Showing posts with label Sanskrit. Show all posts
Showing posts with label Sanskrit. Show all posts

Shiva Purana and Glimpses of Ancient Wisdom

P C K Prem

P C K PREM

Study of literature whether contemporary or ancient gives glimpses of age, its socio-economic, political, religious, philosophic and historical aspects and thus, it is a compound approach to life and existence. Vision, knowledge and wisdom of the ancients attract and teach true art of life and do not hide imperfections and negativity. Subjects of perennial interest – creation, preservation and dissolution form the fundamental substance when they tell through various discourses, tales and legends about creation, destruction, and growth of life in between. They speak of different ages, Solar and lunar dynasties, lineage of rulers with microscopic particulars. Sage Vyasa taught and transmitted ancient wisdom to his devotee Lomaharshana, who passed on the sacred knowledge verbally to holy men at Naimisha forests and later, these wise sages while interpreting the wisdom made additions and alterations and hence, the figure of puranas increased and so it is difficult to tell the exact number of Puranas with conviction and correctness.

One can easily say that Puranas are in truth, encyclopedic in scope and import where one finds essence of life and existence in totality, and where social, economic, political, religious, psychosomatic, and philosophic dimensions become obvious. A judiciously meditative and reflective intellect goes further than the borders of transitory life and wishes to concentrate on life beyond as glimpses of mysteries open up. Treatment of multifaceted subject is heterogeneous, exciting and stimulating for an inquisitive intellect. It teaches art of living in entirety with emphasis on truth and righteousness.

To confine the vastness of Puranas to a definition is fraught with dangers of imperfection, immaturity and meager perception of the subject matter. Mahapuranas and Up-puranas are the two classes. Sage Vyasa wrote Puranas perhaps to convey the essence of the Vedas. Puranas are tales of kings, sages, celestial and semi-celestial beings, gods and goddesses, daityas, human beings – mortals and immortals, and so speak of time and life. These contain the inner world and the worlds beyond, man is still trying to fathom with eagerness. He wishes to know the depth and immensity of what exists next, and tries to comprehend the mind and heart and the immeasurable and manifold dimensions relating to philosophic, psychological, mystical and spiritual yearnings. Objective is to teach man the art of life based on truth and uprightness in simple language and approach and correlate ordinary man’s karmas and desires with the life of created beings wielding super powers with proclivities toward truth and falsehood, piety and injustice, triumph of truth over prejudice and evil. Puranas act as a mirror to men to see truth and glorify life with faith, devotion and truthful karmas. It is a path to freedom from internal and external bondages.

Immensely vast in scope and treatment, scholars put puranas in three categories – Vaishnava Puranas, Brahma Puranas and Shaiva Puranas and these contain profound elucidation of Sattvic, Rajasic and Tamasic gunas of humankind respectively. Therefore, they speak about the Trinity – Vishnu symbolizes Sattvic virtues, Brahma tells of Rajasic and Shiva speaks about Tamasic nature and tendencies of created beings, which determine destiny.

Shivapurana speaks about the glory, splendor, and rituals before prayer and worship, idealistic and philosophical principles of Shaivism. Through teachings, religious disquisitions, laws of dharma, karmas and virtues, it gradually reveals different aspects of life contained in various samhitas (segments) as they portray sermons and expositions of grandeur, enormity of mysticism and divinity of created beings – mortals or immortals.

Besides the story of creation and birth of Brahma, it tells about the coming up of Lingam, creation of universe, emergence of Rudra, daitya Taraka, Kamadeva and lord’s anger whom Rati saves, Parvati’s tapa, birth of Ganesha and Kartikeya. One learns about the images of Shiva as lingams, various tirthas and emergence of Jyotirlingams and tirthas, Shiva-ratri fast, significance of ashes – bhasma, Shilada’s son Nandi, yagya of Daksa and its devastating consequences, tales of asuras namely: Andhaka, Hirayanakasipu, Hirayanaksa, and of monk Upamanyu. Five incarnations of Shiva, description of eight murities of Shiva and image of Ardhanarishwara and understanding the essence of Shiva-tattva that are for the benefit of humankind find right delineation.  It talks about forty-two incarnations before one knows about Nandi. In the course of even casual look at the holy book, one learns about nature of hells to which sinners ultimately go and suffer for the consequences of karmas.

Purana narrates godly characteristics, manifestations, exploits, origin of phallic image – installing and worship of lingams – the images of lord Shiva at various places and the legends associated with lingams.

 It is good to penetrate into the essence and meaning of purana’s teaching, religious anxiety, man’s future, role of celestial beings and man’s acts and devotee’s zeal to seek merger with the Absolute –the Supreme lord. Meditation on the lord Shiva may seem easy but initial preparation for proper prayer and worship requires fulfillment of certain rituals.

The legends in the Purana convey the essence of ancient wisdom and the eternal message to contemporary man.  

Many ages before, Brahma’s manas putra sage Narada, wanted to know about Shiva. Nothing existed in the beginning of creation not even the cosmos, the universe. Brahma begins to narrate the tale of creation and tells that only He (the divine essence) existed but water was everywhere. Brahma was bereft of any property regarding the extent, range, temperature – hot or cold, a man understands in ordinary language, and further, he was without the beginning or the end and therefore, defied thoughts of limits. Vishnu manifested ‘the self’ in the great form and relaxed on the water. When he slept, a lotus flower (padma) of many petals took birth from the navel. Padam’s stem dazzled as if it were a cluster of a thousand glittering suns and from the core of the lotus, Brahma took birth, wandered around, and witnessed a vast and unfathomable ocean.

Many Questions – ‘Who am I? How and from where did I come? What am I to do? Whose son am I? Who gave birth to me?’ cropped up in the mind of Brahma. He wanted to find conceivable answers, and so, he looked deep into the lotus and wished to find its centre. Out of inquisitiveness, he travelled along padam’s stem and continued to travel for another hundred years but failed to find Padam’s centre and roots, and therefore, after a thought, he returned to the place of birth but failed to find the entity, the little cell from where he had emerged.

Brahma was exhausted and therefore, thought it better to take a break. A voice suddenly woke him up but he was lost in deep tapasya – meditation and intense tapa for twelve years. After austere tapa, Vishnu with four arms appeared before Brahma. Vishnu’s hands held a sankha (conch shell), a chakra (a discus), a gada (mace) and a padma (lotus flower). Brahma was surprised to the see the man he did not know.

Engaged in a serious dialogue, Brahma and Vishnu noticed a luminously elegant lingam (Shiva’s image) appearing before the lord. It had no beginning or end. Vishnu requested Brahma to stop arguing, when they observed materialization of the third unknown being. Linga’s identity raises questions ‘who is he and why did he come and from where?’ They looked at each other and seemed extremely astonished.

Vishnu told Brahma to transform into the figure of a swan (a bird hamsa) and fly high even as Vishnu changes into the form of boar (varaha) and went down into the depths of water. They went with the intent to investigate and find out the farthest points of both sides of linga. Brahma was now a white swan and flew high into the sky. Vishnu as a white boar went down to know the truth of an unknown being linga. The search continued for four thousand years but they failed to locate the limits –the end of linga. After the journey in search of linga’s limits, they returned to the place from where they had begun. It was time to pray and so spent another hundred years in prayers.

After the long prayer, they heard the sound of ‘om’ and soon, an amazing being turned up with five faces and ten arms. It was Mahadeva – Shiva. Vishnu was a bit happy and said, “It is because of the fight we had that you arrived on the scene. It is good I say.”

Shiva said gently, “We are ‘One’ with ‘One Entity’ and here, we are in three components. Brahma is the creator. Vishnu is the preserver and I am the destroyer. Another being would take birth from this body and he would be Rudra. Rudra and I are ‘One’. Let Brahma create now” and he disappeared. After Shiva left, Brahma and Vishnu abandoned forms of ‘the swan’ and ‘the boar’.

Vishnu created a huge egg (anda) in the vast limitless deep-sea and entered the egg, and in the meantime, Brahma began to pray. He gained immense power through tapa and meditation and created many holy men and sages. Thereafter, the process of creation began. Brahma, after initial aura of mystery, decided to create male and female components for an innovative process – a sacred creative act through the union of male and female constituents. The Supreme lord assigned the sacrosanct function to Prajapati Daksa, who encountered many problems in the beginning but later, surmounted all impediments and fulfilled a divine duty.

Purana is a vital treatise on karma, bhakti – devotion, wisdom and knowledge, the three qualities of – sattva, rajas and tamas, and the elucidation of gunas – the qualities through tales make the purana interesting and contemporary as always and emphasizes the path of dharma.

Truth and virtue fill life with happiness but violence and malice cause sufferings. An anguished man seeks refuge at the feet of the god or goddess. He tries to understand the nature of acts (karmas) and therefore, tentatively prays and worships to get rid of bodily and mental afflictions. He explores nature of karmas and learns that every act originates from the quality of three gunas-sattva,  rajas and tamas. The conduct and nature of man depends upon the impact of gunas. When he turns to religious texts, he knows the true meaning of sattva, rajas and tamas. Various holy books urge men to live truthfully and honestly – a life of dharma. Virtuous karma is dharma (a life of truth and righteousness) of man, for karma with a righteous motive serves man and humankind.

Karmas are precursors to human relations, love, passion, anxieties, thirst, uncertainties, jealousy, hatred, greed and attachment, and carry the longings for reward. Social obligations presuppose certainty and thus, liberation from worldly joys or sufferings becomes difficult. However, karmas if understood correctly, guide a man to freedom from earthly shackles. Pleasant and enjoyable’ karmas-preyas (pleasant) do not create obstacles, for such karmas cause attachment to transient material joys, and bring pain, grief and sorrow. Virtuous and humanistic thoughts originating from acts enrich man with inner ecstasy and bliss and at this moment, karmas are bereft of the thoughts of recompense. Impassiveness to fruit of karmas brings inner peace and proves enlightening to man and society and so, karmas attain unique characteristic – shreyas (good). To perform duties rightly, is the real dharma of man irrespective of the status he holds in the social, economic or political hierarchy, otherwise ubiquitous putrefaction stares.

Faith in Shiva, the Supreme not only eliminates sufferings from the life of a man but also grants deliverance. Purana consists of six sub-sections (samhitas) with more than two hundred and fifty chapters. One learns about the birth of Brahma from the navel of Vishnu, Linga, Rudra and then, it speaks of the process of creation, through prajapati Daksa. It tells about the tapa and penance of Parvati and Shiva, of the birth of Uma and the lord of love, of legendary yajnas, of Ganesha and the interaction with other gods and celestial beings, of incarnations and various daityas and of elimination of iniquity, violence, untruth and unrighteousness and establishment of laws of dharma.

