Showing posts with label Special. Show all posts
Showing posts with label Special. Show all posts

A Limited Open Call for Setu: September- 2024

The photograph, below, is by the iconic author-artist-editor-thinker, Robert Maddox-Harle. 

 It evokes the beauty of the public space. 

Titled as “Lone Seat-North Haven”, it captures the beauty of a scene that can be read as an urban, romantic or idyllic sign or symbol---as per the mood/s of a remote viewer of the visual rooted in a locale that is both familiar and unfamiliar.

 Desolation. Emptiness. Loneliness. Or, an absence? 

 What does it intend to say, the powerful picture taken by the noted Australian artist Rob? 


 Its subtext? Its subconscious? What do you intend to construct, as a viewer/watcher, photographer?

 Send us your well-crafted responses to this picture-based call by Setu.


 Details
 
Theme: Constructing Conversations with a Photograph
Deadline: September 25th (strict adherence)
E-mail: setuedit@gmail.com 
Subject line: Submission for the Special Edition 
Title: Only the first letter in the uppercase, not the full title in uppercase and without underline or fancy decoration (full title in Bold) 
Author Name: Immediately below the title (Bold)
Word Limit: 40 lines maximum (poetry); 500-1000words (prose) 
Instructions ---Please send poetry (three-five poems) or prose (one piece) with a brief bio of 100 words only, along with a recent pic, as two separate attachments, for the editorial evaluation

. ---Refer to the photograph in your work. 

 ---Text in Word format. 

  ---No PDFs.

 ---Mention, in the brief cover note that it is an original, unpublished work.

 ---Only the best works will be featured. 

 ---Non-compliance will lead to the summary rejection. 

 ---No notification of the rejected pieces will be sent. 

 Meanwhile, take a quick dive here: ---https://www.setumag.com/p/setu-home.html 

 Image: Courtesy: Robert Maddox-Harle 
 
Lone Seat-North Haven 

 (https://www.maddoxharle.com/pages/photography.html)

Setu, October 2021


Setu

Volume 6; Issue 5; October 2021


Setu PDF Archives

Editorial

Poetry

Young Signatures: Fiction and Poetry

Special: Tributes to Mahatma Gandhi: Visual+ Verbal

Short Fiction

Heritage: Decoding Sacred Texts

Author of the Month

Reflections: Pondering Mortality

Book Review

Video tributes to the Beloved Bapu

Setu Initiative: Setu Series of Virtual Readings


Haiku writing: a personal random reflection as an Indian poet

Ram Krishna Singh

--R K Singh

When I wrote my first haiku, perhaps in the early 1980s, I knew little about it except the basics of the form that it contains three short lines in 5-7-5 syllables, a reference to nature, and uses concrete images of things we can see, smell, touch, taste, or feel.

I had no teacher or guide to learn its deeper structure. I had no clear idea how best I could use the form inmy socio-cultural context, or adapt the Japanese norms to my native experiences, my own first-hand observations and subjective feelings.

Earlier, in the 1970s, I sometimes wrote mini poems in 3, 4, or 5 lines which are in free form. To give a few examples:

1. The best poetry
is a woman
concrete, personal, delightful
greater than all
(22 October 1972)

2. Naked
without ring
my finger
looks a widow
(29 September 1973)

3. I smoke and see
in the the upgoing fumes
dry ashes of life
(5 November 1973)

4. There is no tree
over the mountain
I rest under the shade
of a wandering cloud
(31 October 1974)

I thought these were like haiku, or had haiku possibility. Despite my preference for brevity, and haiku-like sensibility, and even use of 3-line stanzas in my regular poems, I doubt I knew enough to be confident to compose haiku that create an image, or show what I experienced which the reader, too, could feel. Honestly, it took me time to realize that all 3-liners are not haiku, nor all 5-liners tanka, even if my fascination for the form brought about a sort of consistency in the syllabic structure of my regular poems without wasting words.

