Showing posts with label Call. Show all posts
Showing posts with label Call. Show all posts

A Limited Open Call for Setu: December 2024: Sweet-bitter Farewells!

Darkness settles on roofs and walls,
But the sea, the sea in the darkness calls;
The little waves, with their soft, white hands,
Efface the footprints in the sands,
And the tide rises, the tide falls.

 ---Henry Wadsworth Longfellow


Brief Description of the theme:


Bidding goodbyes can be both sweet and sorrowful!

Lot depends on the contexts of saying goodbyes.

 

Farewells can be liberating also.

They can also cause suffering and take a psychosomatic toll.

 

In life, humans come across such shared situations where farewells become inevitable with their attendant consequences and emotional binaries.

 

Time to say goodbye!

How do you say that in real time to your friends, family, neighbours, colleagues, strangers (on a train, bus, plane, etc.)?

That brave attempt at turning around, hiding unbidden tears in red eyes and overcoming a choked voice at the inevitable parting.

The final parting!

The meaning of being human in separations, ad-hoc or permanent.

 

Well!

So many ways of recalling those moments.

 

Please send your works around this theme.

Interpret your own way.

Send us the best ones for review.

 

We are waiting.

 

Details:

Theme: Sweet-bitter Farewells!

Deadline: December- 25th, 2024 (strict adherence)

E-mail: setuedit@gmail.com

Subject line: Submission for the Special Edition

Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold)

Author Name: Immediately below the title (Bold)

Word Limit: 40 lines maximum (poetry); 500-1000words (prose)

Instructions:

---Please send poetry (three poems of 20 lines, maximum), prose piece of max 1000 words, themed-painting/drawing (three-five), with a brief bio of 100 words only, along with a recent pic, as two separate attachments, for the editorial evaluation.

---Text in the Word format, font 14

---No PDFs

---Mention, in the brief cover note that it is an original, unpublished work

---Only the best works will be featured

---Non-compliance will lead to the summary rejection

---No notification of the rejected pieces will be sent.

 
Meanwhile, take a quick dive here:
---https://www.setumag.com/p/setu-home.html

A Limited Open Call for Setu: November 2024

The pressure of survival in the big city will make you lose sight of your dream... Hang in there.

 ---James De La Vega


Brief Description of the theme:

The Dying City is an oil painting by the celebrated Australian artist-poet-editor-philosopher Robert Maddox-Harle.
It captures the reality---horror? ---of a city, denuded, stripped of greenery, in an atrophied form.
Soulless.
Concrete expanse.
The way cities are turning into wastelands.
Climate crisis.
Greed.
Destruction.
Dystopia.
Well, well. Respond to the digitized version (below) of the painting, in prose or poetry, please.
We are waiting for your creative responses.
Details:
Theme: The Dying City
Deadline: November- 25th (strict adherence)
E-mail: setuedit@gmail.com
Subject line: Submission for the Special Edition
Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold)
Author Name: Immediately below the title (Bold)
Word Limit: 40 lines maximum (poetry); 500-1000 words (prose)
Instructions:
---Please send poetry (three poems of 20 lines, maximum), prose piece of max 1000 words, themed-painting/drawing (three-five), with a brief bio of 100 words only, along with a recent pic, as two separate attachments, for the editorial evaluation. 
---Text in the Word format, font 14
---No PDFs
---Mention, in the brief cover note that it is an original, unpublished work
---Only the best works will be featured
---Non-compliance will lead to the summary rejection
---No notification of the rejected pieces will be sent.
 
Meanwhile, take a quick dive here:
---https://www.setumag.com/p/setu-home.html

A Limited Open Call for Setu: September- 2024

The photograph, below, is by the iconic author-artist-editor-thinker, Robert Maddox-Harle. 

 It evokes the beauty of the public space. 

Titled as “Lone Seat-North Haven”, it captures the beauty of a scene that can be read as an urban, romantic or idyllic sign or symbol---as per the mood/s of a remote viewer of the visual rooted in a locale that is both familiar and unfamiliar.

 Desolation. Emptiness. Loneliness. Or, an absence? 

 What does it intend to say, the powerful picture taken by the noted Australian artist Rob? 


 Its subtext? Its subconscious? What do you intend to construct, as a viewer/watcher, photographer?

 Send us your well-crafted responses to this picture-based call by Setu.


