Showing posts with label Parneet Jaggi. Show all posts
Showing posts with label Parneet Jaggi. Show all posts

Parneet Jaggi: Poetry (Life, Cognition and Creativity)

Parneet Jaggi
Sometime Somewhere

Sometime somewhere we did it-
the wrong, the unjust, the unfair.
We could not hold hands for some reason-
will know it soon.
We could not define love in a perfect mould
as a cake immaculately dressed with icing 
of enchanting, overlapping flowers,
melting soft in the mouths that sing.
We could not put back the leaf
to the tree that grew in my backyard.
We could not sing hymns in streets
like an intoxicated faqir rambling in tatters.
We could not!
Life shall call again in the dark of the night.
***


It was Love

When the dew kissed the grass blades with a silent whimper, 
it was love.
When the eagle climbed the rainbow one step after the other,
 it was love.
When the hoot echoed in the jungle alerting buddies of the dangers,
 it was love.
When the waters that flowed over composite terrains merged with the ocean,
 it was love.
When the outer petal covered the bud like a gown,
 it was love.
When the breeze patted the cheek with a placid quietness, 
it was love.
When I entered your eyes and stayed,
 it was love.
When I called your name in sleep and you smiled,
it was love.
***


A Trail of Wonder

As I walked through the woods,
tall trees touching heads like two girls flinging tresses at each other ,
leaves gossiping about the sun's apparels of the day,
it's changing colour fashions
peeping through the chinks
every now and then,
I wondered at their  meeting agendas
Peepal and banyan looking down at the younger siblings with a maternal ardor
watching them talk of the recent trends in sun shades.
Ashoka, Arjuna ,Sal in a chatty group
whisper the intimate titillation
of sharing waters with
Gulmohar, adorned with fiery-orange ear rings.
Grass hopscotched like a toddler,
turning yellow when scolded ,
back to  green when  caressed by the elders.
I wondered at the home management ,
when  moon appeared as the awaited guest,
enticing, enchanting in a white gown with wavy patches.
All eyes lowered,  hummed
dulcet tunes to the guest
and slept in peace.
***


Another Time

The solvent buzzing of bees
inside the veins
wakes me to a life of activity.
Chirps and chatters of the organs
pull me out of bed.
The dawn chorus in the ears
placed somewhere in space
injects the spirit to live another day.

The chip note of a humming bird
resting in a corner of the brain
spreads all around.
Give a jerk to my sick body
to begin another day
with the fluttering wings of my breaths.
The inside kingdom lends me a charm,
a boost, to arrange a meeting
of birds-big and small,
vocal and non-vocal,
to party another time
in the huge, dense forest
and retreat to the best at dusk.
***


Grains of Sand

The incipient world
in a new light
appears grains of sand
blowing in storms
under the heat of the bright sun
finding way to the oasis
in the endless desert.

Dearth of water dries the brain
creating horrid images
of oneself and the world.

Grains blow, fight, grapple, perish,
not reaching anywhere
meant to be.
Other grains continue
to survive the perils of the desert.

The blue winged birds ascending
in the skies
report the crisis to the heavens.
***

Life and Manners of a Bygone Age in Literary Imagination: The Call of the Citadel

        Book Review by Sanjeev Gandhi

Title: The Call of the Citadel
Subtitle: First Chapter in the History of Indian Subcontinent

Authors: Vikram Singh Deol & Parneet Jaggi
Publisher: Authors Press, India
Genre: Historical Fiction
Language: English
ISBN: 978-93-89824-41-4
Pages:  179

Price: ₹  230.00 INR 

Parneet Jaggi
E.A. Baker rightly says, “To present and interpret facts is the historian’s business; to summon up a past epoch, to show man and women alive in it and behaving as they must have behaved in the circumstances, is the labour and joy of the genuine historical novelist.” Vikram Singh Deol and Parneet Jaggi have surely felt that joy while trying their hands on this novel based on the hypothetical theories of the history of the Indian Continent. Like any historical work, this novel is also neither pure history, nor complete fiction. If the element of fiction  dominates, it ceases to be history and if history is stressed upon, fiction suffers.

Vikram and Parneet, endowed with a fecund imagination, try to recreate the past and instil life in the dry bones of history. They have swept back into the past flushing the stones of history with colour and brightness and tried to construct the past as warm, breathing, excitedly alive.

Vikram Singh Deol
The novel is based on the interpretation of Rig Veda hymns about the great war of the Aryans and the theory given by Mortimer Wheeler on the collapse of Indus Valley Civilization after the Aryan invasion. However, the novelists have skilfully changed the names of the cities as Mohan-toh-Daro and Haripriya and mythical characters as Indro, Vareneous etc. to avoid unnecessary controversies.

