Showing posts with label Nathalie Buckland. Show all posts
Showing posts with label Nathalie Buckland. Show all posts

Poetry by Nathalie Buckland

Nathalie Buckland

Nathalie Buckland migrated from England to Australia as a young mother. Always a writer, she has had her poetry, haiku and other writing extensively published both in Australia and overseas. She is the author of a collection of poetry, ‘Shards & Figments’.

London walk

I walk the dirty footpath
dodging dog turds,
soiled newspaper,
crusted vomit.

The summer air is chill
and damp upon my face,
gritty on my tongue-
where is the sun?

no warmth in this great city
except the feel
of a small hand in mine,
his trust that I will guide him
safely home. 


Puny power

at the unburned, the unflooded
centre
where starlight sears
and sun destroys
in the quiet heart
I see
my universe exists
both real and illusion
side by side
tangible
and I
create my own
unbounded centre
build pyramids of fantasy
make living breathing flesh and blood
and tears
and history
with puny power.

Migrant 


On a crystal morning,
magpie spangled,
sun pushing through the net of winter branches,
I walk with dewy footprints
to pick the golden bounty of my orchard,
and I remember
the winters of my youth.

Grey, grey, grey
the water-laden sky
lay spread-eagled on the grimy rooftops.

Turning on lights, mounding on clothes,
venturing into the still-dark morning
I slotted into the monochrome stream of workers,
poured seamlessly down the escalators,
hung from a strap
in the clotted underbelly of the city.

Days passed under flickering fluoro
coming, going,
earning, existing, etiolated,
light deprived.

Ah yes, there are things I miss.
Cuckoo call and early snowdrop,
childhood friends, brother, sister, parents.
Sometimes I return.

But always the sun, the sun, the sun
pulls me back
to this place of my heart, Australia,
home not of my childhood,
but of my children.

Published in Shards & Figments’ ‘Poetic Connections’ 2013


Seeing them

A crunch of gravel on the drive—
they’re here, their petal skin
paled by an English winter.
One clings to me,
smelling of boychild,
sticky with sweat and apple juice;
the little one
clutches my daughter’s legs
as she and I
just hold and hold each other.

Picture piles on picture for the week:
small bodies in my bed,
old battered books re-found,
chipped cars, boats for the bath,
my children’s dusty toybox emptied out.
At the pool’s edge my fingers feel
their bird-wing shoulders
slick through sunblock.
The constant ripple of their conversation
fills my days.

Too soon, too soon the kisses and goodbyes.
I wave and keep a smile upon my face,
say ‘see you soon,’ and listen to
the fading engine sound.
For days
balls leap from clumps of grass,
I limp from Lego bruises on my soles,
towels still drape the garden chairs
and pavers carry clustered stains
from ice-block drips, while in the fridge
the milk goes sour.

Published in Dangerously Poetic anthology ‘All the way home’


Waking

mist waterfalls from the roof
as the rising sun
touches the tin roof

across the drive
the persimmon’s leaves lie
a gaudy garment
shrugged to the ground
leaving naked twigs
to grasp at filmy webs,
dew-bejewelled

a crested pigeon pecks and calls
and from the gum
a kookaburra stirs the day,
shadows shift and the dog
shaking off droplets
flops on the now-warm tiles

stretches and sighs.

Poetry by Nathalie Buckland

Nathalie Buckland

Beside the road

Glistening crystal fragments
litter the tarmac.
The wrecked car seems from here
bejewelled;
a sculpture of twisted metal
listing, wheels removed,
stuffing spilling from seats—
abandoned.

An hour ago I passed it, mildly dented,
sitting on all its wheels,
waiting, I thought,
for rescue
beneath the sheltering trees, its windows down,
towels flung in the back;
anticipation of a weekend jaunt
disrupted.

We call the wreckers vandals
and we fear
what bubbles in their blood,
buzzes in their brains,
the overwhelming frenzy
that consumes them.
But maybe they, abused,
abuse in turn a car.

The wreck will be removed;
only the shards will linger here a while,
but where
where will the anger go?

Damaged

I never met him,
someone else’s damaged child
grown to manhood
carrying his parents’ hopes
his own bright dreams
too heavy on his shoulders

rehabilitation –
like school, he played for praise
sought approbation, cleansed his body
battled with his mind
and graduated healed

the drab routine
of Welfare, then a job – a fabricated job
each day the same
and back to dreary lodgings…

how could he resist
the glamour and the soaring flight
the great escape, the risk?
careful at first and secretive
he sipped
forbidden fruit the sweeter
greedy veins implore
more … more …

and she
knocking anxious at his door
hesitant
calling his name
enters a room
empty of breath redolent of death
the needle dangling still
his body… colours people should not be,
are not when blood is moving
she
dials and people come
uniforms, lights flashing,
stretcher, statements
the covering of his face

over for him
for others just begun

I never met him.

Old women busking

The busy street
 swirls with action –

spilling from cafes
clumping at cash-points
people are jostling
talking, shouting,
laughing, arguing.

Children dart and weave
bright threads among the crowd,
Elders tread with
careful feet
youths loll and pose.

Shoppers and browsers
sellers and idlers
part around us as we –
taking our notes –
begin to sing
‘Imagine’
in three part harmony.

The footpath stills
voices quieten
cameras click and flash
our alchemy
changes for a moment the faces…
and my heart.

(‘Old women busking’ previously published in ‘Shards & Figments, Poems by Nathalie Buckland, a self-published book sold locally by the author.)


Nathalie Buckland

BIO:
Nathalie Buckland was a precocious early reader in a house full of books in Wales, UK. Her grandparents on both sides of the family were playwrights and poets, one a patron of WB Yeats. Inspiration for Nathalie’s poems comes from her family, her diverse local community of Nimbin, Australia, and the natural beauty of the surrounding countryside. Her haiku and other poetry has been widely published both in Australia and internationally.