Haiku as an independent poem, however, could start happening from 1982 onwards, though initially, what I composed as haiku, and succeeded in publishing them too, continued to baffle me. For example:

1. It’s utter helpless
true, but to survive
one must be tamed
(29 December 1983)

and

2. The mirror is so small
I can’t see the ocean
beyond my own look
(6 July 1985)

But the following three pieces seemed good:

3. A stray sperm
grows in the ovum
booms as a puffball
(7 February 1985)

4. Among the white hairs
a solitary black one
keeps her hope alive
(5 January 1987)

5. After cleaning
the maid leaves behind
an oily smell

So is true with the 5-liner:

1. Layers of dust thicken
on the mirror water makes
the smuts prominent:
I wipe and wipe and yet
the stains stay like sin
(2 July 1986)

I used to share some of my poetic pieces with my American poet friend, the late Professor Lyle Glazier of the University of New York at Buffalo, USA. Reading my first collection of haiku, he wrote me in a letter (dated 8 June 1999):

“I’ve read your collection of haiku and found much to interest me, but there have been so many collections of haiku. I think of them as good finger exercises for a poet, but except for a few collections—like Cid Corman’s Back Roads to Far Towns, a translation of Basho with original Japanese text and Cid’s own translation and commentary, I think it is very rare to have a book that stands up to what Basho and other oriental poets so beautifully wrote. Such collections can go on forever, and never become more than practice poems for the poet to perfect his technique…

“I am wondering if you wouldn’t better spend your time on a less formalized structure except for your own amusement and private gain.

“It seems to me that your own form is more interesting and suits you better.”

A month later, Professor Glazier wrote me again, dissuading me from writing haiku:

“At 88 years of age, I have reached a time when my vitality begins to wane, and I trust you will come to understand that I only think of your future welfare when I advise you not to spend valuable hours on haiku, a temptation that is shared by many poets persuaded that admiration from other poets writing in that genre is more than mutual admiration that has little worth outside that circle.

“If you can bring yourself to look objectively at the poems in that form, you will discover how boring it can become to read them. A few haiku can be admired if they avoid the common practice of moving away from a concentrated objective visual/auditory/sensory revelation into a virtually didactic statement, as if looking at the poem and remaking, ‘See how clever I have been to achieve this insight.’ The purely sensual haiku is very difficult to achieve, and especially difficult to achieve a collection of such depth and vision as to win a total commitment from the rear…

“At your best you are a poet with remarkable talent and insight. Don’t be betrayed by joining a mutual admiration society, no matter how successful.”

It took me years to understand, and effectively practice, that haiku carries one’s deep, personal, spiritual experiences, expressed in shortest possible way: these are brief, lyrical self-experiences, and experiences of life on earth, experiences of a passing moment, here and now, not to teach or preach or analyze or philosophize or moralize or argue, but to stir the spirit, to become aware of the images of life and various events associated with it. It is connecting with what is there around us, outside in nature, and inside our mind, heart and soul. It is experiencing and expressing our emotions of joy, sadness, admiration, or strong feelings through the form of an object that we see with our own eyes, as Koko Kato notes in her haiku magazine, Ko. The attempt is to create an image with purity of feeling and sincerity of experience, and communicate with a sense of wonder and majesty, rather than verbal cleverness.

Also, haiku writing to me could not be confined to mere nature poetry with seasonal reference, nor is the 3-liner with human content, that is, senryu, a different entity. I practice haiku and senryu as one: simply haiku, which happens with the momentness of a lived moment and communicates our faith in the unity of man’s being with all existence. It instinctively images what the creation around us means.

It’s limited form, characteristically short-long-short lines, has a lot of possibility if the poet could develop a sense of proportion, or harmony, the expressive side of language or rhythm which permeates the words, as also if the poet could evince sensuousness, imaging life in all its hues, from the most intimate to the most uplifting beyond, with room for readers to connect.

