stepped out to tell the boss there was nothing to worry about. Brian’s smell was due to an open fire.

 * * * 

 Years passed. Most of the Managers in the office who had fought in World War 2 died of liver or lung cancer. Most of the clerks “earned” a nice little package and retired. Slowly the office filled with another generation of corporate people who developed an aversion to Brian. They were different to the previous generation, in that they were more prone to look down their nose or sneer at the clerical assistant. None of them wanted to join the Union. Doug 5. Jones was horrified. ‘It’s every man for himself from now on,’ the ex-hippy/ poet/copper, muttered to himself.

 Then the inevitable happened. The new bottle blond Manager, Melinda Robinson, announced at a general staff meeting that there was to be a no paper policy, from now on everything would be stored electronically. Doug turned to Brian and concluded that due to his beaming face, the clerical assistant had no idea what was going on. Brian spent a week archiving his files with a young space cadet and was then escorted to the lift by a couple of security guerrillas.

 Doug shuffled as fast as he could to Melinda Robison’s office; who was applying makeup to her face with a hand mirror.

‘Aren’t you going to give a farewell speech? Brian’s been working for the department for at least fifty years, has never been ill, he’s always chirpy and loyal, he’s a treasure.’ Brian’s heart banged like a drum.

 ‘That’s your job Jones, besides he’s a loony, now leave my office,’ (ordered the woman who’s “door was always open.”)

 Doug caught the lift down to the ground floor; the young security guerrillas escorted Brian to the revolving doors. Pretty soon there were four 6. young security guerrillas, some of them darkly stared Doug’s way and fondled their pistols.

 ‘Please guys have a heart, I just want to say goodbye to a mate and give him his farewell present. (Doug purchased a $100 Gift Voucher from Office Works. None of the other staff kicked in for the present.) The silent guards gave the two elderly men foul looks. There so different to the security people I used to work with the ex-hippy/poet/copper thought to himself. They don’t talk and they’re so flaming trigger happy. More people flooded the ground floor then a woman screamed at the sight of four heavenly armed young men obviously contemplating using their weapons in a civilian place. Doug collapsed.

 Brian ran to him with his black back pack.

 ‘Drop the bag! Drop the bag!’ shouted the four young men in unison as they dropped into combat position with their guns. A warning shot whizzed over Brian head. The clerical assistant fell onto his knees, rummaged through his pack and produced a large metallic rod.

 ‘Drop the weapon, drop the weapon! Shouted the foursome.

 ‘For god’s sake can you just shut-up? Can’t you see he’s had a heart attack?’ Brian brandished his rod, suddenly every weapon the awesome foursome possessed flew away to stick like glue on the old man’s rod.

 ‘Doug, my one and truly friend on this ridiculous planet I demand you come back. Return from the traveller’s bourn,’ Brian pressed the rod onto Doug’s chest. The Union man convulsed, then shouted, ‘Where the hell am I?’ 

‘You’re back in the land of the living my good mate.’ Brian hugged the prostate man then gently placed his head back on the floor. ‘Thank you for all your care and the voucher, now it’s time for me to go.’ Brian Ronson stabbed his stomach with the rod then disappeared. The guard’s guns and various other killing implements fell to the floor. Brian had left his backpack behind; it was full of drawings and calculations. Doug approached a few scientific institutions but none were interested, which was a pity because some of Mother Earth’s innermost secrets were waiting to be discovered and old Doug’s not going to be around for much longer.


Ghazals by Steffen Horstmann

[Rain laces shadows a finch thrashes through]

Steffen Horstmann

Rain laces shadows a finch thrashes through,
In grasses the knifing wind slashes through.

At Pompeii sparks teem in a thunderhead
The lightning's jagged edge slashes through.

Meteors puncture expanses of stardust
The pulsing light of Matar flashes through.

The minotaur's roars echo in a labyrinth
Gales shoot flaming embers & ashes through.

Circe whispers from seashells as krill glisten
In a cloud of kelp a steelhead thrashes through.

Diamonds adorn a king's shroud in a crypt
The raider's sledgehammer smashes through.

In a Gobi mirage silver light swirls
In the puddle a raindrop splashes through.

Stallions are shadows glimpsed in a haze
Of sand the wind's whip lashes through.

Light flutters in the chrysalis
A monarch thrashes through.

Variation on a Theme by Dylan Thomas


A razed city's ruins jackals will scour.
The cluster of stars a black hole will devour.

A Buddha's statue smashed with sledgehammers,
Its head in the rubble of a fallen tower.

But you speak of sprigs risen in cool ash
With the force of the green fuse that drives the flower.

But you recount winged-seeds cast
By winds fueled with a turbine's power.

Celestial debris laced with shards
Of planets thrashed in a meteor shower.

Nights turbulent with wraiths
Screeching in a wind-wrecked bower.

But you note how kernels of grain can germinate in dust
With the force of the green fuse that drives the flower.

But you speak of how suns combust 
To assert light & light's power.

from The Diva of Jalsaghar


Ecstatic visions flourished
In the mind of Begum Akhtar.

–Ancient candelabras lighting
Ancestral keeps in Salasar.

–The Celestial Dragon floating
Above citadels in Barakar.

–Holy chalices incandescent
In royal crypts at Calabar.

–Jewels melting in a crucible,
The pulsing opals of Kaspar.

–The gentians aflame in blue light.
The auras of Temple trees in Shadar.

–Clouds of arrows rising from galleons.
The flaming battlements of Jaccar.

The arabesques zephyrs sketch
In the silver sands of Kantar.

A ballerina's winged shadow leaping
Through marble arcades in Sahar.

The aurora like a fluid kaleidoscope
Washing over palisades in Makar.

Lightning sheening rain that spins upward
Through tornadoes in Shanar.

Hidden Aches Fiction Anoucheka Gangabissoon

 Anoucheka Gangabissoon
~ by Anoucheka Gangabissoon

Lisa glanced up at the starry skies and sighed contentedly.  Life is turning out to be so good.  She had completed high school, had passed with flying colours and had recently been appointed “Administrative Assistant” for a local travel agency.  The sight of the twinkling stars and the huge moon melted her down.  “How mysterious life is,” she mused.  “It does have its share of folly, as well as its load of misery but being alive is an opportunity.  I shall do my best to live my life fully.  Someday, when I will grow old, I want to look back and smile, instead of carrying regrets.”  Peace settled over her and she closed her window to settle for sleep.  Tomorrow was going to be a new day at work and she wanted to be at her best.

Lisa’s days were quite hectic.  She had to get up at five o’clock sharp so as to be ready by six fifteen.  She would then walk to the bus station and wait for the company bus which would come around at six thirty.  The drive to the travel agency, which was found in the north of the island, lasted around one hour, time enough for her to reach before the opening time which was set to eight fifteen.

She would spend the days juggling between her boss and the clients, dealing with their travel issues, attending to their problems and sorting every problem that might crop up.  This would last till five in the evening, after which time she would be able to rest a bit while the company bus would leave her and her colleagues home.  She usually reached back home at seven thirty in the evening.  Fortunately, her parents never expected her to contribute in the load of housework.  Instead, they pampered her and made sure she lived a comfortable life.

Lisa was only twenty.  She was a beautiful young girl, the shadows of age had not yet touched her and she relished every single moment that life offered to her.  She was a tall and slim girl, she had long straight black hair that reached up to her waist and which framed her small rounded face so well.  Her eyes were hazel and large and they always lit up whenever she smiled.  When she was not working, mostly during the weekend, Lisa would go out shopping with her friends.

One day, as she returned from the beauty salon, her mother called her to her room and closed the door.

“I have to talk to you,” she said.

“What’s wrong, Mum?” asked Lisa as a worried frown creased her pretty face.

“Lisa,” said her mother on a most serious tone.  “You are a young and beautiful girl.  You are our only child and we love you a lot, your father and I.  We support you however much we can and we want you to be happy.  But, you see, we shall not be there forever.  We are getting older and older and we are worried for you.  Lisa, we want you to settle.”

“Oh,” said Lisa as she breathed out a sigh of relief.  “I thought I did something wrong.  I know about all that Mum but I am single for the time being and I wish to pursue my studies before settling.”

“Lisa,” said her mother.  “We have had a proposal from a good family for you.  Uncle Ricky came over earlier and talked about it to your father and I.  The boy is wealthy.  He lives, with his family, in the same town as we do, in the central part, though, near the vegetable market.  And, he has a good job, he is an accountant.  You shall be well cared for.  You would not need to do any more studies and you will not be required to work.  You shall take care of your own house and you shall have servants and maids to help you.”

