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| Moinak Dutta |
** ISSN 2475-1359 **
* Bilingual monthly journal published from Pittsburgh, USA :: рдкिрдЯ्рд╕рдмрд░्рдЧ рдЕрдоेрд░िрдХा рд╕े рдк्рд░рдХाрд╢िрдд рдж्рд╡ैрднाрд╖िрдХ рдоाрд╕िрдХ *
Three Love Poems: Moinak Dutta
At ' Hriday Kunj'
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| Moinak Dutta |
Memoir / Essays: Mother and Shiuli blossoms

She
had been a professional nurse. My mother. Sefali Ghosh was her maiden name
before she got married to my dad and changed it to Sefali Dutta. Quite
interestingly Sefali is the name of a flower found in this part of the world
which blooms every autumn. So come autumn , I go into a different mind, a
difficult mind too, if am I to say so, for it is like revisiting my childhood
and having glimpses of my mother who happily went taking the stairs to heaven.
That
year too the autumn had been awesome. The festivity had been all around. I took
her for a ride around the city. Being a person who knew how bodies work, how
diseases spread, she perhaps guessed something about her illness. She had a
heart which had erratic beats. I remember her telling me all the time while we
were having a tour of the city, through its lanes and bylanes, watching people
and the trees and cars and all that consist of the cityscape, that it might be
her last tour with me. I laughed.
But
then, she was a nurse. She knew it. Like she knew how my eyes had an
inexpressible medical condition of being wet with salty water at that time when
she said those words to me. She knew it that I was trying to be brave. Her
brave boy.
And
she climbed those stairs easily. Without even groaning. She just slept and woke
not.
Next
year, I planted a sefali / shiuli tree just on our small piece of land
by the car shed, beside that patio. It was summer. A full grown horrid Indian summer.
The sun blazed hot and cruel. But I had to save that sefali tree. Every
morning, that summer, even before the sun would turn like a scorching red hot
ball of fire, I would wake up and water the tree. And every time I did that, I
just prayed with all my heart that it survived that summer, the sultry, boring,
lifeless summer of that year. With all my heart, nerve and sinew, I took care
of the shiuli tree. If I would find its leaves turning a bit yellowish,
I would check the soil, rake it, apply manure and water. In the evening, I
would go near the tree and touch its little branches and leaves. Perhaps, back
then, I thought of myself as perfect gardener. Caressing it. Loving it. Not
that I took no care of other trees. Of course, I did that. But that shiuli
tree was always under my scanner. Once I found a worm crawling at its body. I
took it and threw it far away. But before that I took a snapshot of it and
searched the internet to find its genus and species. Once finding that, I, with
a desperation like that of a medic, found out the measures to be taken to save
the tree from onslaught of worms and pests like that.
That
time I thought of myself as a nurse too. A nurse to a tree. The shiuli
tree.
Then
came the monsoon. It rained for hours each day that monsoon. I had to take a
spade and create a nullah or a makeshift channel on the ground to prevent that
particular spot from getting waterlogged, knowing accumulation of water could
weaken the tree at its roots.
That
time I felt like a construction worker. A sewage cleaner also.
And
then, the monsoon also passed, giving way to autumn. The delightful autumn.
For
the first few days of the season, all other trees bore flowers. But that shiuli
tree had none. I was worried. I talked to my wife. She went with me to that
small garden we had beside the car shed. Our son went there too. We checked for
buds. The tree though had grown taller and greener, had no signs of buds.
Butterflies!
My
son suddenly quipped.
Yes,
we needed butterflies to carry pollens and to make the tree bloom.
So
again, I searched for trees which attract butterflies the most. I found some,
brought them and planted them.
That
time I felt I was like a priest. Purifying the earth praying with all my heart
for its beauty to arrive.
Praying
those trees which attract birds and bees and butterflies to grow faster.
They
did. Butterflies arrived. Bees too.
The
smell of flowers wrought my senses with joy.
I
felt that time I had become half of that garden.
Only
that shiuli tree.
I
waited.
We all waited.
Then
one fine morning, as I went near the tree, I found them. Those white shiuli
blossoms with an orange core waving to me from the branches of the tree. They
had bloomed overnight!
I
called my wife and son.
We
three stood under the tree.
The
air around it had that unmistakable fragrance of shiuli blossoms.
That
time I felt perfect like a nurse.
