Showing posts with label Moinak Dutta. Show all posts
Showing posts with label Moinak Dutta. Show all posts

Three Love Poems: Moinak Dutta

Moinak Dutta
an ode to that red pullover girl

Had there been not that dense misty fog
the redness of your pullover would have been missed
by me,
afterall, my car was held in the traffic
and you passed by the window of the car
like a newly woken rose, vibrant and cheerful,
opening her eyes to the world
curious, soft and so kind!
The car moved on after few moments
and you disappeared in the fog.
***


Erotic

Put my face into the valley of grass
curly, soft,
dense,
discovered how like a secret
a rivulet flows there all the year round,
and how pink lotus blooms there too,
just beside the rivulet,
waiting for my arrival.
***


a short conversation

'Are you there?'
'yes'
'okay, wait, opening the door...'

The door opens with a creaking sound
the hall looks splendid, mellowed light all over,
The paintings that adorned the walls jeered at me
'Came again?'


At ' Hriday Kunj'

Moinak Dutta
This was ' Hriday Kunj' ? I asked myself,
Our tour to Sabarmati Ashram was nearing its end,
And the guide had long gone to help another crowd of tourists,
I was standing for the second time before Bapu's home, 'Hriday Kunj',

It looked as humble as Bapu himself,
White plastered walls, 
Red tiled sloping roofs, 
A tiny courtyard,
And three rooms and a kitchen,

If those spinning wheels were not there and those pictures,
Anyone could have thought of the house as a farmer's hut, 

But then, it was the place that bore every mark of Bapu,
Its white walls spoke of truth 
Its red tiled roof spoke of patience and resilience, 
And its silence made tourists like me purified.


Memoir / Essays: Mother and Shiuli blossoms

Moinak Dutta


She had been a professional nurse. My mother. Sefali Ghosh was her maiden name before she got married to my dad and changed it to Sefali Dutta. Quite interestingly Sefali is the name of a flower found in this part of the world which blooms every autumn. So come autumn , I go into a different mind, a difficult mind too, if am I to say so, for it is like revisiting my childhood and having glimpses of my mother who happily went taking the stairs to heaven.

That year too the autumn had been awesome. The festivity had been all around. I took her for a ride around the city. Being a person who knew how bodies work, how diseases spread, she perhaps guessed something about her illness. She had a heart which had erratic beats. I remember her telling me all the time while we were having a tour of the city, through its lanes and bylanes, watching people and the trees and cars and all that consist of the cityscape, that it might be her last tour with me. I laughed.

But then, she was a nurse. She knew it. Like she knew how my eyes had an inexpressible medical condition of being wet with salty water at that time when she said those words to me. She knew it that I was trying to be brave. Her brave boy.

And she climbed those stairs easily. Without even groaning. She just slept and woke not.

Next year, I planted a sefali / shiuli tree just on our small piece of land by the car shed, beside that patio. It was summer. A full grown horrid Indian summer. The sun blazed hot and cruel. But I had to save that sefali tree. Every morning, that summer, even before the sun would turn like a scorching red hot ball of fire, I would wake up and water the tree. And every time I did that, I just prayed with all my heart that it survived that summer, the sultry, boring, lifeless summer of that year. With all my heart, nerve and sinew, I took care of the shiuli tree. If I would find its leaves turning a bit yellowish, I would check the soil, rake it, apply manure and water. In the evening, I would go near the tree and touch its little branches and leaves. Perhaps, back then, I thought of myself as perfect gardener. Caressing it. Loving it. Not that I took no care of other trees. Of course, I did that. But that shiuli tree was always under my scanner. Once I found a worm crawling at its body. I took it and threw it far away. But before that I took a snapshot of it and searched the internet to find its genus and species. Once finding that, I, with a desperation like that of a medic, found out the measures to be taken to save the tree from onslaught of worms and pests like that.

That time I thought of myself as a nurse too. A nurse to a tree. The shiuli tree.

Then came the monsoon. It rained for hours each day that monsoon. I had to take a spade and create a nullah or a makeshift channel on the ground to prevent that particular spot from getting waterlogged, knowing accumulation of water could weaken the tree at its roots.

That time I felt like a construction worker. A sewage cleaner also.

And then, the monsoon also passed, giving way to autumn. The delightful autumn.

For the first few days of the season, all other trees bore flowers. But that shiuli tree had none. I was worried. I talked to my wife. She went with me to that small garden we had beside the car shed. Our son went there too. We checked for buds. The tree though had grown taller and greener, had no signs of buds.

Butterflies!

My son suddenly quipped.

Yes, we needed butterflies to carry pollens and to make the tree bloom.

So again, I searched for trees which attract butterflies the most. I found some, brought them and planted them.

That time I felt I was like a priest. Purifying the earth praying with all my heart for its beauty to arrive.

Praying those trees which attract birds and bees and butterflies to grow faster.

They did. Butterflies arrived. Bees too.

The smell of flowers wrought my senses with joy.

I felt that time I had become half of that garden.

Only that shiuli tree.

I waited.

We all waited.

Then one fine morning, as I went near the tree, I found them. Those white shiuli blossoms with an orange core waving to me from the branches of the tree. They had bloomed overnight!

I called my wife and son.

We three stood under the tree.

The air around it had that unmistakable fragrance of shiuli blossoms.

That time I felt perfect like a nurse.