“Well,” gulped Lisa.  “I would like to pursue my studies still before settling.”

“Lisa,” said her mother.  “You are the apple of your father’s eyes.  He wants you to settle.  He is so sad to see you toiling so hard every day.  He has asked me to tell you that he wants you to accept.”

“Can I give you a final answer tomorrow morning?”

“Yes.  That would do.”

Her mother left and Lisa remained in her room, sitting on her bed and staring through the window till very late in the evening.  She did not want to marry at such an early age.  She was a modern girl, she believed in her rights, she believed in standing on her own feet.  She had seen her cousin sisters going through ordeals at their in laws’ place and she had sworn not to let the same things happen to her.  But she loved her parents, and she wanted to please them.  She did not have the heart to let them down.  The good girl side of her took over her hesitation and her negativity.  So, she came out of her room at dinner time and helped her mother set the table.  Then, when they were all seated, ready for dinner, she said cheerfully,

“I wish to talk to the boy first before taking a decision.”

“Ok,” said her mother.  “I will talk to Uncle Ricky and we will arrange for a meeting.”

This was no sooner said than done.  Lisa found herself a few days later, all decked up, in one of her best sarees and waiting in her room for when she would be called to the living room to talk to her possible in laws.  She could hear her parents talking and she could hear the hustle and bustle of teacups and saucers as snacks and tea were being served.  She could hear the jolly laughs and the respected words in laws share with each other.  Her heart was beating fast.  Doubt and confusion were still there in her heart and she wondered if she was doing the right thing.  Her mother had talked about fate and about how no one could escape from it.  If she were to study further, her mother had logically pointed out, she would not have received such a good proposal.  Studies were surely not in her stars.  Rather, she had been chosen to live as comfortably as a queen.  Lisa was so engrossed in her thoughts that she did not hear the door open.

“It’s time,” said her mother.

Lisa looked up, all startled.  She smiled weakly and stood up.  She felt like an old woman.  She had no strength in her knees and she could hardly walk elegantly.  She hobbled around to get a good gait and straightened her shoulders.
“Don’t be scared,” said her mother.  “They are nice.  They may be so rich, as compared to us, but they are very humble.  I like them already.”

Lisa lived this new experience as if it were a dream.  The boy was called Harsh and though he was not all that handsome, he was the gentlest and the most polite of all the men Lisa had met so far.  He was dressed in a suit and tie, was tall but chubby and had on his face, something innocent.

“I like him,” said Lisa to herself.

They talked for a short time, time enough to decide if they would settle together.  Lisa was relieved.  He understood about her wish to study further and had promised to give her all the support she would need for such to be after they would be married.

“I can even help you in choosing your field,” he had said.  “It does not matter if you don’t work after you complete your studies.  We have everything at home.  You won’t lack anything,”

Lisa could not believe her luck.  She agreed to the marriage which was fixed in a few months’ time.  She quit her job and concentrated on getting everything ready for her big day.

“Mum,” she said.  “You were right about that.  I’m happy I chose to listen to you and Dad.”

“Promise me you will always make us proud of you,” said her mother.

“You can be sure of that,” said Lisa.  “I will never let you down.”

Finally, the great day came and the wedding ceremony was so fast that Lisa hardly knew what she was doing.  All she could think of was how it would feel like when she would be alone with Harsh.  He loved her, she was sure of that.  And she wanted to show him the feelings she had for him so badly.  The rites and the rituals mattered not.  She was just going through them as they were expected of anyone wishing to be married.  And Harsh looked so handsome, dressed in the traditional bridegroom wedding clothes.

When the ceremonies were over, Lisa got ready to follow Harsh to the car.  She hugged her mother tight and fell on the feet of her father.  She would see them again, she would not be so far away.  But still, tears filled up her eyes.  She was leaving her maternal home, the place where she had grown up.  The place where she felt at peace. The place where she had dreamt of conquering the world.  When the goodbyes were said, she settled next to Harsh in the car. Soon they reached her in laws’ house.

“Go inside,” Harsh told her.  “I will join you soon.”

“But,” protested Lisa.  “We have to go in together, there are rites and rituals to be completed.”

“Do as I have said,” said Harsh with authority.

Lisa felt hurt.  She could only stare at Harsh, open mouthed.  What had happened to this gentleman?  She could not move, she remained seated in the car until her mother in law came over and opened the door for her.

“Come,” she said.

“Where is Harsh going?” asked Lisa as the car driver backed the car out of the driveway and drove away.

“Come,” repeated the latter.  “You will do the rites yourself.”

Lisa obeyed and did as she was expected to.  Then, she was sent to her room where she undressed, took a bath and changed into lighter clothes.  There was a heavy atmosphere in that house.  Everyone was tense.  There seemed to be no marriage celebrations here.  Something was horribly wrong.  Her mother in law called her over for dinner and said,
“My son has married you.  I am expecting you to give me a heir.  A healthy boy will be ok, two boys will be better.  Of course, you will be expected to help us all in housekeeping and in the kitchen.”

Lisa gulped.

“Where is Harsh?  He had told me that it would be ok if I study for a three year degree first, before thinking of having babies.”

“My son does not live here.  He lives in an apartment in Hilly Woods.  He lives with his girlfriend, a foreign girl.  I was against their marriage.  I liked you, so he accepted to marry you.  We have agreed, my son and I, that he would come now and then and help you give me the heirs I desire. We have so much of property, we shall have to give it to someone from the same bloodline.  My son will help in raising the kids, financially I mean.  As for studies, we had never agreed to such a term.  Now, have your dinner.”

Lisa looked at her mother in law and felt her peaceful ethos crashing down.  She remembered her promise to her mother, she remembered the respect she held for her father, she could not let them down.  She remembered her convictions, her dreams, her beliefs, her choices.  She remembered the night she had breathed in deeply before going to sleep.  Life was no longer peaceful and serene.  She was no longer content.  She felt like there was a hurricane in her, she felt like it would break loose at any time.  She walked calmly to the table, pulled a chair and sat down.  Life would be thus now.  It must have been written in her fate that she would smile to the world and pretend to be happy while inside her, hidden aches would slowly but steadily build their nests.


Poetry by Sankari Prasad Sarkar

Sankari Prasad Sarkar

As I Enter

       As I enter
       through the eyes of a painter,
       I wander in vain the valley  
       or unknown alley
       where she descends
       and the message she sends
       on the subject, nature, forms, faces
       and eyes through which she traces
       deep down in her mind
       that hopefully bind
       visitors trying to discover
       a canvas has to offer.
       I was eagerly waiting for
       a brush with the top brass
       when I developed a cold feet
       and met with grass under my feet.

      With Nature As I Am

      I feel happy to walk on the meadow
      and sit aglow in the reflecting shadow.
      Wish you not to rush on the lush green grass
      but sit or lie down on the nature’s canvas.

    Chances are you may hear
    in your heart a ring.
    You never know when you start singing
    a song of love held dear      
    with your heart following.

    As you sing, you soar on the wings of love.
    and feel as if you are in heaven above.

    Sometimes I 

    Sometimes I fail to understand
    where I stand.
    Earth, they say, is round.
    Starting as earth-bound
    I can come back around.
    The idea appears sound
    but the fact of the matter rests in ‘do I’.
    The world troops in groups asking uneasy why.
     Sometimes I feel down under the pretext
    of having no context.
    Still I intercept the confusing text
    and set sail for what next.
    Sometimes I feel the world is one whole.
    It is not a rat hole
    where we may seek refuge
    with individualism and deluge.
    It is my wholehearted view
    to live with you, you and all of you.

     Sometimes I wonder
    if I am making a blunder
    in seeking the whole
    as my goal
    or interested in the convergence
    of distracting distasteful divergence.

    At the end of the day
    I would bare my heart
    not to drift apart.
     Allow me to say
    and share my dream
    of having a world without seam
    where ‘a united human family worldwide’
    will live ‘with unlimited love on our side’.


Absences poem by Jaydeep Sarangi

poem by Jaydeep Sarangi

Absences from sunset to sunrise,
touches, smells, small acts
Hands upon hands
Night’s starry prayers
for my sweet thoughts, green.

Memories lost, I’m there
on the deserted, abandoned roads.

Crows have their days
Eating together in starred restaurants and cafes.