Bio: Moinak Dutta is a published fiction writer, poet and teacher from Kolkata, India. Many of his poems and stories are published in national and international anthologies and magazines and also dailies including ‘Madras Courier’, 'The Statesman' ( Kolkata edition), ' World Peace Poetry anthology ' (United Nations), ‘Spillwords’, 'Setu', ‘Riding and Writing’ ( as a featured poet twice, published from Ohio, USA), ' The Indian Periodical' ' Teesta Journal', ' Pangolin Review', ' Tuck Magazine', among numerous others.
He has also written reviews of books and fictions, among which notable ones are : on ' The Upanisads ' ( translated by Valerie J. Roebuck) which can be found at www.blogapenguinindiaclassic.blogspot.com and the review of ' The Ballad of Bapu' (written by Santosh Bakaya). His first full length English (genre: literary/romance) fiction ‘Online@Offline’ had been published in 2014, by Lifi Publications. His second fiction (genre: literary/quest) titled ‘In search of la radice' was published in 2017 by Xpress Publications. He has also worked as an editor of a poetry collection titled ' Whispering Poeisis', which had over one hundred poems from sixty poets from different parts of India and abroad, published in 2018 by Poeisis.Some of my favourite women in classics
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| Moinak Dutta |
by Moinak Dutta
Even before I try to put on paper my idea of finding powerful women characters in classics literature, I should put certain conditions as guiding principles for me so as to make my study coherent and precise. First of all, by the term 'literature', I am only thinking of English literature and secondly by the term 'classics', I prefer to look at works of English literature which represent a period and merit a lasting recognition, having universal appeal, thereby making my study taking into consideration 'modern classics' which have lovable and powerful heroines.
I will start with the female protagonist of Nathaniel Hawthrone's 1850 fiction 'The Scarlet letter', Hester Pryne.
Hester, considered as an adulterer for having an affair despite being married and sentenced to prison, does not hide or leave the town. Instead she confronts the so called 'self-righteous' townspeople and fights back against the oppressiveness of puritanical, male dominated society.
Compared to Hester, Josephine March of 'Little Women' by Louisa May Alcott, is much stronger. At the tender age of fifteen, Josephine is already headstrong, defiant and to some extent tomboyish. She is outspoken and absolutely not interested in marriage, quite contrary to the popular traditions. Though Josephine struggles because of her defiance, she also carries the expectations of nineteenth century women.
She is more like Elizabeth Bennett of 'Pride and Prejudice' and yet she is more than Lizzie.
Lizzie, unlike her sisters, carries strong individualistic ideals and only decides to marry someone when she is absolutely sure that she has found the right person.
Josephine, however, appears more daring than Lizzie. She shows no interest whatsoever, towards marriage.
In contrast to Josephine or Lizzie, Janie Crawford of 'Their Eyes were watching God', a woman character of the 1937 novel by Zora Neale Hurston, is completely a different figure. She is the epitome of tolerance and servitude at the hands of men. She suffers much like Mrs Thurlow of the short story 'The Ox' by H.E.Bates and yet in her tolerance and servitude, she gathers not pity but a strange stoicism. She throws challenges to God and she accepts with complete surrender all the pangs and brutalities. In her acceptance, she shows her superhuman endurance which makes her strong.
Reading how Chaucer created his 'The Wife of Bath', gives a different perspective to interpretations of women characters in literature. Though early drafts show that the role of the wife of Bath was initially meant to be smaller and one dimensional, Chaucer perhaps fell in love with the character and elongated the role of the wife. She, on the surface, looks lewd, making filthy jokes. But beneath her apparent lascivious facade she is making arguments for female dominance and trying to exert her rights over her body. She is actually attacking anti feminist traditions of the time.
When Edward Stratemeyer thought of a female detective like Nancy Drew who is physically strong and bold and at the same time fiercely intelligent, he is creating a ground breaking female chatacter. No longer female detectives are sidekicks of their male counterparts, but they are now independent women having mind of their own, passionate, rebellious, intelligent, freedom seeking strong individuals who are eager to gain strong footholds of their own in a male dominated society.
Steig Larrson in his 2005 novel 'The Girl with the dragon tattoo' created Lisbeth Salander as the next level Nancy Drew. A ferociously smart computer hacker, Lisbeth not only overcomes her traumatic childhood, but helps solving a family mystery. Yet Lisbeth does never fail to abide by her own uncompromising moral code.