 Details
 
Theme: Constructing Conversations with a Photograph
Deadline: September 25th (strict adherence)
E-mail: setuedit@gmail.com 
Subject line: Submission for the Special Edition 
Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold) 
Author Name: Immediately below the title (Bold)
Word Limit: 40 lines maximum (poetry); 500-1000words (prose) 
Instructions ---Please send poetry (three-five poems) or prose (one piece) with a brief bio of 100 words only, along with a recent pic, as two separate attachments, for the editorial evaluation

. ---Refer to the photograph in your work. 

 ---Text in Word format. 

  ---No PDFs.

 ---Mention, in the brief cover note that it is an original, unpublished work.

 ---Only the best works will be featured. 

 ---Non-compliance will lead to the summary rejection. 

 ---No notification of the rejected pieces will be sent. 

 Meanwhile, take a quick dive here: ---https://www.setumag.com/p/setu-home.html 

 Image: Courtesy: Robert Maddox-Harle 
 
Lone Seat-North Haven 

 (https://www.maddoxharle.com/pages/photography.html)

A Limited Open Call for Setu: August- 2024

Things of this world are in so constant a flux, that nothing remains long in the same state.

 ---John Locke

 

Brief Description of the theme:

Dizzying!
The wish to capture the instance, this-mood; the deep desire to capture the fleeting moments of time and space, and documenting the flow.
Ephemeral?
Trivia?
Or, individual record/s of human journeys?
Deletion.
Documentation.Mass culture.
Conformism.
Or, finding poetry in everyday facts.

Your choice to interpret…and write a response to this month’s theme.

Get fired!
Catch the images, before they disappear forever!

 

Details:
Theme: Living the Instant: Gestures of Erasure and Capture
Deadline: August 25th (strict adherence)
E-mail: setuedit@gmail.com
Subject line: Submission for the Special Edition
Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold)
Author Name: Immediately below the title (Bold)
Word Limit: 40 lines maximum; 500-1000words (prose)

Instructions

---Please send poetry (three-five poems) or prose (one piece) or photo essay or visuals (ten or so) around this broad theme, with a brief bio of 100 words only, along with a recent pic, as two separate attachments, for the editorial evaluation.

 

---Text in Word format.
---No PDFs.
---Mention, in the brief cover note that it is an original, unpublished work. 
---Only the best works will be featured.
---Non-compliance will lead to the summary rejection.
---No notification of the rejected pieces will be sent.
 
Meanwhile, take a quick dive here:
---https://www.setumag.com/p/setu-home.html

A Limited Open Call for Setu: July- 2024

Displacement: The Quest for New Skies and Nests

There are some people who cannot get onto a train without imagining that they are about to voyage into the significant unknown; as though the notion of movement were inseparably connected with the notion of discovery, as though each displacement of the body were a displacement of the soul.
---Margaret Drabble

Humans and other species thrive on migrations. This constant movement leads to further evolution of the given genes and growth of the individuals and species.
Migration involves displacement and new and newer discoveries of newer skies and locales.
You are welcome to explore this universal trait in your work/s.
Displacement: Discovery.
Moving forward.
Being an urban nomad.
The thrill and dynamism of making choices.
Of finding new locations, places, friends…and leaving old settings and relations.
The influx of leaving and going some strange geography of mind and soul.

Details

---Theme: Displacement: The Quest for New Skies and Nests
---Deadline: July 25th (strict adherence)
---E-mail: setuedit@gmail.com
---Subject line: Submission for the Special Edition
---Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold)
---Author Name: Immediately below the title (Bold)
---Word Limit: 40 lines maximum (poetry); 500-1000words (prose)

Instructions

---Please send poetry (three-five poems) or prose (one piece) or photo essay (text; numbered and named visuals, as separate attachments) or visuals (ten or so, properly named and labelled, attachments) around this broad theme, for the editorial evaluation at the address given above.
---The text in Word doc, Times Roman, 14 font; relevant visuals, along with an in-text brief bio and a recent pic, as separate attachments 
---Mention, in the brief cover note that it is an original, unpublished work, not plagiarized
---Only the best ones will be featured
---Non-compliance will lead to summary rejection
---Please note: No notification of the rejected pieces will be sent.


A Limited Open Call for Setu: June 2024


“To plant a garden is to dream of tomorrow.” 
—Audrey Hepburn

The blooms; the green patch; climbers and hanging plants; a dancing flower in a pot on the window-sill, lit up by the morning sun; that corner garden seat under the shade of the tree; scents in the air and bird calls; greenery that soothes and calms; nature that heals; a rich world of colours and sounds---magical!
Let us celebrate!

Continuing our engagement with seasons and nature, this open call.