 

Bio: Moinak Dutta is a published fiction writer, poet and teacher from Kolkata, India. Many of his poems and stories are published in national and international anthologies and magazines and also dailies including ‘Madras Courier’, 'The Statesman' ( Kolkata edition), ' World Peace Poetry  anthology ' (United Nations), ‘Spillwords’, 'Setu', ‘Riding and Writing’ ( as a featured poet twice, published from Ohio, USA), ' The Indian Periodical' ' Teesta Journal', ' Pangolin Review', ' Tuck Magazine', among numerous others.

He has also written reviews of books and fictions, among which notable ones are : on  ' The Upanisads ' ( translated by Valerie J. Roebuck) which can be found at www.blogapenguinindiaclassic.blogspot.com and the review of ' The Ballad of Bapu' (written by Santosh Bakaya). His first full length English (genre: literary/romance) fiction ‘Online@Offline’ had been published in 2014, by Lifi Publications. His second fiction (genre: literary/quest) titled ‘In search of la radice' was published in 2017 by Xpress Publications. He has also worked as an editor of a poetry collection titled ' Whispering Poeisis', which had over one hundred poems from sixty poets from different parts of India and abroad, published in 2018 by Poeisis. 

Some of my favourite women in classics

Moinak Dutta

by Moinak Dutta


Even before I try to put on paper my idea of finding powerful women characters in classics literature, I should put certain conditions as guiding principles for me so as to make my study coherent and precise. First of all, by the term 'literature', I am only thinking of English literature and secondly by the term 'classics', I prefer to look at works of English literature which represent a period and merit a lasting recognition, having universal appeal, thereby making my study taking  into consideration 'modern classics' which have lovable and powerful heroines.

I will start with the female protagonist of Nathaniel Hawthrone's 1850 fiction 'The Scarlet letter', Hester Pryne.
Hester, considered as an adulterer for having an affair despite being married and sentenced to prison, does not hide or leave the town. Instead she confronts the so called 'self-righteous' townspeople and fights back against the oppressiveness of puritanical, male dominated society.

Compared to Hester, Josephine March of 'Little Women' by Louisa May Alcott, is much stronger. At the tender age of fifteen, Josephine is already headstrong, defiant and to some extent tomboyish. She is outspoken and absolutely not interested in marriage, quite contrary to the popular traditions. Though Josephine struggles because of her defiance, she also carries the expectations of nineteenth century women.

She is more like Elizabeth Bennett of 'Pride and Prejudice' and yet she is more than Lizzie.
Lizzie, unlike her sisters, carries strong individualistic ideals and only decides to marry someone when she is absolutely sure that she has found the right person.
Josephine, however, appears more daring than Lizzie. She shows no interest whatsoever, towards marriage.

In contrast to Josephine or Lizzie, Janie Crawford of 'Their Eyes were watching God', a woman character of the 1937 novel by Zora Neale Hurston, is completely a different figure. She is the epitome of tolerance and servitude at the hands of men. She suffers much like Mrs Thurlow of the short story 'The Ox' by H.E.Bates and yet in her tolerance and servitude, she gathers not pity but a strange stoicism. She throws challenges to God and she accepts with complete surrender all the pangs and brutalities. In her acceptance, she shows her superhuman endurance which makes her strong.
Reading how Chaucer created his 'The Wife of Bath', gives a different perspective to interpretations of women characters in literature. Though early drafts show that the role of the wife of Bath was initially meant to be smaller and one dimensional, Chaucer perhaps fell in love with the character and elongated the role of the wife. She, on the surface, looks lewd, making filthy jokes. But beneath her apparent lascivious facade she is making arguments for female dominance and trying to exert her rights over her body. She is actually attacking anti feminist traditions of the time.

When Edward Stratemeyer thought of a female detective like Nancy Drew who is physically strong and bold and at the same time fiercely intelligent, he is creating a ground breaking female chatacter. No longer female detectives are sidekicks of their male counterparts, but they are now independent women having mind of their own, passionate, rebellious, intelligent, freedom seeking strong individuals who are eager to gain strong footholds of their own in a male dominated society.

Steig Larrson in his 2005 novel 'The Girl with the dragon tattoo' created Lisbeth Salander as the next level Nancy Drew. A ferociously smart computer hacker, Lisbeth not only overcomes her traumatic childhood, but helps solving a family mystery. Yet Lisbeth does never fail to abide by her own uncompromising moral code.

This essay will be incomplete if I do not mention two female characters who carve a niche for themselves by being simply what they are. One being Celie, the protagonist and the narrator of the fiction 'The Color Purple'. Much like Janie Crawford, she suffers and her suffering is the most troubling one because she undergoes abject mental and physical maltreatment in the hands of her father first and then of her husband. In her loneliness, dejection and suffering she becomes an embodiment of tragic heroine yet like Maurya of ' The Riders to the Sea' of J. M.Synge, she knows that her sufferings will lead to her salvation. Like Maurya she stands face to face to her fate to attain tragic catharsis.And the other being Katniss Everdeen of the Hunger Games triology. She is contemporary, strong, determined, fiercely loyal, highly skilled in archery and hunting. People may argue how can Hunger Games be a classics, but knowing the way the trilogy garnered readership by its profundity, by its showcasing of survival techniques, by its universal appeal of presenting the conflicts between the hunter and the hunted, there is no doubt that 'The Hunger Games' will continue to gather readership in future.

