Showing posts with label 201606E. Show all posts
Showing posts with label 201606E. Show all posts

Introducing Setu

Dear readers,

It's my pleasure to present debut issue of Setu Bilingual. A Sanskrit word, Setu means a bridge, and that is exactly what we intend to do here at world headquarters of Setu in Pittsburgh. Setu, as the name indicates, is here to connect the extreme ends of the words, written and spoken across the globe. No doubt, this is a humble beginning, we have big dreams. There is a lot to do. And with your cooperation, we are going to make it big.

Setu is not 'just another' English journal from India, nor another Hindi journal from USA. Instead, Setu is the bridge that connects the world, one word at a time, through its monthly editions in Hindi and English. 


It is particularly exciting that the Setu editorial board consists of celebrated authors who need no introduction. I would like to thank all the members of the editorial board for their support to turn Setu into a reality. My heart is also full of gratitude to the contributing authors of the first issue.


I feel honored to be associated with Setu and I know that it is in good hands. Setu's English editor Dr. Sunil Sharma is a well known name in contemporary English literature. Our
 contributing editor from Mauritius, Vatsala Radhakeesoon has worked overtime in giving finishing touch to Setu's first edition. Last, but not the least, the artwork for the debut edition is contributed by our art editor Anubhav Som.

You are in our thoughts as the readers and the patrons of Setu. We appreciate your candid feedback to make Setu more meaningful for you. We know that you are the main reason for our existence. Please feel free to write to us. Shoot your email to setuedit@gmail.com.


Want to read the online version of Setu? Please click HERE. Want to write for Setu? Please check our Submission Guidelines



Anurag Sharma

Editor-in-Chief
Setu, Pittsburgh.


Protest at Munhall Pump - Photo Feature

Revisiting History with Anurag Sharma



This digital painting shows how the historic Pump house at Munhall, PA (USA) looks today.



The city of bridges, that is, Pittsburgh, it is famous for steel mills. People believe that this city produced more steel than rest of the world taken together during second world war. Undoubtedly, Pittsburgh has a long history of modern steel manufacturing. And the artifacts all over the region witness this fact.


Munhall is a town near Pittsburgh on bank of Monongahela river where history was written in steel. World famous industrialist Andrew Carnegie established his steel mill right here. This was the most modern steel mill all over the world. New technology and efficient workers made this mill an ideal place to work.
It does not mean that everything was really as good as it appeared to be from outside. There was lot of tension between the workers and the management. There were strikes and a few lockouts. Amalgamated Association of Iron and Steel Workers got recognition from the management after long struggle. Because of this union, the management was forced to pay higher salaries to the workers for next three years. Owner Andrew Carnegie thought of ways to destroy the union with help from Henry Clay Frick, who was the chairman of the company.



During a strike, Andrew Carnegie hired Pinkerton National Detective Agency to capture the mill. On the fateful day of July 6, 1892, when the boat of the Agency came ashore, the workers resisted hard. There were skirmishes resulting in death of nine workers and three guards. Dozens got wounded. Frick called over 8,000 guards who immediately captured the mill.

The strike ended within four months. The workers union was dismantled and didn't come to existence until 1930. Frick was called as a union buster and was considered as the most hated person in Americas and the Worst American CEOs of All Time.

Munhall Pump House stands tall today as a memorial to the steel workers of America as a reminder of their struggle that made America as one of the greatest nations on earth.



Pictures and text by Anurag Sharma. Click on any image to see it at higher resolution

Conversation with Subodh Sarkar

-Jaydeep Sarangi
Subodh Sarkar’s first book of poems was published in the late 1970s, and now he has 26 books to his credit – 20 of poems, two of translations and one travelogue on America. His poems have been translated into English, French and several Indian languages and published in several journals and anthologies. Sarkar is the editor of Bhashanagar, a Bengali culture magazine with occasional English issues. He is the guest editor of Indian Literature, New Delhi. He is a recipient of the prestigious Sahitya Akademi Award.

J.S.: Hello! Who are the writers that inspired you in your formative days?
My second meal was uncertain in my young days. My father, who was a poor school teacher, died a pre-mature death. We were six members in the family with a young widow mother with a white cloth on as a Hindu ritual, as a mark of bereavement. There was no writer, no poet for me. In no way, there was any ambience of poetry for me in my formative days. There was a fear of hunger, a fear that was eating up my vitals.Hunger for me at that time was a holocaust.

But a paradox was born in my life. I picked up a soiled book from footpath; the book was called Gitabitan, a collection of Tagore songs. I started reading the pages of the book, and I gradually realized the energy of the book which cleaned up the toxin of fear from my mind, the fear of hunger.
 
 
J.S.: Do you remember your first recognition as a poet?
I was at Krishnanagar Railway station with some of my schoolmates, not to board any train, but to while away time by watching busy passengers rushing in and out. A Vagabond was loitering on the platform behind us, possibly looking for some food. A train was approaching the station. We took safe position, not to be jostled by passengers. All of a sudden, in a flash of a moment, the vagabond jumped before the approaching train. There was a roar followed by a silent count down. We thought he was finished, but to our utter surprise we came to find him on the second platform, eating bread from a small packet he picked up from rail lines. I looked at him through the empty space between two compartments; he looked back at me with a queer deathly smile on the corner of his lips.
I wrote my first poem that night about the smile. I lost my first poem after reading it to my friends next day, which was highly appreciated by my friends. That was my first recognition which died with the disappearance of the poem. But that smile continued to smile for last 35 years of my career as a writer. This is the smile that made me what I am today. I cannot write a single poem without remembering the smile. That smile is hunger, that smile is Asia. That smile is Africa, Latin America.

 
J.S.: Would you tell us something about the forces, conflicts and events that led you to poetry and shaped your sensibilities?
Firstly, I was born in Krishnanagar, a District town, hundred kilometres away from Kolkata. In the mid 70s, when I was still at school, the Naxalite movement broke out which popularized a slogan, `Chaina`s chairman is our chairman`. The Naxalites dreamt of a revolution which drew not only peasants but also the cream students from elite campuses. It believed in annihilation of landed gentry and land owners. Every day, on my way to school, I used to find abandoned dead body in the wood which I had to cross every morning. This is how I had to negotiate between bloodshed and books on my back.

Secondly, I grew up and came to the city of Kolkata with a job of a lecturer in a city college. My days in the city constantly clashed with my days in the small town. I was perennially going through the turmoil of a metamorphosis. I was walking out of my old self. This old self and the new self were thrown into a war zone which shaped out my sensibilities. And this war was a base camp for my poetry. If there is no conflict, my sensibilities get benumbed and cannot wake up for poetry.
Thirdly, fourthly, fifthly and finally, I was a supporter of the Left, but I withdrew my support and I supported Mamata Bandopadhayay whom I have described as rescuer of the poor and I respected her mandate which came to her from the grassroots and I championed her as real Neo-Communist. Mamata defeated the 34 year regime of the fake communists who in the name of poor people established a reign of terror. I said I committed a sin by supporting the fakes, when I realized I run away and I freed myself of the dead albatross hanging from my neck. My poetry did not fall from the sky. I write only when I am dictated from within.