In the light of the above one observes that righteous acts determine destiny of man from the social, economic, psychological, philosophic, political and religious aspects. Karmas are integral to the essence of dharma, integrity, truth and uprightness and evaluate man’s acts. Man’s development not only relates to material growth but also growth of inner man. Tales contained in the Purana explain and expound the quintessence of inherent message. Continuity in narrative remains uninterrupted whereas the sacred radiance of texts and subtexts of various inbuilt legends, sages’ anxieties about life and existence on earth and beyond, spreads philosophic and spiritual light and so each facet of purana enlightens, dispels doubts and darkness, and brings light.  

****

If man serves humankind, performs worldly karmas honestly and pursues path of truth and honesty, it definitely leads to salvation. Atonement absolves a man from the affects of karmas if he abandons wickedness and imprudence and loves virtues and dharma. If a man maintains sanctity of acts and words, life turns meaningful. Human beings possess tremendous power to live as they wish. A life of limpidness, truth and self-respect values devotion and truth and an elevated and godly life, offers real connotation and delight. A man listens to the scriptural teaching and hears religious men but ignores the real substance.

Delusory potency of the lord is unfathomable and teaches lessons to ‘ego and arrogance’ filled created beings.  A man if understands ‘the self’ only then, he comprehends the essence of Param-brahma Paramatma, the Supreme Brahma, who bestows supreme ecstasy – true ananda and is nirguna – beyond virtues, and nirbikara – beyond the limitations of belief and three gunas of sattva, rajas and tamas. He is Supreme Trinity – Brahma, Vishnu and Mahesh, the origin of all lords and gods.   

 Devotion in right spirit is the ultimate path to deliverance one learns. Created beings, the three worlds, regions and directions function under an unambiguous plan the lord emphasizes. Without any illusion and delusion, Supreme Brahma, explains the secret outline and design of creation and the divine sanction. For any sacred mission, a man if devoted and genuine attains the highest objective.

If a devoted man genuinely understands heavenly objective of gods behind the creation and life’s mystery, he really makes life evocative. Incarnation carries a purpose the lord tells. To abandon ‘the self’ in devotion purifies ‘the inner self’ and here, a man loves man and humanity – the message of the Supreme.

     Elegance, nobility and virtues, truth and dharma lead a man to fulfillment and ultimate deliverance. If a man of pure heart thinks rationally, he goes near the divine and invisible power. Dharma, righteous conduct and concentration on the tattva – essence of life and existence beautify life. Tapa helps a created being to attain goal. Not only created beings but also the gods of heavens and celestial souls consider Shiva as the origin and source of creation and delusory potency, who bestows power on Trinity – Brahma, Vishnu and Shiva. Life of daityas devoted to gods teaches eternal lessons to humankind. Love, devotion and intense bhakti offer essence of life. World is not real and so, a man lives in delusion and illusion. Impiety survives if hatred, violence and sins thrive and so invite miseries and death.  

 One ought to respect privacy and supremacy of one’s region and grant it to others, and nobody should ever think of infringement, tells Shiva Purana.  It further tells that if a man adheres to the path of truth and righteousness, and spends life without prejudice or feelings of injustice for anyone, he makes man and society happy. Man ought to be genuine in what he does. Virtuous Karmas bring joy and prosperity, the tales highlight quite often. 

  If one has faith in one’s karma born of virtuous qualities, one is surely free from sufferings, for evil karmas cause sufferings. A man if knows his limitations and understands delusory powers of the great god that even Brahma does not know it is good. Faith in the invisible frees from sufferings and delusory living, and therefore, for a man, who seeks refuge in gunassattva, rajas and tamas, salvation on apt understanding is certain.  

The world witnesses an eternal struggle between the good and the evil, in the images of gods and the demons and there is no let up. Evil forces look virtuous in the beginning but soon return to original nature and enjoy pleasures. It increases hunger for more, and consequently, revulsion, hostility, brutality, ego and conceit overwhelm. Death is unavoidable, howsoever, strong and mighty a man is. Many undergo tapa and penance for years and seek immortality from the Supreme but face death. If one goes beyond the borders of wisdom and intellect of the creator, he commits a momentous blunder, for the creator assigns each one fixed time, karma, space and location. Even in intensity of bhakti, a man fails to go beyond what the creator designs.

Wickedness enjoys short life. Asuras symbolize insatiability and violence, transgression and brutality whereas gods are harbingers of peace and harmony and evince interest in bhakti and tapa. Gods want happiness of created beings and never disturb the flow of system and so, promote goodwill, tapa, bhakti, wellbeing and prosperity. Whoever works against the dictates of Supreme gets retribution and lives in oblivion. Supreme lord wants eternal continuity of humanity and guides to deliverance if a man lives righteously.

 Lord creates a world where birth, death and rebirth are inevitable. He specifies role of power, pelf, pleasures of the senses and material prosperity. For the growth of population, he defines the role of females. The lord seeks consent of Supreme Brahma the Pitahamaha, undergoes tapa and pleases Mahadeva, who appears in an amazing figure of ardhnarishawara – a figure of a man and a woman in equal proportion.

If Shiva undergoes tapa for a long period, goddess Shiva also undertakes austere tapa for many ages. One understands the sacred function of creation and procreation, a function within the borders of morality and dharma.  For the pleasure and benefit, wellbeing and happiness of the devotees, the Supreme Lord wanders on earth and the three worlds in various guises. He not only purges the three worlds from sins and iniquity but also establishes the rule of dharma. To achieve the objective, even gods and goddesses experience distress and grief. If a man works hard with devotion and faith, he attains objective of life he ought to understand. Contemporary man whatever may be the status, grade and stage in life ought to learn to live with a spirit of tolerance, patience, truth, righteousness, honesty and integrity, which are conducive to peace and harmony.

Translation: Sanskrit Poetry from Kashi Khanda of Skandamahapuranam

Rajnish Mishra

Shiva’s Separation from Kashi

Peace fled though his house was on heavenly Mandar,
in his heart blazed the fire of separation.

Sandal, the slayer of heat, was burnt
to ashes on the furnace- his body.

The cooling lily stalks around his wrists,
caught the fire of his heart; it scalded them.

He called them snakes,
and snakes they stay to this day.

Ocean’s son, the full moon showered
his rays upon his head, yet the fire of separation

raged and burnt the moon to a crescent. Ganga,
the daughter of heaven was called to aid next.

She made her home among his tresses.
The fire still blazed within.

He bore all pain, never spoke a word.
He kept his secret well.

Note: Once upon a time Lord Shiva had to live away from his favorite city Varanasi. These lines are an account of his sufferings during his days of exile. Shiva is the Lord of Destruction. He forms the trinity along with the Creator Brahma, and the Preserver Vishnu. Kashi is one of the names of the modern city Varanasi.

Shiva’s Separation from Kashi

(Original Sanskrit from Kashi Khanda  of Skandamahapuranam)


Nivasanjagadishwaro harah krishrajanishakala manoharah
Labhate sma na sharma shankarah prasaratkashi viyogajajwarah.

Virahanalshantaye tada samalepi tripurarinaapi yah
Malayodbhav pank esh sampratipede hyadhunapi pansutam.

Paritapharani padmininam mridulanyapi kankanikritani
Gaditani yadishwaren sarpastadbhootsatyamaho maheshwareksha.

Vivide na suraih sadogatairapi samvitasutapaveshtitah
Yadu dugdhanidhim nimatth devairmridusarah samakarshi poornachandrah.

Sa babhuva krisho viyog tapteshvarmurdhoshnapariksharchharir
Yadadidharesh jatatapah prithule maulijatanikunjkone.

Paritapaharam harastdanim dhyunadim tamadhunapi nojjihite.
Mahato virahasya shankarah prasabham tasya vashi vashangatah.

(Kashi Khanda, 466-467)

рдзрдиंрдЬрдп рдХुрдоाрд░ рдоिрд╢्рд░

рдбा. рдзрдиंрдЬрдп рдХुрдоाрд░ рдоिрд╢्рд░ рдоूрд▓рддः рд╕ंрд╕्рдХृрдд рдХे рдк्рд░ाрдз्рдпाрдкрдХ рд╣ैं। рд╡े рдЭाрд░рдЦрдг्рдб рдХे рджुрдордХा рд╢рд╣рд░ рдоें рдЕрд╡рд╕्рдеिрдд рд╕िрджो рдХाрди्рд╣ू рдоुрд░्рдоू рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп рдХे рд╕ंрд╕्рдХृрдд рд╡िрднाрдЧ рдХे рдЕрдз्рдпрдХ्рд╖ рдХे рд╕ाрде рд╡рд░्рддрдоाрди рдоें рдЕрднिрд╖рдж् рд╕рджрд╕्рдп рд╣ैं।

рд╕ाрд╣िрдд्рдпिрдХ рд▓ेрдЦрди рдХाрд░्рдп

  • рддीрд╕ рд╕े рдЕрдзिрдХ рд╢ोрдз рдкрдд्рд░ рдЬрд░्рдирд▓ рдоें рдк्рд░рдХाрд╢िрдд
  • рдкाँрдЪ рд╕ंрдкाрджिрдд рдкुрд╕्рддрдХों рдоें рдЕрдз्рдпाрдп
  • рд╕्рдеाрдиीрдп рд╕рдоाрдЪाрд░ рдкрдд्рд░ों рдоें рд╢рддाрдзिрдХ рдЖрд▓ेрдЦ


Sanskrit Journalism: History and its Modern Forms

Dr. Baldevanand Sagar

            Before saying anything about Sanskrit Journalism I would like to tell all my wise readers that even though Sanskrit Journalism is not discussed as much as Hindi, English or other prevalent languages’ journalism; but you will be surprised to know that today in the half of the second decade of twenty first century, most of the Indian states and some overseas countries are publishing Sanskrit periodicals and different kinds of Sanskrit magazines.

                It is my humble endeavor to explain the history and modern forms of Sanskrit journalism, not only as a sincere reviewer or writer but also as a Sanskrit news editor, translator and broadcaster, having experience of more than 44 years with All India Radio and more than 22 years along with Doordarshan in these areas.