This essay will be incomplete if I do not mention two female characters who carve a niche for themselves by being simply what they are. One being Celie, the protagonist and the narrator of the fiction 'The Color Purple'. Much like Janie Crawford, she suffers and her suffering is the most troubling one because she undergoes abject mental and physical maltreatment in the hands of her father first and then of her husband. In her loneliness, dejection and suffering she becomes an embodiment of tragic heroine yet like Maurya of ' The Riders to the Sea' of J. M.Synge, she knows that her sufferings will lead to her salvation. Like Maurya she stands face to face to her fate to attain tragic catharsis.And the other being Katniss Everdeen of the Hunger Games triology. She is contemporary, strong, determined, fiercely loyal, highly skilled in archery and hunting. People may argue how can Hunger Games be a classics, but knowing the way the trilogy garnered readership by its profundity, by its showcasing of survival techniques, by its universal appeal of presenting the conflicts between the hunter and the hunted, there is no doubt that 'The Hunger Games' will continue to gather readership in future.
As I near the rear end of the essay, keeping myself well constrained by the word limit, it will be not less than a 'sin' on my part if I do not mention Arya Stark of George R. Martin's 'A song of Fire snd Ice' series and Hermione Granger of J.K. Rowling's 'Harry Potter' series. Both the series being classics in their universal appeal and huge readerships, the female leads as mentioned occupy considerable space. While Arya Stark is tough, noble, surviving near death situation, Hermione is no second fiddle to the famed Harry Potter. Hermione is driven by strong intellect and powerful memory. She is confident and even ' bossy' in certain situations, leading to greater display of courage, determination and insight. Hermione transforms from a mere eleven year old bookish girl to a seeker of a kind, brave and spirited young heroine who can set the ball of actions and events rolling. She also provides much needed support to Harry in his quests, sometimes showing him right paths even, salvaging ways out of apparently impossible scenarios.
Reading these powerful female leads only opens up one to the fierceness and brilliance of their portrayals done with characteristic ease and elan by the authors in different ages. Being an ardent admirer of women characters in fictions which change the way we look at literature and writings in general, I would like to conclude by quoting what Rabindranath Tagore wrote about women protagonists:
"(For we) women are not only the deities of the household fire, but the flame of the soul itself.”
As I have started the essay by parenthesizing myself by conditions, I, despite being tempted, can not go into characters of strong women portrayed by Rabindranath Tagore in his fictions and plays. Having said that, I would still mention Suman of 'Tyaag', Mrinal in 'A wife's letter', Charulata in 'The Broken Nest', as exemplary women fictional characters who bear all the admirable traits readers can think of while going through any classics literature.
Voices Within: Moinak Dutta
Voices Within - Complete List of Poets :: Setu, January 2019
Poetry: Moinak Dutta
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| Moinak Dutta |
Fiction: Another day in paradise
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| Moinak Dutta |
That Oindrila thought the moment the auto dropped her before their apartment.
It was already seven in the evening and around this time of the year, with the sun setting early, it seems it is late evening.
Taking the elevator to their third floor flat, Oindrila was all the way thinking what she would have to do getting home. Jhilik must have returned home and Pulak must not have returned yet. Jhilik got exams tumro on. Oindrila remembered the homeworks on geometry she had given to Jhilik. She should have done them. The maid had already told her that she would not turn up this evening. That meant she would have to either buy rotis or she would have to make them. There must be chicken soup in the refrigerator. She would have to just put it into the microwave to heat it and make chappatis . Pulak would return late, as usual.
After ringing the bell twice, when Oindrila thought of ringing again, Jhilik opened the door.
'what are you doing? '
Oindrila said as soon as Jhilik opened the door.
Jhilik was about to say something, but even before she could give a reply, Oindrila noticed the tv being on at the living and the cartoon channel showing something.
'you are watching tv? You got exams tumro on and you are watching tv! Have you done homeworks?'
Oindrila asked.
'yes, not all but most of them'
Jhilik replied and hurried to the tv to switch it off.
'Jhilik! You are no longer a child, you are quite grown up, studying in class three, you should not waste time in watching tv like this when no body at home, do you understand?'
Oindrila blurted out with little bit of suppressed anger in her voice.
'yes mama'
Jhilik replied, looking at her.
Oindrila looked at her eyes.
Her tiny somewhat helpless eyes.