As I near the rear end of the essay, keeping myself well constrained by the word limit, it will be not less than a 'sin' on my part if I do not mention Arya Stark of George R. Martin's 'A song of Fire snd Ice' series and Hermione Granger of J.K. Rowling's 'Harry Potter' series. Both the series being classics in their universal appeal and huge readerships, the female leads as mentioned occupy considerable space. While Arya Stark is tough, noble, surviving near death situation, Hermione is no second fiddle to the famed Harry Potter. Hermione is driven by strong intellect and powerful memory. She is confident and even ' bossy' in certain situations, leading to greater display of courage, determination and insight. Hermione transforms from a mere eleven year old bookish girl to a seeker of a kind, brave and spirited young heroine who can set the ball of actions and events rolling. She also provides much needed support to Harry in his quests, sometimes showing him right paths even, salvaging ways out of apparently impossible scenarios.

Reading these powerful female leads only opens up one to the fierceness and brilliance of their portrayals done with characteristic ease and elan by the authors in different ages. Being an ardent admirer of women characters in fictions which change the way we look at literature and writings in general, I would like to conclude by quoting what Rabindranath Tagore wrote about women protagonists:

"(For we) women are not only the deities of the household fire, but the flame of the soul itself.”
As I have started the essay by parenthesizing myself by conditions, I, despite being tempted, can not go into characters of strong women portrayed by Rabindranath Tagore in his fictions and plays. Having said that, I would still mention Suman of 'Tyaag', Mrinal in 'A wife's letter', Charulata in 'The Broken Nest', as exemplary women fictional  characters who bear all the admirable traits readers can think of while going through any classics literature.

Voices Within: Moinak Dutta


Moinak Dutta is a published fiction writer, poet. He has got two fictions to his credit. ' Online@offline' and ' In search of la radice'. His third fiction will be coming out soon. Many of his poems and stories got published in national and international journals, magazines , dailies, webzines. He works as Executive Editor of a literary and art webzine ‘ The Kolkata Review’. Loves to do photography apart from listening to music and watching films and traveling.


The story of homecoming

After seven hundred and ninety four days
I would , when return from distant shores,
And knock at that door of yours
You would be suprised,
Never knowing would I come
So early,
But would I smile
Seeing that verandah,
That portico,
That vine growing like that one exact which had I found in Sicily once,
That red oleander tree just beside the entrance standing where
I had kissed you first time you I brought home,

After so many days,
Passing through desert sands,
Greenish blue seas,
Algae ridden forests,
Coming home is like coming to your bosom,
Warm, bearing scent of mildew and lavender.

Glowworms & other poems
Glowworms
-------------------

Dots of lights,
They come and settle before me
For moments
On leaves,
With their own dreams,

O how many times have I tried to decipher
What dreams they carry for ages,
Do they replicate those shiny stars twinkling faraway,
Do they celebrate ' long kiss good night' like I do every time I hang up
Conversing with my friend from the other side of the globe?

Dots of light,
Those glowworms,
They settle on my skin
Finding fragrance of forgotten jasmine,
I look at them with aweful respect,
They had sent dreams to all poets of the world,
Had not they?
-------------------------------------
A night with Rebati
------------------------------------

Not every one can spend a night with Rebati,
Being such an ephemeral being as she is,
She weaves folklore out of her songs,
Her voice carries that sparkle of mountain stream
Which a writer can only imagine and be blessed,
A sailor can find rhythm in her songs and rush his oar through the hungry tide,
A honey collector can find sting in her voice and live to bear that sweetness of pain,

Spending one night with Rebati
Is like going to the moon
And coming back again
Being drenched by silvery flakes.

Spending one night with Rebati
Is like drowning into several sleepless nights.


------------------------------
A letter to Robert Louis Stevenson
--------------------------------------------

Your's ' A child's garden of verses'
Is what am I born into,
You had been the Lamplighter of my soul,
You had taught me how the paleness crept like
A docile thief on my skin,
Making me whiter and greyer
As if covered by chimney soot;


Tomorrow would be another day,
Robert, you had taught me what I should disdain,
The lamplighter's job and that of a banker;

When I would be stronger, getting better of tuberculosis,
I would write perhaps another version of The lamplighter,
And that time, I would not spend a single word on my loneliness,
Instead I would write like a adult, without melancholy and love stricken anxiety.

Voices Within - Complete List of Poets :: Setu, January 2019

Poetry: Moinak Dutta

Moinak Dutta
Just before going away
------------------------------------------
Just before going away to catch that train
She turned back and flashed a smile,
The underground station entry was only few paces away,
People were rushing towards it,
There must have been a train downtown soon,
I was watching her going away,
As if I was watching the last scene of a celebrated movie-
There must have been a background score running,
Something bearing a sad tune, befitting her going away,
I was watching that spectacle,
Heart wrenching , poignant, musical,
Her hair tossing over her shoulders
Like brown fur carelessly thrown,
Her lips moving slowly , might be they were
Saying in whispering tone her goodbye or prayers,
Was not she waving her hand, like friends do when they part
At the end of a long journey together?
That yellow lamp post that stood beside her
Like a guard mute must be glowing all the more
To cast a definitive cinematic brilliance and luminosity
To her departure, her going away;

Just before going away
She left a strong moving picture
Slow, graphic, unputdownable one.

Pickle
---------------------
Our love is like that good old jar of pickle
We keep it like a cherished possession,
A bit of it can  send shooting down
Our system a flurry of sensations varied,
Hot, fiery, pungent, sweet, lemony, orangy, juicy,
And we keep yearning for more knowing too much
Of that  can make our tongues insensitive to taste,
And a little can not we leave as our only savoured thing.

Our love is like that good old jar of pickle
And we keep it nice by placing that jar under warm sun.