 
J.S.: Would you tell us how your poems get written? Do you revise a lot ?
I believe if you revise a poem, then you again revise the same poem, and it goes on , and finally the poem becomes a good essay in the process.
 
 
J.S.: You have expressed deep indebtedness to  Sunil Gangopadhyay    in several places. What makes Sunil Gangopadhayay  so special for you?
I was too poor to buy a book, I bought his book of poems worth Rs 2 in the year 1975 when I was given 50 paisa everyday by my elder sister to eat at college canteen. When I came to Kolkata to live in a city I hardly knew, then Sunilda like a father used to hold my hand to cross the roads. Sunil was among the first who wrote to Allen Ginsberg about me as I was working on his Indian connection. That letter took me to New York City to arrive at Allen`s residence for an unending interview.

I can give you a list of good things he gave me. I can give you a list of bad things as well. A man is not judged by what he gives you. He had lot of blemishes embedded in his character; he was flesh and blood like UR Ananthamurty, but Sunilda was a saint in spite of his deep weakness for women and alcoholic beverages. He was a bad judge of characters, he allowed his enemies to praise his life and manners.

I still believe he is the last writer of Bengal, who was an ambassador of Bengali culture and literature in India, after him, it is a big zero, an enormous void.
 

J.S.:You depict your home of thoughts in Bangla that is understandable, soothingly global and lucid. Do you write for any particular audience in mind?
I have a variety of audience in my mind. I have been writing not for all. My Poetry is read mostly by college university students. Scholars and Professors hardly enjoy poetry. I have always been scared to read out before my colleagues. But I was red with shame one evening when a renowned scholar recited one of my poems all by his heart in front of my friends, their wives and children. I rectified myself but I still believe poetry is enjoyed and loved by the youngsters and then recognized by the oldies.


JS: Is there a message in your works?
MESSAGE in a poem may be a pain in the arse. Putting message in the cup you are drinking from has not been a good practice. You are not a saint, you are a poet, you may cry, but you have no tears. If you philosophise your poetry, then philosophy will reign, and poetry will go. When I write a poem, I have no agenda except my sensibilities. I obey my heart, I listen to my skin, I support my ears, I hear what I cannot say.


J.S.: What could be the back ground of the poems, ‘Sari’?
This is the poem I wrote 24 years ago when Jyoti Basu, the then Communist Chief Minister of Bengal made a terrible comment on the Dhantala Rape case, he said, `o rakom hoyei thake`( it happens like that, nothing serious). I was terribly shocked by the comment, but I could not write down the poem to infuriate the Left intellectuals. I took a metaphor of a window woman and wrote this rape poem as protest, and Communist Party of India thought the poem was about the sufferings of a young widow woman, not about the Dhantala case.

 
J.S.: Is there any specific significance of the title, ‘Mother of Manipur’?
Mothers of Manipur ` I wrote after the mothers came down to the streets, they stood up nude in front of the Assam Rifles Headquarters in Imphal as a protest against the draconian law empowering the Indian Army to shoot and rape, if so they desire.

 
J.S.: Will you accept a tag "socially committed poet"?
Please don’t describe me with such a trash. I like to be called `Free`. We can debate and discuss next time—`Is there any poet who can be called Free? `

 
J.S.: Can a subaltern speak? If he speaks, can he retain his position as the subaltern?
Prof Gayatry Spivak wrote this seminal essay 40 year ago. Now
the counter question is raised: the subaltern spoke , but is it heard?
 
 
J.S.: How will you conceptualise aborigine /Maori/dalit writings these days, in the after-months of so called democratisation of life/society?
Three important things have happened in Indian Literature in the last 30 years. Dalit is number one, English number two, and thirdly women.

Dalit literature is now hot cake in India and abroad. There has been a red carpet welcome to the writers writing in English from India. Feminist literature in India still occupies a large territory of Indian literature.

Dalit poets and fiction writers have great potential like the Black American writers in America, aboriginal writers in Australia and elsewhere.
 
 
J.S.: Will poetry travel in the age of cyber mania?
Face book poems are the worst poems I have ever come across. Online web magazines are the future magazines for our posterity. But for us, it is too early to accept. Mania is a sickness, it will go. Those who are celebrated in print, they will never turn around for web journals.

 
J.S.: Publishers often consider publishing collection of poems as a commercial suicide.  How do you view this?
Publishers wait for good poets who sell well. Publishers are afraid of those good poets who do not sell. This is a business world we can hardly escape. There are some publishers who glorify their status by publishing poetry books without good returns. But I feel embarrassed when I see my book is a loss for a publisher. I made them smile whenever I met them.

 
J.S.: You are a distinguished poet and editor. Do you consider there would be any difference between a native English poet and a bilingual/trilingual poet from India?
Now we smartly call them Indian English poets. Arun Kolatkor was a great bilingual poet. Jayanta Mahapatra was a pioneer in Indian English poetry, he has recently written some poems in Oriya, his mother tongue, but i think he will be remembered as an Indian poet writing in English from India. Jayantada knows Bengali pretty well, if he writes in Bengali tomorrow, he will be called a trilingual poet. But I think, it is not time for us to become Chaucer who wrote in Latin, French and finally English. The difference between a native English poet and a bilingual poet is a big difference—one writes only in English, the other writes in two languages.

 
J.S.: Will you tell us about your experiences as the editor of Indian Literature,a bi-monthly journal published by the central Sahitya Academy, New Delhi?
I joined Indian Literature first in 2010 as Editor on the basis on lien from my college in Kolkata. I could not continue as my wife, Mallika Sengupta, a celebrated poet in Bengal passed away. Currently I took the charge again as a Guest editor working online from Kolkata with a fortnight visit to my Delhi office, checking and verifying the plan and design of the journal physically. I thank Sahitya Akademi for choosing me for the second time. I have an unquenchable thirst for Indian literature in 24 languages and in oral tradition and also in dialects. India as a basin of literature in Asia is an enigma for me, and this journal is a way for me to explore India in a variety of literatures being written down every moment in every corner of the country. I am honoured and privileged that I am able to read India everyday through translations coming to my inbox for Indian Literature. This is the only magazine that is the literary connect in India.
 
 
J.S.: Thank you, Subodh da!