Countless colours paint my days
Dazzling beauty consumes
Eyes feast,
Dream dance in jazz.



Impact of Numerology on Creative Writing

By Rajni Chhabra

Numerology is a predictive science based on study of Divine Numbers 1 to 9 and their corresponding influence on an individual's life. It is flourishing day by day on global level. Irrespective of language, religion and geographical boundaries, it is gaining wide recognition. Numerology is the study of numbers and their determining influence on one’s life. Numbers are the prime causes, which create, reform, rejuvenate and reshape the trend of life. They start producing their impact on your life right from the moment of the birth and will continue to influence throughout the life. All the nine planets are assigned with numerical value from 1 to 9 and govern the whole universe. In Numerology, these Numbers are called Divine Numbers. All the beings of this Universe are categorized in number One To Nine, according to their Date Of Birth (DOB) and attain traits of the Planet under which they are categorized.

For example, an individual born on

  • 1,10,29,28 of any month is assigned Birth number and is associated with Planet Sun, whose Number is One.
  • 2,11,20,29 of any month is assigned birth number 2 and is associated with Moon, whose Number is Two
  • 3,12,21,30 of any month is assigned birth number 3 and is associated with Jupiter, whose Number is three.
  • 4,13,22,31 of any month is assigned birth number 4 is associated with Uranus, whose number is four.
  • 5,14,23 of any month is assigned birth number 5 and is associated with Mercury, whose number is five
  • 6,15,24 of any month is assigned birth number 6 and is associated with Venus, whose number is six
  • 7,16,25 of any month is assigned birth number 7 and is associated with Neptune, whose number is seven
  • 8,17,26 of any month is assigned birth number 8 and is associated with Saturn, whose number is eight
  • 9,18,27 of any month is assigned birth number 9 and is associated with Mars, whose number is nine

Hence, a person who is categorized under a particular Planetary number will develop qualities related to that planet and his life will be influenced by it.
Personal attainments are governed by Birth number and luck is governed by your luck number

For knowing your luck number, count sum total of your birth date, month and year. For example 2.7.1981 2+7+1981
 2+7+1+9+8+1= 28
 2+8=10
1+0=1. Hence your birth no. is 2 and luck no. is 1

Birth Number of an individual decides his/her personality traits, physical , social and mental attributes, health, education, career, success on dint of personal efforts, personal property, marriage, matrimonial adjustments, raising family etc. What an individual attains in life through luck factor, is decided by his/her Luck Number. Prestige in social, domestic and business sphere, success or failure in profession, career aspect are governed by Luck as well.Knowledge of favourable and unfavourable Numbers renders us guidelines for utilizing positive numbers for betterment in life and avoiding negative Numbers so that path of life is paved smoother for us.

Our mental and social attributes, career orientation and chances of  success in various professions are all influenced by Divine Number 1 to 9. Numerology has a deep impact on our Creativity, whether it be literature, art or music. You might be curious to know how Numerology influences our Creative writing. I will share my views on basis of Numerology categorically that how persons with a particular number are more inclined and win laurels in a specific sphere of creative writing. I will also quote names of some reputed authors in each category.

NUMBER 1
Persons born on Number 1 or endowed with Luck Number 1 have intellectual ability, keener perception and independent thinking. Hence, they establish themselves well in field of analytical writing, content writing, editorials and study material for competitive examination.
Famous  writers :  Salman Rushdie,  Sh Malchand Tiwari

NUMBER 2
Persons born on Number 2 or bestowed with Luck Number 2 are blessed with boon of imagination, good expression, aesthetic and literary taste and love to learn foreign languages. They excel in fiction writing and poetry by spreading wings of their wider. They also prove good in field of translation and media pursuits.
Famous Writer:  D.H.Lawrence, Satayjit Ray

NUMBER 3
Persons having Birth Number 3 or those endowed with Luck Number 3 have a marked literary taste, inclination towards academic sphere and are gifted with good expression. As a writer, they prove  good in writing academic books, poetry , fiction writing  occult sciences, social issues, religion. motivational write ups and home management
Famous Writer:   Ernest Emingway

NUMBER 4
Persons having Birth Number 4 or those blessed with Luck Number 4 have innovative mind and nontraditional thinking. They have reasoning power, keen intellect  and calculative mind. Hence, as a writer they establish themselves better if they write for social reforms and social awakening,  detective stories, science fiction and art criticism.
Famous Writers:  Munshi Prem Chand,  Amrita Preetam,  Arthur Conan Doyle, Charles Dickens, Ravi Shanker,  Javed Akhtar, Dr Nand Kishore Acharya, Chetan Bhagat

NUMBER 5
Persons born on Number 5 or those endowed with Birth number 5 have highly calculative mind, independent decision making ability,  are good at management. They have fascination for music, travels and love to travel to far off lands. They can prove their creative skills better if they write for banking, accountancy, management, travelogues or can be good as analytical writer, sports correspondent , academic writers and lyricists.
Famous Writer: Dr. Bheem Rao Ambedker

NUMBER 6
Persons born on Number 6 and those blessed with Luck Number 6 have a magnetic charm in their personality. They have marked aesthetic and literary taste, inclination towards fashion and glamour related pursuits. They can be good in academic books writing and in entertainment sector as film script writers, art critics, fiction writers on social and romantic issues, home management and interior decoration.
Famous Writer:  Rabinder Nath Tagore, A.P.J. Kalam

NUMBER 7
Persons having Birth Number 7 and those endowed with Luck Number 7 have all rounder sort of personality, deep aesthetic sense and literary taste. They observe more and speak out their heart less. They are insightful, intelligent and have a mystic aura around them. Far off lands fascinate them a lot They  establish themselves better in field of poetry writing, composing lyrics, writing books on mysticism,  psychological issues and travelogues.
Famous Writer :   Jane Austin

NUMBER 8
Persons having Birth Number 8 and those bestowed with Luck number 8 are more spiritually inclined. They have keen interest in study of philosophy, religion and occultism. They can be good as Art Historians,  writers of books pertaining to  spiritualism and occult sciences,  yoga and meditation.
Famous Writers :  T. S.Eliot,  George Bernard Shaw, Mirza Ghalib,  Mahadevi Varma, Sahir Ludhyanvi

NUMBER 9
Persons born on Number 9 and those endowed with Luck Number 9 have independent thinking and decision making ability. They are more spiritually inclined. They can excel in sphere of writing religious books, occult sciences, art criticism, social awakening, books on law and geography.
Famous Writers:  John Milton,  Leo Tolstoy, Gulzar   


Poetry by Allison Grayhurst

Allison Grayhurst

The Clothes We Wear

Fall down and recognize
the river and its reaching sway.
Solitarily suited between what you gave
and what was refused reception.

Born on a balcony, hung over the rails -
so much work, so much love needed to
make it work. And then you grew up
and needed only a dark room to hide in,
the reproach of some sages and
the occasional charity.

Then your fire-ball bouquet of demands,
squealing and giggles drew blood and the rain
got stuck in the sky as the angels misplaced
your destiny. They cannot get it back –
some have tried, most have not even bothered
as it was fed into the ocean, swallowed up
by primordial beings, ancient, not used
to sunlight and heaven.

They swim through pressurized underwater caverns,
carry it stuck in their gullets, only to be released
when their centuries-old bodies give way to compost. Then
maybe a holy voice will hear it cry out, bubble to the surface
and claim its place back inside of you. Maybe, in that time
you will give value to the hallelujah
that fireworked through you when you first came here –
from another place, high up, but strange and dark too
as the ocean’s floor.

If there is anything open

I will return
from infinite dying
and the conscious swallow.
I will say – I will not want,
be a daughter of the root and caterpillar climb.
If there is anything worth keeping
I will keep it on the kitchen table
feed it blueberries, honor its language,
and biology.

But if is only echo, tell me clearly
so I can shut my eyes, turn and open them
elsewhere, find joy in sweeping the stairs
or typing in a mantra – all night, humming without erratic
fire or appetite. If my hands are only hands, let them
be clean, ungrasping, useful, in other ways, holding out
to offer, to receive, surrendering
bread, the stone, a smile.

Say good, say goodbye

Bright in the box in the cupboard
where the keepers of conscience and trivia
highjack the pacing depths
to replace it with an easily peeled-off
sheen. It is time to bloom,
to say goodbye to books and playballs of requisitions,
decoding philosophy and revelations in tune
with taking a stance.