Fiction: Another day in paradise

Moinak Dutta
Sometimes it becomes too tough to manage all chores at home and out of home, at office.
That Oindrila thought the moment the auto dropped her before their apartment.
It was already seven in the evening and around this time of the year, with the sun setting early, it seems it is late evening.
Taking the elevator to their third floor flat, Oindrila was all the way thinking what she would have to do getting home. Jhilik must have returned home and Pulak must not have returned yet. Jhilik got exams tumro on. Oindrila remembered the homeworks on geometry she had given to Jhilik. She should have done them. The maid had already told her that she would not turn up this evening. That meant she would have to either buy rotis or she would have to make them. There must be chicken soup in the refrigerator. She would have to just put it into the microwave to heat it and make chappatis . Pulak would return late, as usual.
After ringing the bell twice, when Oindrila thought of ringing again, Jhilik opened the door.
'what are you doing? '
Oindrila said as soon as Jhilik opened the door.
Jhilik was about to say something, but even before she could give a reply, Oindrila noticed the tv being on at the living and the cartoon channel showing something.
'you are watching tv? You got exams tumro on and you are watching tv! Have you done homeworks?'
Oindrila asked.
'yes, not all but most of them'
Jhilik replied and hurried to the tv to switch it off.
'Jhilik! You are no longer a child, you are quite grown up, studying in class three, you should not waste time in watching tv like this when no body at home, do you understand?'
Oindrila blurted out with little bit of suppressed anger in her voice.
'yes mama'
Jhilik replied, looking at her.
Oindrila looked at her eyes.
Her tiny somewhat helpless eyes.
'okay... bring out the homework copy, I will check it after I get freshened up'
Saying this Oindrila went to the bathroom.
From bathroom, she heard the cell ringing.
She half opened the door and peeping out of bathroom asked Jhilik to pick up the phone.
'hello'
She heard Jhilik picking up the phone.
'mama, someone called Aritra is calling... what should I tell him?'
Jhilik asked.
'tell him I would ring him later'
Oindrila said, from bathroom itself.
--------------------------------
Few hours back, Oindrila had checked geometry homeworks of Jhilik and watered the saplings. Last August, she bought three saplings from the fair held at the vicinity of their apartment on Ratha yatra (the chariot festival).
They have grown taller, those saplings. One of them, a kanchan tree, has started blooming. Its tiny white flowers now appearing all over it, covering it like a newly worn attire, look like little stars at night. They emanate fragrance too. Oindrila loves to go to the balcony and watch over them.
Standing at the balcony, specially late in the evening, always makes her joyous and blessed. These hours are hours for herself, devoid of all worries and hassles of life. She forgets all her works and simply delves into a transient process of creating poesy in her mind.
And in these moments, she has noticed, for the last few months, since she has got acquainted with Aritra, she feels a strange softness towards him.
Often, she has asked herself, ' can a woman live two men?'
Pulak, her husband has been dutiful no doubt but that soft cadence, that poetry is not in his genes. He can be playful on bed, he can be strong and manly, but that mild touch of love is not there in him. Whereas Aritra, always carries a dream like poise in him. His words are filled with rhyme and his voice is so mellifluous. No hurriedness. No sudden rise of rage.
'Am I an adulteress? A paramour? A wasted woman?'
She would ask herself and the very next moment she would find that she had not done anything which could be called unbecoming of a wife. She performs her duties meticulously. In fact, other than office works, she spends most of her time with Jhilik, taking care of her, helping her in her studies, playing with her, cooking food for her and Pulak if the maid remains absent for any reason, like she had done today.
But this Aritra.
She called him.
The phone rang thrice before he picked up.
'hi'
He said.
'hello, you called me?'
Oindrilla asked.
'yes, Jhilik picked up '
Aritra reverted.
'yes, I was freshening up, coming home'
'sorry...are you busy?'
'no, not now, done works all that are to be done at home...now kinda free'
'great! Actually, wrote a song, so thought why not I call you and sing that, getting your critical appraisal'
Aritra informed, sounding quite cheerful.
'that's great! Knowing that this song was to be written to complete the album, I am sure, it will be as good as the other songs which are there in the album in making'.
Oindrilla said.
'donno...you listen first, wait a minute, lemme get my guitar'
Saying this Aritra started strumming the guitar.
Oindrilla finds it really fascinating that a guy like Aritra who works in a software company, could be so much musical.
She herself works in a real estate company and most of the time, she remains busy with charts and diagrams and project layouts. Music she learnt in her younger days but after marriage she had to bid adieu to that. Pulak never showed any interest in music.
Rabindra sangeet he never appreciated.
And here is Aritra, a software developer, spending most of his spare time in writing songs and singing them. Two of his albums received moderate response. He is working on the third and interestingly, upon Oindrilla's insistence, he has incorporated at least two songs which appear very much Rabindrik as they call it in Bengali, meaning something which is heavily influenced by Tagorean style of music.
Aritra started singing.
Oindrilla closed her eyes and listened to it pressing the phone to her ears, trying to get each word of the song into her heart, each up and down of the rhythm, tempo.
She like the prelude and the interlude and also the crescendo.
The song revealed love. It sang the glory of God and also of man. Something universal and yet sensuous. Something startlingly new yet ancient.
'I just love it!'
She exclaimed the moment Aritra stopped after singing the song.
'really?'
He asked.
'yes!'
She reaffirmed.