'okay... bring out the homework copy, I will check it after I get freshened up'
Saying this Oindrila went to the bathroom.
From bathroom, she heard the cell ringing.
She half opened the door and peeping out of bathroom asked Jhilik to pick up the phone.
'hello'
She heard Jhilik picking up the phone.
'mama, someone called Aritra is calling... what should I tell him?'
Jhilik asked.
'tell him I would ring him later'
Oindrila said, from bathroom itself.
--------------------------------
Few hours back, Oindrila had checked geometry homeworks of Jhilik and watered the saplings. Last August, she bought three saplings from the fair held at the vicinity of their apartment on Ratha yatra (the chariot festival).
They have grown taller, those saplings. One of them, a kanchan tree, has started blooming. Its tiny white flowers now appearing all over it, covering it like a newly worn attire, look like little stars at night. They emanate fragrance too. Oindrila loves to go to the balcony and watch over them.
Standing at the balcony, specially late in the evening, always makes her joyous and blessed. These hours are hours for herself, devoid of all worries and hassles of life. She forgets all her works and simply delves into a transient process of creating poesy in her mind.
And in these moments, she has noticed, for the last few months, since she has got acquainted with Aritra, she feels a strange softness towards him.
Often, she has asked herself, ' can a woman live two men?'
Pulak, her husband has been dutiful no doubt but that soft cadence, that poetry is not in his genes. He can be playful on bed, he can be strong and manly, but that mild touch of love is not there in him. Whereas Aritra, always carries a dream like poise in him. His words are filled with rhyme and his voice is so mellifluous. No hurriedness. No sudden rise of rage.
'Am I an adulteress? A paramour? A wasted woman?'
She would ask herself and the very next moment she would find that she had not done anything which could be called unbecoming of a wife. She performs her duties meticulously. In fact, other than office works, she spends most of her time with Jhilik, taking care of her, helping her in her studies, playing with her, cooking food for her and Pulak if the maid remains absent for any reason, like she had done today.
But this Aritra.
She called him.
The phone rang thrice before he picked up.
'hi'
He said.
'hello, you called me?'
Oindrilla asked.
'yes, Jhilik picked up '
Aritra reverted.
'yes, I was freshening up, coming home'
'sorry...are you busy?'
'no, not now, done works all that are to be done at home...now kinda free'
'great! Actually, wrote a song, so thought why not I call you and sing that, getting your critical appraisal'
Aritra informed, sounding quite cheerful.
'that's great! Knowing that this song was to be written to complete the album, I am sure, it will be as good as the other songs which are there in the album in making'.
Oindrilla said.
'donno...you listen first, wait a minute, lemme get my guitar'
Saying this Aritra started strumming the guitar.
Oindrilla finds it really fascinating that a guy like Aritra who works in a software company, could be so much musical.
She herself works in a real estate company and most of the time, she remains busy with charts and diagrams and project layouts. Music she learnt in her younger days but after marriage she had to bid adieu to that. Pulak never showed any interest in music.
Rabindra sangeet he never appreciated.
And here is Aritra, a software developer, spending most of his spare time in writing songs and singing them. Two of his albums received moderate response. He is working on the third and interestingly, upon Oindrilla's insistence, he has incorporated at least two songs which appear very much Rabindrik as they call it in Bengali, meaning something which is heavily influenced by Tagorean style of music.
Aritra started singing.
Oindrilla closed her eyes and listened to it pressing the phone to her ears, trying to get each word of the song into her heart, each up and down of the rhythm, tempo.
She like the prelude and the interlude and also the crescendo.
The song revealed love. It sang the glory of God and also of man. Something universal and yet sensuous. Something startlingly new yet ancient.
'I just love it!'
She exclaimed the moment Aritra stopped after singing the song.
'really?'
He asked.
'yes!'
She reaffirmed.
'then it is a go, a must, that should be included in the album'
Aritra said.
'well... it should I think, though as you now I am not that prolific in music, not a qualified vonnoissuer even'
Oindrilla was embarrassed thinking someone like Aritra depending so much on her with regard to selection of his songs for an album.
'you must get opinion of others, I mean of music arrangers'
Oindrilla added.
'Oh, that will always happen, I mean people like them will eventually listen to all of my songs and pass their judgement and that will happen next Wednesday when I will go to the studio'
Aritra informed.
'okay'
'tell me, is the song good?'
Aritra asked again.