Death, I am a robin’s feast with
dandelion breath
stalling at the toddler tree
worshiping what is yet to bud.

Death, you made me confused, me,
the revealer of the signs,
mountain-top screamer, fencer for
a fourth-dimensional world.

Flat rocks in a circle, gulls circling
one graveyard, spot
of significant mourning. Faint lines.
But God is solid, exact, without
need of interpretation. Death
is only a layer reached
and removed, when traveled
then traveled through.


Poetry by Nathalie Buckland

Nathalie Buckland

Beside the road

Glistening crystal fragments
litter the tarmac.
The wrecked car seems from here
bejewelled;
a sculpture of twisted metal
listing, wheels removed,
stuffing spilling from seats—
abandoned.

An hour ago I passed it, mildly dented,
sitting on all its wheels,
waiting, I thought,
for rescue
beneath the sheltering trees, its windows down,
towels flung in the back;
anticipation of a weekend jaunt
disrupted.

We call the wreckers vandals
and we fear
what bubbles in their blood,
buzzes in their brains,
the overwhelming frenzy
that consumes them.
But maybe they, abused,
abuse in turn a car.

The wreck will be removed;
only the shards will linger here a while,
but where
where will the anger go?

Damaged

I never met him,
someone else’s damaged child
grown to manhood
carrying his parents’ hopes
his own bright dreams
too heavy on his shoulders

rehabilitation –
like school, he played for praise
sought approbation, cleansed his body
battled with his mind
and graduated healed

the drab routine
of Welfare, then a job – a fabricated job
each day the same
and back to dreary lodgings…

how could he resist
the glamour and the soaring flight
the great escape, the risk?
careful at first and secretive
he sipped
forbidden fruit the sweeter
greedy veins implore
more … more …

and she
knocking anxious at his door
hesitant
calling his name
enters a room
empty of breath redolent of death
the needle dangling still
his body… colours people should not be,
are not when blood is moving
she
dials and people come
uniforms, lights flashing,
stretcher, statements
the covering of his face

over for him
for others just begun

I never met him.

Old women busking

The busy street
 swirls with action –

spilling from cafes
clumping at cash-points
people are jostling
talking, shouting,
laughing, arguing.

Children dart and weave
bright threads among the crowd,
Elders tread with
careful feet
youths loll and pose.

Shoppers and browsers
sellers and idlers
part around us as we –
taking our notes –
begin to sing
‘Imagine’
in three part harmony.

The footpath stills
voices quieten
cameras click and flash
our alchemy
changes for a moment the faces…
and my heart.

(‘Old women busking’ previously published in ‘Shards & Figments, Poems by Nathalie Buckland, a self-published book sold locally by the author.)


Poetry by Li├╣saidh

Li├╣saidh
A Burned Ghazal

With spitting spite you rip and spurn her verses—
What cabal this?  Who stoops to burn her verses?

Books on the pyre, ablaze by fickle dictates —
The ash of Muses, in the urn. Her verses.

Her silenced stanzas rise from mourner’s singing —
For what do Swati’s daughters yearn? Her verses.

The Unfair Sex are immolating Wisdom —
If only they had stopped to learn her verses!

Your ship, aflame, adrift in sacred rivers —
Beneath you monsters snap and churn. Her verses.

Charred rigging will not gain you dismal distance — 
The black swans chasing you, astern? Her verses.

Board the barge! Behead with righteous sentence — 
The weapons used to overturn? Her verses.

Lucy’s threaded heads to Kali’s Necklace —
Swati’s not her god. Adjourn her verses.

____
Notes: In Hinduism, Saraswati is the goddess of books, writing, music,  poetry, learning and wisdom. It is considered an affront to her to destroy writing. Her symbol is the (white) swan. The goddess Kali — whose colour is black and who represents time and change — is also known as the Destroyer.  She has a necklace of severed heads. Every single head had it coming. Disdain wisdom, burn books, and you find yourself facing a far more implacable deity. This poem is written for a man who destroyed a poet’s verses. If he so disdained Saraswati, will he find himself before Kali? 

Love and Wine

So will he be my lover come tomorrow? A roaming man, he’s  paid in love and wine — 
For who is now the author of my sorrow?  Only the one that stayed in love and wine. 

The axe upon the bough though it might kill you,  your feral cattle roam below the hills
Those ancient tales of border reivers thrill you.  Who knows, perhaps you raid in love and wine? 

I’m drowning in the River,  love, a torrent,  the seeping cold that clings to sodden gowns —
By unburned haystacks, take more than I’d warrant,  from rivers that you wade, in love and wine. 

While Agape’s our quarry—and Affection—our Friendship that augments that other Love.
Without these three we’re sure to lose direction,  for Eros can corrade in love and wine. 

Have you wronged her? The Lady’s cold and wicked, and few like you survived to play her false. 
The warning’s growing gayly in the thicket — the Bella Donna’s shade, in love and wine. 

Reason’s underrated for discussion, debate it sober, then debate it drunk! 
It’s discourse (scholarly, in ancient Persian). Philosophy’s  charade,  in love and wine. 

The gasping dark, your fingers cuff my wrist-flesh, you hover and command my whispered plea—
Such pressure of your love on blazing kissed-flesh, for Li├╣saidh lies unmade in love and wine. 


Two poems by Diwakar Pokhriyal

Dr. Diwakar Pokhriyal

Distance

Distance between the hearts,
At time exceeds the galaxies,
Shining venom plays wild,
Love gets covered by fallacies,

Shattered into pieces instantly,
The relationships so close,
Egoistic glasses covers the mind,
No matter whosoever chose,

All the twinkling star of pasts,
Burns instantaneously,
Flowers of the spring dies,
Anger fills the heart copiously,

In just a matter of seconds,
The whole life goes for a toss,
Win-win situation ceases to exist,
In the fight of ‘Who’s the Boss?”

Like an invisible demon of time,
Distance plays an important role,
Interest, infatuation and lust,
None of these comforts the soul.

In the end

The place of freedom,
Lies somewhere close,
Where no-one shouts,
No one needs a dose,

The place so ideal,
Without discrimination,
No signal of pain,
No unwanted sensation,

The place of fires,
Where desires reside,
Where truth evolved,
Where tragedy, died,

The place full of colors,
Beautiful rainbow house,
Everything so perfect,
Nothing to denounce

The place full of love,
Sprouting emotions,
Forget pulling down,
Just all and all promotions,

Such place do exist,
It’s not just a dream,
Takes just the longer route,
It revives – ‘In the End’


Three Poems by A.K.Choudhary

Arbind Kumar Choudhary, IWP
Teacher

O Sun ! Remove the viper
For the celestial aster.

Teachers’ teaching passion
Makes a man of iron.

Teaching technique and style
Is ever fertile.

O messenger of the superpower!
Turn the century for the whooper
For the nectar
Amidst   many a vulgar.

Dadhichi’s*  lesson fires the notion
For the potion  of a man of motion.

Doggish loyalty is a deity
For a man of chastity.

Note: Sage *Dadhichi gave up his life, so that a weapon Vajra could be made out of his bones, which would help king of gods defeat a mighty demon Vritrasura.

Change

The  passage of the change
Is the wage of the sage
For the celestial passage
Amidst many an earthly cage.
Change is the constitution
For the sanctification
Of a man of game person
Amidst  many a man without vision.
Birth, death and rebirth
Bloom as the divine myth
For the natural sheath
Amidst many a wintry faith.
O  Change !Your  notion
Fires  the  potion  of  Thakur  Dalan*.

Note: *The birth place of R.N.Tagore, Nobel Laureate, has been popularly called Thakur Dalan.

Sensation 

The chirping birds,
Roaring clouds
And lightning rainbow
Fail to stir sensation
Deprived of wisdom
And celestial thought.
&
The flowing rivers,
Blowing airs,
Tempestuous waves,
And snowy hills
Are more sensational
Than the Sensation itself
For the novelty
Over cruelty.
&
Life is the road
And man is the passersby.



Talking of infinity the Rob Harle way - Sunil Sharma

Rob Harle
(Book Review)

Rob Harle is transiting from the physical to the metaphysical.