The two different civilizations are on the verge of conflict as the novel begins. Both civilizations are not familiar with each other’s cultures and lifestyles. They have some advantages over each other. At the onset, the people of Mohan-toh –Daro are perplexed at the brutal murders of their three citizens. The investigation starts at the bidding of leader Kalika Das by the prominent persons like Peter Das, Bhooto Das and others. At the same time, Indro, the leader of the other race is at the threshold of the city in search of new settlements. The people of Mohan-toh-Daro are complacent with their ways of living and splendour, they are civilised and cultured people. They have skilled artisans, weavers and jewellers. The invaders are adorned with valour and lust for power and pelf.  They are better cattle-men but do not possess farming skills. They are proficient in warfare. The clash is imminent.

Sanjeev Gandhi
Battles do not end, O Indro! Men never stop. It isn’t always enough. This may be a respite, but this will only be a respite. The coming generation would not know of this hardship. They’ll not feel the pain or glory. They’ll fight again, may be for power, may be for land, may be for women. Their desires will grow with time. There’s possibly no end to desire and ambition. If not power, land or women, may be for gold or just to prove themselves superior by whatever means.

Two parallel plots run in thirteen chapters. Invaders, under the leadership of Indro, make strategies with the guidance of their wise men Vasistha and Vishwamitra, to conquer the city dwellers, distribute the bounties among themselves and get settled in the vast, fertile, irrigated plains. On the other hand, people of Mohan-toh-Daro get together to plan their defence under the leadership of Kalika Das. The rituals of different civilizations are vividly portrayed.

This novel is written by a historian and a litterateur. Minute details have been perfectly worked out. The character of Sundari is perhaps inspired by the bronze statuette, dubbed as "Dancing Girl", found in excavations, now placed at National Museum, New Delhi. The love story of Peter Das and Devika has not been exploited though there is a scope for it.

The language of the novel is lucid and poetic. Devika is described as: “The fairly chiselled features of Devika carried the crimson colour of flame” and in describing nature, the language becomes more poetic as: “The orange light, it seems, was feeding on the rain drops. It was getting brighter; dancing in harmony with the wind, simply swaying towards the direction the winds wanted it to.” Sentences flow on with an immaculate rhythm as well as consistent pace.

      Rain is continuous in the background throughout the novel and reminds us of Farewell to Arms but cannot be interpreted as a symbol of sorrow as in Hemingway’s novel. It is suggestive of origination because the amalgamation of two civilizations is going to take place. It is also used as symbol of realism, having a specific emotional purpose. The change in behaviour of water is depicted through indirect and unpredictable incidents like the crocodile pond etc. The novel touches upon a mysterious episode of Indian history, unlocking several windows to look through.

Today, we witness a decline in the production of historical novels. Many reasons have been contributing to the steep decline of this intriguing genre. The growing spirit of realism and intellectualism which is the basis of present materialistic life has turned the authors away from history. At such time, these two young novelists, like modern K. N. Dikshit and John Marshall, dig the Ancient Indian History to weave a lucid and convincing story, which is indubitably going to be helpful for students to get a creative, pictorial document of the bygone, forgotten age. The book-cover appeals with the imaginative setting of the locale and encounter of the races.  The novel is a path-breaking work of historical fiction attempting to decode the most clouded era of the history of the Indian subcontinent, 


Reviewer:

Dr. Sanjeev Gandhi is Associate Professor of English at Government College, Mustafabad, Haryana, India. He is a researcher, blogger and an avid reader. With a teaching experience of 23 years, he is the author of three books- Essentials of Communication, Personality Development  and The Tempest: A Critical Study.
Email: profsgandhi@gmail.com


Authors:

Vikram Singh Deol is Associate Professor and Head, Department of History at Dr. Bhim Rao Ambedkar Government College, Sri Ganganagar, Rajasthan, India. He is the author of the book Social and Economic Values in the Teachings of Sikh Gurus and the novel The Call of the Citadel. Email: vikramsinghdeol@gmail.com