'yes, dear yes'
Oindrilla said.
She does not know why but the word ' dear' slipped out of her mouth.
It even surprised her.
Aritra fell silent.
'Okay then...'
He said.
'okay, bye for now'
Oindrilla said before hanging up.
She had to after that faux pas.
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Oindrilla could not concentrate upon her works at office.
The day being Wednesday and the very day Aritra would go to the studio for an audition.
Last night, had been a terrible one.
Pulak returned home late.
She was then half asleep.
He woke her up and made her to have sex with him.
These days, she had noticed, though she remains physically excited and active while having a leg over, mentally she remains somewhat tired.
Pulak perhaps noticed that too.
He even quipped if she was having an 'affair' of sorts, jokingly, flashing a grin.
She just laughed that away.
But deep within that remark shook her.
Is Pulak getting any hunch of her long conversations over phone with Aritra?
Is he getting jealous?
But Pulak just after ejaculation, went to the bathroom and after coming back, went straight to sleep, snoring.
Oindrilla went to Jhilik's room, to see if she was asleep or not.
Then she went to the balcony.
It was pretty cold there.
She wrapped herself in a quilt.
She felt the strange urge to call Aritra.
He must have been awake, working on songs.
But she did not think it might be pretty indecent for a married woman to call a man after wee hours.
Aritra called her of course.
It was few minutes back.
He told her that he had reached the studio for the audition and he would call her once the audition would be over.
Oindrilla took up the file that was sent to her few minutes back by her boss for a rechecking.
She had checked it but if the boss had resent it, then there must be some anomaly.
She opened the file and soon she discovered how like a imbecile she made computation errors in at least four places.
The boss had circled them.
'my god, I am getting so distracted!'
She gushed.
Anamika, whose work station is just beside hers must have heard herself castigation.
For she heard her saying, ' It happens when one is so much involved in making music!'
Oindrilla looked at Anamika.
She was smiling.
Anamika had seen Oindrilla often talking over phone, with someone about songs and music.
Oneday, upon lunch break, when they got out together to a nearby eatery, she had confessed to Anamika that she has a very gifted friend who is a musician. That made Anamika even more a friend of her instead of being just a colleague. For Anamika fully supported her saying ' It us lovely! You must be lucky to have a friend like that'.
So Oindrilla did not mind Anamika saying all these.
She only rolled her eyes in a mock expression of anger, making Anamika to smile more.
But the boss was not at all smiling.
He summoned her soon and asked her to recheck the file and complete all computations within the day.
'but it would take the whole day...'
Oindrilla just said.
That angered the boss.
He reiterated his order.
Oundrilla came back to her work station and started computing.
It was a herculean task.
How time slipped by, she did not notice.
Thrice she put the phone in silent mode for thrice Aritra called her.
On the fourth time, she had to pick up.
'Hello! Have been calling you'
Aritra said.
'yes, but Aritra I am very busy at office today. Will call you later'
Saying this she hung up.
--------------------------
It was almost nine when she returned home.
To her bewilderment, she found Pulak at home early, watching tv.
Jhilik was sitting on the couch too, playing a board game.
'Where's the food?'
The first thing Pulak said seeing her entering their flat.
'why? Chanda di has not come today even?'
She asked.
'I do not know... perhaps not'
Pulak said.
'this Chanda di, she is becoming so irregular these days'
She said, rushing towards the kitchen.
-----------------------
After dinner, Pulak sat with a bottle of whiskey.
Oindrilla went to the balcony.
She watered the plants.
At that moment she heard her cellphone ringing. It was kept on charge in the bedroom.
She heard Pulak picking it up and saying in a brute manner ' No, Oindrilla is unable to talk to you right now'.
That enraged Oindrilla. Suddenly there was that pulse anger working in her.
She rushed towards the bedroom.
'who called?'
She asked.
'Someone who could not say his name even, a coward. I told him that you could not talk right now'
Pulak said, looking at her with a stern face.
This face Oindrilla knows well.
Once with that stern face he slapped her.
A lot of words were getting piled up in her.
Oindrilla felt like yelling.
She felt like telling Pulak that he got no business in answering her phone.
But knowing what Pulak could do as reaction to that, she kept mum.
She went back to the balcony and stood there quiet, like a desolate creature.
A tear or two fell.
The night was getting colder. She felt that cold air from north biting her skin.