Three Poems by Jaydeep Sarangi

Panic Attack


My calls ended
In silence. Tried again. And again.
Blood runs wild. Oliver asks for more! 
All my handkerchiefs are wet
Vomited several times. Blood of disgust.

My  hungry  routine follows me.
How do I look like these days?
A devil.
A Brahmin.
An elite.
An abnormal.
A lover?
Possibilities make me mad.
 I am an admirer of reviews
On me
My  insecurity
My struggle 
My last drop of tear 
Is for my mistress  I leave with my heart behind me.
Crush it. Break it. Prove your right over it. 

I’ll have a small cottage
Near the banks of Dulung.
My forefathers will sit beside me
We shall share our stories. 
I’m happy to see 
Her  happy. She will remain so. My world.

I will reset my watch. I should be the master of my means.



How are You?


At times
I   like to say those three words, 
but  my old tongue  pulls me back.
  Current status
Or my ego,
 My old pain,
My professional make up.

Words sneak out, those  three words,
 In another way

I don’t need to estimate her mind
Her strict discipline.

A palmist and his stories to spin.
You are a rebellious! 

I swap my smart screen:
  'I love you' becomes 'How are you?'


Winds of Change

There are no stars to-night
But those of memory.
(from ‘My Grandmother’s Love Letters’ by Hart Crane)

Why are you looking at me with tearful eyes again and again?
Stare me no more with tears rolling down your eyes.
Don’t sing a farewell song
With your throat choked in tears.

If you have suppressed your wounds by smile these years
Today, smile only. 
No elegy to write at this hour
When your 
One eye is covered with black glass.
No star smiling. Only a mirror reflection of 
Good  Time shared.

I wish my love kisses  your eyes of a face about to cry.
End of a movement announces another arrival.
Somewhere in some  social form. 

A flag on left shoulder
You are   pierced to death by the  kissing  of a   bullet.
My comrades, Things are changing.


The Other Side of Silence

I am a juicy fruit, voluptuous and campy, one might say
‘Exotic’, I am a  native  here.
My lips have stories
Some stories you like some you may not.

I bring storm with me.
My loaded metaphor
Gives you frowns even on a sunny day.

I never played tricks,
Never played dice like Yudhisthir.

I experience equal consequence
In Syria or in any democracy.

I rise early to wash the asylum grime
And the land which is not mine,
I walk pass so many lamp posts
Who stare at me .
Silent memories stored in the name of peace.

Note: Yudhistir lost his kingdom and property when he was defeated hypocritically in the game of dice in the Mahabharata.


Who is My Master?

What language should I speak?
Bangla
Hindi
Sanskrit
English
Brahmin
Dalit.
Aborigine.
Native.
Myopic.

All these in a package?

Possibilities are like countless toys
My daughter used play some years back.
I move between
The language of the poet
And the translator,
Reason and effect
As if one will die without the other.
Someone told me when I was a tinny boy
Forgotten her name
May be a shadow
“Language is a master.”
I didn’t understand
I was too small.
Now the sky is clear to me
I see things through its language
I read my master through his code.
A coat made on the banks of the river Thames
Is not that will be living for ever.
Small sprouts are visible on the banks of the Ganges
And near the banks of the Yellow river.
We are holding willow branches.
 My old master is to leave behind his earthly abode soon.

A new text  is born! 

Stand and Protest - Poem and Haiku

by Rashmi Jain

Stand and Protest

Conscience seems to be lost,
with the increasing rate of crime against women.
Silence is adopted in most of the cases but
Stand and protest!

Right from the beginning her existence was in danger
Female feticide has increased, irrespective of the plea to save the girl child.
Women make sacrifices first for brother then husband and son.
Why her identity is pinned?
She too has a right to live freely.
Get education and work shoulder to shoulder with man.
Why women are entrapped as ‘angels at home’?
She can perform multitasks and balances both work and home.
Stand and protest against gender discrimination.
Atrocities are inflicted on them,
Bruises and wounds of domestic violence, sexual abuse, acid attacks are visible.
Stand and protest against silence which
made woman a victim.
Represented as a weaker sex but
she has the capacity to shine like sun.

Stand and protest against colour discrimination which considers
milky white more beautiful than dark complexion.
Stand and protest against that tradition and culture which hinders women
to move towards their goals.
Stand and protest against that civilization which considers woman as a mere body,
without considering the divinity of soul.

Haiku I

Don’t entwine woman
in shackles of tradition.
Let her fly in sky.


Haiku II

Country that decry,
progress of the women, can
never rise for sure.

Politically Speaking - Poem

Gayatri Lakhiani Chawla

What I look for
is just a little respect
don’t open that can of worms here

What I look for
is proudly be called daughter of the family
don’t open that can of worms here

What I look for
is for someone to hear my voice
don’t open that can of worms here

What I look for
is a pair of non-judgmental eyes
don’t open that can of worms here

What I look for
is no touching when I say so
don’t open that can of worms here

What I look for
is you have no right to my womb
don’t open that can of worms here

What I look for
is don’t underestimate my power
don’t open that can of worms here

and if you do
read the statutory warning in vermilion
POISON

Excerpt from Untamed Heart - Mona Dash

Extract from ‘Untamed Heart’ (Tara India Research Press, 2016) by Mona Dash. ‘Untamed Heart’ is available in leading bookshops in India and online on Amazon.com, Amazon.co.in and Flipkart.com.

1
Now

After lunch, appetites sated, when everyone retired to their rooms to sink into a deep slumber, pause for an hour and savour some moments of coolness on a hot day, Mohini quietly stepped into the living room. Nothing dramatic, none of the subterfuge you would expect with running away. A usual after-noon, silence sat in the room as if she belonged; the phone did not ring, the doorbell was silent.

The mute television cast shiny pictures on the walls. Mohini tiptoed across the room, stepping deftly over Gobind sprawled on his mat, suitcase held out. He remained sleeping, the doors of the two bedrooms remained shut, the air-conditioners whirred softly and people remained in deep slumber. People, though technically they were her family.

The case pulled at her arms; was it under the twenty three kilos stipulated by the flight? She hadn’t checked. She had no time to plan for this journey, a journey begun in haste, without a return date. She shut the front door of Flat 6; an elegant cream once, it was now dirty with fingerprints and smears of dust. Per¬haps in response to Mohini’s fervent prayers, the old lift with its grilled doors came up quickly.

‘Don’t open...’ she willed to the doors of the four flats on that floor. The last thing she wanted was someone to step out and say, ‘Mohini, so where are you go¬ing now?’ If everything went well, she would offer a coconut in the Shiva temple; whenever and wherever she would find one. The durwan was half-asleep on his chair and barely looked up when she smiled at him and made her way out of the gates of the flat complex. The May heat hung over the city, and for the first time she was glad of its intensity rendering everyone powerless in an afternoon slumber. The time of escape was carefully cho¬sen by her, not the thick of night but in this blinding heat that paralysed thoughts and breath. This heat which made you stop and sleep, and wake only when it was giving way to the evening coolness.