Details:
  • Theme: Blooms in the Green Yards: Poetics of Gardening
  • Deadline: June 25th (strict adherence)
  • E-mail: setuedit@gmail.com
  • Subject line: Submission for the Special Edition
  • Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold)
  • Author Name: Immediately below the title (Bold)
  • Word Limit: 40 lines maximum; 500-1000 words (prose)

Instructions
  • Please send poetry (three-five poems) or prose (one piece) or photo essay or visuals (ten or so) around this broad theme, for the editorial evaluation at the address given above, along with a brief bio and a recent pic, as three separate attachments.
  • All accompanying images must be sent as attchments with meaningful titles.
  • Mention, in the brief cover note that it is an original, unpublished work.
  • Only the best ones will be featured.
  • Non-compliance will lead to summary rejection.
  • Please note: No notification of the rejected pieces will be sent.


A Limited Open Call for Setu: May-2024

An open call for May 2024 edition:
"To celebrate the scents, sounds and colours of summer as a season; the music of its winds and their velocity across varied landscapes on lonely nights; the varied temperatures; shades and colours of trees, shrubs and flowers; mangoes and fruits; local fauna and flora; rising heat followed by cool showers…infinite other possibilities for creative exploration of place, time and nature, in the time of climate change."

Details:
Theme: Winds of Summer
Deadline: May 25, 2024 (strict adherence)
E-mail: setuedit@gmail.com
Subject line: Submission for the Special Edition
Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold)
Author Name: Immediately below the title (Bold)
Word Limit: 40 lines maximum; 500-1000 words (prose)

Instructions
---Please send poetry (three-five poems) or prose (one piece) or photo essay or visuals (ten or so) around this broad theme, for the editorial evaluation at the address given above, along with a brief bio and a recent pic, as three separate attachments. 
---Mention, in the brief cover note that it is an original, unpublished work.
---Only the best ones will be featured.
---Non-compliance will lead to summary rejection.
---Please note: No notification of the rejected pieces will be sent.

SPECIAL October 2023 SETU ISSUE

Towards Visibility

Poetry by BIPOC, women, individuals with disabilities and non-binary voices

 

Guest Editors: Anita Nahal, Candice Louisa Daquin & Sangeeta Sharma

This special issue of Setu will showcase poetry by individuals who identify themselves either as BIPOC (Black, Indigenous and People of Color), as women, as individuals with disabilities or as non-binary voices. The current world demographics reveal that women are 49.58%, Black people are 7.8 billion, Indigenous people are 6%, 1.3 billion individuals with disability and about 2% of the population in 27 countries identified themselves as non-binary in a 2023 survey.[1]

Humans are different. That is a fact. It’s also a verity that human nature prevents most of us from recognizing and accepting the distinctive diversity of others. Au contraire, mortals have the potential of generating bias and fear in their brain synapses, consequently shifting to a “fight-or-flight”[2] mode rather quickly. Princeton university researchers, Janine Willis and Alexander Todorov have concluded that it takes only 1/10 of a second for us to make a judgement about someone based on optic perceptions.[3]

Keeping that in mind, we would like to present the assortment of themes that BIPOC, women, individuals with disabilities and non-binary poets across the globe are writing about. What attracts their interest and provides an impetus for them to express?

Are they addressing bias, injustice, violence, abuse or seeking the lost bonds of camaraderie, or lamenting over the digressing environmental richness, or yearning for spatial connections with cherished or disliked places or people, or engrossed in imaginary fascinations with non-human species on our planet or beyond in space? Or is magic their main poetic stay?

Or are they articulating their personal lives and beauties or challenges therein, prejudices, and world views towards them or others? Or are they writing poetry about love, loss, survival, family, parenthood, various “isms”, music, dance, sports, food, travel, etc.?

Perhaps none of these themes can be viewed or expressed artistically in a vacuum and poetry outpourings are an amalgam of related or unrelated thoughts, feelings, and expressions.

Also, are these poets expressing in real or surreal terms? What kind of semantics do they employ? And in what forms do they create poetry—free verse, prose, haiku, ekphrastic, etc.?

As three women editors for this special Setu issue, each one with varied experiences, we represent a multitude of divergences on the same themes we write about. Our writing styles differ as well. Simply because we are women, we are not monolithic. We have layered identities within us, lapping and overlapping just like in British mathematician John Venn’s diagram, though unlike his equal circles, our circles can change shapes and size depending upon what is dear to us at a particular moment in time.[4]

This special issue of Setu is, therefore exclusive as it’s rare--to have a collection of so many minority voices in one issue.