With these few random thoughts about my haiku writing in English as an Indian poet, I wish to end off with a few haiku I composed recently:

1. cleaning the remains
of burnt out earthen lamps—
dusky temple yard

2. smoked fish
in the elevated hut—
honeymoon

3. flour dough
between fingers
despair sticks

4. midnight moon
senses aroused—
lift the veil

5. pecking
behind the mask
magic-seekers

6. sudden downpour—
even in sleep I worry
about the virus

7. pandemic:
bullying before vaccine
the November wave

8. left alone
a covid patient:
restless turn

9. mid-June morning—
the gardener’s muddy fingers
scratch the itching scalp

10. rainy night—
he shuts the windows
saves his books

Bio-note:

Ram Krishna Singh, a well-known Indian English poet, has been writing for over four decades now. He has published20 poetry collections, including You Can’t Scent Me and Other Selected Poems (2016), God Too Awaits Light (2017), Growing Within/Des─Гv├вr┼Яire l─Гuntric─Г (2017), There's No Paradise and Other Selected Poems Tanka & Haiku (2019), Tainted With Prayers: Contaminado con Oraciones (2020), A Lone Sparrow (2021), and Against the Waves: Selected Poems (2021). He retired in 2015 as Professor at IIT-ISM, Dhanbad. More at https://pennyspoetry.fandom.com/wiki/R.K._Singh

Email: profrksingh@gmail.com

Poetry: Three lyrical poems

Dr Asavadi Prakasa Rao

Poems in translation from Telugu1

Telugu original by: Dr Asavadi Prakasa Rao | Trans. by: Atreya Sarma U

Only then will you enjoy the real thrill!2

If you resign yourself to your identity of a weak community,

And continue to drag yourself in the yards of others,

What then is the value of your life? What’s its purpose?

Caste and sectarian unions are no solution

For they reek of selfishness and trigger factional feuds.

Why do you forget that you own a brain in your head
And are strong in your loins?

If you continue to submit to the threats of some,

And bloat when some extol you to the skies,

And if you thereby sacrifice the sweat of your brow,

And keep on doing their bidding willy-nilly,

You will forever go on rotting like a slave.

When at all can you then dance in pristine ecstasy

With your own steps, gestures, lyrics and music?

You’ll derive the real thrill only when

You put a clear-cut stop to your thraldom.

***

Live and breathe...3

You, naughty urchins!

You brats that boastfully waste away your time!

Will you heed my words, and come forth

To walk along with me on a path that I show?

If you just raise your blabbering voices,

What’s it that tells you from the beasts?

If you fool away your time all the time,

How are you any different from a crow?

Don’t jump up on impulse, but learn
How to use and sharpen your mind.

Keep in mind the value of life between birth and death;

Do your bit to promote fellow-feeling more and more;

Fill the good deeds with your sense of responsibility;

Help the neighbours and the needy;

Define, explain and demonstrate what life is;

And light up the eyes of everyone around.

***

No, don’t sleep away all your time4

No more this slothful sopor, my dearie!

Wake up like a good boy at least now, my sonny!

Look up at the rising sun who shares out his golden rays;

And listen to the thrilling trills the kokila5 makes.

All around you can sight wonderful scenes

That fetch you oodles and oodles of treasures.

As you endearingly gambol about playing and frolicking,

As you sit down in a corner focusing on your studies,

My heart jumps with joy, and it craves for

Nothing but your chortles and charming looks.

Kumbhakarna6 who had lost himself in six months of slumber

Finally had to collapse along with his elder brother Ravana7.

Lakshmana8 – so alert round the clock for years fourteen,

And so loving and faithful to his brother Rama9 – sparkled like a star. 

Notes:

1. Source of the Telugu poems: antaranga tarangaalu (Waves of Soul), a collection of Telugu free verse poems. Dr Asavadi Prakasa Rao. Published by Navya Sahithi Samithi, Proddatur (Kadapa District, Andhra Pradesh). Originally published in 1988. Revised Edition 2005.