Now outside the gate, she was a part of the crowds – the vegetable sellers with the dried okra, the wilting coriander leaves free with any purchase, the cyclists pedalling tediously in the sun, the stoic cows with splashes of colour left over from being sprayed on at Holi; she was one of them. Just another individual on a busy Indian road. A dozen auto-drivers were parked outside and each of them tried to catch her eye.

Flagging one, she got into it. ‘To Connaught Place. Quick, jaldi! Jaldi!’

It was only when the noisy engine started, that she leaned back on the hard frayed yellow seats, suitcase at her feet, red hol¬dall still on her shoulder. Runaway, getaway, runaway.

The driver grinned at her in the side mirrors – a young guy in a patterned shirt – she realised she could have asked for a pre-paid auto and paid lesser, but you didn’t think of money at times like this. Nor of comfort, she thought, when the dust hit her face as he revved the auto and mingled with the maze of vehicles moving randomly with no adherence to traffic rules.

Looking at her watch, she went over the plan yet again in her head – a forty minute journey to the flat, ask the neighbours for the key and manage a quick dinner there.

‘Help yourself to what’s in the fridge,’ Rajani had said – ‘Or¬der a taxi to the airport at six pm.’ And then the flight out of India, that should work.

You are worth so much, Mohini; you can do it, voices from the past still lived within her. She knew she was worth much more. She had to believe in herself.

Once the flight took off, away from this country, she could stop looking over her shoulder to check if a known face was still chasing her, whether her past life was waiting to claim her back, she could relax. Then it would be part two of the plan. Go back to work, find a place to stay, find her feet, find a reason to live.

From that moment when it had all started some three years ago, to this sudden flight. From that moment when she had sud¬denly started questioning and throwing away all that was famil¬iar to her. From that Mohini of the four walls, to this Mohini set adrift.

Three Arabic Poems by Mohamed N Elramady

Translated by Nizar Sartawi

╪з┘Д╪е┘Ж╪│┘А┘А╪з┘Жُ A MAN 


Mohamed N Elramady
People swarmed at the door of the  dream
They scrambled to delve into the holy dream
I stood there to stop the unreasonable ones

In the halls of the dream
there was a man praying
muttering incomprehensible words
trying to penetrate the wall of time
and jumping over the walls of the universe
to get to the greatest secret

For thousands of years
he’s been trying
He has not arrived yet
but
the angels who guarded him
were amazed how he persisted
They were surprised
how ignorant was this rational man
this human being?!

╪г╪│╪╖┘И╪▒╪йُ ╪з┘Д╪╣╪┤┘Вِ ╪з┘Д╪г╪и╪п┘К╪йِ
THE MYTH OF ETERNAL LOVE

Rosy daughter of the moon
strike my heart with your rod
It will erupt with love in the face of the world
For I was born only to love
and you are love

Strike my heart with your heart
The World will be filled with fair women with large beautiful eyes
that whisper in the ears of darkness
hymns of freedom
and from the poem a rain falls
watering forgotten roses
so that you and I may remain
in the eyes of the world
a myth of eternal love
The angels of love inscribe our names
with golden letters
Nizar Sartawi

╪│┘А┘А╪д╪з┘Дٌ ╪╣╪╡╪▒ِ┘Кٌّ
A modern question


Pens joined forces against me
I drew into myself like a shell.
Neither welcomes nor greetings for him
who leaves with me a poem
bleeding at the edge of the sky
calling on death
and none comes to her but universal nymphs
Has poetry been created but to fly without wings
and walk without feet
and go without a compass
to reside with a thousand identities
in the conscience of humanity?

Apples - Short Story

by John Thieme

Angela was on her way to take Mrs. Bayliss the apples. Now she was fourteen, but it was something she’d been doing every August since she was eight, apart from that one time when Mrs. Bayliss had sent Joanne to collect the apples from their house. That must have been two years ago, or was it three? Joanne had only come that once and after she’d left, Angela’s mother had said, “She’s so very wearing, though of course she can’t help it, poor thing.” Her mother decided that Joanne had an allergy to cats and so she’d told Mrs. Bayliss it “wasn’t fair” for her to be exposed to Thomas. Angela would bring the apples as usual next time. It would be no problem at all. Mrs. Bayliss understood.

She’d played with Joanne once in the Baylisses house. The first time she went there. It had been fun, but she was small then and now she’d outgrown the games they’d played. More recently she’d seen Joanne walking around the town several times and she’d always stopped to say “hello” and ask her how her mother was. Joanne was always very polite. “Thank you. She’s doing very nicely, thank you.” She had a quaint, old-fashioned way of talking. No one else that Angela knew spoke like her. Talking to Joanne was quite different from chatting to her friends. They were always very savvy about new expressions and the latest gadgets and they tried to pretend they were older than they were by swearing and being crude. That was OK, sometimes. She did it herself, but it was good to get away from it once in a while. Yes, Joanne was nice to talk to, just as long as you didn’t let her buttonhole you in the street and keep you for more than a minute. That could be embarrassing, especially if your friends saw you with Joanne.

She’d grown up since she first went to Mrs. Bayliss’s house and today she didn’t want to stay any longer than she had to, because she had to switch off her mobile while she was there. Her mother said it was rude to check one’s mobile in front of someone else. This wasn’t completely true, of course. Her friends did it all the time and she would do it when she was with them, but if her mother said it was rude, then it must be rude to do it in front of Mrs. Bayliss. There were different rules for older people. As she walked over to the Baylisses, she wondered if Mrs. Bayliss had a mobile and whether Joanne had one and could send texts. After all, it was hard to say if Joanne was young or old. Mrs. Bayliss must be over seventy, because she had been born before the war and she could remember rationing and the early days of the National Health Service.  So Joanne must be … thirty – or forty, or fifty. She could have been any of those ages really, though now Angela was in her teens, she found Joanne very young. It had been easy to talk to her three or four years ago, but now – her mother was right – Joanne had become “very wearing”.