She knew that she could not just stand there for the eternity.
She would have to take a decision.
-----------------
It was well past midnight, when Pulak slept off, Oindrilla, stealthily picked up her cell phone from the bedside table where it was put on charge.
The charge showed ninety percent.
She picked up the phone and went to the balcony once again.
She dialed Aritra's number.
After several rings, he picked up.
'Hello!'
She said.
'Hi!'
Aritra said.
'I think you should not call me from now on...you got a family, a husband and a beautiful little daughter to live your life...I do not want to be an intruder... bye my friend, live you in your paradise'
Aritra said and hung up.
Oindrilla stood there at the balcony, petrified.
Poetry: Moinak Dutta
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| Moinak Dutta |
Autumn Revisited - Moinak Dutta
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| Moinak Dutta |
For That Glow
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| Moinak Dutta |
I have perhaps trodden many miles
Watching how beyond hills the Sun does rise
Every day with a splendour bright and generous
Making the world filled with colors, wonderous,
And then the day when comes to the close
I when come home, after the day's din and chaos,
I look at that glow as held in the lamp of the lady
Who stood there quiet, like an ethereal beauty,
I think of then how she stood there for hours
For her father who drew that portrait of hers,
The glow of hope for her father, who did toil,
Seventy years ago, on this very land's soil,
The country had perhaps then like a new born
Was waiting with smiles to catch the hues of morn
And there the father painted the portrait
Of his daughter standing with the lamp, straight.
Lipika and the city
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| Moinak Dutta |
When Lipika would think of newer dress
And all the adornments that she could think of
A pair of jeans, a salwar suit, a cotton saree, lip gloss,
She would think how in her all those years
The city had grown through happiness and tears,
She had heard the day she was born
Her father had woken up early morn
And went to that maternity ward
Of a nursing home, at that boulevard,
And saw her by her mother's side
Like a child of the festival of Eastertide,
Days later when she was brought home
She was kept by the window, where flowers bloomed
Radhachura, gandharaj, roses and red oleanders,
She grew by that window, as passed years,
Later when she was taken to the kindergarten
She was made to sit by casements with curtains,
Which gave her sights and sounds and visions,
In between her studies and various lessons,
She had seen how the city looked quiet
Early in the morning drenched by autumnal light,
Also in days of winter and woolens,
She had seen from classroom how pollens
Of marigolds got carried by butterflies and bees
She had seen all those lovely green vivacious trees,
And felt had there not been any place like the city
She would have never seen the beauty
Of nature as embodied in the serene life
Which she got hold of and oft took a dive
To replenish her mind with mellow fruitfulness
She thought of the city as her only place
To be, to grow, to know, to imagine and create
Her soul, her heart, which got perpetually set
By the passing images, scent and flavours
Of the city which also made her the Lover
Of man, woman and child, the poor, the wretched,
Those friends who returned from wars crippled,
The city had witnessed worst nightmares and bloodsheds
The city had risen from slumber of the dead
And took to the streets with candlelights to claim Peace
The only way to save humanity from violence of the seventies,
She had grown with them too, hearing gunshots like thunders
Ripping apart the silence of the night, the sky dark without stars;
Many years later, one day of Autumn
Just before the durgotsav, at a mandap sudden
She saw for the first time how love came quiet
Standing before her, looking at her eyes,
That day too, she thought it must have been the city
Which gave her all - poetry, prose, paintings, flowers and the beauty.
Moinak Dutta
Poetry: Moinak Dutta
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| Moinak Dutta |
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Thought for months
To sit at my desk
And write a long letter
To your address,
Facing the window
The gulmohor tree
Redness when will spread
All over me,
Thought to write a letter
Long and wide
Catching my mind's lull
And its high tide,
Thought to arrange alphabets
One after another
Thought to write archaic
Dipping in ink my feather,
But then these days
Time slips away
Like water through fingers
Absolutely slippery,
Thought to write you
How the moon drenched me
From my neighbour's third floor
Coming home, with glee,
Thought to ask you
'How are you going
From your nights of hope
To depressive mornings?'
Thought to write to you
'What you have cooked?
This weekend, pasta?
Or just chicken corn soup?'
Thought to ask you
So many other things
Like what new fiction you read
Which album did you bring?
But time just slips away
As it always does
Through my fingers
So sieve like, porous.
All about Hugo and Georges*
------------------------------
'But Georges! Why can't you see?