'then it is a go, a must, that should be included in the album'
Aritra said.
'well... it should I think, though as you now I am not that prolific in music, not a qualified vonnoissuer even'
Oindrilla was embarrassed thinking someone like Aritra depending so much on her with regard to selection of his songs for an album.
'you must get opinion of others, I mean of music arrangers'
Oindrilla added.
'Oh, that will always happen, I mean people like them will eventually listen to all of my songs and pass their judgement and that will happen next Wednesday when I will go to the studio'
Aritra informed.
'okay'
'tell me, is the song good?'
Aritra asked again.
'yes, dear yes'
Oindrilla said.
She does not know why but the word ' dear'  slipped out of her mouth.
It even surprised her.
Aritra fell silent.
'Okay then...'
He said.
'okay, bye for now'
Oindrilla said before hanging up.
She had to after that faux pas.
------------------------------------
Oindrilla could not concentrate upon her works at office.
The day being Wednesday and the very day Aritra would go to the studio for an audition.
Last night, had been a terrible one.
Pulak returned home late.
She was then half asleep.
He woke her up and made her to have sex with him.
These days, she had noticed, though she remains physically excited and active while having a leg over, mentally she remains somewhat tired.
Pulak perhaps noticed that too.
He even quipped if she was having an 'affair' of sorts, jokingly, flashing a grin.
She just laughed that away.
But deep within that remark shook her.
Is Pulak getting any hunch of her long conversations over phone with Aritra?
Is he getting jealous?
But Pulak just after ejaculation, went to the bathroom and after coming back, went straight to sleep, snoring.
Oindrilla went to Jhilik's room, to see if she was asleep or not.
Then she went to the balcony.
It was pretty cold there.
She wrapped herself in a quilt.
She felt the strange urge to call Aritra.
He must have been awake, working on songs.
But she did not think it might be pretty indecent for a married woman to call a man after wee hours.
Aritra called her of course.
It was few minutes back.
He told her that he had reached the studio for the audition and he would call her once the audition would be over.
Oindrilla took up the file that was sent to her few minutes back by her boss for a rechecking.
She had checked it but if the boss had resent it, then there must be some anomaly.
She opened the file and soon she discovered how like a imbecile she made computation errors in at least four places.
The boss had circled them.
'my god, I am getting so distracted!'
She gushed.
Anamika, whose work station is just beside hers must have heard herself castigation.
For she heard her saying, ' It happens when one is so much involved in making music!'
Oindrilla looked at Anamika.
She was smiling.
Anamika had seen Oindrilla often talking over phone, with someone about songs and music.
Oneday, upon lunch break, when they got out together to a nearby eatery, she had confessed to Anamika that she has a very gifted friend who is a musician. That made Anamika even more a friend of her instead of being just a colleague. For Anamika fully supported her saying ' It us lovely! You must be lucky to have a friend like that'.
So Oindrilla did not mind Anamika saying all these.
She only rolled her eyes in a mock expression of anger, making Anamika to smile more.
But the boss was not at all smiling.
He summoned her soon and asked her to recheck the file and complete all computations within the day.
'but it would take the whole day...'
Oindrilla just said.
That angered the boss.
He reiterated his order.
Oundrilla came back to her work station and started computing.
It was a herculean task.
How time slipped by, she did not notice.
Thrice she put the phone in silent mode for thrice Aritra called her.
On the fourth time, she had to pick up.
'Hello! Have been calling you'
Aritra said.
'yes, but Aritra I am very busy at office today. Will call you later'
Saying this she hung up.
--------------------------
It was almost nine when she returned home.
To her bewilderment, she found Pulak at home early, watching tv.
Jhilik was sitting on the couch too, playing a board game.
'Where's the food?'
The first thing Pulak said seeing her entering their flat.
'why? Chanda di has not come today even?'
She asked.
'I do not know... perhaps not'
Pulak said.
'this Chanda di, she is becoming so irregular these days'
She said, rushing towards the kitchen.
-----------------------
After dinner, Pulak sat with a bottle of whiskey.
Oindrilla went to the balcony.
She watered the plants.
At that moment she heard her cellphone ringing. It was kept on charge in the bedroom.
She heard Pulak picking it up and saying in a brute manner ' No, Oindrilla is unable to talk to you right now'.
That enraged Oindrilla. Suddenly there was that pulse anger working in her.
She rushed towards the bedroom.
'who called?'
She asked.
'Someone who could not say his name even, a coward. I told him that you could not talk right now'
Pulak said, looking at her with a stern face.
This face Oindrilla knows well.
Once with that stern face he slapped her.
A lot of words were getting piled up in her.
Oindrilla felt like yelling.
She felt like telling Pulak that he got no business in answering her phone.
But knowing what Pulak could do as reaction to that, she kept mum.
She went back to the balcony and stood there quiet, like a desolate creature.
A tear or two fell.
The night was getting colder. She felt that cold air from north biting her skin.
She knew that she could not just stand there for the eternity.
She would have to take a decision.
-----------------
It was well past midnight, when Pulak slept off, Oindrilla, stealthily picked up her cell phone from the bedside table where it was put on charge.
The charge showed ninety percent.
She picked up the phone and went to the balcony once again.
She dialed Aritra's number.
After several rings, he picked up.
'Hello!'
She said.
'Hi!'
Aritra said.
'I think you should not call me from now on...you got a family, a husband and a beautiful little daughter to live your life...I do not want to be an intruder... bye my friend, live you in your paradise'
Aritra said and hung up.
Oindrilla stood there at the balcony, petrified.