Sometimes she thought it was strange how her attitude to Joanne had changed, when Joanne always seemed exactly the same, but then she was older now. Perhaps that explained it. She’d had a mobile when she first took apples to Mrs. Bayliss, but then it had just been a toy. Now she felt half of her was missing when she had to switch it off. It was vital to have it on, to see whether Trevor had texted her. She checked three times on the way to Mrs. Bayliss’s, but he hadn’t. Jill had texted “C U later. 4.30.” Anne had written, “I think he luvs me.” She meant Joe, of course. You didn’t have to be a mind-reader to work that out. But there was nothing from Trevor. Never mind! He’d send a sms soon.
Mrs. Bayliss always loved their apples. She said they were “better than any money could buy” and “so much better than what you find in the supermarkets these days”. Besides, “you never know what they’ve done to the supermarkets apples, do you? All those insecticides and pesticides and goodness only knows what other -cides they put on them to make them last longer”. And, “do you know what?” she lowered her voice in a conspiratorial way as she said this, she’d heard that “they select apples for their shape”. They would only take perfectly shaped round apples from their suppliers and “of course, very often the odd-shaped ones are the best”. This year there were lots of odd-shaped ones in the carrier bag that Angela was taking to her and so Mrs. Bayliss should be very pleased. Her father had picked them the day before. He said it would “be good to get rid of them”. It was “lucky” that someone liked them and he only hoped “old Mrs. Bayliss” didn’t bake one of her “famous apple pies” and bring it round to them. He said that he’d heard that even the Women’s Institute had rejected one of her pies and, although that was a “crying shame” when they’d asked her to bake it, you could understand their point of view. Her father didn’t seem to like Mrs. Bayliss as much as her mother did. It was a pity, because Mrs. Bayliss was such a nice lady, as well as being the only person they knew who “loved” their apples.

Angela checked her mobile again. There was still no text from Trevor. She thought of sending him a sms to say “Where R U”, but she didn’t want to seem too eager. He would text her before long. She switched the phone off and rang Mrs. Bayliss’s bell.

“Hello, my dear. You’ve brought me apples. What a lovely surprise!” Mrs. Bayliss had known she was coming and so it wasn’t really a surprise at all, but she was such a sweet old lady; she would always say something like this. Angela was glad that she had to take the apples to her and not Jill’s mother, Mrs. Wentworth, the “postmistress”. Her father called Mrs. Wentworth that, because she was “always distributing all the town’s gossip”. But now Mrs. Wentworth was the subject of gossip herself and the atmosphere in Jill’s house was more than a bit tense, because Mr. Wentworth had been away for some time. Her mother said “no one knew quite when he would be back”, but Jill who was worldly wise knew, of course. Her father had run away with Emily Smith, the dental nurse: “the one they call Em for short”. She remembered the day Jill had sent her the text: “Dial Em for Murder”. Angela thought she would dial “Em” to see what would happen, but then she realized it was a joke and, whatever it meant, she didn’t want to be involved with any kind of “murder”. Later Jill let her in on the whole secret, laughing about how “impossible the whole situation” had become. Jill could be very witty, but Angela knew that sometimes she joked to cover up being upset.

“Bless you for coming, my dear. Sit yourself down. Yes, that chair is fine and if you sit there I can see you without having to stare straight into the sunlight. It was Mr. Bayliss’s favourite. He always said it was the most comfortable one in the house. Now let’s have a look at these lovely apples.” Mrs. Bayliss opened the carrier bag and took two apples out to inspect them. She handled them gently, sniffed them, felt them for firmness and then turned them round and round in her hands to make sure there were no bruises or black spots. She did everything one could imagine a person might do to check on apples, except taste one. Then she said, “I do believe they are better than ever, though last year’s will be very hard to beat,” and they both smiled. It was so pleasant when giving and receiving made a perfect match.

“My Dad said he was only sending the best ones. He threw away the windfalls.”
“I know, dear. He’s very kind. Please be sure to thank him and your mother for me.” Then after a pause, “I hope you are all well?”

“Oh yes, we’re fine. Mum sends her regards. She says she’ll pop round to see you soon.”
Mrs. Bayliss nodded sagely. “And how old would Ronald be now?”

“He’s nine, Mrs. Bayliss. He’ll be ten in October. He’s getting really big.” It was true. Angela’s “little” brother, Ron, was nearly as tall as her now. He’d come with her once to deliver the apples to Mrs. Bayliss, but after that he hadn’t wanted to come again.

“My, my. How time flies! It seems like only yesterday he was a tiny baby.”

Angela’s mind was far away, thinking about Trevor, but when Mrs. Bayliss asked about Ron, it reminded her to be polite and ask about Joanne. “Thank you, Angela. She’s quite alright, thank you. She’s in her room just now, playing with the computer. She’s a dab hand with that computer, you know.” Mrs. Bayliss smiled. She was always very protective of Joanne. Angela’s mother said she put “a brave face on things, but then what else can she do, poor woman?”

And then Mrs. Bayliss launched into one of her monologues. Sometimes she repeated herself, but stories that might have been boring from another person could be quite mesmerizing when they came from her, especially when she told you about her early life. Listening to her was like reading a book that you couldn’t put down, or watching a favourite film over and over again. She had that gift, and she knew how to talk to young people. Not many old people could do that. And, as she spoke, she made Angela forget about Trevor for a few minutes.

“Sometimes I worry about her, spending so much time on the computer. We didn’t have any of that in my day, you know. We had to make our own entertainment and I think we were probably better off as a result, though I suppose that must make me seem like an old fuddy duddy.

“Of course, we didn’t always play nice games. We had our children’s parties and things, and the games we played then were nice enough. We played Ring a Ring a Roses and Blind Man’s Buff and there were jellies and blancmanges and cakes and candles. And, oh yes, we played The Farmer’s in His Den. My favourite bit was when we all patted the dog at the end, though I never wanted to be the dog myself.” She laughed quietly. “I didn’t think about it at the time, but I suppose our parents must have had trouble getting us things like birthday cakes and party hats. It was a hard time, just after the war. You know, the Germans dropped seven bombs right where I was living in London. All in one night. We could have been killed, because we were in the house and two bombs fell just a hundred yards away. One landed along our road and one down the hill at the side of our house. My grandfather had been taking us all down the tube when they first started the bombing, but after a few nights he said it was too much of “a palaver” and we should stay in the house. If our number was up, it was up, but he didn’t think it was quite yet. He made it sound like a lottery no one wanted to win and I suppose that’s what it was. Mr. and Mrs. Brian and their two boys were killed that night when the bombs fell – their number came up – but we were lucky. My aunt and uncle lived in the house across the road from the Brians and they were lucky too. My aunt was in their flat when the bomb exploded and my uncle was in the house with us. He used to say he did the four-minute mile before Roger Bannister, sprinting along the road to get to her, but that was silly really, because they only lived a hundred yards away. Nothing like a mile. My aunt was OK. All their windows were blown out, but she didn’t even have a scratch. We were all very lucky really.