Parneet Jaggi is Associate Professor of English at Dr. Bhim Rao Ambedkar Government College, Sri Ganganagar, Rajasthan, India. She is a bilingual poet, writing in English and Punjabi, novelist, editor and critic. She has four anthologies of poems- Beyond Words, Show me How Not to Grow, Live Love Light, Euphonies of Heart and Soul , a research book- Matthew Arnold and the Bhagavad Gita , has co-edited three anthologies of poems and articles and her recent fiction The Call of the Citadel has been widely acclaimed in literary circles. Her name appears in the Directory of Poets and Writers in America’s magazine Poets and Writers. She was adjudged the “Poet of the Year 2019” and “Critic of the Year 2019” by Destinypoets, Yorkshire, UK. She was awarded the honour of “Star Ambassador of World Poetry” by Philosophique Poetica and Grand Productions Canada, 2019. She won the Wingword Prize 2020 for her Punjabi poetry. She is currently Associate Editor (English) of the International Journal of Education and English Literature, Montreal, Canada.  Her poetry is widely read on social media platforms and has been published in anthologies and journals of repute including the Setu journal. 

Parneet Jaggi (Voices Within)

Parneet Jaggi (b.1975) teaches English in a postgraduate college in Rajasthan, India. She has four collections of poems in English and two research books to her credit. Her poems have been published and reviewed in anthologies and journals. Her name appears in the Directory of Writers in America’s famous magazine Poets and Writers. She was awarded the “Star Ambassador of World Poetry” at the World Poetry Conference, Bathinda, Punjab in October 2019. She was declared the ‘Poet of the Year 2019’ and ‘Critic of the Year 2019’ by the UK poetry website, Destiny Poets.


The Page I Tore

While the teenage footed with a rampage,
I was reading a book of wisdom,
Name I don't remember,
it had a green cover.
It talked of disparate attires,
pastiche of unknown sources,
potpourri of mystifying aromas,
medley of native tunes metered into a partaal,
tales of old grandmas
who would blend the grace of their grey hair into murmurs.
It had an advice for the runners,
to win and lose in a way Lord Ram did,
to immerse and emerge in a way Nanak did, (from Veyin river)
 to fall and rise in a way Buddha did.
I tore the page into tiny, uneven strips.
With grey hairs trouncing my scalp,
I am searching those bits in my house.



Identity

What if the word 'Identity' vanished
from books and bowls of language platters-
that serve spicy peppers coated with saccharine chocolates
that glues to the root cavity
to be ruthlessly extracted with the tooth,
for the decay
induces a twinge
that travels like a stream
meandering its way
through the uninhabited ,
untamed terrains.
The identity dish savours the palate
lending a prismatic taste to tongue,
but pokes a tint of colorlessness
in the gushing waters of the self
that flow to reach the source.


The Embrace


The embrace that steals you,
like a pearl secretly picked from the sea,
as a tremolo that benumbs you
from the innumerable sounds of the world
to leave you in the company of a glitter-
a matte, flattened, embedded glitter of the pearl,
naked, pure,
in essence and beauty,
deprived of the gaudy finery,
is the embrace one lives for.

Voices Within-2020 :: Setu, February 2020

Voices Within: Parneet Jaggi

Parneet Jaggi teaches English at Dr. Bhim Rao Ambedkar Government College, Sri Ganganagar. She has four collections of poems in English, namely Beyond Words, Show me How not to Grow, Live Love Light and Euphonies of Heart and Soul. Her poems have been published in journals like The Enchanting Verses International Journal, the Taj Mahal Review, Contemporary Literary Review India, Harvards of the New Millenium, The Criterion, Setu (USA) etc. Her 25 poems were included in the anthology of contemporary English poets , “Wordwine” brought out by Delhi Poetree . Her research books, Matthew Arnold and the Bhagavad Gita: A Study of His Poems and Social and Economic Values in the Teachings of Sikh Gurus reveal her love for religion and philosophy.

Aroma of Love  

One emotion encompasses all piety,
not needed to showcase
in the splendour of colours and perfumes.
Love has its own colour- matchless,
An aroma,
 that swirls inside the core of existence. 
The heart may be made of cells- living or dead
or whatever else scientists may name.
Aroma touches the core,
spreads like smoke,
invisibly effecting the whole being,
emanating from the voices
and gaits of lovers.

Aroma of love embraces
all pathies, isms and religions.
A  puff  of locked gases
which can be locked no more,
erupts like a volcano,
flows down , 
stratifies uneven lands.
Hot molten lava of love
holds the power
to eliminate filth of the world
and to erect high peaks 
on new mountains.

Unconditional

The word 'unconditional ' scares me.
I check if the talk is about
the sun or the moon.
If it pertains to the human kingdom,
it certainly has changed meanings.
A regular symbiosis sustains him,
else he dies of dearth.
He bears scarcity no more.
No matter it challenges his veracity
but his storehouse needs refilling.
Wealth may be visible,
yet invisible requisites need more space.
Filled, refreshed, repaired.
Ego locks the chest
filled with greed,
keeps it under a heavy veil,
This chest is the crown on his head.