History of Sanskrit Journalism
                       Whenever we talk about Hindi journalism, the reference of very first magazine of Hindi, ‘Udant-martand’ (1826, Editor - Pt. Jugalkishor Shukul) comes to our mind. Similarly ‘Kashi-vidya-sudhanidhih’ from Kashi [1st.June, 1866] is mentioned as Sanskrit journalism’s first magazine. Another name of this magazine was “Pandit-Patrika”.

                    Now when I am writing these lines, one hundred and fifty two years of Sanskrit journalism are almost complete. In view of this glorious history of Sanskrit journalism, two years back, a nationwide association of Sanskrit-lovers and Sanskritists - “Bharatiya Sanskrit Patrakar Sangh” [Regd.] had pledged to organize many workshops and seminars on Sanskrit journalism at national level throughout the year [in 2016]. This fact indicates that Sanskritists are working relentlessly to connect Sanskrit journalism with the mainstream journalism of the nation.  

                     History of Sanskrit journalism has witnessed a difficult journey started with “Kashividya-sudhanidhi” (June 1, 1866). Broadly to understand this difficult journey, better I should mention the Marathi language’s “Kesari” of Lokmanya Balgangadhar Tilak ji.

                      Many magazines’ and journals’ contribution have been important in the history of linguistic journalism in India. However, the magazine “Kesari” is something special in linguistic journalism of India. With the signatures of Vishnu Shastri Chipaloonkar, Balgangadhar Tilak, Vaman Shivaram Apte, Ganesh Krishna Garde, Gopal Ganesh Aagarkar and Mahadev Vallabha Namajoshi, the letter of aims and objectives of “Kesari” was published on Vijayadashmi-day of 1880 in Mumbai’s ‘Native Opinion’. The publication of Kesari was decided but there was capital problem for the printing. However, with practical pragmatism of ‘Namajoshiji’, publication of Kesari started on 4th January 1881 from Pune as a Marathi language weekly paper, regularly publishing on Tuesday.

                The point which I want to indicate is of Great Sanskrit Scholar Panditaraj Jagannath’s famous shloka from ‘Bhamini-Vilasa’ which justifies the work and purpose of ‘Kesari’. It was selected by Vishnu Shastri Chipaloonkar and used to be published on the homepage of Kesari, is something like this-                                                                                  
рд╕्рдеिрддिं рдиो рд░े рджрдз्рдпाः рдХ्рд╖рдгрдордкि рдорджाрди्рдзेрдХ्рд╖рдг-рд╕рдЦे !
 рдЧрдЬ-рд╢्рд░ेрдгीрдиाрде ! рдд्рд╡рдоिрд╣ рдЬрдЯिрд▓ाрдпां рд╡рдирднुрд╡ि |   
 рдЕрд╕ौ рдХुрдо्рднि-рдн्рд░ाрди्рдд्рдпा рдЦрд░-рдирдЦрд░-рд╡िрдж्рд░ाрд╡िрдд-рдорд╣ा-
рдЧुрд░ु-рдЧ्рд░ाрд╡-рдЧ्рд░ाрдоः рд╕्рд╡рдкिрддि рдЧिрд░िрдЧрд░्рднे рд╣рд░िрдкрддिः || ”

                       The shloka says - O my friend! Head of the forest-elephants! Please, do not wait even for the moment in this complex forest-land, because here the Kesari (Haripati) is sleeping in the mountain cave. This cave is also similar as the elephant’s forehead, the large stone slices also pierced with its harsh nails, that Kesari is dissipated.

                       My humble intention is that the writers of linguistic journalism of that time, editor and publisher were either knowledge savvy or expert in Sanskrit literature or were loyal to Sanskrit and took shelter in Sanskrit’s rich literature for the dedicated work of journalism. Since it was necessary to communicate in the language of general public as to achieve the independence of Nation, there were comparatively more periodicals and magazines in various Indian languages and less in Sanskrit. But in the context of Sanskrit-periodicals and journals being published from all the states of India, the number of Sanskrit-journals could be considered more in comparison to any other provincial language or national language - Hindi, Urdu or English. This number of Sanskrit-periodicals and journals now stands altogether between 120 to 130.

                       In this small article, it is not possible to cover the entire history of one hundred and fifty-two years of Sanskrit journalism, but to study some journals which were abundant and which were primarily published as research journals, continued to publish research articles, ancient texts and manuscripts. Secondly, those were published in general weekly, fortnightly or monthly magazines, which often featured the contents of all the subjects. But there is a lot of change in the situation today.

Now let’s talk about some special Sanskrit periodicals  
                              Sanskrit journalism is a special achievement of independence struggle of India. It has made unprecedented contribution in development of innovative ideas and nationality. Research has revealed that in 1832, the Asiatic society of Bengal published a bilingual research paper in English and Sanskrit. In this journal, the details of Sanskrit literature were supplied with the details of the ancient literature. It transmitted the new consciousness in the heart of English educated Sanskritists and awakened the pride of the nation, language and literature.

                              As mentioned earlier, on June 1st, 1866, Kashi-based Government Sanskrit College published a magazine ‘Kashi-vidya-sudhanidhih’, which was also called as ‘Pandit-patrika’. Another important publication began from Kashi is ‘Krama-nandini’ in 1967. These two purely Sanskrit journals used to publish Sanskrit texts. However these were not symbol of pure newspaper. In April 1872, ‘Vidyodayah’ came from Lahore as a pure periodical of Sanskrit with new decoration in the editorship of Hrishikesh Bhattacharya. This periodical provided unique strength to Sanskrit journalism. Following this, many periodicals began to be published in Sanskrit.

                     Bihar’s first Sanskrit magazine came out from Patna in 1878 under the name of ‘Vidyaarthi’. This monthly magazine published regularly from Patna till 1880 A.D. and later it was shifted to Udaipur. It was being published as fortnightly from Udaipur. After some time, it was being published from Shrinatha-Dwara. Afterwards it was being published altogether with ‘Harishchandra-chandrika’ and ‘Mohan-chandrika’ magazines of Hindi. This was the first fortnightly periodical of Sanskrit whose editor was ‘Pandit Damodar Shastri’. Its content was as per need and interest of students.

                 In 1880, the monthly ‘Dharma-niti-tattwam’ was published from Patna, but there is no detailed information available about this publication.

                The publication of the monthly ‘Vijnaana-Chintamani’ started from kuttur (Kerala) on 17 October 1884. Later on, due to its popularity, it became fortnightly, ten-dayer and finally turned as weekly. Under the editorship of Neelkanta Shastri, this publication became milestone in the development of Sanskrit journalism.

                 To enrich the Sanskrit education system, prestige and pride “Pt. Ambikadatta Vyas established an organization ‘Bihar Sanskrit Sanjivan Samaj’ in 1887. Its first meeting took place on the 5th of April, 1887, which was chaired by Pope John Benjamin in which a lot of people participated from many states of India. The secretary himself was Pt. Ambikadatta Vyas. This society started a quarterly publication of ‘Sanskrita-Sanjiwanam’ in 1940.

                 A lot of Sanskrit journals were published in the last two decades of the 19th century. ‘Sanskrita-Chandrika’ and ‘Sahridayaa’ had special place in national movement. ‘Sanskrita-Chandrika’ was started from Kolkata and later from Kolhapur, which earned immense fame under the editorship of Appa Shastri Rashiwadekar. Because of his political writings; he had to go to jail many times. ’Sahridayaa’ played an important role in enriching and nurturing of Sanskrit language and promoting liberal views and awakening Sanskritists for national interest. ‘Sahridayaa’ played an important role in national movement of freedom.

                       In the beginning of twenty century, whole nation participated in Swadeshi movement in the leadership of Lokamanya Tilak. It was an era of praise for Sanskrit journalism. During this period, many Sanskrit periodicals were published from different parts of the country. In which ‘Bharata-Dharma’ (1901), ‘Shri Kaushik Patrika’ (1907), ‘Vidya’ (1913), ‘Sharada’ (1915), ‘Sanskrita-Saketam’ (1920) - these were some of the main Sanskrit periodicals. According to ‘Arvachina Sanskrit literature’ fortnightly, ‘Mitram’ began from Patna in 1918. It was published by ‘Sanskrit Sanjivan Samaj’.

                      There were some other major Sanskrit periodicals during the days of freedom struggle. Those were - ‘Anand-Patrika’ (1923), ‘Geervaan’ (1924), ‘Sharada’ (1924), ‘Shree’ (1931), ‘Ushaa’ (1934) ‘Sanskrit-Granthamala’ (1936). ‘Bharata-Shree’ (1940) etc.

             In the year 1938 monthly in-house publication (mouthpiece) of ‘Akhila Bharatiya Sahitya Sammelan’, ‘Sanskrita-Ratnakar’ published from Kanpur as independence struggle was going on full swing. Kedarnath Sharma was Saraswat editor of ‘Sanskrita-Ratnakar’. In the year of 1943, the National Sanskrit Vidyapitha started quarterly publication of ‘Ganganath Jha Research Journal’.

                               Following are some of the major Sanskrit journals after independence -  ‘Brahmana- Mahasammelanam’ (1948), ‘Gurukul-Patrika (1948), ‘Bharati’ (1950), ‘Sanskrit-Bhawitvyam’ (1952), ‘Divya-Jyoti’ (1956), ‘Sharada’ (1959), ‘Vishwa- Sanskritam’ (1963), ‘Samvid’ (1965), ‘Gandivam’ (1966), ‘Suprabhatam’ (1976), ‘Sanskrit-Shreeh’ (1976), ‘Prabhatam’ (1980) ‘Loka-Sanskritam’ (1983), ‘Vraja-gandha’ (1988), ‘Shyamla’ (1989) etc. are counted as some of the most important periodicals of Sanskrit after independence of India.

                           In the same period (1970 A.D.), a historical event in the field of Sanskrit-journalism was happened whose megastar was well-known Sanskrit-scholar, Girvana-Vani-Bhushan, Vidya-Nidhi, Pandit-Kalle-Nadadooru-Varada-raja-yyangaarya of Mysore, ( Karnataka ), who started publishing ‘Sudharma’ - a daily Sanskrit newspaper from Mysore. He unfurled the flag of Sanskrit-journalism in the world of Global journalism. Though, on 1st. January’ 1907, Shri-komal-Marutacharya and Shri-lakshmi-nand published daily Sanskrit-newspaper called the ‘Jayanti’ from Thiruvanantpuram [Kerala] and had made a phenomenal adventure, but in the absence of money and readers, this Sanskrit-daily publication was continued for a few days and later got closed.   In due course of time, the daily Sanskrit-news-paper ‘Suprabhatam’, was also started from Kanpur. It was had to be closed in the absence of the readers and buyers.