Nothing wrong in that. Often humans do make sharp detours and undergo inner transformations. But a transition becomes remarkable in case of an artist. The banal becomes electrifying for a writer with a heightened awareness and sensitivity. Leo Tolstoy. His resurrection changed the moral order of the world and deeply affected the persons going through an identical crisis. Call it existential or spiritual or political. The quest for satisfying answers for the individual quester. A search for an illuminating pathway to the stars and moon. Or, plain truth that uplifts and brings about a change dramatically opposite to the original self. One such person seeking clarity was Mohandas Karamchand Gandhi in his early South Africa days. Leo Tolstoy exercised a great influence on him and his world view got refined under the Tolstoyan teachings. Rest is history. Two different souls; locations; principles, exchanging ideas and the end-result, an unstoppable force called Bapu who got a country freed from the Raj.

Metamorphosis can be liberating!

Rob Harle---the saint of the Nimbin Valley, NSW, Australia---is another artist grappling with many issues of great urgency by having a direct engagement with ideas through art. Like Tolstoy, or Dostoevsky, he too experiences internal mutations and becomes his own opposite. Such journeys can be extraordinary for both the writer and the reader. One of the primary aims of art is to challenge and change ossified modes of viewing and thinking. Rob Harle’s third collection of poetry called Winds of Infinity (WoI) superbly performs this delicate task. Its sub title is: Poems of Transcendence. A daring lyrical mission in view of the surrounding ennui, the deadening of sensibility and social numbness, in post-industrial civilization. Rob posits the counter aesthetics proposed through the WoI in the following assertion:

Postmodernism has attempted to destroy the sublime and the numinous. The new art and poetics in this post postmodern era must help restore our abandoned metaphysical and spiritual modes of being. This art also now in postdigital age must re-humanise the technology of the digital. (Preface)

The 104- page, illustrated and splendidly-produced WoI achieves the process of re-integration of humanism through its poetry and visual mix. The reader sails through its variegated  and rich landscapes smoothly and at the end of the adventure gets transformed by its innate humanistic vision bordering on the spiritual. And all this is realized in simple lines that deal with profound thoughts.

Sunil Sharma
Take this poem as an example:

Old houses stand proudly
Weathered by the insistence of time.
Once, carefree children played in the street
Singing their fairytale songs.
The houses cry in their emptiness
Carelessly marked for demolition.
New roads cut the old village sharply,
A tired curtain flaps from the attic window.
Drifting with the curtain
A child’s soft sweet song caresses my ears. (Attic Songs, p. 7)

Harle often serves a collage of the personal with the philosophical observations that gel neatly. Relationships, mortality, memory and lands immediate and far off intermesh to engender a heady literary cocktail in Brothers Across Oceans:

The wheel of life spins endlessly
like the sun rising in brightness
then setting into darkness
.
My younger brother-a good man
consumed by the hideous disease.
but dead on Valentine’s Day.
.
And then a stranger,
materializing Genie-like
from the exotic distant land of Krishna
.
Adopts me as an elder brother,
reciprocation without hesitation,
again I have a younger brother,
the wheel is spinning. (p. 13)

These lines simultaneously set up an old binary and then destabilize that swiftly. The exoticising of India as a mystery, a land of the Lord Krishna, as something distant and alien, and, a stranger appearing suddenly Genie-like, an apparition, build up on the existing Western tropes of the Orient as the permanent site of the Other, thus reinforcing the traditional perception, mode of cognition of non-Western culture as something exotic but, quickly, Rob the humanist, the liberal, the spiritual, undermines this politically-loaded narrative by embracing that exotic, that apparition, that Genie-like figure, as his kin, his younger brother, thus inaugurating the cosmopolitanism of great poetry that always questions, challenges and changes such well-entrenched notions about race, people and culture, as untenable ideology of a divisive politics. The very declaration--- again I have a younger brother---deconstructs the racist philosophy and inverts it totally, thereby re-inscribing the feelings of fellowship and global community; of oneness, identical similarities; of belonging to one universal family, despite the inevitable cultural and geo differences and plurality. Beneath the skin and colour, we are same species.

Only Rob Harle, the saint among poets, the seeker of truth, the follower of the winds of infinity, could do that.

Infinity?
A theme agitating the sages and savants. What is infinity? Antonym of finite?
More than that?

The riddle is to be solved individually. Here is the answer provided by the poet: the perpetual flux of life that is infinity; the evolutionary force in the midst of constant change; the underpinnings, the core foundation of existence, of growth:

The key turns in the rusting lock
And dreams drop to the ground
Like rotting dying leaves,
The grit of aeons-persistent
Grinds the leaves to dust
Then the winds of infinity,
like the ever present illusion of time
drifts the dust back home,
.
Home to the great ocean of Being
The prima material-mother of all. (p. 103)
.
The poetry of a re-incarnated Rob is full of sympathy, love, empathy and energy directed towards humankind. It is compassionate and all-embracing in its wide reach. In his latest avatar as an evolved soul, Rob Harle offers true insights into the vexed questions of being-hood and living in uncertain times where hatred wins its own fanatics by the hour. He is a pagan re-born. Violence and bombs and racial profiling and tech-driven robots---well, dystopia has arrived already in a big way. The only thing different this time is that unlike other bleak nihilists, Rob is not celebrating the death of a civilization but rather heralding a dawn of the re-birth of a new being for a sterile age. In that alone, he is our new prophet of hope and finer values that make liberal arts so essential for a soul-less culture. If mass society insists on reification of homo sapiens, Rob the artist-philosopher, insists on re-inscribing the moral vision and appeal of humanism as the central template, the only way forward for recovering human agency and autonomy, in that global market.

Winds of Infinity hints the power of nature, imagination and strong belief in the face of utter cynicism and commodification of feelings. Winds sweep away the dead and scatter the pollens of change---that cyclical process ad infinitum is, well, life with a capital L.

Here is a poetics of hope, redemption and resurrection through great art.

Must-read for the discerning audience that seeks depth than surface and tend to go beyond the illusion for the real substance.

Winds of infinity: Poems of transcendence. Rob Harle.
Allahabad: Cyberwit.net. 2016. ISBN 978-93-85945-45-8.
Price: INR 200

Celebrating Inability: Canada’s Bizarre Approach to the Ghazal

Pat Collins

- Pat Collins

It’s interesting how the ghazal—that ancient Middle Eastern form of poetry consisting in couplets marked by a consistent inner rhyme and refrain—has found a place in Western culture in recent decades. Examples of the form have been popping up in American publications increasingly since the mid 1990’s, and a magazine dedicated exclusively to the form first appeared in 2003. Probably the most significant testament to the form’s growing popularity is the fact that two English-language ghazal anthologies have been published since 2000, and a third is rumored to be in the works.

            What’s even more interesting than this adoption of the ghazal in the West, though, is the bizarre manner in which many Canadian poets, editors and critics have approached the form, adopting it in name only out of little more than expediency, apparently.

            In order to celebrate such a dubious approach, of course, someone has to chronicle the poets and justify their shortcomings. Enter Ontario native Rob Winger, who received a Ph.D. from Carleton University for his thesis, “John Thompson, Phyllis Webb, and the Roots of the Free-Verse Ghazal in Canada.” His highly contrived “A Brief History of the Canadian Ghazal” appeared in the Ontario magazine Arc Poetry in 2009. “Ghazal Mania: A Guided Tour by Rob Winger,” read the blurb on the front cover of No. 62. Winger’s far-from-complete story begins in the 1970’s with the publication of the second book by the British-born Thompson.

            Stilt Jack by the English ex-pat was posthumously published in 1978. Six years later, Phyllis Webb’s Water and Light was brought out to the public. Both books were promoted and sold as collections of ghazals, despite the fact that composition in couplets was the only ghazal attribute that their contents possessed. Webb even went so far as to refer to her volume’s poems as “anti-ghazals.” Whether Thompson and Webb were incapable of incorporating the other elements of the ghazal form, or if they were simply unsure of said elements to begin with, is still somewhat unclear – particularly in the case of Thompson.

            Whatever the case, both poets’ so-called ghazals developed a cult following in the ensuing years, especially among young burgeoning bards. Oddly enough, it seems none of these admirers and imitators ever bothered to research the validity of Thompson’s or Webb’s verse structures. A little research might also have uncovered the fact that Saturday Night magazine editor Robert Fulford rejected Thompson’s “ghazals” on the grounds that they were “not suitable,” and that Thompson’s publisher, Anasai, showed no apparent interest in publishing Stilt Jack while its criminally insane author was still alive. Such details are often overlooked to this day—presumably out of convenience. Also ignored is the rather telling fact that Webb never dabbled with the form after the publication of Water and Light, and has never commented on the particulars of formal structure that have come to light (and into practice) in the post-Ravishing DisUntities era (she’s still alive in her nineties). In spite of such conundrums and anomalies, Winger sees Thompson’s and Webb’s attempts at the form as seminal, and claims they “respect its historical roots” (Winger: “A Brief History of the Canadian Ghazal,” p. 29).