I am only trying to find a key'
Said Hugo , gathering some courage,
( afterall Georges had that rage
In his eyes almost always)
It was one of those days
When Hugo had to go to Georges shop
To find suitable parts for that automaton prop,
It did not move a single inch the way it was left
By his dad years ago , now half buried
In dust and negligence somewhere,
' But Georges ! Why can't you see?
I am only trying to find a key'
Repeated Hugo with a voice pleading
And God knows what Georges found reading
In his pair of curious and innocent eyes,
' Are you telling the truth? Or is it all lies?'
Georges roared, ( like the way he did always before)
'No sir, I am saying it right!sure!'
Hugo prayed; it was almost late evening,
The breeze brought cold air quite overbearing,
'Okay! Okay! I would allow you once
If you can make that automaton dance'
Georges sounded a bit indulgent this time, '
'And sir, You had been such a great maker of films,
Why are you rotting here without your dreams?'
Hugo asked the man even older than his dad,
Georges couldn't believe what he heard from the lad,
'Hey boy! You're such a cute little one!
Who gave you that knowledge? Or is it a fun?
For you to joke with someone so old?
Are you trying to pretend being bold?'
Georges danced his silvery brow
And looked straight at little Hugo,
Hugo extended his hands for a shake
With Georges did he friendship make,
And later, much later , together did they reinvent
That automaton which could conjure excellent
Stories and tales and so many other things.
(*note: based on a movie titled 'Hugo')
My city
--------------------
You have been with me for ages,
Since I learnt to walk, almost,
You have walked with me,
Processions of people whence first gathered
Near that towering Ochterlony,
(Standing still, like a picture three dimensional,
Since eighteen twenty eight),
You had given me first call to my love,
My first beard grew and got trimmed,
At a barber shop, at that street, near Lindsay,
You were there when I took to words to be left unsaid,
You were there with full fledged form,
At football scores and mounted police hunts,
At cricketing calendar you were there too,
Catching live how the World Cup went away,
Away from us, a toss to lose,
At the garden of Eden you gave me rest
To sit at your green, your fragrant air
How I sipped heartful, blessed,
You have been there when
I thought of Youth
Going to that theatre ,
Watching A Friday night making moves
Down the pavement , music whence poured,
Then oneday at Esplanade,
When it started to rain sudden,
Held your hands moist,
Your face how then glistened kissed by the spray
Of water, first time after a sultry month of June,
Found You in my veins,
Writing oblique prose and rising poems,
Then another day came,
When saw you dressed like a bride,
Riding with me all through Chowringhee,
Hoofs of horses making curious noise,
Christmas eves you sent to me with blow pipes
And simmering numbers slipping from glass doors,
Air when carried scent of grilled fish, smoked,
Another day, early in the morn,
Pigeons when came outdoors
To hop under the canopy big
Of the terminus,
We went to you,
To catch a cab to go touring,
To the outskirts ,
Friends and family all singing,
You have been with me all through
From night till morning.
The thread
----------------------
The yarn that you left for me
To spin and weave a variety
Is a fabulous one filled with dreams
And as I work with it, as it seems
I find designs to emulate
Of that exotic curtain at the gate
Of the entrance of your room
I try to find something out of loom
And make it beautiful and enchanting
Much like that image of a setting
Of a story of our togetherness
You being lit up by meteors on your face
Telling upon me wonder and surprise
Your hair decorated by fireflies
And your lips supple and generous
Which mine forever long to touch;
All these are so part of that thread
Which you have for me just left
And how I keep on weaving out of it
Dreams, stories and poems as birthday treat,
For in you I am born every day ,
Every month in song and lay
And every year when end comes
I think of you and more of you I yearn,
The thread, that you left for me
Is the one which I spin to make variety
Of patterns, rhymes and reasons too
The thread yours brings me back to you
If there are those angels there
-------------------------------------------------
If there are those angels there
Who weave dreams in heavenly lair
I would just tell them about thee
So that could they help me write a story
Of finding thou in a garden flowery
Set sprawling and wide on a valley
In a dress white flowing in the breeze
Holding the reins of the day's lease,
If there are angels there
Who know how to create music fair
I would just them tell to sing for thee
So that in lyrical rise thou meet me,
In words arranged one by one in a string
As pearls oft give to necklaces meanings
And them would I then keep at thy feet
As offerings of music of my heart beats.