Modern forms of Sanskrit journalism
                            Sanskrit is not only cultural heritage of India but it is also pride and identity of the nation.  Without going into the detail of the language policy of independent India, if we concentrate on the growing experiment in the field of Sanskrit journalism, it seems that most of the world languages are getting benefits from the scientific and mathematical vocabulary of Sanskrit. Increasingly, a lot of help has been taken from the Sanskrit language in developing and integrating computational linguistic science. Due to some reason, the slow moving Sanskrit journalism, is now establishing its utility and effectiveness in all the areas of modern communication medium.
                               To understand better the condition of the Sanskrit journalism in the beginning of the twenty first century, it is necessary to review the technical development process and internet revolution in the last three decades of the twentieth century in a broader context. You must have understood my point of view.

                              We have just, briefly observed the history of 152 years of Sanskrit journalism. Another historic incident took place in the series and the Ministry of Information and Broadcasting, Government of India started experiment by introducing the morning news on June 30 1974 at 9.A.M by broadcasting Sanskrit-news of 5-minutes duration from Akashawani’s Delhi station. It replaced all the myths which used to say that Sanskrit can’t be colloquial and technical ideas cannot be expressed in Sanskrit. The morning Sanskrit-news from All India Radio, soon became very popular and following this popularity, a few months later, an evening bulletin [at 6.10pm.] of 5-minutes in Sanskrit was also introduced from Akashwani’s Delhi station. After a gap of 20 years of the beginning of Sanskrit-news-broadcast, Doordarshan’s Delhi-Kendra [DDK] started weekly Sanskrit-news-telecast on 21st of August, 1994. Fortunately, the author of these lines got the opportunity of telecasting the maiden Sanskrit-news-bulletin and became the first person on this planet to telecast first TV-Sanskrit-news-bulletin.  After a few years, this weekly telecast of Doordarshan was replaced in five minutes daily-telecast. Recently, by introducing half-an hour weekly Sanskrit-program - ‘Varttavalee’, DD had another feather on its cape.

                             During this period, due to still another historic event the speed of Sanskrit journalism became increasingly fast. Some of the enthusiastic youth were active in organizing Sanskrit as spoken language in these decades and were working under the nationwide campaign. There are some name such as ‘Hindu-Seva- Pratishthanam’, later popularly known as ‘Vishwa-Sanskrita-Pratishthanam’, ‘Sanskrita-Bharati’ and ‘Lokabhasha-Prachar-Samiti’, which are employed in systematically and widespread popularizing in the basic form of Sanskrit journalism by making every Sanskrit loving assured the day is not far when India’s young citizen can speak fluently in Sanskrit. In this series ‘Sanskrit-Bharati’ started publishing monthly magazine, “Sambhashana-Sandeshah’ from Bangaluru in 1999. This monthly magazine is very popular in the country and abroad due to its designing, simple language and subject diversity.

                        Similarly, there are some other Sanskrit-periodicals - ‘Samvit’ ( fortnightly ), ‘Sanskrita-Bala-Samvaadah’ [Monthly ], Geervaani’ [Monthly], ‘Mahaaswini’ [Half-yearly], ‘Aaranyakam’ [ Half-yearly], ‘Sanskrita-Sammalanam’ [Quarterly], ‘Arvachina-Sankritam' [Quarterly ], ‘Aarsha-jyotih’ [Monthly], ‘Sanskrita-Pratibha’ [Quarterly], ‘Sanskrita-Manjari’ [Quarterly], ‘Sanskrita-Varttaa’ [Quarterly], ‘Sanskrita-Vimarshah’ [ Yearly], ‘Abhivyakti-Saurabham’ [Quarterly], ‘Atulya-Bharatam’ [Monthly], ‘Sanskrita-Vani’ [Fortnightly], ‘Sanskrita-Samvadah’ [Fortnightly], ‘Sanskrita-Ratnakarah’ [ Monthly], ’Disha-Bharati’ [Quarterly], ’Deva-Sayujyam’ [Quarterly],’Sanskrita-Vartamaana-pattram’ [Daily Sanskrit-newspaper], ‘Vishwasya Vrittantam’ [Daily Sanskrit-newspaper], ‘Sanskrita-Sampratam’ [Monthly], ‘Nihshreyasam' [Half-yearly], ‘Shrutasagarah’ [Monthly], ‘Setubandhah [Monthly ], ‘Hitasadhika’[half-yearly], ‘Divya-Jyotih’ [Monthly], ‘Raavaneshwar-Kananam [Monthly], ‘Rasana’ [Monthly], ‘Doorwa’ [Quarterly], ‘Natyam’ [Quarterly], ‘Sagarika’ [Quarterly], ‘Ritam’ [Bilingual [Hindi-Sanskrita monthly], ‘Sragdhara’ [Monthly], ‘Amrita-bhashaa’ [weekly], ‘Priya-vaak’ [Bimonthly] ‘Dig-darshinee’ [Quarterly], ‘Vasundhara’ [Quarterly], ‘Sanskrita-Mandakini’ [Half-yearly], ‘Loka-Prajna’ [Yearly], ‘Lokabhasha-Sushreeh’ [Monthly], ‘Loka-Sanskritam’ [Quaterly] ‘Vishwa-Sanskritam’ [Quaterly], ‘Swara-Mangala’ [Quaterly], ‘Bharati’ [Monthly], ‘Rachana-Vimarshah’[Quarterly], ‘Saraswati-Saurabham’ [Monthly], ‘Sanskrita-shreeh’ [Monthly], ‘Vak’ [fortnightly], ‘Ajsraa’ [Quarterly ], ‘Parishilanam’ [Quarterly], ‘Prabhatam’ [Daily Sanskrita Newspaper], ‘Vraja-Gandha’ [Quarterly], ‘Sangamani’ [Quarterly], ‘Vishwa-Bhasha’ [Quarterly], ‘Bhaswati’ [Half-yearly], ‘Kathasarit’ [Half-yearly], ‘Drik’ [Half-yearly], ‘Vakovakeeyam’ [Half-yearly], ‘Vaidik-Jyotih’ [Half-yearly],  ‘Abhisechanam’ [Half-yearly] ‘Abhyudayah’  [ Half-yearly], ‘Satyanandam’ [Monthly], ‘Sanskrita-Sahitya-Parishat-Patrika’ [Quarterly] etc.

                            These periodicals have made the field of Sanskrit-journalism more active. Apart from this, there is a news-agency in Sanskrit - News in Sanskrit [News agency] Hindustan-Samachar. It has been reported that from the past few days, daily Sanskrit-Newspaper as ‘Srijana-Vani’ is being published from East Delhi.

                            My heartily greetings and good wishes to all these Sanskrit-journalists and Sanskrit workers.

                          There are many E-journals in which ‘Prachi-Prajna’ (Monthly E-magazine), ‘Jahanvi’ (Quarterly E-magazine), ‘Sanskrita-Sarjana’ (Quarterly E-magazine) and ‘Daily Sanskrita-E-portal’ ‘Samprati-vaarttaa’.

                           Readers will be pleasantly surprised to know that for the last four years, there is a twenty four hour online radio broadcasting Sanskrita linguistic programs in the name of www.divyavani.in, which is under the leadership of Dr. Sampadanand Mishra from Pondicherry, is being managed.

                       Institutes and universities like Shri Lal Bahadur Shastri Rashtriya Sanskrit Vidyapith and Rashtriya Sanskrit Sansthan has started Sanskrit journalism course.

                     During the period of last three years, four short films in Kerala have been made in Sanskrita language and have been shown to the audience at different places. ‘Janam-TV’ from Thiruvanantpuram has started Sanskrita-new-telecast of 15 minutes duration daily from 2nd October 2015 onwards. Keeping in view all these facts, I can proclaim with full confidence that the future of Sanskrita-journalism is positive and bright.


рдЕрдиुрд╡ाрдж: рд╢्рд░ी рдХрдирдХ рдзाрд░ा рд╕्рддोрдд्рд░

рдЖрджि рд╢ंрдХрд░ाрдЪाрд░्рдп рд╡िрд░рдЪिрдд рд╢्рд░ी рдХрдирдХрдзाрд░ा рд╕्рддोрдд्рд░ рдХा рдХाрд╡्рдпाрдиुрд╡ाрдж

- рдоृрджुрд▓ рдХीрд░्рддि

рдоृрджुрд▓ рдХीрд░्рддि

рдЕрд╖्рдЯ рд╕िрдж्рдзि рдк्рд░рджाрддा।
рдЕрдгिрдоा, рдорд╣िрдоा, рдЧрд░िрдоा, рд▓рдШिрдоा, рдк्рд░ाрдк्рддि, рдк्рд░ाрдХाрдо्рдп, рдИрд╢िрдд्рд╡, рд╡ाрд╕िрдд्рд╡ рдЕрд╖्рдЯ рд▓рдХ्рд╖्рдоी।
рдЖрд░ोрдЧ्рдп, рдХीрд░्рддि, рд╕ंрддाрди, рд╡िрдЬрдп, рдзрди-рдзाрди्рдп, рдоोрдХ्рд╖, рд╕ौрднाрдЧ्рдп, рд╢ांрддि।

рдЬрдп рдЬрдпрддि рдЬрдп рд╣рд░ि! рдЕंрдЧ рддो, рдЖрдиंрдж рднूрд╖рдг рд╢ोрднिрддा,
рдпрд╣ि рд░ूрдк рд▓рдЦि рд╣рд░ि рдХा рдордиोрд╣рд░, рд▓рдХ्рд╖्рдоी рд╢्рд░ी! рдЕрд╕ рдоोрд╣िрддा,
рдЬрд╕ рднृंрдЧ рдоोрд╣िрдд рдоुрдХुрд▓ рдкुंрдЬ, рддрдоाрд▓ рдХे рдЬो рдЕрдзрдЦिрд▓े,
рддрд╕ рд╣ी рдХृрдкा рдордо рдоंрдЧрд▓рдо, рд╡िрд╖्рдгु рдк्рд░िрдпा рд╕े рдиिрдд рдоिрд▓े। (1)