            Winger’s bizarre story is somewhat foggy and short on details when it comes to the period following Thompson’s and Webb’s supposedly remarkable experiments, but it seems to suggest that the likes of Douglas Barbour, Jan Zwicky, and Harry Thurston—all writers of free-verse “ghazals,” not surprisingly—have been the form’s essential Canadian flag carriers in the decades since Stilt Jack and Water and Light first appeared. What is so curious about this is the fact that Winger makes no mention of Eric Folsom, who, in the mid 1990’s, followed the lead of American poets Gene Doty and William Dennis, and published a series of couplets-only “ghazals” in Lynx, a Californian journal dedicated to Asian poetic forms. Doty and Dennis would go on to discover the attributes of the real ghazal, with the former launching The Ghazal Page webzine and the latter publishing examples of the form that would be worthy of inclusion in the 2014 Contemporary Ghazals Anthology. Folsom, on the other hand, would not make such a transition, and subsequently disappeared from the form’s bigger international picture. (A chapbook of his couplets-only attempts, Northeast Anti-Ghazals, was published in January of 2005.) One can’t help but wonder if Folsom was excluded from Winger’s article because of the company he kept – i.e., the fact that he published in Lynx might have opened up a whole new can of dangerous worms. In other words, by acknowledging Folsom, Winger might have been obliged to acknowledge another Canadian poet who had attempted the ghazal form for that same Californian journal—one who had managed to get it right.

             Ironically, Winger’s article and his thesis on Thompson conveniently ignore the fact that R. W. Watkins had a proper ghazal (“At Night”) published in Lynx in 1999. Along with “In Bogs” (which lacked a complete/consistent qafia across the couplets), it would become the only Canadian content in Agha Shahid Ali’s Ravishing DisUnities (2000), the world’s first anthology of English-language ghazals. This is also ignored, even when Winger addresses said anthology in some (dismissive) detail. Also unacknowledged is the fact that in 2003–04 Watkins edited and published the first two issues of Contemporary Ghazals – the first and only English-language journal dedicated exclusively to the form.

            Curiously, Winger doesn’t fail, however, to acknowledge the fact that in 2003 Lorna Crozier published a volume of free-verse “ghazals,” Bones in Their Wings.

            At its core, Winger’s article seems insistent that the Canadian free-verse “ghazal” is a worthy “form” which should be considered on par with its Eastern namesake, and that the “few” examples of the real deal are to be conveniently ignored. If this is not a save-face celebration of Canadian inability and defeatism, then I am at a loss as to what is.

            Such a celebration also proved self-serving, for in 2010 Winger published his own volume of free-verse “ghazals,” The Chimney Stone. The book received modest “acclaim” from unquestioning Canadian critics, and universal disregard from the conveniently avoided ghazal traditionalists south of the border. Not surprisingly, it is at this point that the “official” story of the Canadian ghazal seemingly comes to a convenient end.

            Of course, for those who cherish truth, disclosure and cultivation of the poetic craft, the story far from ends in 2010. In fact, one might very well say that the history of the ghazal in Canada since 2010 is synonymous with the country’s contributions to the real ghazal, whose story continued significantly in 2013 with the return of Watkins’s Contemporary Ghazals after a lengthy hiatus. The long-awaited No. 3 was published in the spring of that year, followed by No. 4 and the Contemporary Ghazals Anthology in 2014; the latter collecting 40 poems by fourteen poets from the U.S., Canada, Holland and the Indian Subcontinent. Issues 5 and 6 of the magazine were subsequently published in 2015–16; the most recent containing “Ghazal for M.,” a genuine example of the form in English by another Canadian poet, Fern G. Z. Carr.

            So one is left wondering why Winger and his fellow travelers (editors, publishers, Carleton University) insist on such omissions and misrepresentation of the facts. Why the false history? Why the deception?

            “Canadian poets are quite adept at changing the rules in order to accommodate their own shortcomings in the talent department,” insists R. W. Watkins. “This is certainly true in regards to a form like the ghazal.  Such poets—and their cronies who run the state-funded journals and publishing houses—base their arrogance on ignorance, expediency and deception. Black is white and white is black. It’s a very generic left-wing way of doing things, bordering on the Orwellian.”

            Watkins avoids most of the traditional Canadian publishing outlets these days, and instead takes advantage of the new online platforms like CreateSpace and Amazon Kindle—“mainly because I like to make some money,” he adds. Fiercely non-compromising in his approach, Watkins has been heavily influenced by the Ayn Rands and Steve Ditkos on one hand and Gen-X-focused independent record companies like Sub Pop on the other. He sees the literary establishment in Canada as little more than a farce.

            “Many of these editors and publishers are the type that screams ‘Hippy!’ when they get cut off at an intersection by someone with thick sideburns.  Some of them are such anachronistic numpties that when they hear a term like ‘goth’ or ‘grunge’, they probably envision Elvis impersonators.”

            According to Watkins, the ineptness extends into even the most remote corners of Canada’s literary environment and borders on the completely ridiculous.

            “I once received feedback regarding a short story I’d entered in the Newfoundland & Labrador Arts and Letters Competition that stated, ‘Good fiction doesn’t contain adverbs.’ I mean, bloody hell – you can’t make up stuff like this!”

            One of the best and most up-to-date essays on the ghazal form can be found in a recent edition of The Ghazal Page webzine. “The Evolution of the North American Ghazal: Orientalism, Revolution & Heresy” by Eugene A. Melino actually started out as a history of the Canadian ghazal, but quickly changed direction when its author hit a brick wall in regards to content. “I dropped the original premise,” says Melino, “because, quite frankly, there was no story there, or not a big enough one. To my mind, Canada is not particularly relevant to the real ghazal, and Contemporary Ghazals is not a Canadian journal.  Not really.  It is an international journal that happens to come out of Canada.”  Melino points out that a random glance at the contributors’ bios in Contemporary Ghazals reveals a vast majority of American writers, with overseas input hailing from India, Australia and The Netherlands.

            Watkins claims that there was very little Canadian interest in his publication from the outset. “I spread the word through the various journals and organizations—like the League of Canadian Parrots, er, Poets—and stirred up zilch interest,” he says today. “It’s the poets south of the border who made Contemporary Ghazals a worthwhile project. Ditto for my new journal, Eastern Structures. The talent and initiative is simply lacking up here.” Watkins admits that things have improved somewhat on the Canadian front over the years, but not substantially. “When I had a copy of the Contemporary Ghazals Anthology sent to some Ontarian named Michael Dennis for coverage on his blog, he didn’t even bother to review it. I guess he didn’t have the necessary qualifications.  He did, however, review Rob Winger’s The Chimney Stone. That tells me everything I need to know about Dennis’s literary standards and politics.”

            Watkins has also taken it upon himself to extend an olive branch, as it were, inviting Rob Winger to try his hand at writing some proper ghazals. Alas, his dovelike effort has not proven fruitful. “When I emailed Winger a couple of years ago, inviting him to contribute some real ghazals to my journal, he never even bothered to get back in touch. That’s what I call a resounding silence of the negative variety.” Watkins now takes a dim yet jovial view of the dubious poet and the system that produced him. “Rob Winger’s silly thesis proves that a Ph.D. from Carleton University is worth just slightly less than a Bazooka Joe bubblegum comic in VG condition,” he says with a laugh. “In fact, given my background in essays for The Comics Decoder website, maybe Carleton would award me a doctorate for a thesis on Bazooka Joe.”        

            Such contrived essays and Ph.D. theses may not have any real bearing on the way in which Canadian ghazal poets (whether rule-regarding or corner-cutting) are perceived of on the international front, however. Watkins insists that books and essays like those of Winger are intended primarily for Canadian eyes—especially fellow writers’ eyes—and are all about reassurance. “Things really haven’t changed much since F. R. Scott was writing satirical poems about the self-important Canadian authors of the 1930’s and ’40’s,” he assured me. “A large percentage of them are still rather deficient in the talent department, and seeking solace in each other’s mediocrity is still a means of propping themselves up.” Eugene A. Melino is convinced that his recent up-to-date essay on the Western ghazal should help bring attention to Contemporary Ghazals, Watkins and other relevant Canadians shunned undeservedly at home by a self-serving circle of redactionists. “It is the only source for the comprehensive story of the ghazal in English,” he insists. “Any poet or scholar interested in the subject will have to read it.”