2. Telugu title: daasyam vaddu (No slavery).

3. Telugu title: manugaDakartham (Purpose of life).

4. Telugu title: niddura vaddura kannaa (Don’t oversleep, sonny).

5. Kokila: Kokila or Koel is a song bird. Also called Asian Koel, Eudynamys scolopaceus.

6. Kumbhakarna: Character from the Ramayana epic; younger brother of the demon king Ravana. Notorious for his non-stop somnolence for full six months every year.

7. Ravana: Demon king of Sri Lanka in the Ramayana epic. He abducted Sita, wife of Rama, and finally met his doom.

8. Lakshmana: Younger brother of Rama who accompanies the latter in his exile. A character from the epic of Ramayana.

9. Rama: Protagonist in the Ramayana epic.

***

Dr Asavadi Prakasa Rao

Dr Asavadi Prakasa Rao is a Padma Shri awardee (2021) in the field of Literature & Education. An accomplished Telugu writer and academic, he has a literary output comprising 60 books across various genres – Poetry, Extempore Poetry, Collection of Literary Essays, Translations, Monographs, Collection of Reviews covering 126 books, Biographies, Emendations, Commentaries, Anthologies, Collection of Forewords, Miscellaneous. Settled down in Penukonda, Anantapuram district of Andhra Pradesh, he is a recipient of a number of prestigious awards, titles and felicitations. Born in a scheduled caste – Madiga, he is an ardent believer in and practitioner of social harmony and Indian cultural values. As an Ashta-Avadhani (the only one in this art in the SC communities in the entire country), he performed this unique & amazing literary feat over 170 times. He retired as the Principal of a government degree college.


Short fiction: A life in limbo

Uma Bharathi Kosuri

A story in translation from Telugu1

Telugu original by: Uma Bharathi Kosuri | Trans. by: Atreya Sarma U

Narrative of an NRI woman who was battered by crises and lost her mental stability

Someone was tapping me hard to wake me up. Rubbing my eyes I sat up and found an elderly American. “Are you okay? Do you need any help?” anxiously he asked. I couldn’t make out the situation. I peered around and realised that I was on a bench under a tree in the Houston Downtown Park. I was in the employee uniform of ‘Jack in the Box’ fast food restaurant.

It was blurry. What happened? I remember having started out to my work place. Then, how come, I’m here! It was confusing. I looked up at my watch, and it was 01:00 pm. It was hot. He handed me a water bottle. I gulped a little and got on my feet. I felt a bit dizzy. Returning the bottle, I asked him haltingly, “Could you please give a ride to ‘Jack in the Box’? I work there.”

He gave me the ride and walked into the restaurant along with me.

As soon as my colleagues Tara and David saw me they were taken aback. “What happened over the last two days?” queried Tara, tensely. I didn’t know what to say. I took out the phone from the pocket of my pants. I found that there were a number of miss-calls from Tara and David. I guessed what could have happened but didn’t say anything.

The gentleman who gave me the ride said “Take care,” and left.

I turned to Tara who was still waiting for a reply from me.

“Being unwell I stayed back home. Maybe I couldn’t hear the ring because of headache,” I faltered. “You look like you have just recovered from a long illness. What exactly happened, tell me at least, Renu... please,” said Tara. I knew she had always been loving to me, but what could I say? I was in a muddle myself, so I kept silent. Slowly I walked into the kitchen and sat in a corner.

I remember having told Tara that ever since my husband died a year ago, it became usual for me to choke in a whirlpool of grief, suffer severe headaches, and lose concsiousness of the surroundings. But losing the way like this..., and surfacing much later in some park on a bench happened for the first time. Musing so, I closed my eyes.

“Get up, I’ll drop you at home. I have told the manager.” Tara clutched my arm and helped me get on my feet. After reaching home, she said “Take rest,” and left. I went into the kitchen, made cofee and lay down after having it. How at all did I surface on the park’s bench...? Yes, now I realised it. I wanted to call Tara but it was past midnight.