рдкुрдиि-рдкुрдиि рдиिрд╣ाрд░े рдоुрдЧ्рдз, рдЪिрддрд╡рди, рдоुрдЦ рдоुрд░ाрд░े! рдиीрд░рдЬा,
рдиिрд░рдЦрддीं рд╕ंрдХोрдЪ рд╕े, рд╕िрдж्рдзि, рдкрдпोрджрдзि рдЬрди्рдордЬा,
рдордзु рдоृрдЪ्рдЫिрдХा рдЬрд╕ рдиीрд▓ рдиीрд░рдЬ, рдХे рдордзुрд░ рд░рд╕ рдХो рдЧрд╣े,
рддрд╕ рд╡рд╣ी рд╣рд░िрд╡рд▓्рд▓्рднी рд╢ुрдн, рджृрд╖्рдЯि, рдзрди рд╡рд░्рд╖िрдд рдорд╣े। (2)

рдЕрд░्рдж्рдз рдиिрдорд▓िрдд рдирдпрди рд╕े, рдЕрдиिрдоेрд╖ рддрдХрддीं рдоुрдХुंрдж рдХो,
рд╕рдХुрдЪाрдд, рдорди рдоुрджिрддा рд░рдоा, рд╢्рд░ी рдкрд░рдо рдЖрдиंрджрдХंрдж рдХो।
рдиंрдж рдЖрдирди, рдмंрдж рдирдпрдиा, рднुрдЬрдЧ рд╢рдпрдирдо рдиाрде рд╢्рд░ी,
рд╣े рдкрдж्рдоिрдиी! рджेрдиा рдоुрдЭे, рдзрди, рдЕрдирд╡рд░рдд рдРрд╢्рд╡рд░्рдп рд╢्рд░ी। (3)

рдХौрд╕्рддुрднं рдЖрднूрд╖рдгं, рдордгि рд╣ाрд░ рдиीрд▓рдо рд╢ोрднिрддं,
рдд्рд░ैрд▓ोрдХ्рдп рд╕्рд╡ाрдоी, рдордзु рд╡िрдЬिрдд, рд╣े рд░рдоाрдкрддि! рдк्рд░िрдп рд╡рд░ं,
рдк्рд░ेрдо рдкूрд░िрдд, рднाрд╡ рднाрд╡िрдд, рд╢्рд░ी рд╣рд░ि! рдХो рднрдЧрд╡рддी,
рдХрдорд▓ाрд▓рдпा, рджेрдиा рдпрдеा, рдзрди-рдзाрди्рдп рдоुрдЭрдХो рд╕рдо्рдкрдд्рддि। (4)

рд╢ुрдн рд╢्рдпाрдо рд╡рдХ्рд╖рд╕्рдерд▓ рд╡िрд╢ाрд▓ा, рдкрдж्рдоिрдиी рдЬрд╕ рджाрдоिрдиी,
рдШрди рддिрдоिрд░ рдоें рддреЬिрдд рдоाрдирд╣ुँ, рд╢ोрднिрддा рдкрдж्рдоाрд╕िрдиी,
рд╣े! рдЬрдЧрддрдоाрддु! рдорд╣ीрдпрд╕ी, рд╣े! рд╡рд░ рдорд╣िрдо рднाрд░्рдЧрд╡ рд╕ुрддा,
рд╣े! рд╢ुрдн рдк्рд░рджा, рджेрдиा рдоुрдЭे, рдзрди, рдЕрдирд╡рд░рдд рд╢्рд░ी рдЕрдЪ्рдпुрддा। (5)

рд╡рд░рджाрдирдордп, рдЖрд╢ीрд╖рдордп, рдХृрдкाрд░ूрдк рд╢ुрднांрдЧिрдиी
рд░рдоा рдХी рд╕ाрдорд░्рде्рдп рдордзुрдЬिрдд, рдХी рдмрдиे рд╡ाрдоांрдЧिрдиी .
рдХрд░ुрдгाрдордпी, рдк्рд░ेрдорд╕्рд╡рд░ूрдкा, рд╕्рдиेрд╣рд╡िрдЧрд▓िрдд рджृрд╖्рдЯि рдЬो
рд╕े рдХрд░ो рдк्рд▓ाрд╡िрдд рдоुрдЭे, рджो, рдпाрдЪрдиा рдоाँ! рдЕрднीрд╖्рдЯ рдЬो। (6)

рдЬрдп рдЬрдпрддि рдЬрдп рдоाँ рднрдЧрд╡рддी, рдХी рдиिрдоिрд╖ рдХрд░ुрдгा рджृрд╖्рдЯि рд╕े,
рдЗрди्рдж्рд░ рднी рджेрд╡ेрд╢ 'рдордзुрдЬिрдд', рд╣ों рджрдпा рдХी рд╡ृрд╖्рдЯि рд╕े
рдЖрдиंрдж рдордп рдЖрдиंрджрд░ूрдкा, рд╕िрдж्рдзि рд╡ाрдЪी рдпрд╢рд╕्рд╡िрдиी
рдиीрд▓ рд╡ाрд░िрдЬ рдирдпрди рд╕े, рдоुрдЭे рджेрдЦ рдоाँ! рдкрдж्рдоाрд╕िрдиी। (7)

рд╕्рд╡рд░्рдЧ рдкрдж рджुрд░्рд▓рдн, рд╕ुрд▓рдн, рдоाँ рдХी рдХृрдкा рд╢ुрдн рджृрд╖्рдЯि рд╕े,
рдкा рд╕рдХें, рдЗрд╖्рдЯा рд╡िрд╢िрд╖्рдЯा, рдиिрдоिрд╖ рдХрд░ुрдгा рд╡ृрд╖्рдЯि рд╕े,
рджीрдк्рддिрдордп рд╢ुрдн рджृрд╖्рдЯि рджो, рдЬो рдкूрд░्рдг рд╡िрдХрд╕िрдд рдХрдорд▓ рд╕ी,
рд╕рд░्рд╡ рдоंрдЧрд▓,рдХाрдо्рдп рджाрдд्рд░ी, рдоंрдЧрд▓ा рдоाँ! рд╡िрдорд▓ рд╕ी। (8)

рдж्рд░рд╡िрдг рдЕрдо्рдмु рдзाрд░ рдХी, рдоुрдЭ рджीрди рд╣िрдд рд╡рд░्рд╖ा рдХрд░ो,
рд╡िрд╣рдЧ рд╢िрд╢ु рдЪाрддрдХ рдЕрдХिंрдЪрди, рддृрд╖िрдд, рдоाँ рддृрд╖्рдгा рд╣рд░ो,
рдкрд╡рди рд╕ी рд╡िрд╕्рддृрдд рджрдпाрд▓ु, рдЕрдШ, рд╣рд░ो рдиाрд░ाрдпрдгी,
рд╕рдШрди рдШрди рд╕рдо рдирдпрди рдЪाрд░ु, рдоाँ! рдХृрдкा рдХрд▓्рдпाрдпрдгी। (9)

рдЬ्рдЮाрдиेрд╢्рд╡рд░ी, рд╣े рдорд╣ाрдХाрд▓ी!, рддुрдо рдЧрд░ुрдгрдз्рд╡рдЬ рдХी рдк्рд░िрдпा,
рд╕ृрд╖्рдЯि, рд╕्рдеिрддि, рдк्рд░рд▓рдп рдХाрд▓े, рд╕ंрд╕्рдеिрддा, рд╕ंрд╕ृрддि рдХ्рд░िрдпा।
рднрдЧрд╡рддी! рдд्рд░ैрд▓ोрдХ्рдп рдкूрдЬ्рдпा, рдЖрджि рдоाँ рдкрд░рдоेрд╢्рд╡рд░ी,
рдордо рдирдорди рдЙрд╕ рдЬрдЧрдд рдоाँ рдХो, рд╕ाрдзрдиा рд╕िрдж्рдзेрд╢्рд╡рд░ी। (10)

рдХрд░्рдордлрд▓рд╢ुрдн рджाрдпिрдиी, рд╡ेрджोрдХ्рдд рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд░рдордгीрдп рдЧुрдг рдпुрдХ्рддा рд░рддि!, рд╣े рд╢ुрдн्рд░! рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд╢рддрдкрдд्рд░ рдХे рдХрдорд▓ाрд▓рдпे, рд╣े рд╢рдХ्рддि! рдоाँ рдХोрдЯिрдХ рдирдорди,
рд╡िрд╖्рдгु рдк्рд░िрдпा рд╣рд░ि рд╡рд▓्рд▓्рднा, рд╣े рдкुрд╖्рдЯि! рдоाँ рдХोрдЯिрдХ рдирдорди। (11)

рдкूрд░्рдг рд╡िрдХрд╕िрдд рдХрдорд▓ рд╕рдо, рд╕ौंрджрд░्рдп, рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд╡ाрдЪी, рдкрдпोрджрдзि рдЬрди्рдордЬा, рд╕ुрд░рднि, рдоाँ! рдХोрдЯिрдХ рдирдорди,
рдЕрдоिрдп рд╕ोрдо рд╕рд╣ोрджрд░ाрдпा, рд╡िрднा рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд╢्рд░ी рдиाрд░ाрдпрдг рд╡рд▓्рд▓्рднा, рд╢्рд░ी рдиिрдзि рдоाँ! рдХोрдЯिрдХ рдирдорди। (12)

рдХрдирдХ рдкрдж्рдоाрд╕िрдиी рд╣िрд░рдг्рдпा, рд╕्рд╡рдзा рдоाँ! рдХोрдЯिрдХ рдирдорди
рдиाрдпिрдХा рдм्рд░рд╣्рдоाрдг्рдб рд╕рд░्рд╡ं, рдк्рд░рдХृрддि рдоाँ! рдХोрдЯिрдХ рдирдорди,
рджрдпाрдордп рджेрд╡ाрджि рдкрд░ рднी, рдЖрдж्рдпा рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд╢ाрд░ंрдЧ рдЖрдпुрдз рд╡рд▓्рд▓्рднाрдпे, рд╢ुрднा рдоाँ! рдХोрдЯिрдХ рдирдорди। (13)

рднृрдЧु рдЖрдд्рдордЬा, рджेрд╡ी рд╕ुрдХрди्рдпा, рдЬрдпा рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд╢्рд░ी рд╡िрд╖्рдгु рдХे рд╡рдХ्рд╖рд╕्рдерд▓े, рд░рдорддि рдоाँ! рдХोрдЯिрдХ рдирдорди,
рдХрдорд▓рдЬा рдХрдорд▓ाрд▓рдпै, рдХрдорд▓ा рдоाँ! рдХोрдЯिрдХ рдирдорди,
рд╢्рд░ी рджाрдоोрджрд░ рд╡рд▓्рд▓рднा, рджेрд╡ी рдоाँ! рдХोрдЯिрдХ рдирдорди। (14)