            Melino is also convinced that free-verse ghazals have run their course, pointing out that he very rarely encounters new examples in his native U.S. any longer. “The zeitgeist is right for the real ghazal,” he says. “To write in a traditional form rooted in Muslim culture is controversial in a time of rabid Islamophobia. The real ghazal has become ‘sexy’ in ways that the free-verse ghazal, with its non-sequiturs and obscurities, can never be.” If Melino’s assertions are correct, then the poets of Contemporary Ghazals and Eastern Structures are in the vanguard, and Canada has been exuding sexiness for some time.

Khoorshit - Urdu Fiction by Sa'adat Hasan Manto

~V.G. Nand is a trilingual author, based in Mumbai India
V.G. Nand
We had met Khurshid (the Parsees pronounce it as Khoorshit) when we were in Delhi.  It so happened that our child was ill and we needed a doctor. One Mr. Keshwala who lived in a flat opposite the building in which we lived referred us to a Doctor named Kapadia who was not far from our residence. We called him. Dr. Kapadia was a man of small frame and also hunchbacked. He spoke Urdu with fine accent for he had been born, brought up and educated in Delhi. Dr. Kapadia visited us three or four times during the illness of our child. His treatment was effective and our child was cured. Now Dr. Kapadia was a noble soul and when we offered him the fees for his services, he declined to accept it. Our acquaintance developed to the level of social relationship and soon my wife and myself started visiting him. During one such visit he introduced us to his son Savak whom we soon found to be extremely sociable.  He was employed with SINGER Machine Company and drawing a monthly salary of about six hundred rupees. Savak Kapadia was an amicable, neatly dressed gentleman  with an odd factor of complexion which was ‘yellowish’ which might have been the result of his being anaemic He had kept his house spick and span and we were now frequent visitors to his house. Usually, we used to go to the Kapadias in the evening. 

Sa'adat Hasan Manto
Khurshid, Savak’s wife, always welcomed us with great enthusiasm and treated us with the warmth of hospitality. A tall woman Khurshid had been spared of the oddity of nose the Parsees generally have. Not very good looking she had fair complexion and had bobbed hair that suited her round face and being generally well-dressed she looked pretty. She and my wife became good friends and soon the Savaks also started visiting us and twice or thrice a week would spend long hours chatting with us through the evening.

Whenever we went to Savak’s house we would find one more person there. This man was a Sikh, looking healthy and seemed a good-natured fellow. Savak told me that the Sikh was his childhood friend. His name was Jorawar Sinh. They had read together since childhood and done graduation in Arts. By appearance Sardar Jorawar Sinh looked comparatively older than Savak and perhaps being anaemic Savak looked much smaller than him. While Sardar Jorawar Sinh looked like a man around forty, Savak appeared to be not more than eighteen.

Sardar Jorawar Sinh was a bachelor. It was war time and Jorawar Sinh had got many contracts from the Government. His father was an old government contractor but the father and son did not see eye to eye with each other.

Jorawar Sinh was more of a libertarian and the father and son were not on talking terms. He was, however, the apple of his mother’s eye for he was the only son in the family. His other siblings were all girls, three in number. They were all of them married and well settled in life. His mother showered all or her affection on him and treated him as if he was a small child. He was a fondled child. Now his mother had only one desire and it was that Jorawar should also be married but Jorawar was not ready even to talk on that subject.

One day I asked him : “Sardar Sahib why don’t you get married?”
Smiling in the moustache he said, “I’ll, but what is the hurry?”
I asked him, “How old are you?”
He said, “Guess ............”
I said, “I feel you’re around forty”
Sardar Jorawar Sinh smiled and said, “Wrong.”
I said, “Okay, tell me yourself.”
Sardar Jorawar Sinh smiled again and said, “I’m much younger than you - even age-wise ... just day before yesterday on 29th August I completed twenty five.”
I said, “sorry for the wrong guess... but by your appearance nobody, I feel, would say that you’re twenty five.”
Sardar Jorawar Sinh laughed, then said, “I’m a Sikh and an exceptional one.” Then throwing a close-look at me said, “Manto Sahib why don’t you go for a hair-cut? Aren’t you bothered by such long hair?”

I moved my hand over the neck. It must have been three months ago that I had it cut. Sardar Jorawar Sinh’s remark made me conscious of my long hair and suddenly started feeling the burden. I said, “I had forgotten. Since you said it I’m feeling the burden of it. God knows why, but I don’t remember going in for it; its bloody sort of a botheration to go to the barber. Its such a nuisance ! Sit an hour before the barber with head bent down..., listen to his rubbish helplessly ............. he would talk about some actress, her affairs, ... he will talk about America having readied the atom-bomb and how Russia has a strong reply to it........ Will say Who is Atlee? What about Mussolini? Where is he these days?” If you tell him he has gone to hell he will ask you further, ‘How? Which way? Which hell?’ Nonsense !

Having heard me out Sardar Jorawar Sinh removed his white pugree and kept it on the teapoy. I was shocked to see that he had very very short hair as if cut to zero level. But he wore his pugree in such a way that one would feel he had the usual long hair of a Sikh. Seeing me surprised he smiled and said, ‘I can’t bear hair longer than this’. I made no comments on this; I didn’t think it proper. Then he changed the topic of our tete-a-tete which now turned towards Khurshid. He said, “Manto Sahib! Do something for Khurshid.”

I failed to understand this sudden shift in conversation. I asked “Khurshid? Who?”

Sardar Jorawar Sinh replaced his pugree on his head and said, “For Khurshid Kapadia.”

“What can I do for her?” I said. “She loves singing  so much” he said. I didn’t know this. I said, “How does she sing? Obviously the question was aimed at finding out the level and quality of her singing, though unintentionally. But that was encouragement enough for Sardar Jorawar Sinh and he went into raptures talking about Khurshid’s singing and spoke with such glowing eloquence that I felt it was sheer exaggeration. He said, “Manto Sahib, she has been gifted with such beautiful voice. Especially she sings Thumree so well that you’ll be carried away by her rendering. You will feel you are as if listening to Abdul Kareem Khan Sahib. And the most interesting thing is that Khurshid has not been anybody’s disciple. Whatever she has got, is endowed upon her by nature. Please come to my house in the evening. Bring Mrs. Manto also with you. I will call Khurshid. Just please listen to her singing once.”

“Sure,” I said, “I didn’t know about her singing.”

Then by way of recommendation he said, “you are working with the Radio Station. I wish she gets some programmes every month on the Radio. She is not interested in money.” “But if she gets a programme she is bound to be paid for it. Otherwise in which head of account will the government deposit the payment due to her?” I said casually. Upon this Jorawar Sinh smiled and said, “Okay ... but please do get her some programmes. I’m sure the listeners will certainly like her singing.”

Three days later as usual we went to Savak’s house. Savak wasn’t there but Jorawar Sinh was there in the drawing room and was smoking. Now smoking is prohibited among Parsees; Sikhs also don’t smoke, but here was Jorawar Sinh smoking comfortably puffing off in the great style. As we entered Savak’s drawing-room, Jorawar Sinh stopped smoking, rubbed off the cigarette in the ash-tray and saluted us in typical Muslim style. That time came his rejoinder, “Khurshid is not well today.”

After a little while Khurshid also came into the drawing-room. I asked her, “How are you ? I heard you aren’t keeping well.”

“A bit of cold” she said spreading her thick lips into a smile.

But that was not true. She was not suffering from cold. Sardar Jorawar Sinh enquired of her well-being with great concern recommended some medicines and referred the names of half-a-dozen doctors. Khurshid quietly listened to him as if she was accustomed to listening to such nonsense. At this moment her husband came in. He was delayed at office and apologised to us, cracked a joke or two with Jorawar Sinh and then excused himself for a few moments disappearing behind the door inside to meet his baby daughter.

This was his baby from his first wife. And their one and only child. She had her father’s complexion but had eyes like her mother. Of other features one couldn’t say whom after she was. She was a very smiling baby. Savak entered into the drawing-room with her and sat down with her in his lap. He loved her exceedingly. He used to play with her all the time after he was back home from the office. Almost every week he used to buy toys for her. A large glass almirah in his house was filled with toys only.