In the morning I called her up. “Yes, Tara, now I recall it. What happened the other day was... I recollect that as usual I stepped out walking. Though the way was familiar, I somehow felt confused. A while later I vaguely came to know that I kept walking around in cycles. So it was how in that mindless disarray, after making rounds and rounds of sleepwalk in the vincinity of my home itself and turning weary, I finally took myself off, unconsciously, onto the bench in the park.” As I recounted this, a pall of gloom descended into my mind.

“Stay on at home, I’m on my way,” she hung up. And in ten minutes she was at my place.

She took me to the doctor. After conducting the tests, he diagonosed it as dementia. “Over the last three or four years she must have been in a state of mental aberration and amnesia, though in a subtle measure. Has she encountered any traumatic or tormenting instances during the last two years? If she has her family, I would like to speak to them. There has to be someone who takes care of her constantly. Medication would help her, but the situation may aggravate also. In that eventuality, she has to be treated like a child. Or better join her in a home.” Dr John offered his advice.

“One of my sons is a doctor, the other an engineer,” I began to say. “But they are very busy, and Tara knows about it...”  I was held back by Tara who cut me short.

On returning home, she called my sons, and said, “Tomorrow is Saturday, so do come over here. I need to talk to you about your mom’s health. I had her tested by the doctor. She is under severe mental stress, and her condition is not good. She couldn’t comprehend the aspects that the doc had explained. Anyways, you’re coming here tomorrow. I’ll detail them to you.”

***

My sons Ram and Bharat and I sat across Tara and listened to her reading out of the medical report. Putting the file aside, she looked at them. “From now on at least, be visiting your mom as frequently as you can. After all, who else can she look up to? Whatever ordeals she is undergoing are not something that you can’t manage. Meet the doctor once and talk to him. What she needs is not your money but your affection and support. Given the bond of my relationship with your parents, I’ll keep standing by her to the best of my ability.” Tara exhorted them and had them sign the Medicaid papers for the sake of medical insurance.

***

Ever since I began visiting the doctor six months ago, my ‘Jack in the Box’ family – Tara, David and manager Joseph – had been looking after me like a child. They didn’t allow me to drive. It was Joseph who daily drove me from home to the restaurant. Once inside the restaurant, he would make me seated in a corner where I needn’t involve myself in every chore. I was allowed to chip in only when the restaurant was busy. Whenever David picked me up at home, he complimented me, “You’re doing good. You’re stepping out of the home only after I call you.”

“Yes, one must be careful, mustn’t one?” I would say. Whether it’s lunch or dinner or walking, I invariably had someone around with me.

“Management has granted you an allowance of two hundred dollars a month for your medicines and daily needs. So better buy some beautiful clothes as well,” said Joseph during lunch one day.

“You know how Renu really looked like earlier? Her face always sparkled with bottu (traditional forehead mark) and eyes lined with mascara. But now she is neglecting herself. Yes, we should buy her good dresses,” said Tara, seated beside me, adjusting the buttons of my shirt.

“What! Don’t I look good, Joseph. Don’t you always say, ‘You look good’ whenever you pick me up?” I asked him.

And we burst into a laughter.

“Our Renu behaves like a kid on some days; and on some other days she talks with a full sense of maturity. How to cope with her, Joseph!” smiled Tara.

“And all of you are taking good care of such a person. I know that you are concerned about me. I’m also apprehensive about it. Anyways, let’s see... Well, shall we go to see a new Hindi film?” I asked Tara.

***

Tara looked after all my money matters and explained them to me in detail. “Renu, you know we’ve disposed of your old car and I have deposited the sale proceeds of four thousand dollars into your account... Have your sons visited you at least once during the last six months? Don’t they know that your husband’s pension coupled with your salary is enough for you? And that you don’t need their monetary help?” Her voice was a little stern.

“Anyways, Tara, you mean everything to me, you’re my only confidante.” I looked adoringly at her. 