рдХрдорд▓ рдХी рдХांрддि рд╣ै рдХрдорд▓ा, рдХाрди्рддि рдоाँ! рдХोрдЯिрдХ рдирдорди,
рднूрдоि рдФрд░, рднू рдоाрддु рднी, рд╣े рднूрдоि рдоाँ! рдХोрдЯिрдХ рдирдорди,
рджेрд╡рддाрдУं рд╕े рднी рдкूрдЬिрдд, рд╢्рд░ेрдп рдоाँ! рдХोрдЯिрдХ рдирдорди,
рдирди्рдж рдЖрдд्рдордЬ рд╡рд▓्рд▓्рднाрдпै, рдЖрдж्рдпा рдоाँ! рдХोрдЯिрдХ рдирдорди। (15)

рдмрд╣ुрд▓ рдзрди-рд╕ंрдкрдд्рддि рджाрдд्рд░ी, рдЗрди्рдж्рд░िрдпों рдХे рд╕ुрдЦ рд╕рднी,
рд╣े рд╕рд░ोрдЬाрдХ्рд╖ी! рдк्рд░рджाрдд्рд░ी, рд░ाрдЬ рдХो рд╕ाрдо्рд░ाрдЬ्рдп рднी,
рдж्рд╡рди्рдж рджुрд░िрддाрдиि рдд्рд╡рд░िрдд, рдоाँ рд▓рдХ्рд╖्рдоी! рд╕ाрд░े рд╣рд░ो,
рд╣े! рдоाрддु рд╢्рд░ी рд╡рди्рджрди рдирдорди, рд╕्рд╡ीрдХाрд░ рдоाँ рдоेрд░े рдХрд░ो। (16)

рдЬो рдХрдЯाрдХ्рд╖ рдЙрдкाрд╕рдиा рдХे, рд╡िрдзि рд╡िрдзाрди рд╕े рдпुрдХ्рдд рд╣ो,
рд╢्рд░ी, рд╕рдо्рдкрджा, рдРрд╢्рд╡рд░्рдп, рдзрди рд╕े, рднрдХ्рдд рд╡рд╣ рд╕ंрдпुрдХ्рдд рд╣ो,
рдХोрдЯि рд╡ंрджрди рдирдорди рдкुрдиि-рдкुрдиि, рдорди рд╡рдЪрди рдФрд░ рдХрд░्рдо рд╕े,
рд╢्рд░ी рдоुрд░ाрд░ी рдХी рдк्рд░िрдпा рд╢्рд░ी, рд▓рдХ्рд╖्рдоी рдХो, рд╣िрдп рдорд░्рдо рд╕े। (17)

рдкрдж्рдоिрдиी рдкрдж्рдоाрд╕िрдиी, рд╢ुрдн рдкрдж्рдо рд╣рд╕्рддे рдкाрд╡рдиी,
рдзрд╡рд▓ рд╡рд╕्рдд्рд░ा, рд╢ुрдн्рд░ рд╕ुрд░рднिрдд рдоाрд▓ рдорд▓рдпрдЬ рднाрд╡рдиी,
рднрдЧрд╡рддी! рд╣рд░िрд╡рд▓्рд▓рднा, рдорди рдоुрджिрдд рдЖрдиंрджिрдд рдХрд░े,
рдд्рд░िрднुрд╡рди рд╡िрднूрддि рд╢्рд░ीрдордпी, рд╡рд╣ рдоाँ рдоुрдЭे рдк्рд░рдоुрджिрдд рдХрд░े। (18)

рдХрдирдХ рдХुंрдн рд╕े рдЕрд╖्рдЯ рдХुंрдЬрд░, рдЧंрдЧाрдЬрд▓ рджिрд╢ि рдкाрд╡рдиी,
рдХрд░ें рдк्рд░рдХ्рд╖ाрд▓рди, рдЬो рдЧंрдЧा, рд░рдоा рд╣िрдд рд╕्рд╡рд░्рдЧ рд╡ाрд╣िрдиी,
рдк्рд░ाрддрд░्рдирдоाрдоि рдЬрдЧрдд рдЬрдирдиी, рд╢्рд░ीрдзрд░ः, рдЧृрд╣рд╕्рд╡ाрдоिрдиी
рдЬрд▓рдзि рддрдирдпा, рдЕрдоिрдп рджाрдд्рд░ी, рд▓рдХ्рд╖्рдоी, рд╕्рд╡рд╕्рддि, рдкрдж्рдоिрдиी। (19)

рдХрдорд▓ рдирдпрдиं рд╡рд▓्рд▓рднे, рд╣े!, рдХрдорд▓, рд╣े рдХрд░ुрдгाрдордпी,
рдЕрд╡рд▓ोрдХ рдоेрд░ी рдУрд░ рдХिंрдЪिрдд, рдоाрддु рд╢्рд░ी рдордорддाрдордпी।
рдоैं рджीрди рд╕े рднी рджीрди, рдоाँ, рддेрд░ी рджрдпा рдХा рдкाрдд्рд░ рд╣ूँ,
рдЕрддि-рдЕрддि рдк्рд░рдердо рдХрд░рдиा рджрдпा, рдоाँ! рджीрди рд╣ूँ рдЕрддि рдЖрд░्рдд рд╣ूँ। (20)

рдЬрдЧрджीрд╢्рд╡рд░ी рдм्рд░рд╣्рдоाрдг्рдб рдХी, рд░рдХ्рд╖ा рдиिрдпंрдд्рд░рдг рдХрд░ рд░рд╣ीं,
рдХрд▓्рдпाрдг рд░ूрдкा, рдХрдорд▓ рдирдпрдиा, рд╕ृрд╖्рдЯि рд╕ंрдЪाрд▓рдХ рдорд╣ी
рджाрд░िрдж्рд░्рдп рднрдп рд╕े рдЖрдк्рдд рд╣िрдп, рд╢рд░рдг рдоें рд╣ूँ рдЖрдкрдХी,
рджрдпा рджृрд╖्рдЯि рдЕрдирд╡рд░рдд рдоाँ!, рдЪाрд╣ рддेрд░े рдк्рд░рддाрдк рдХी। (21)

рд╡ेрджрд╕्рд╡рд░ूрдкा рднрдЧрд╡рддी рдХा, рдз्рдпाрди рд╣िрдп рд╕े рдиिрдд рдХрд░े
рд╡рд╣ी рдд्рд░िрднुрд╡рди рд╢्рд░ीрдордпी рдоाँ, рд▓рдХ्рд╖्рдоी рдк्рд░рдоुрджिрдд рдХрд░े,
рднाрдЧ्рдп, рд╢्рд░ी, рдРрд╢्рд╡рд░्рдп, рд╕рдж्рдЧुрдг, рдЬ्рдЮाрди рдиिрд╢्рдЪрдп рд╣ी рдоिрд▓े,
рдЬ्рдЮाрдиिрдпों рд╕े рдоाрди, рднрд╡ рд╡ैрднрд╡, рд╢्рд░ी рдХृрдкा рдоाँ рдХी рдоिрд▓े
рд╢्рд░ी рдХृрдкा рдоाँ рдХी рдоिрд▓े।

рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХрд╡िрддा рдФрд░ рдиाрд░ीрд╡ाрдж

рдЕрд░ुрдг рдХुрдоाрд░ рдиिрд╖ाрдж 
рдЕрд░ुрдг рдХुрдоाрд░ рдиिрд╖ाрдж
(рд╢ोрдзрдЪ्рдЫाрдд्рд░, рд╕ंрд╕्рдХृрдд рддрдеा рдк्рд░ाрдХृрдд рднाрд╖ा рд╡िрднाрдЧ, рд▓рдЦрдирдК рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп, рд▓рдЦрдирдК)


рд╢ोрдз рд╕ाрд░ांрд╢
рд╕्рдд्рд░ी рдФрд░ рдкुрд░ुрд╖ рдПрдХ рдЧाреЬी рдХे рджो рдкрд╣िрдП рд╣ै। рдмिрдиा рджोрдиों рдХे рд╕рд╣рдпोрдЧ рдХे рдХोрдИ рднी рдХाрд░्рдп рд╕ुрдЪाрд░ू рд░ूрдк рд╕े рдирд╣ीं рд╣ो рд╕рдХрддा рд╣ै। рдкुрд░ुрд╖ рдиे рд╕рджैрд╡ рднी рдиाрд░िрдпों рдХा рд╕ाрде рджिрдпा рд╣ै। рдкुрд░ुрд╖ рд▓ेрдЦрдХ рднी рдиाрд░िрдпों рдХी рдкीреЬा рдХो рд╕рдордЭрддा рд╣ै। рдЙрд╕рдиे рднी рдЕрдкрдиी рдХрд▓рдо рд╕े рдЙрд╕ рдиाрд░ी рдкीреЬा, рдиाрд░ी рд╢ोрд╖рдг рдХे рдЦिрд▓ाрдл рдЖрд╡ाрдЬ рдЙрдаाрдИ рд╣ै। рдпрд╣ рдЕрд▓рдЧ рдмाрдд рд╣ै рдХि- рдкुрд░ुрд╖ рд▓ेрдЦрдХ рдХी рдЕрдкेрдХ्рд╖ा рдорд╣िрд▓ाрдпें рдЕрдкрдиी рдЕрдиुрднूрддि рдХो рдЕрдзिрдХ рдЕрдЪ्рдЫे рдвंрдЧ рд╕े рдк्рд░рд╕्рддुрдд рд╣ै рд░рд╣ीं рд╣ैं। рдкрд░рди्рддु рд╕рд╣рдпोрдЧ рдоें рдХोрдИ рдХрдоी рдирд╣ीं рд╣ै।

рдХी рд╡рд░्рдб: рд╕ंрд╕्рдХृрдд рд╕ाрд╣िрдд्рдп, рд╕्рдд्рд░ी рд▓ेрдЦрди, рдиाрд░ीрд╡ाрдж।