During the course of chat the conversation turned towards Jorawar Sinh and Savak praised him to the skies. He said to my wife and me, “Sardar Jorawar Sinh is a very old friend of mine. We are child-hood friends. We used to read together. Since first standard to the present day we have been meeting each other everyday. Sometimes I feel we are still at the school only. All this while Sardar Jorawar Sinh just kept smiling while I kept wondering about his short hair under his pugree and my long hair burdening me.

On Sardar Jorawar Sinh’s insistence Khurshid had to sing. I found her singing discordant but could not say so openly lest it offended her husband Savak and Sardar Jorawar Sinh. Rather I had perforce to praise her performance. “Good Heavans! You sing so well!” Sardar Jorawar Sinh clapped loudly and then exclaimed, “Khurshid! You were wonderful today!” Then turning towards me he said, “She has been bestowed with the title of AFTAB-e-MOUSIKI – (the Sun of Music) – Manto Sahib.” I kept quiet but my wife asked, “When?”

Sardar Jorawar Sinh said, “Bring that cutting from the newspaper, please.”

Khurshid brought the newspaper-cutting. Some six months back, some reporter and a flatterer had gifted the title after listening to her in a private mehfil. I read it and mischievously said to Khurshid, “The title is wrong”. Sardar Jorawar Sinh was taken aback. He asked me, “Why?” Continuing playing the mischief, I said, “For a woman it should be AFTABA-e-MOUSIKI and not AFTAB-e-MOUSIKI. For Khurshid sahiba it should be AFTABA-e-MOUSIKI and not AFTAB-e-MOUSIKI.”

My joke was lost on everybody. I thought if no one else atleast Sardar Jorawar Sinh would understand it but no, he also failed to see the joke. He smiled and said, “These newspaper reporters often do wrong reporting. You are very right. It should be AFTABA and not AFTAB for Khurshid.”

I thought it wise to remain tight-lipped on this lest my mischief was exposed.

In the meanwhile, Savak appeared lost in other thought. Perhaps lost in the reverie of his friendship with Jorawar Sinh. Suddenly, he said, “Mr. Manto I shall never find a friend like Jorawar Sinh. He has always helped me. He has ever been extremely truthful to me. In the recent past when I was ill and hospitalised, he took care of me better than the nurses. He looked after my home. Khurshid used to be upset and disturbed but he did everything possible to soothe her. He spent hours playing with my daughter. He used to read out newspaper to me. I really cannot even thank him adequately.” Upon Savak’s waxing so eloquently about him Sardar Jorawar Sinh only smiled and said to Khurshid, “Khurshid your husband is being very sentimental today. What have I done that he should be lauding me so much ?” But Savak said, “Stop this nonsense ! I cannot praise you enough. I’m proud of your friendship and will ever be proud. From childhood to this day you have remained constant. There has never been any variation in your behaviour with me.”

I looked at Sardar Jorawar Sinh. He was listening to the praise being showered upon him as if he was listening to the news on the Radio. When Savak had done his talking he asked me, “So Khurshid will get programmes on the Radio, won’t she?”

I was startled by this sudden question from him and said, “I’ll try.”

Sardar Jorawar Sinh was puzzled to hear my reply. He said, “Try, you mean to say you’ll have to try to get her programmes. This is too much. Tomorrow morning you take her with you to the Radio station. I’m sure on listening to her the music director will offer her at least two programmes this month only.”

I didn’t think it proper to say something that would break his heart and so said, “Definitely.” Khurshid, however, said to Jorawar Sinh, “I cannot go in the morning. I’ve to take care of the baby. I can make it only in the afternoon.” Thereupon turning towards me Sardar Jorawar Sinh said, “Manto Sahib the baby really keeps her engaged in the morning. One of these days I will myself bring Khurshid to the Radio station in the afternoon.”

However, that could not happen. For quite sometime I had been toying with the idea of moving to Bombay. The very next day I took the decision to give up my job on the Radio station in Delhi and I resigned and moved to Bombay. Since I had left Delhi suddenly I had to leave alone. My wife followed me to Bombay after some days. Gradually, Mr. Kapadia, Ms. Khurshid Kapadia and Sardar Jorawar Sinh faded out of our memory. We forgot them.

In Bombay I had taken up a job with a film company. One day due to illness I had not gone to the office. Next day when I reached my office, the gatekeeper gave me a piece of paper and said, “yesterday one sahib had come here to see you. He has left this for you.” It was a brief note from Jorawar Sinh which read, “My wife and I had come to see you but you weren’t there. We are staying at Taj Hotel. If you could come we will be delighted to meet you. Please do bring Mrs. Manto also along with you.” He had given the room number. That very evening my wife and I reached Hotel Taj. It was no problem to find out the room in which they were staying as Jorawar Sinh had given the room number in the note. Sardar Jorawar Sinh was there in the room combing his zero-level harsh-hair. As we entered, he welcomed us with great gusto. My wife was exceedingly eager to meet his wife so she asked, “Sardar Sahib where is your wife?”

Sardar Jorawar Sinh smiled as usual and said, “she’ll be here soon. She is in the bathroom. He had hardly finished saying it when from the other room Khurshid appeared before us. My wife got up. Embraced her and then asked, “How is the baby Khurshid?” “She is fine” said Khurshid. My wife then asked her, “Where is Savak?” Khurshid however kept mum. The two sat down. I then said to Sardar Jorawar Sinh, “Sardar Sahib, why don’t you show us your wife now ?” Sardar Jorawar Sinh threw his characteristic smile and then turning towards Khurshid said to her, “Khurshid, just show them my wife.”

Khurshid looked at my wife, smiled and said, “I’ve married Sardar Jorawar Sinh. We are here on honey-moon.”

My wife was shocked and disillusioned  by this revealation. She just did not know how to react to this. Failing to say anything further upon this she got up and holding my hand said, “Come on Saadat Sahab let’s move out of here, and we left their room in a huff. God knows what Sardar Jorawar Sinh and Khurshid might have thought and said about our insolence, our misdemeamour.       

*****



Saadat Hasan Manto

Considered most popular and important story writer of Urdu and Hindi Saadat Hasan Manto was gifted with a very short life of about forty years; but in this brief span he wrote stories that have not yet found any rivals.

Born in Ludhiana, educated at Amritsar and Aligarh, Manto made his way to Mumbai to work in the film industry as a dialogue writer. He also worked with Prabhat Talkies. In 1948 he migrated to Pakistan and died in 1955.

Manto was a born story-teller-nay- he was born to write stories. Story-writing came easily to him and he was always in full control of what he was portraying and presenting. Whether they are stories on partition, on riots or stories presenting characters with moral lapses, rather wilfully involved in illegal traits of behaviour, Manto knows what he wants to show and that done he finishes off with them. And what variety of characters he has presented ! A large number of his characters are people who are involved in immoral acts. Manto is no preacher. He does not idealise anything, any trends. He just presents his characters as they are. And Manto does not waste his energy in depicting the background of his characters, or backdrop of things like nature, social set-up and so on. As you read his stories, for that matter, any of his stories, you are straightaway dealing with the persons in the story.

Manto wrote at a time when India was awakening to her freedom and the struggle for freedom was at its fiercest. But Indian mind-set was yet very very conservative, very very orthodox. Those were times when even married couples would hesitate to talk and move freely in the presence of elders. Sex was a taboo. It was an activity to be performed in the darkness of night but it does not mean that men and women did not succumb to moral lapses involving sex. They did it privately and wore the moral facade publicly. Hypocracy indeed ! Manto’s characters are plain human beings with their good and bad making no efforts to hide anything. You love them and respect them. Even prostitutes are raised to a level of dignity by him. You would sympathise with Sharada in the same way you would with Toba Tek Sinh.

Manto dealt with the physical aspect of relations between men and women so openly that no wonder the charge of obscenity was levied upon him. He was charge-sheeted, arrested, jailed; for he had written things which were forbidden in the conservative society. He was charged with committing moral offence. Even Lawrence’s Lady Chatterley’s lover was banned in India on the same ground. Yet it cannot be denied that his stories like THANDA GOSHT present very truthfully some aspects involving sexual activity between man and woman. How many have the courage to admit of such things, confess about such things? We would not. We continue to wear the cloak of hypocracy. Manto was no angel. Good, he was not. An angel would bind you in a frame of belief. Manto was far ahead of his times. Manto makes you see human beings like us as they are. Perhaps that is what make him an engaging story-teller who would easily rank among the best in the world.