“Of course, I was too small to understand any of this, but after a while when I was a bit bigger I used to go to the bombsites to play. I never really thought about the Germans, but if I had I think I would have been grateful to them because they gave us bombsites. Good places to play. Today they might even call them ‘green belt’!” She smiled. “Grass and weeds grew there very quickly. We had nowhere else to play, except for the school playground and the streets and you could skin your knees if you fell down there. It happened to me lots of times. I think I must have fallen down more often than other children.” She smiled again, at the thought of her clumsiness. “I was a bit of a tomboy, you know. I wasn’t a bit ladylike until I was about your age, dear. And once I banged my head hard on the corner of a brick wall. I still have the bump.” She touched the right side of her forehead. “I saw stars, but no one else was very bothered. My grandmother said to sit down for a while and have an orange squash and then I’d be right as rain, and I was, of course, though what was ever right about rain, I’m sure I don’t know. It was nice in those days, living in a big family, even if they didn’t care about head bumps!” And this time she laughed out loud.

“There were seven of those bombsites and I think we must have played on all of them, but the one I remember most is the one at the bottom of the hill, where they’d had the cinema before the war. Well, the cinema was still there after they dropped the bomb, but it was ruined and they said it needed to be demolished, though they left it like it was for years. We only went there from the bit we played on once, because we had to get over some barbed wire to get in and we’d heard that there were two devils inside: the Red Devil and the Yellow Devil. One was a real devil – I mean a bad devil – but the other one was a good devil and they said he managed to keep the bad one in check. It’s odd, but I can’t remember which was which now. We never saw them, though, that day we climbed over the barbed wire. I was very careful, but Christine Garrett tore her dress. Where we used to play was in the area on the left, the other side of the barbed wire. And you know what we liked to do most?”
Angela shook her head to indicate that she couldn’t imagine. She’d heard this bit of the story before, but she was eager to have it told again. “We liked to cut up worms. Someone said that it you cut a worm in half, the two halves would live on, and they would become two worms. I don’t remember whether that happened, though. All I remember is that we cut up worms with Terry Gardner’s pen-knife. I bet you’re thinking that that wasn’t a very nice thing for little girls to do. But back then, we didn’t give it a second thought. And I think we enjoyed ourselves more than children do today. We didn’t have a care in the world, even though we might have been killed by those bombs or the cinema falling down on us!” And she laughed again, at her blissful ignorance.

While she was in this talkative mood, Angela decided to ask her about Joanne. “Joanne didn’t know any of that, though, did she, Mrs. Bayliss? She must have had a very different childhood?”
“Yes, hers was different. She was born later, in the Swinging ’Sixties. I was still in London in the Swinging ’Sixties, though I never swung myself. Mr. Bayliss was alive then and he thought it would be better if we moved up here, because things would be quieter for Joanne away from London. So that’s what we did. I’ve been here for forty-five years now, you know, but sometimes I still think London is my home. I forgot to ask. Would you like to go up to see Joanne? I expect she’d be pleased to see you again.”

Before Angela could answer, she added, “And perhaps you could check she’s not getting into mischief, with her computer. I don’t know much about these new-fangled things myself.” She was still smiling, but Angela could tell that she was concerned. She sensed that Mrs. Bayliss wasn’t worried about Joanne being mischievous, but about her being the victim of “mischief”. She must have heard the news stories about Internet paedophiles too. Angela’s mother was always warning her. Now it seemed she was being enlisted to protect someone who was more vulnerable. It made her feel adult and responsible.

“Of course, I’ll go up. It’ll be nice to see how she is, Mrs. Bayliss, and from what you say I may pick up a few Internet tips myself.” Angela liked the person she became while she was with Mrs. Bayliss. Mrs. Bayliss’s politeness made her more polite.

She imagined Joanne sitting in her room playing Super Mario. They’d played that together when she’d first visited the Baylisses. She’d thought it was a bit childish, but Joanne had loved the game. Joanne had a Super Mario lunchbox that she took to her “special school”. Angela had told her she thought it was for boys, but Joanne shook her head and said, slowly, “No, it’s alright. Anyone can have any lunchbox they like.” She was the only person Angela knew who was thirty – or forty, or fifty – and still went to school, even if she only went once or twice a week.
Angela went upstairs to see Joanne. She was in her room, staring at her desktop. Angela decided she only needed to say “hello” and perhaps talk to her for two minutes and then she could leave without being impolite. The sooner she left, the sooner she could check her mobile again. As she entered the room, Joanne looked up for a second and gave her a look that told her she, too, was impatient. She wanted to be alone with the computer.

“Hello Joanne. Are you playing a good game?”

“Playing!” Joanne said scornfully and continued in her slow level voice, “I’m not playing. I do work on the computer.”

Joanne spotted her nervously fingering her mobile in her pocket. “It’s alright to put it on, you know. I don’t mind. I’m very busy.”

Angela checked. No new texts.

Joanne was busy with her keyboard. “I’m going to do skype. I like skype.”

Angela guessed that this was why she was impatient. It reminded her that Anne had said she should start using skype, but she liked sms better, especially if they were from Trevor. Of course, if Trevor was on skype that might be different, but he didn’t seem keen. She looked across at Joanne’s screen and there was a round-faced jolly-looking man of perhaps thirty-five, gazing out of it. It seemed as though Joanne’s mother’s intuition had been right. Now Joanne was busy talking, much more quickly than usual and clearly very much at home with the man on the screen.

Joanne turned to Angela again. “This is Harry. He’s my partner. Would you like to meet him?”
Angela nodded. She felt she must, so that she would know how to protect Joanne and warn her mother. Joanne gestured to her to sit beside her on her computer chair. There was barely room for both of them, but Joanne shifted to one side, so that Angela could be in front of the camera. To her surprise Harry turned out to be the nicest man imaginable. He had a beaming smile that spread from one ear to the other, a gentle Western American drawl and sparkling eyes that told you how much he was enjoying life. He was completely relaxed with Angela and she knew immediately that he was no threat to Joanne, or her, or anyone. He was “real pleased to speak to Joanne’s friend”. Angela asked him where he was and he said he was in Tucson, Arizona. “It’s early in the morning here. I get up early to be with Joanne, but I wouldn’t miss her for the world. We talk for hours, every day. Sometimes she comes here in the middle of your night-time to be with me, before they put me to bed.”

“Who’s that? Who puts you to bed?” Angela hoped she wasn’t being too forward.

“Oh, the nurses and the orderlies. All the folks here. They’re all real awesome. No one ever tells me I’m autistic, but I know I am. I used to have bad days sometimes, because I couldn’t seem to hold down a job, but then when things got worse and they put me in here, everything got better and now I’ve met Joanie I can’t wait to wake up in the morning and I don’t want to go to bed at night. She’s wonderful, isn’t she? The greatest woman in the world. I don’t suppose we’ll ever meet, but no man could ask for more.”