рдЖрдЬ рдХी рдиाрд░ी рдЕрдкрдиे рд╢ोрд╖рдг рдХे рдЦिрд▓ाрдл рдЖрд╡ाрдЬ рдЙрдаाрдиे рдоें рдкीрдЫे рдирд╣ीं рд╣ै। рд╡рд╣ рдЖрдЬ рдШूंрдШрдЯ рдХे рдмाрд╣рд░ рдиिрдХрд▓ рдЪुрдХी рд╣ै। рдЙрд╕рдоें рд╕्рд╡ рдХी рднाрд╡рдиा рдЖ рдЧрдпी рд╣ै। рд╡рд╣ рдЕрдкрдиी рдмाрдд рдЖрдЬ рдЕрдкрдиे рд▓рд╣рдЬे рдоें рдХрд╣рддी рд╣ै। рд╕рдоाрдЬ рдоें рдлैрд▓ी рд╡िрднिрди्рди рдХुрд░ीрддिрдпों рдХा рд╡рд╣ рдбрдЯрдХрд░ рдоुрдХाрдмрд▓ा рдХрд░ рд░рд╣ी рд╣ै। рдЖрдЬ рдХा рдпुрдЧ рд╡िрдорд░्рд╢ों рдХा рдпुрдЧ рд╣ै। рдЖрдЬ рджрд▓िрдд-рд╡िрдорд░्рд╢, рдЖрджिрд╡ाрд╕ी-рд╡िрдорд░्рд╢, рд╕्рдд्рд░ी-рд╡िрдорд░्рд╢ рдЖрджि рдЦूрдм рдЪрд░्рдЪे рдоें рд╣ै। рдЗрди्рд╣ीं рд╡िрдорд░्рд╢ों рдоें рдиाрд░ीрд╡ाрдж рдХा рднी рдиाрдо рдЖрддा рд╣ै। рдЗрд╕рдХी рд╢ुрд░ुрдЖрдд 19рд╡ीं рд╢рддाрдм्рджी рд╕े рдоाрдиी рдЬाрддी рд╣ै। рдм्рд░िрдЯेрди рдХी рдоैрд░ी рд╡ुрд▓्рд╕्рдЯрдирдХ्рд░ाрдл्рдЯ рдХी рдкुрд╕्рддрдХ ‘рд╡िрди्рдбिрдХेрд╢рди рдСрдл рджि рд░ाрдЗрдЯ्рд╕ рдСрдл рд╡िрдоेрди’ (1792 рдИ.) рдХो рдЖрдзुрдиिрдХ рдиाрд░ीрд╡ाрдж рдХा рдк्рд░рдердо рдк्рд░ेрд░рдгा рд╕्рд░ोрдд рдоाрдиा рдЬाрддा рд╣ै। рдЗрд╕рдХे рдмाрдж рд╕рди् 1873 рдИ. рдоें рдк्рд░рдХाрд╢िрдд рд╣ुрдИ рдЬे. рдПрд╕.рдоिрд▓ рдХी рдкुрд╕्рддрдХ ‘рд╕рдм्рдЬेрдХ्рд╢рди рдСрдл рд╡िрдоेрди’ рдиाрд░ीрд╡ाрдж рдХी рджूрд╕рд░ी рдорд╣рдд्рдд्рд╡рдкूрд░्рдг рдкुрд╕्рддрдХ рдеी। рд╕्рдд्рд░ी-рд╡िрдорд░्рд╢ рд╕рдо्рдмрди्рдзी рд╕ाрд╣िрдд्рдп рдХो рд╡рд░्рдЬिрдиिрдпा рдмुрд▓्рдл рддрдеा рд╕िрдоोрд╡ рдж рдмोрдЙрдЖрд░ рдиे рдХाрдлी рдк्рд░рднाрд╡िрдд рдХिрдпा। рдЗрд╕ рд╡िрд╖рдп рдкрд░ рд╕рдордХाрд▓ीрди рд╕ंрд╕्рдХृрдд рдХрд╡िрдпों-рдХрд╡рдпिрдд्рд░िрдпों рдиे рднी рдЦूрдм рд▓िрдЦा рд╣ै।

рдмाрд▓िрдХा рд╢िрдХ्рд╖ा рдЖрджि рдХे рд╕्рд╡рд░ рдХो рдоुрдЦрд░िрдд рдХрд░рддी рд╣ुрдпी рд╡ेрдж्рдХुрдоाрд░ी рдШрдИ рд▓िрдЦрддी рд╣ैं рдХि рд╢िрдХ्рд╖ा рдФрд░ рдЬाрдЧрд░ूрдХрддा рдХे рдЕрднाрд╡ рдоें рдоाрдирд╡рддा рдЖрдЬ рджрдо рддोреЬ рд░рд╣ी рд╣ै। рдоाрдирд╡ рдоाрдирд╡ рдХा рджुрд╢्рдорди рд╣ो рдЧрдпा рд╣ै।
 рдХृрд╖рдХ рд╢िрд╢ुрднिрд░ुрджрд░рдкूрд░्рддि: рдк्рд░ाрдк्рдд: рдЪ рдЪेрдд्
рд╢्рд░рдоिрдХрдмाрд▓ा рдпрджि рд╢िрдХ्рд╖рдпा рд╡ंрдЪिрддा
рдЬीрд░्рдг-рд╢ीрд░्рдг рдХुрдЯीрд░े рд╣ि рдпрджि рд░ोрдЧिрдгी
рдЧ्рд░ाрдо्рдпрд╡рдиिрддा рдЪिрдХिрдд्рд╕ा рд╡िрд░рд╣िрддा рдоृрддा।1

‘рдЛрд╖े рдХ्рд╖ुрдм्рдзे рдЪेрддрд╕ि’ рдХрд╡िрддा рдоें рд╣рд░्рд╖рджेрд╡ рдоाрдзрд╡ рд▓िрдЦрддे рд╣ैं рдХि – рдХिрд╕ी рд╕рд╣рдкाрдаिрдиी рдХो рджेрдЦрдХрд░ рдпुрд╡ा рдорди рдоें рдХ्рдпा рд╡िрдЪाрд░ рдЙрдкрди्рди рд╣ोрддा рд╣ै। рдпुрд╡ा рдорди рдкुрд╕्рддрдХाрд▓рдп рдоें рдХ्рдпा-рдХ्рдпा рдХрд░рддा рд╣ै, рдЗрд╕рдХा рдЬीрддा-рдЬाрдЧрддा рдЙрджाрд╣рд░рдг рдк्рд░рд╕्рддुрдд рд╣ै -

(рдХ) рдХाрд▓ेрдЬ рдХрди्рдпा: рдЧ्рд░рди्рдеाрд▓рдпे
рджुрдЧ्рдзोрдд्рд╕ुрдХा:
рд╕ुрд╢्рд░ी рдоाрд░्рдЬाрд░्рдп:।2

рдХрд╖्рдгрдХ्рдпाрдХ्рд╖िрдк्рддं рдХрд╡िрддा рдоें рд╡े рд▓िрдЦрддे рд╣ैं рдХि рдХिрд╕ рдк्рд░рдХाрд░ рдПрдХ рдмрд╣ू рдЕрдкрдиे рджु:рдЦों рд╣ो рд╕рд╣рддी рд╣ै। рд╡рд╣ рдЕрдХेрд▓े рдоें рд╕्рдиाрдирдЧृрд╣ рдоें рдЬाрдХрд░ рд░ोрддी рд╣ै рдФрд░ рдЕрдкрдиे рдорди рдХो рд╢ाрди्рдд рдХрд░рддी рд╣ै।
(рдЦ) рд╕्рдиाрдирдЧृрд╣ं рдЧрдд्рд╡ा/рдЧृрд╣рдХ्рд▓ेрд╢рд╢्рд░ाрди्рддा рд╡рдзू:
рдиि:рд╢рдм्рджं рд░ोрджрддि рддрджा рд╕्рдиाрдирдЧृрд╣ं
рддрд╕्рдпा рдкिрддृрдЧृрд╣ं рднрд╡рддि।3

 ‘рдЛрд╖े рдХ्рд╖ुрдм्рдзे рдЪेрддрд╕ि’ рдХрд╡िрддा (рдкृрд╖्рда 65) рдоें рд╡ेрдж рд╣рд░्рд╖рджेрд╡ рдоाрдзрд╡ рд╡ेрд╢्рдпा рдХी рджрд╢ा рдХा рд╡рд░्рдгрди рдХрд░рддे рд╣ुрдП рд▓िрдЦрддे рд╣ैं рдХि- рдЙрд╕ рд╕्рдд्рд░ी рджрд╢ा рдаीрдХ рд╡ैрд╕े рд╣ी рд╣ोрддी рд╣ै, рдЬैрд╕े рдХिрд╕ी рд╡рдзिрдХ рдХे рдЬाрд▓ рдоें рдлंрд╕ी рд╣िрд░рдиी рдХी।
(рдШ) рд╣рд░िрдгी рд╣рддा/ рд╡्рдпाрдзेрди рдиिрд╖्рдаुрд░ेрдг
рд╕ाрдпं рдЦाрджिрддा
рд╕ा рдкुрдирд╢्рдЪ рд╢्рд╡рд╕िрддि рд╡्рдпाрдзрдмрдз्рд╡ा рд╡рдХ्рд╖рд╕ि।4

рдкुрд░ुрд╖ рдж्рд╡ाрд░ा рд╡िрднिрди्рди рдк्рд░рдХाрд░ рд╕े рдЫрд▓ी рдЬा рд░рд╣ी рдиाрд░ी рдХे рд╡िрд╖рдп рдоें рд╣рд░्рд╖рджेрд╡ рдоाрдзрд╡ рдХा рдХрдерди рд╣ै –
рдХेрдиाрдкि рд░ाрдоेрдг рдд्рдпрдХ्рддा
рдХेрдиाрдкि рдирд▓ेрди рдиिрд░्рд╡ाрд╕िрддा
рдХेрдиाрдкि рджुрд╖्рдпрди्рддेрди рд╡рдЮ्рдЪिрддा
рдХेрдиाрдкि рд╣рд░िрд╢्рдЪрди्рджेрдг рд╡िрд╕ृрд╖्рдЯा।5

рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓ рд╡ेрд╢्рдпाрд╡ृрдд्рддि рдкрд░ рд▓िрдЦрддे рд╣ैं-
рдХोрд╜рдд्рд░ рдкाрдкी?
рдЬрдард░ाрдЧ्рдиिं рд╢рдордпिрддुं
рдпाрд╜рдиिрдЪ्рдЫрдпा рдк्рд░рдХाрд╢्рдпेрди рджेрд╣ं рд╡िрдХ्рд░ीрдгाрддि
рдЕрдерд╡ा рд╕:
рджेрд╣рдХ्рд╖ुрдзा- рдиिрд╡ृрдд्рддрдпे
рд╕्рд╡ेрдЪ्рдЫрдпा рдпो рдЧोрдкрдиेрди
рдиिрдд्рдпं рднिрди्рдиं рд╢рд░ीрд░ं рдХ्рд░ीрдгाрддि।6