***

Of late, I was once again weak and slack quite often. And I felt heavy in the head but was managing it without disclosing it to Tara. I was simply attending work, getting back home and lying down curled up.

“Renu, we have missed ten Hindi movies over the last ten weeks. Even when I suggest that we visit the temple, you’re skipping it. We bought new dresses for you, but you’ve stashed them away. Walking is making you weary and you always look absent minded. What happened? Unless you share your problems, how can anyone know about them?” said Tara, during lunch one day.

When I looked up, I noticed Joseph gazing at me with an implicit prodding ‘Yes, let it out.’

Putting aside the half-eaten sandwich, I burst out. “I hit the bed to slip into sleep, but suddenly some thought or the other racks my mind, and I lose the sleep. Most of the thoughts revolve around my husband. He wouldn’t have died so suddenly. With our American earnings we had acquired properties in our home country but we were cheated out of them by relations on my husband’s as well as my side. The shock was too much for him and it dashed him into death. And his death has thrown me into an eddy of grief.” Unable to contain myself, I broke down and cried, even as my friends tried to console me.

Joseph gripped my face and shouted “Stop crying!” and slapped hard on my cheek, saying “She’s hysterical.” I felt the pain. And I faintly remember only one thing. That a little later Tara took me out in her car.

***

“You had fever for four days. Only today it’s normal. Doctor Rajan had visited you. From day after tomorrow, it’ll be routine again. You can come to work. Joseph would pick you up daily, okay?” said Tara, handing me the bed coffee.

***

I waited for half an hour before I locked the door and got out to work. The sun had been long up, yet Joseph didn’t arrive. Anyways, the work spot was near enough, so I’d walk up. As I increased my pace, a car pulled up in front of me, halting me in my tracks. Tara slid out of it.

“What Renu! Why are you walking along the road in a night dress?” Grumbling against me, she walked me back into the apartment and seated me on the sofa.

“Joseph called you to say that he couldn’t pick you up today, but you didn’t answer. He immediately conveyed it to me, so I am here. Where’s your phone?” She griped, and began to search for it in my bag and the room. She had never raised her voice like this against me. I was tense. I didn’t know what was wrong with me. I was in a hurry to go to work. And I began to weep.

Sensing my tenseness, Tara looked up and said, “Hey, what are you crying for? I’m sorry, Renu. I lost my cool only for fear of what would happen to you. That’s all. Rest for a while, and I’ll be back in a couple of minutes. Locking me in from outside, she left. I went in and rested on the bed. A web of thoughts came over. The moment I began to muse on any thought, it was getting snapped like a thread. A headache began to mount and I slid into sleep.

By the time I woke up, it was evening. It was dark outside. As I was lumbering toward the kitchen for water, I heard the unlocking of the outside door. Tara and Joseph were coming in. They went into each room and collected and packed my clothes and essentials in three suit cases. “From today onward, you’d be living with me,” announced Tara and took me along to her apartment.

“Tired and hungry, aren’t you? Go and relax in the sofa,” said Tara.

Joseph brought the three suitcases inside.

“Joseph, from tomorrow onwards, Tara would bring me along to work for she says I’d be staying with her here only,” I stated, to which Joseph nodded.

Tara went into the kitchen, fixed lunch and brought it to me. She made tea, and passed on a cup to Joseph.

“Joseph, I don’t know whether I told you earlier... When my husband Jeevan cheated and walked out on me, it was only Raghava, Renu’s hubby that came to my rescue like an elder brother. The couple took such care of me for a full year that even their dearest and nearest ones couldn’t have received such loving treatment from them – until I got a job in ‘Jack in the Box’ and settled down with it,” said Tara, taking out my clothes from the suitcase.

“Tara, you’re such a close friend of Renu. What happened to her sons?” inquired Joseph.

“I’ve known Renu for two decades. You know that her husband died all of a sudden when he was just sixty with the blood vessel in his brain bursting. This tragedy has weighed her down very badly. She has no other source of income than her husband’s pension. That’s why I talked to you and had her join with us for work...” Tara paused for a while.