Joanne was smiling broadly too. The look of a woman who had found her perfect man.

“Shall I hand you back to her now?”

“Okey dokey. Nice to meet you, Angela. Just one thing.”

“Yes?”

“Would you give Joanie a big smackerooney for me?”

“OK. Yes, of course. Bye.”

Angela gave Joanne the kiss, something she’d never done before, and Joanne’s smile became even broader. Angela moved towards the door to leave the two of them alone together. She felt like she was playing gooseberry to these two lovebirds. Joanne gestured to her to come back. “Please. Please don’t tell my Mum.”

“OK. See you soon, Joanne. Take care. Tell Harry to take care of himself too.” She felt very adult as she said this.

“I will.”

Angela went back downstairs. Mrs. Bayliss was a little more direct now. “It’s nice for her to see people. Thank you for talking to her. Sometimes she gets lonely, especially on days when she’s doesn’t go to school. Did she seem alright to you, Angela?”

“She seems absolutely fine, Mrs. Bayliss. No need to worry about her.”

“Well, that’s good. Will you stay a little longer? I have some lovely cherries. From Miss Cavendish.”
“Thank you, but I think I’d better be going. Mum said not to be out too long. I have to help her with the cooking today.” She didn’t mention she was meeting Jill.

“I expect you’ll be glad to get back to school, dear.”

“Well, in a way, yes.” At least she’d be seeing Trevor every day.

Mrs. Bayliss waited until Angela was out of sight, before going out to her green rubbish bin, the one the Council supplied for compostable waste, and dumping the apples into it. Perhaps she could get some better ones from the supermarket. And now she was going to have to eat all those cherries herself!

Angela was halfway home before she thought about Trevor again. She switched on her mobile. Just one text. From Anne: “He sez he luvs me.” Nothing from Trevor.

For Sale - a Poem

(from a Dalit woman)


by Deeya Bhattacharya

I eat rats
and my skin is tawny;
I hold you gasping
in between my thighs, shrieking
till a dead woman;

My cheeks are hollow,
my eyes bulge
I wear the kohl of cremation
the water resides in me,
yet my breasts dry from menstrual pause
I abjure, the mockery
on my itchy skin, age old
I eat rats

My skin creases, there’s a
story behind my sagging breasts
stories that sob in  my vagina, the effortless ones
to wallow in your lust and dust scraped effigies
there’s no blood for bridal beds for me
I am sentenced for life

these blank and ugly blotches
on my skin, are a concession to
the caste I wear, the skin I bleed.

Poem - I can't understand this

by Pramila Khadun

Pramila Khadun
Billions of dollars are being spent
To look for life on other planets
And trillions spent to kill life
On our planet.
I can't understand this.

With hearts parched, terror-etched faces,
Blowing rings of hope
In the midst of despair,
Many are eating dry bread
With a tangy chutney
While others are tasting wine
From the best of vines,
Along with grilled meat and sauce,
And baked potatoes,
I can't understand this.

Cesspool of wickedness, filth and corruption,
Poverty, partiality, pollution and devastation,
The fury of war,the scheming puppeteers,
The cacophonies and atrocities around us,
Engulfing us while the delights
Of the wicked know no bounds.
I can't understand this.

The simplicity of life turned into complexity,
Sins descending like a swarm of locusts,
Virtue dying in the bud and vice flourishing,
Youth left to themselves, the old ill-treated,
I can't understand this.

Poetry By Iram Fatima ‘Ashi’

Iram Fatima ‘Ashi’

A Deep Thirst 

Blood drains drop after drop,
A strange red color, a color of life,
She tried to hold back the storm,
The strong desire to meet her love was dying now,
She was now down to her last breath,
She looked across to see the world for a last time.

A deep thirst goes unquenchable,
A sketch without filling up colors ,
A bird without exploring sky,
A dark cloud without falling rain,
A bud dries in the desire of blossom,
A seed which could have been a tree some day,
A beauty left untouched, unseen,
A gleam lost without being lightened up,

Is that deserving a destiny of poor being ?
She closed her eyes accepting the truth
Embarking on an Infinite journey into the other world,
Someone might wait for her, ignorant of her end.
A killing wait,that would fill him with an unending pain!

The Abandoned Soul

My soul begs me for something,
Something which was once mine,
I look back at the faces of my old friends,
They clap and sing, oblivious of my presence!

There's no sound,
But I can hear their laughter,
It fills my heart with melancholy,
The realization that they have all gone!

I know no one would call me,
nor take me by my hand,
For I have been condemned,
Set as an example for everyone to see!

I take a final look at the marks I left behind.
A feeling of nostalgia makes me cry,
I'm free, I tell myself as I begin to climb,
I am moving forward, to let my spirit sail on!

A new life awaits me,
There in the darkness of empty spaces,
Where no emotions tread by,
No memories to haunt my tortured mind!

Before I Die…

When words are missing from my poetry,
Colors get faded from canvas and art gallery,
A thirst is left unquenched of an artist totally,
My muse you are surely into deep sound sleep.

I am the creator, waiting from centuries,
To join the loving muse, to create my master piece,
Inspiration is in veil, untouched and unsaid worldly,
My muse you are surely into deep sound sleep.

I am holding brushes dipped into different shades,
I am an unknown wordsmith, holding my pen to fill paper,
My admirers are holding their breath for next creation,
My muse you are surely into deep sound sleep.

Words are eluding away, unable to pen them down,
Picture is in mind but failed to execute and paint,
People call it writer’s block, but I know darling,
My muse you are surely into deep sound sleep.

Wake up and sit next to me, see into my eyes,
Connect with my soul without touching, let’s rise,
You are the only person, who could inspire me, to the sublime,
Rouse my feelings to generate best out of me, before I die.


Crazy Rain Drops

Crazy rain drops are dancing in my garden,
On the leaves, grass and petals of the red roses.

Clouds are moving with air to see their friends,
You are in my mind with some subtle thoughts.

This is the moment I have waited years for,
To watch this calm beauty of Nature.

I'm charmed with the picturesque surroundings,
Pleasant breeze is blowing all my troubles away.

Rainbow welcomes us with a bridge of colors,
As I explore heavenly pleasure in Nature's love zone.

Two Poems Vatsala Radhakeesoon

Vatsala Radhakeesoon

Feminine Logic Speaks

After years of being silent,
Years of tossing and turning
in sleepless nights,
Years of physical  and mental torment,
Today, at last, my feminine logic speaks
with all her strength.
No more will I bear
your hitting me,
your ignoring me,
your abusing me,
your lying to me,
your yelling at me anytime;
No longer will I wear
your fake ring of sanctity.