Setu invites poetry submissions from BIPOC, women, individuals with disabilities and non-binary voices to share with readers what they are emoting in their written words.

 

We look forward to receiving your contributions.

 

Kindly peruse below the submission guidelines.

 

1.     Submissions are welcome from anyone who identifies themselves in any of the categories listed: BIPOC, women, individuals with disabilities and non-binary individuals.

2.     Each person may submit a total of three poems, no longer than 20 lines each.

3.     All poems are to be sent in one word document in Times New Roman Font and 14 points.

4.     Please attach three separate documents:

·       One with the poems

·       Second with your 150-word bio

·       Third your picture in JPEG.

 

5.     Please email all three as attachments to: setuspecial.ed@gmail.com

6.     Authors must indicate authorship of poems submitted in the email.

7.     Deadline for submission: September 1, 2023

8.    Any content that promotes enmity or hatred of any kind or against any individual, group, region or nationality is not acceptable. Neither is porn.



[1] Published by Statista Research Department and 9, J. (2023) Gender Identity Worldwide by country 2021, Statista. Available at: https://www.statista.com/statistics/1269778/gender-identity-worldwide-country/ (Accessed: 20 May 2023). (This foot note is only for one of the above statistics. For others, please do a Google search.)

[2] In the 1920s American psychologist, Walter Cannon was the first to write describe the fight-or-flight concept.

[3] Wargo, E. (2006) How many seconds to a first impression? Association for Psychological Science - APS. Available at: https://www.psychologicalscience.org/observer/how-many-seconds-to-a-first-impression (Accessed: 16 May 2023).

[4] Nahal, A. (2016) Diversity & Inclusion applied in layers (DIAL) model by dr. Anita Nahal, CDP, Society for Diversity. Available at: https://societyfordiversity.wordpress.com/2016/03/01/diversity-inclusion-applied-in-layers-dial-model-by-dr-anita-nahal-cdp/ (Accessed: 20 May 2023).


A Limited Open Call for Setu: March-2023

To celebrate March as the month dedicated to Stree-shakti (Woman power), an open invitation for the non-fiction accounts, remembering the sacred ties that define family. Memoirs that discuss the love and dedication of females towards the kin and the loved ones; of loss and recovery; tributes; long-distance relationships, and, separation and reunion in a pandemic-hit world. A memoir as a portrait; portrait as a memoir. In-depth and creative look at what makes us social and human and family-oriented beings. A celebration of family, kinship and unconditional love.

Details:
Theme: Memoirs of a Father/Daughter/Sister/Mother/Son
Deadline: March 25th (strict adherence)
Email: setuedit@gmail.com
Subject line: Submission for the Special Edition
Title: Only the first letter uppercase (Bold)
Author Name: Immediately below the title (Bold)

---Please send prose works of maximum 2,000 words (minimum: 500-1000) or photo essays around this broad theme, for the editorial evaluation at the address given above, along with a brief bio and a recent pic, as three separate attachments. Mention, in the brief cover note that it is an original, unpublished work.
---Only the best ones will be featured.
---Non-compliance will lead to summary rejection.
---Please note: No notification of the rejected pieces will be sent.

Open Call for June 2022 Issue of Setu

An open call for June special edition:
"Smells, Colours, Textures, Histories: Food Narratives: Links to the Past and Present"

Please send a themed-piece, original and unpublished, on the special foods that appeal to you, bring together kitchens of the past and present, and, link the diaspora with the native soil, memory and heritage.
In brief, Writing Food into Daily Lives.

Another type of memoir!
Food photography, poetry, stories and/or paintings welcome!

Deadline: June 25th, 2022
Email: setuedit@gmail.com
Subject line: Food Special Submission
Format: Times Roman, 14 point; recent pic and brief bio and text, as three attachments.

The best pieces will be run in the June edition only.

Thanks.
Sunil Sharma,
Editor, Setu (English)

Open Call for January 2022 Issue of Setu

Here, another open call.

Theme: Essentials of Living: A survival Guide in the Pandemic-Stalked Times

Deadline: January 25, 2022
Email: SetuEdit@gmail.com
Requirements: Three attachments: Creative Text (Times Roman, Point 14) + Bio + Pic

Only the selected writers will be notified and their works will be published in the January edition.
Feel free to interpret the theme your way.

Waiting for some inspiring prose and poetry, non-fiction, memoirs and digital art/visuals/images that uplift.

Sunil Sharma,
Editor, Setu (English)