Poetry: Moinak Dutta

Moinak Dutta
Durbin (The telescope)

It has been my favourite toy for long,
That durbin of my grandfather,
Made of copper with bronze rims,
Heavy and magical,
One night of Indian summer,
When our mufassil town after a long drawn loadshedding
Bearing the darkness and mosquito bites,
Thought of finally going to sleep,
My granddad took me to the open terrace of our house,
And showed me the wonders of the night sky,
Celestial things which I always thought them to be
Faraway and completely out of reach,
They came down like guests,
One after another,
As my grandfather introduced them to me,
That's Cassiopaeia,
That's Pole Star,
He told me,
'Do they glitter all day and night?
Do they not get tired?'
I had asked.
'They do get spent too'
He had told me
And recited two different poems,
One of Tagore and the other of Octavio Paz,
Two different poems,
But somehow they rang like two brothers
Or sisters,
Like twins almost,
'keep this durbin with you'
That had been his words,
I found a speck of sudden light in his eyes,
Were they glistening?

The next morning,
I woke up
My grandfather did not,
He went to meet those celestial beings.

(word note : mufassil: small town, a town in the countryside commonly found in India)

Laxmi
----------
My laxmi is a little girl
She runs all around the house,
In her red bordered white saree
With big dots of alta on her feet
She looks more like a girl
Who has all of a sudden grown up
Going beyond her age,

My laxmi is a little girl
She giggles and plays all day
After coming home from school,
If I ask her to sit for a while
And do those sums,
She will try to find a pretext,
One or other
Of not doing them,
 I do not like sums...I like something else'
She will declare,
'what?'
If I ever ask her that
She will go to the kitchen
And bring a dough of flour
And knead it and give it a shape of a doll
Or an abstract tiny sculpture,

My Laxmi is a little girl
And I call her ma
For only a mother can be a Laxmi.

(alta: red colored liquid used by bengali women to decorate their hands and feet on auspicious days)



Poush parban
-----------------
Patisapta, pithey pullies,
Notun gur,
Without them there is no way
To think of Poush Parban,
And some memories
They also conjure up
Magical things,
Mother and aunts making them,
All day long,
The mellowed light of prewinter days
Filtered through curtain
Falling on the verandah,
My grandmother sitting nearby
Watching over the proceedings
With keenness and commenting
On how she had learnt to make
Patisaptas, pitheys,
From her mother in law
That very year when she came to this home
As a girl knowing nothing about art of cooking;
Poush Parban,
It always brought sweetness.

(patisapta, pithey pullies, pitheys : different food items made with jaggery and rice paste.
notun gur: common bengali parlance used to describe  jaggery first available in the market at the onset of Poush, a month of bengali calender.
Poush parban: the celebration of the arrival of the month of Poush, a month of bengali calender / almanac)

Autumn Revisited - Moinak Dutta

Moinak Dutta
The sight of the pandel being erected on the playground a few paces away  from our home would arouse a great deal of excitement in our childhood. It would usually take one month to complete the pandel that would house the idol of Devi Durga and this one month, the pandel, its bamboo structure, would be the centre of all attraction for us. While going to school, with satchels on our shoulders, we would stop for a while near the pandel. Someone among us would say that the pandel had shrunk a bit in size and dimensions, compared to that of the previous year. Another would argue on that point and assert with certain amount of confidence that it was not so. But we had carved a bit of time sure to swing our bodies from the bamboo poles using our hands. 
Then we would run to school. After school hours we would again take that road which would take us to the pandel. The labourers who were busy working there would allow us to play there. 

Only when they put the canvas over the dome of the pandel and stitch cotton spreads and put nails on the spreads to attach them to the structure, they would rebuke us mildly. ' Don't run here on bare foot! Nails are there everywhere...’. They would say, working as they would be, sitting precariously on the bamboo poles, stitching cotton spreads there or hammering tiny nails into the wooden frames. 
For days as those labourers worked, we would hear the sweet tapping sounds of hammer heads on nails whenever we went to the pandel.
Just before the installation of the deity, a thorough sweeping and cleaning of the pandel floor was done.
The pandel turns into a mandap as soon as the deity of Durga will arrive. 
We would try to get a glimpse of the deity as usually the face was covered before the Maha Shasti.
The evening of Shasti would be grand. Many people would throng at the mandap.
The smell of incense and camphor and flowers mixed together would create an ambience of pristine purity around. 
The blowing of counch shells at the evening would make us know the evening prayer had started. Often the purohit or the main priest would be someone who knew sanskrit and could chant clearly having a voice that could be heard even without loud speakers. For the chanting of prayers in those days was done sans loudspeakers for it was believed that too much of sound and noise could drive the soul of the devi away from the mandap.
That belief, however, got a serious challenge from us as we often laughed out loud or made sounds replicating that of gunshots by pressing triggers of our toy pistols which we would invariably buy before the pujas. Making a series of gunshots from our toy pistols had been our favourite occupation during the pujas. 
We would pester our parents to buy us those pistols. The girls, who were of our age, however, were more interested in buying colorful bindis, or hairclips or ribbons. In our neighbourhood a single shop sold both the pistols (for boys) and those objects of adornments (for girls).
The boys and the girls and their parents would make a beeline there in the evening before the onset of pujas. 
Our small industrial town would deck up slowly as the festive mood would set in. 
Light bulbs were hung from trees. 
Our familiar streets appeared like those of fairy tales being so illuminated. 
But I would love the subtle changes that autumn would bring in to the town.
Gradually the monsoon clouds would beat a retreat and little cottony clouds would appear, sailing like tiny boats.  Early in the morning the sight of dewdrops on leaves, glittering in the first light of the day would make me glad. Simply glad. The scent of shiuli blossoms would wrap me. The mild nip in the early morn's air would send a slight shiver. 
And the most beautiful sight for me would perhaps be the sudden arrival of white cranes at the marshy land beside our house. Those birds would come every year during autumn and stay in the trees, often flying across the marshyland. The sight of their flight, their white wings spread full, against the back drop of green trees and blue sky, was simply captivating.
Many hours I would spend watching them.
Many hours I would spend savouring the beauty of nature.
Arrival of Durga, has since then, got aligned in my mind with the arrival of autumn and very rarely I tried to differentiate between the two occasions.
The smell of shiuli, the sparkling drops of dew, the azure sky, the swinging heads of kash flowers peeping out of grass- they all would come together to weave a single sensation of pleasure in me, a kind of pleasure which was so ethereal and abstract that I would just be happy inside and would bask in it. I am sure, we all had that same feeling then. 
Running through the meadows with kash flowers blooming always brought us that happiness.