Love This, Love That

Love this, love that,
Like this, like that.
Seems like a script given to act,
a few moments of rehearsal,
then the performance ,
then time to slip back to one's tiny shell.
Come back again,
the script is ready,
Love this , love that,
Like this , like that,
this time a bit more intense,
feel choked.
Can't do it each time,
 not for me,
a role of a goodie godman,
wasting time,
defining words,
constructing languages,
barriers along,
when the heart feels not the same.

One wants to be oneself,
Not what the newspaper wants one to be
Scaring day and night
 with the filth spreading around,
Covering it with one lesson of the day-
‘Love this, love that.’ 


A Class for Expecting Mothers

A class was held,
Expecting mothers sat in a row,
ready for a fruitful lecture
from the most learned scholars.
Their babies expected
to add to the light of their world soon,
resting in dark for the few blessed days.
The class had all arrangements
to dress up the thirty upcoming leaders
with cloaks of treachery. 
There were lectures on identity, 
a favourite topic with the learned elites.
Talks on race, caste, religion 
topped the pudding.
Do's and not do's garnished 
the food of living.
Very soon,
 programmed and chipped beings
 with two arms and two legs
would grace the earth
and prepare lectures for unborn generations.

Voices Within - Complete List of Poets ::  Setu, January 2019

Parneet Jaggi

Dr. Parneet Jaggi

·         Parneet Jaggi teaches English at Dr. Bhim Rao Ambedkar Government College, Sri Ganganagar.

·         She has four collections of poems in English-
1.       Beyond Words (Writers Workshop, Calcutta, 2018),
2.      Show me How Not to Grow (Cyberwit, Allahabad, 2017),
3.       Live Love Light (Writers Workshop, Calcutta, 2014)  is available in all the important libraries of the country-  National Library (Kolkata), Delhi Public Library, Town Hall Library (Mumbai),  Connemara Library (Chennai), Sahitya Akademi library,  Delhi  etc.
4.       Euphonies Of Heart And Soul (Cyberwit, Allahabad, 2013).

·         Her 25 poems were included in the anthology of contemporary English poets , “Wordwine” brought out by Delhi Poetree .

·         Her poems have been published in journals like The Enchanting Verses International Journal, the Taj Mahal Review, Contemporary Literary Review India, Harvards of the New Millenium, The Criterion etc.

·          Her name has been added in the Directory of  Writers  of America’s  largest non- profit organization - Poets and Writers . Her poems are read and appreciated on world famous sites like destinypoets.co.uk, poemhunter.com etc.


·         Her research books, Matthew Arnold and the Bhagavad Gita: A Study of His Poems and Social and Economic Values in the Teachings of Sikh Gurus reveal her love for religion and philosophy.

·         Translated parts of a book- Study of Sikhism- from Punjabi to English for Directorate of Sikh studies, Golden Temple, Amritsar. Articles on Sikh religious studies are regularly published in local newspapers.

Poetry: Parneet Jaggi

Parneet Jaggi
The Best Option

Even today,
to recidivate to the tribal life
seems the best option,
the killer instinct got a vent in feeding oneself
not letting tiny petty instincts
poison the entire being,
mental faculties poisoning each moment of life
with airs of envy,
breaths of pride,
glances of hatred,
words of falsehood.
If hunting a prey
satiated all hungers,
then residing in forests
is still the best option.



Where has Love Gone?

Where is Mahiwal’s love
that doesn’t drown in flooded rivers?

Where is Sohni's passion
that doesn't tire of waiting for days?

Unyielding,
Unquestioning,
Love through the waters!

Where is Meera’s love,
the unfaltering singular love
that doesn’t flinch?

The eternalized love
is now very much in time,
flies away with rains and pains,
no matter how we lay down our life.

The tech savvy love
works well when batteries are full.
Conditions vary,
determine the duration and intensity.

Today love has its expiry too.



Cocoon

Each in his cocoon of pain-
the pain of loss
of what he once had,
the pain of the eternal longing
of satiating one’s desires,
the pain of an injured self – respect
breaking the glass
gilded in self – praises,
the pain of expressing in words,
a similar pain of the lack of expressing ,
the pain of constructing walls of self –limitedness,
the pain of setting the mind free
to wander in dark forests,
the pain of virtues and vices,
the pain of disease and fatigue,
each trying to break the cocoon,
unwrapping the fine threads,
unwinding, unfolding,
unknowingly

further strengthening it.