O cruel husband!
The one who has given
men bad names,
The one who has disgraced
the bravery of gentlemen,
Today, I’m quitting
your ego-haunted home.
I stand up
for all battered women
who are fear-dumb,
lost in the labyrinth-like dim light.

O ladies, learn about your rights!
For them you have to independently fight,
Let no man crush your hopes, your dreams, your heart;
Be the lady who commands respect,
Let the feminine Divine in you manifest,
Be a woman of dignity
till your life’s last breath.


Saying ‘No’ to Racism

Tear the fake veil
into perfect halves!
Smash the clouded glasses
into minute pieces!

Black, white, tanned-
only a question of pigment distribution;
Why should it matter?
Why should Humanity be drowned
in merciless discrimination?
O Human Race, rise!
See through the eyes
of True Light!
Look!
It’s crystal clear,
Cut from the same divine thread
are all human beings
Yet blessed with uniqueness
is each of us,
Such attribute can neither be compared
nor be judged;

So, Human race, let go
of your nurtured ignorance
Erase from your life’s walls
the colours of Prejudice’s paints.

Protest Poetry by Rob Harle

Rob Harle
Betrayal

The baptismal fonts decay
and information structures
breed like alien dictators;
fat rubber stamps rot slowly
as the assumption of integrity
collapses under hypocrisy's vengeance.
Force the young to live in gutters
squats and cardboard cut-outs,
build your National empires grand
which rest on stumps of misery;
your status rises, temporarily
with every option to oppress.
The young who only want a chance,
share the air and blood that's yours,
even more they trust you with their care.
Just like Judas you betray
not once, not twice,
but your enshrinement in the Chamber
perfects a continual betrayal
of lies and graft and horror.
Even as you drown your mind
and whisky spills across your soul,
you can't escape the burden of their hope.
Councillors of heavy hype and hail
empty, heartless, barren,
your life is a useless farce
if you sleep warm and weightless
when your children cower and freeze
in the sewer of your mind.


The Guillotine

Our global village waits
numb with disbelief
as the invisible decision rises
hovering high above humanity;
the particles of death honed
sharper than any rapier or razor.
The Rainbow sails as David,
across a dancing darting ocean
at peace with dawn and dolphin
to meet Goliath's genocidal guillotine.
Nurses, scientists, farmers chant
Chernobyl: Chernobyl: Chernobyl:
Vacant homes on abandoned farms
stare back at empty hospitals;
records, medical notes, paper bits
stained by blood red rain
lie in the strange ashen dust,
and our global village cries.
They speak in constructions of liberty
but the syntax is one of dire deception,
their empty sentences
sentence every living organism
and echo across the sinking vortex
of an earlier Rainbow vision.
And we are silenced by superiority,
by the rhetoric of arrogance
and impenetrable imperialism.
And our global village screams,
Stop! Stop!
The guillotine has shuddered down
a hundred times or more,
down, down, down,
each descent disgorging
the inner hearth of Hades.
Evolution's history writhes
and the mutations wonder why,
at first the monstrous babies
with three hearts, no arms or eyes
are gently euthanized,
but the frequency of mutation grows
and our global village dies.

NB: The Rainbow Warrior was a peace protest ship involved in many actions to help save our planet.


The Sign of The Beast

The 21st century icon stood before me
glistening black and chrome
inviting, seductive, sensuous
DC ATM - all cards accepted
Fees Apply.
Security video 24-7 hovers above
guarding the cash excreting mouth.
The DC ATM is silent,
strategically located
midway between Supermarket and Butcher.
Pet Mince 99¢ a kilo
Hearts – Brains - Kidneys on special
Today Only.

Then - THE SIGN - assaults my eye
clean, crisp and callous,
black letters on white-cold metal
fixed to a filthy drab-grey concrete wall
protecting the cash excreting mouth.


             No Skateboarding
               No Bike Riding
            No Scooter Riding
                No Loitering
                No Begging
              Thank you – Centre Management


No Begging – No Begging!
for whom is this sign intended
the questions begs?
The white middle class consumers?
DC ATM cash grabbers?
Little kids on scooters,
their mums one step behind?
I think not!
Indigenous people come and go
quickly passing the slick black DC ATM,
not looking at the sign
or the filthy drab-grey wall.
A mindless act of cultural vandalism,
has stained the air,
flagrant social discrimination,
stings my saddened eyes.

The Centre Manager
obese and crass,
full of self-importance
in a cheap polyester suit
waddles past
secure in his position of power.
His complacency a deadly trap,
The Wheel is always turning!


The Dulling

an ancient rusted farmhouse roof
the red-brown weathering of time's been cruel
it's witnessed by a million stars each night.
storms have lashed the shiny silver, dull
children born beneath this sturdy mantel
have long since gone their wandering ways.
the hearth and home deserted, bare
watches through the shattered glass
of weary woeful windows
the building of a four-lane strip.
another fast, black-paved
white-lined highway to hell,
connecting nowhere to nowhere.

an ugly fence of sickening green
goes on and on
along the further side,
a barrier to dull the noise of traffic agitation.
behind the jail-like fence
a putrid pox is growing,
the red-brown brick boxes all the same
the red-brown tiled roofs all the same
the silver television gallows all the same
they're there to reinforce the dulling.

Not one tree does this Wasteland grace.



The Colour Of Greed

Paint the colour of greed,
a sickly phosphorescent yellow-green
rising from the foetid waters,
a burning acrid colour – deadly.
More gas wells are drilled,
more corruption fuels more corruption
anonymous investors burn with greed
a yellow-green poison mists over the land
a land in the tremors of dying,
the frogs and lizards long gone.
As a child I drank the water pure,
flowing through forests of energy
in streams through fields of swaying grass.
What do I tell the children?
How would Monet paint the colour of greed?
How do I explain democracy – a deception?
What is majority consensus – a bad joke?
How do I paint the politician's auras tinged with black,
glowing with sickly yellow-green?
Farmers and mothers and greenies – unite,
forging deep connections,
a solidarity for sustainability.
Yet still the yellow-green-black politicians lie
their deceptions the manifestation of cancerous evil,
Dear children - I am so sorry!


Ledgers of Creation

Enter into this deep loathsome secret
your anachronistic education cannot save you,
my therapist collapsed into oblivion
as I recited the formula for her,
the equation for nano-genetic-conflation.

The seeds are all in Patent Process
animal DNA is following fast,
precise catalogues of life
Ledgers of Creation owned by the few.
Bank vaults bulge with vulgar obscenity
as plastic wads of worthless cash inflate,
traded on the Stock Exchanges of insanity
where Piranhic feeding-frenzy riots daily,
the blood wrested from the Everyman
'till only a dry and empty bag of skin remains.

Shylock reigns supreme in this deep secret
with raw blood slopping down his chin
as he devours his every "pound of flesh".