“You have been all so good and helpful. It has strengthened our friendship,” said I. Tara flashed a smile and resumed folding the clothes.

“Yes, Joseph, let’s come back to Renu’s sons. Their dad laboured hard as an electrician and at the gas station, pinched and scraped to have Ram study engineering. Likewise, he sold away his apartment in Hyderabad to get Bharat into the medical course in the Philippines. These two visit their mother only to have her make curries and roti for them, but they don’t care for her,” said Tara, bristling with anger.

“Let it go, Tara. After all, they are kids. They have their own headaches and priorities,” I said.

“But what about the families in India cheating Renu’s husband? And how come Renu and her husband were affected by it?” asked Joseph.

“We’re all from the same place in India. We’re from a middle class background. If we come to America for a job, our relatives in India imagine that we will be earning millions of dollars here. To begin with, they seek some financial help for their families. Later on they would tempt you to invest in this or that dangling a return of ten time over. This was what exactly happened in the case of Renu and Raghava. Their relatives got them execute a power of attorney in their favour for this purpose, and ultimately swindled them rendering them stone-broke, I presume,” returned Tara.

“Yes, all of them over there are well-heeled with the multi-storeyed buildings, cars and businesses which they have acquired at our expense. Whereas here, we had been eking out a living by regularly remitting to them half of my husband’s salary and my entire income from my catering job and managing to live in a small apartment here. Anyways, there’s nothing we can do at this stage. At least, the Almighty will credit us with a charitable deed. My husband couldn’t gauge the situation. It was only by the time he retired, he came to realise the bitter fact of not having any funds either there or here. He couldn’t come to terms with it and that shock led to his death. And I’m only to blame for it, for I lapped up whatever my brother and my husband’s brother were trying to sell.” I spewed out my pent-up feelings and shot into an uncontrollable lamentation.

***

Seeing her come in, “Why do you lock me in and go out every time? It makes me mad,” I said.

“Is it something new? It has been happening for all these three months. Don’t you recognise me? Don’t you recall my name? It’s time I gave you haircut and bath. If you don’t cooperate, I’ll have to tie you up and do it. The other day when I had to thrust medicine into your throat, you beat me, you know? Now on, I’ll keep you roped up.” She grinned. And she unwrapped the package she had brought in and placed the sandwich before me.

She walked into the kitchen to make coffee. Handing me my cup, and sipping hers, she said, “In a couple of weeks, I’ll join you in a home, Renu. Your sons are not keeping in touch. I need to go to India on some urgent work. If it’s in a home, they will take care of you very well and serve the food you like. And you’ll have friends around.” Pausing for a moment, “Okay, dear?” she asked.

Then surveying me for a while Tara went on,  “Your face will be good to look at, only when your forehead gleams with bottu and your eyes with liner... the way Raghava likes you,”  and proceeded to pick them up from her makeup box.

***

Now I found myself in the Houston Geriatrics Medical Clinic in the company of Tara and Joseph.

Mary, identifying herself as a social worker, told me that I had been admitted as an Alzheimer’s patient. She read out the details and history, explaining a few things in between –

“Name: Renuka Kumar. | Age: 62. | Husband: Raghava Kumar, 65, died. | Contact: Tara Sarma. | For the last two years you’ve been suffering from the Alzheimer’s disease. | It’s a disease where the living cells in the brain are dead. | Now you need 24 hours care. Don’t you?”

“Yes,” Tara said.

“Yes,” I muttered.

“In a short while, I’ll be back with Dr Rajan. We’ve set up everything for you, Renu,” said Mary, and left.

After a few minutes, Dr Rajan came in. He was the same doctor who had examined me earlier. It felt good to see him. I greeted him.

“Hello, namaste, Renu ji,” he greeted back with a smile. “How’re you? Have you recognised me?”