Years later, while studying literature, I realised, it was not anything associated with religion. It had been our sense of joy in getting pleasure in discovering Mother Nature's awesome bounty of beauty. 
It was our own little way of reacting to all the varied sensations that autumn brought.Durga was just a part of it. Picking lotus from ponds for the worship was more of an adventure to us.Durga provided that occasion for us , to be in all those little and simple things of joy. Our young minds were tickled by the mirth the season of autumn brought.

Wordsworth probably talked of that in his poem 'Prelude', when quite animated as a young boy he ran to the wilderness of nature and being mesmerised by its beauty thought of a curious transportation to another place and time perhaps :
' as if I had been born 
On Indian Plains, and from my Mother's hut 
Had run abroad in wantonness, to sport...'

Revisiting Autumn is to me like that, making a journey to that time of year when in our little hearts we had nothing but the candid flowering of our love and passion, that love which could ,with consummate ease , transmute objects trivial into objects of supreme beauty.

Painting a morning of autumn
--------------------------------------------
That painting of an autumn morn
Where we were blown away borne
By the breeze of a day, I think we outdid,

You meditated upon the swirling waves
And I looked quiet sun grazing a street,
You told upon the season, by your truth,
I humbled by the silent song colored
All our times with ballads of country love,

You opened your palm to catch the nascent dreams
I enveloped my heart into the folds of clouds
And together we made the day panoramic,

That painting of an autumn morn
Where we were blown away borne
By the breeze of a day, I think we outdid.

For That Glow

Moinak Dutta
For that glow
I have perhaps trodden many miles
Watching how beyond hills the Sun does rise
Every day with a splendour bright and generous
Making the world filled with colors, wonderous,
And then the day when comes to the close
I when come home, after the day's din and chaos,
I look at that glow as held in the lamp of the lady
Who stood there quiet, like an ethereal beauty,
I think of then how she stood there for hours
For her father who drew that portrait of hers,
The glow of hope for her father, who did toil,
Seventy years ago, on this very land's soil,

The country had perhaps then like a new born
Was waiting with smiles to catch the hues of morn
And there the father painted the portrait
Of his daughter standing with the lamp, straight.

Lipika and the city

Moinak Dutta
Oft in her moments of tenderness
When Lipika would think of newer dress
And all the adornments that she could think of
A pair of jeans, a salwar suit, a cotton saree, lip gloss,
She would think how in her all those years
The city had grown through happiness and tears,

She had heard the day she was born
Her father had woken up early morn
And went to that maternity ward
Of a nursing home, at that boulevard,
And saw her by her mother's side
Like a child of the festival of Eastertide,

Days later when she was brought home
She was kept by the window, where flowers bloomed
Radhachura, gandharaj, roses and red oleanders,
She grew by that window, as passed years,

Later when she was taken to the kindergarten
She was made to sit by casements with curtains,
Which gave her sights and sounds and visions,
In between her studies and various lessons,
She had seen how the city looked quiet
Early in the morning drenched by autumnal light,
Also in days of winter and woolens,

She had seen from classroom how pollens
Of marigolds got carried by butterflies and bees
She had seen all those lovely green vivacious trees,
And felt had there not been any place like the city
She would have never seen the beauty
Of nature as embodied in the serene life
Which she got hold of and oft took a dive
To replenish her mind with mellow fruitfulness
She thought of the city as her only place
To be, to grow, to know, to imagine and create
Her soul, her heart, which got perpetually set
By the passing images, scent and flavours
Of the city which also made her the Lover
Of man, woman and child, the poor, the wretched,
Those friends who returned from wars crippled,

The city had witnessed worst nightmares and bloodsheds
The city had risen from slumber of the dead
And took to the streets with candlelights to claim Peace
The only way to save humanity from violence of the seventies,
She had grown with them too, hearing gunshots like thunders
Ripping apart the silence of the night, the sky dark without stars;
Many years later, one day of Autumn
Just before the durgotsav, at a mandap sudden
She saw for the first time how love came quiet
Standing before her, looking at her eyes,
That day too, she thought it must have been the city
Which gave her all - poetry, prose, paintings, flowers and the beauty.

Moinak Dutta


Occupation: teacher of English, Sarangabad High School (H.S.), Kolkata 700137,
Date of birth: 5th september,1977,
Educational qualification: M.A.(English literature), B.ed.

Back cover bio:
Born on 5th September, 1977 to an immigrant family, he has been writing poems and stories from school days.Done postgraduation in English. Presently engaged as a teacher of English.Many of his poems and stories are published in national and international anthologies and magazines.Written reviews of books and fictions, one on Upanisads can be found at www.blogapenguinindiaclassic.blogspot.com.  His debut fiction ‘Pestilence’ was published in 2009. He had  signed an agreement with a publishing house in October,2012for the publication of his second english literary fiction ‘Online@Offline’. The fiction had been published in 2014, January by Lifi Publications.His third fiction titled ' In search of la radice' is published in August 2017 by Xpress Publications.