“Yes, I do. I remember everything, and that Tara had been taking me to you. But, now and then I am not aware of things. Tara told me that she would have me admitted into a home,” I responded.

“Very good. I’m happy you’ve recognised me. But why does Tara say that you’re not remembering her name and that you’re beating her...?” he asked, casting a side glance at Tara.

“From yesterday Renu has been recalling everything. But her behaviour suddenly changes from day to day, and hour to hour like this,” said Tara.

The doctor picked up the file. “Look here, Renu ji. When you were 58, you were diagnosed with dementia. When you were 59, you were diagnosed with Alzheimer’s. Now it’s only for your safety that we have admitted you in the home. I’ll be visiting you. Now and then, Dr Robert or Dr Golden will attend you. We all take care of the nursing home patients in this area. We’ll look after you without any inconvenience to you. Is it okay?” asked Dr Rajan.

Turning to Mary, he directed, “Please document this case and update it to Special Care.”

“Sure, doctor. It pains me, doctor, to see that a mother is in this condition even as she has two sons. During my fifty years of service, I have come across very few cases of Indian families, and this one is very shocking. I can never imagine that well-settled sons could abandon their parents like this with no one to take care of them.”

“It’s not only her sons but even her brother and her husband’s brother are responsible for this condition of hers. The family members in India – who are under a delusion that their dear ones working here in America are leading heavenly lives so that they can serve as a golden goose for them – are also a cause sometimes for a plight like this. In reality, however, for some of the Indians working here, it’s like getting caught in limbo,” bemoaned Tara.

Dr Rajan who was listening to her while writing down the report until then, remarked, “Yes, I agree with you. We have known and heard of many instances like this.”

Notes:

1. Original Telugu title: triSanku swargam

***

Uma Bharathi Kosuri

Uma Bharathi Kosuri (from Houston, Texas) is a Kuchipudi dance exponent, dance guru and writer.  As a child artiste she acted in 3 Telugu movies – the award winning ‘Sudigundalu’ (1968); in the lead role in ‘Chillara Devullu’ (1975); and as Urvashi in ‘Yamagola’ (1977). She has produced and directed Kuchipudi dance documentaries for the Govt of Andhra Pradesh, and for the TV channels of Johannesburg and Singapore.  Played the lead role and choreographer for Indo-US telefilm/TV serial ‘Aalaya Naadaalu’ for Gemini TV.  She is the founding Director of the Archana Fine-Arts Academy in Houston, Texas since 1984.  She led cultural delegations for the Govt of Andhra Pradesh to raise funds through dance performances for the 2nd world Telugu Conference and the Rama Subbayya Scholarship fund in Malaysia and Singapore in 1982, for Telugu language & Culture propagation in South Africa and Mauritius in 1980 and for scores of fund-raisers to benefit over 40 temple construction & community development projects across the USA during 1980-2014.

Apart from scripting a few lyrics, poems and concepts for her Academy’s dance projects, she has taken to writing short stories, articles, poems in Telugu since 2013.  Published 2 story collections, and 3 novels so far.  Received the Vanguri Foundation’s ‘Ugadi Puraskaram’ for 3 of her stories.  And 3 of her books – Videshee Kodalu (2014), Vedika (2018), and Natyabharateeyam (2019) – were selected by the Raja Rammohan Roy Library Foundation and distributed to the public libraries of Telangana state.

She is also the Founding Director of Sri Sarada Satyanarayana Memorial Charitable Society in memory of her parents since 2018.  The society’s activities include literary competitions and recognition of deserving persons in various fields. She also focuses on animal welfare and rescue.   

She is grateful for numerous awards and honors for her artistic contributions from many world organizations.  She is also grateful for the love and respect she has been receiving from dance and art lovers and Telugu readers, world over.  And she feels blessed for the support from her parents, her husband Dr. Murali and children Dr. Silpa and Dr. Satyajit.

Email: ukosuri@hotmail.com

Mobile: 832 588 1039