Blogs regularly at www.theboatsong.blogspot.com .Interested in photography, films and music. 


Poetry: Moinak Dutta

Moinak Dutta
A letter to belle amie
------------------------------
Thought for months
To sit at my desk
And write a long letter
To your address,
Facing the window
The gulmohor tree
Redness when will spread
All over me,
Thought to write a letter
Long and wide
Catching my mind's lull
And its high tide,
Thought to arrange alphabets
One after another
Thought to write archaic
Dipping in ink my feather,
But then these days
Time slips away
Like water through fingers
Absolutely slippery,
Thought to write you
How the moon drenched me
From my neighbour's third floor
Coming home, with glee,
Thought to ask you
'How are you going
From your nights of hope
To depressive mornings?'
Thought to write to you
'What you have cooked?
This weekend, pasta?
Or just chicken corn soup?'
Thought to ask you
So many other things
Like what new fiction you read
Which album did you bring?
But time just slips away
As it always does
Through my fingers
So sieve like, porous.


All about Hugo and Georges*
------------------------------
'But Georges! Why can't you see?
I am only trying to find a key'
Said Hugo , gathering some courage,
( afterall Georges had that rage
In his eyes almost always)
It was one of those days
When Hugo had to go to Georges shop
To find suitable parts for that automaton prop,
It did not move a single inch the way it was left
By his dad years ago , now half buried
In dust and negligence somewhere,

 ' But Georges ! Why can't you see?
I am only trying to find a key'
Repeated Hugo with a voice pleading
And God knows what Georges found reading
In his pair of curious and innocent eyes,
' Are you telling the truth? Or is it all lies?'
Georges roared, ( like the way he did always before)
'No sir, I am saying it right!sure!'
Hugo prayed; it was almost late evening,
The breeze brought cold air quite overbearing,
'Okay! Okay! I would allow you once
If you can make that automaton dance'
Georges sounded a bit indulgent this time, '

'And sir, You had been such a great maker of films,
Why are you rotting here without your dreams?'
Hugo asked the man even older than his dad,
Georges couldn't believe what he heard from the lad,

 'Hey boy! You're such a cute little one!
Who gave you that knowledge? Or is it a fun?
For you to joke with someone so old?
Are you trying to pretend being bold?'
Georges danced his silvery brow
And looked straight at little Hugo,

Hugo extended his hands for a shake
With Georges did he friendship make,
And later, much later , together did they reinvent
That automaton which could conjure excellent
Stories and tales and so many other things.
(*note: based on a movie titled 'Hugo')


My city
--------------------
You have been with me for ages,
Since I learnt to walk, almost,
You have walked with me,
Processions of people whence first gathered
Near that towering Ochterlony,
(Standing still, like a picture three dimensional,
Since eighteen twenty eight),

You had given me first call to my love,
My first beard grew and got trimmed,
At a barber shop, at that street, near Lindsay,
You were there when I took to words to be left unsaid,

You were there with full fledged form,
At football scores and mounted police hunts,
At cricketing calendar you were there too,
Catching live how the World Cup went away,
Away from us, a toss to lose,

At the garden of Eden you gave me rest
To sit at your green, your fragrant air
How I sipped heartful, blessed,
You have been there when
I thought of Youth
Going to that theatre ,
Watching A Friday night making moves
Down the pavement , music whence poured,

Then oneday at Esplanade,
When it started to rain sudden,
Held your hands moist,
Your face how then glistened kissed by the spray
Of water, first time after a sultry month of June,

Found You in my veins,
Writing oblique prose and rising poems,
Then another day came,
When saw you dressed like a bride,
Riding with me all through Chowringhee,
Hoofs of horses making curious noise,

Christmas eves you sent to me with blow pipes
And simmering numbers slipping from glass doors,
Air when carried scent of grilled fish, smoked,

Another day, early in the morn,
Pigeons when came outdoors
To hop under the canopy big
Of the terminus,
We went to you,
To catch a cab to go touring,
To the outskirts ,
Friends and family all singing,

You have been with me all through
From night till morning.


The thread
----------------------

The yarn that you left for me
To spin and weave a variety
Is a fabulous one filled with dreams
And as I work with it, as it seems
I find designs to emulate
Of that exotic curtain at the gate
Of the entrance of your room
I try to find something out of loom
And make it  beautiful and  enchanting
Much like that image of a setting
Of a story of our togetherness
You being lit up by meteors on your face
Telling upon me wonder and surprise
Your hair decorated by fireflies
And your lips supple and generous
Which mine forever long to touch;

All these are so part of that thread
Which you have for me just left
And how I keep on weaving out of it
Dreams, stories and poems as birthday treat,
For in you I am born every day ,
Every month in song and lay
And every year when end comes
I think of you and more of you I yearn,
The thread, that you left for me
Is the one which I spin to make variety
Of patterns, rhymes and reasons too
The thread yours brings me back to you


If there are those angels there
-------------------------------------------------
If there are those angels there
Who weave dreams in heavenly lair
I would just tell them about thee
So that could they help me write a story
Of finding thou in a garden flowery
Set sprawling and wide on a valley
In a dress white flowing in the breeze
Holding the reins of the day's lease,

If there are angels there
Who know how to create music fair
I would just them tell to sing for thee
So that in lyrical rise thou meet me,
In words arranged one by one in a string
As pearls oft give to necklaces meanings
And them would I then keep at thy feet
As offerings of music of my heart beats.