рдЖрдЬ рднी рд╕рдоाрдЬ рдоें рдмрд╣ुрдд рд╕ाрд░ी рд╕्рдд्рд░िрдпाँ рдк्рд░ेрдо рдХे рдзोрдЦे рдоें рдЖрдХрд░ рдЕрдкрдиा рд╕рдм рдХुрдЫ рдЧंрд╡ा рд░рд╣ी рд╣ैं। рд╕рдоाрдЬ рдХे рд▓ोрдЧ рд╡ेрд╢्рдпा рдХो рдкाрдкी рдХрд╣рддे рд╣ैं, рдкрд░рди्рддु рдЕрд╕рд▓ी рдкाрдкी рдХौрди рд╣ै, рдЗрд╕ рдк्рд░рд╢्рди рдЙрдаाрддे рд╣ुрдП рдХрд╡ि рдХрд╣рддा рд╣ै рдХि- рдЬो рдкेрдЯ рднрд░рдиे рдХे рд▓िрдП рдЕрд╕ाрдоाрдЬिрдХ рдХाрд░्рдп рдХрд░ рд░рд╣ा рд╣ै рд╡рд╣ рдпा рдЬो рдЕрдкрдиी рд╡ाрд╕рдиा рдХी рднूрдЦ рдоिрдЯाрдиे рдХे рд▓िрдП рд╡ेрд╢्рдпा рдХे рдкाрд╕ рдЬा рд░рд╣ा рд╣ै рд╡рд╣। рдбॉ. рд╡िрд╢्рд╡ाрд▓ рдЬी рдХी рдХрд╡िрддा рдкाрдардХ рдХे рдорди рдХो рдЭрдХрдЭोрд░ рджेрддी рд╣ै।

рдбॉ. рдорд╣ाрд╢्рд╡ेрддा рдЪрддुрд░्рд╡ेрджी рдЕрдкрдиे ‘рдХाрд╡्рдпाрд╜рдоृрддрдо्’ рдХाрд╡्рдпрд╕ंрдЧ्рд░рд╣ рдоें рд╕рддी рдк्рд░рдеा рдкрд░ рдЕрдкрдиी рд▓ेрдЦрдиी рд╕े рд▓िрдЦрддी рд╣ैं рдХि- рдЭूрдаे рд╢ाрди-рд╢ौрдХрдд рдФрд░ рд╕ाрдоाрдЬिрдХ рджिрдЦाрд╡े рдХे рдЪрдХ्рдХрд░ рдоें рд▓ोрдЧ рдПрдХ рдиाрд░ी рдХो рдХिрд╕ рдк्рд░рдХाрд░ рд╕े рдЬिрди्рджा рдЬрд▓ा рджेрддे рд╣ैं। ‘рджेрд╡рд░ाрд▓ा рдиाрд░ीрджाрд╣:’ рдХрд╡िрддा рдоें рд╡े рд▓िрдЦрддी рд╣ैं-
рдЕрд╣ो рджुрд░्рдоेрдзрд╕: рдХ्рд░ूрд░ा: рдиाрд░्рдп्рдпेрдЧृрд╣рд╡िрднूрддрдп:।
рджрд╣ेрдЬрд▓ोрднाрдж् рджुрд░्рд╡ृрддै: рд╣рди्рдпрди्рддे рд▓ुрдм्рдзрдХाрдордХै:।।7

рдШрдЯрддे рдЬीрд╡рди-рдоूрд▓्рдпों рдХे рд╡िрд╖рдп рдоें рдХрд╡рдпिрдд्рд░ी рдХा рдХрдерди рд╣ै –
рдПрдХрддा рд╡िрд▓ुрдк्рддा
рдоाрдирд╡рддा рдиिрд░्рд╡ाрд╕िрддा
рдЕрд╣िंрд╕ा рдЙрдкेрдХ्рд╖िрддा
рдзрд░्рдорд╕्рдп рдЕрд╡рдЬ्рдЮा
рди्рдпाрдпрд╕्рдп рдЕрд╡рд╣ेрд▓рдиा
рдиीрддि рд▓ुрдг्рдаिрддा
рдк्рд░ीрддि рдкрд░ाрдЬिрддा
рдоाрдирд╡рдЬाрддिрд░्рд╡िрднрдХ्рддा
рдорддрд╡ाрджाрдиां рдЪрдХ्рд░рд╡ाрддे
рд╡िрд╡ेрдХो рджीрдкो рдиिрд░्рд╡ाрдкिрдд:
рдХрдердо् рдпुрдЧрдЧрддिрдо्
рдд्рд╡рд░ाрдкूрд░्рдг рдХрд░िрд╖्рдпрддि?8

рд╕्рдд्рд░ी рдХी рддाрдХрдд рдХी рдкрд╣рдЪाрди рдХрд░ाрддे рд╣ुрдП рдбॉ. рдЕрдиीрддा рдоिрд╢्рд░ा рд▓िрдЦрддी рд╣ैं рдХि- рд╣े рдиाрд░िрдпों ! рдЬाрдЧो рдФрд░ рдЕрди्рдпाрдп рдХे рдЦिрд▓ाрдл рдЖрд╡ाрдЬ рдЙрдаाрдУ।
рдЬाрдЧрд░्рддि рддрджा рджेрд╢ो рдЬाрдЧрд░्рддि рдпрджा рдиाрд░ी, рдиिрдж्рд░ाрддि рддрджा рджेрд╢ो рдиिрдж्рд░ाрддि рдпрджा рдиाрд░ी।
рддाрд╡рдж् рднрд╡рди्рддि рдкुрд░ुрд╖ा рдзीрд░ाрд╢्рдЪ рд╢ूрд░рд╡ीрд░ा, рдпाрд╡рди्рди рддрдд्рд╕рдордХ्рд╖ं рд╕рдоुрджेрддि рдХाрд╜рдкि рдиाрд░ी।।
рдкुрд░ुрд╖ा: рдХрдаोрд░рд░ूрдкा: рдкाрд╖ाрдгрддुрд▓्рдпрд╢ुрд╖्рдХा:, рд╕्рддाрди् рд░рд╕ै: рд╕्рд╡рдХीрдпै: рд╕рд░рд╕ाрди рдХрд░ोрддि рдиाрд░ी।
рд╢ीрдШ्рд░ं рд╣ि рдкुрд░ुрд╖рд╡рд░्рдЧ: рдЧृрд╣рдгाрддि рдкрд░рд╕्рдп рдзрд░्рдордо्, рдо्рд░िрдпрддे рд╕्рд╡рдзрд░्рдорд╣ेрддो: рд╕рд╕ुрдЦं рд╕рджैрд╡ рдиाрд░ी।।9

рдиाрд░ी-рд╕рдоाрдЬ рдХो рдЙрдж्рдмोрдзрди рдХрд░рддी рд╣ुрдИ рдХрд╡рдпिрдд्рд░ी рдХрд╣рддी рд╣ैं рдХि– рд╣े рдиाрд░िрдпों рдЕрдкрдиे рдЕрдзिрдХाрд░ों рдХे рд▓िрдП рдЬाрдЧो рдФрд░ рдЕрди्рдпाрдп рдХा рдк्рд░рддिрд░ोрдз рдХрд░ो। рдХिрд╕ी рдХे рднрд░ोрд╕े рдордд рдмैрдаो। рд╕्рд╡рдпं рдоें рдЪेрддрдиा рдХा рд╕ंрдЪाрд░ рдХрд░ो।
рд╣े рдиाрд░्рдпो ! рдЬाрдЧृрдд рджेрд╢ोрд╜рдпं рд╡ाрдЮ्рдЫिрдд рдирд╡рдЬाрдЧрд░рдг।
рднрдХ्рддिं рдд्рдпрдЬрдд рджрд░्рд╢рдпрдд рд╢рдХ्рддिं рднрдХ्рдд рджेрд╢рд╣िрддрдорд░рдгрдо्।
рджुрд╖्рдЯ рд╡рдзाрдп рд╕рдорд░्рдеा рджुрд░्рдЧा рдиाрд░ी рд╢рдХ्рддि рд╕рдоेрддा,
рдЬाрдЧृрдд рдЬाрдЧृрдд рдиाрд░्рдпो рджेрд╢े рдкुрд░ुрд╖ो рдврдкोрд░рдиेрддा।।10

рдЗрд╕ी рдк्рд░рдХाрд░ ‘рдиाрдЧрд░िрдХा’ рд╢ीрд░्рд╖рдХ рдХрд╡िрддा рдоें рд╡рд╣ рдХрд╣рддी рд╣ैं рдХि– рд╕рднी рдХो рдЕрдкрдиे рдХрд░्рддрд╡्рдп рдкрде рдкрд░ рд▓рдЧे рд░рд╣рдиा рдЪाрд╣िрдП।
рд╕्рд╡рджेрд╢े рдкрд░рдо्рдкрд░ा: рд╕рджैрд╡ рд▓ाрд▓рдиीрдпा:, рджेрд╢рд╕्рдп рд╡िрдзрдп: рд╕рд░्рд╡े рдкाрд▓рдиीрдпा:।
рдж्рд░рд╖्рдЯाрдЪाрд░рдо् рджेрд╢ाрдж् рджूрд░ी рдХрд░рд╡ाрдгि, рдХрд░्рдд्рддрд╡्рдпрдкाрд▓рдиे рд╕рджा рд░рддा рднрд╡ाрдиि।
рд╕ंрд╕्рдХृрддा рд░ाрд╖्рдЯ्рд░рднाрд╖ा рднрд╡ेрдж् рдЗрдпं рдк्рд░рдердордХाрд░िрдХा ! рдЕрд╣ं рд╕्рд╡рддрди्рдд्рд░рджेрд╢рд╕्рдп рдиाрдЧрд░िрдХा!11

рджрд╣ेрдЬ рдк्рд░рдеा рдкрд░ рдЕрдкрдиी рдХрд▓рдо рд╕े рдЪोрдЯ рдХрд░рддी рд╣ुрдИ рдбॉ. рд╕िрдо्рдоी рдХрди्рдзाрд░ी рд▓िрдЦрддी рд╣ैं-
рддрдд: рд╢्рд░ोрдд्рд░ृрд╖ु рдПрдХा рдиाрд░ी рдЙрдд्рдеाрдп рддाрдо्
рдЕрдз्рдпрдХ्рд╖ा рддрдд् рдХрд░्рддрд╡्рдпं рд╕्рдоाрд░рдпрди्рддी
рдЕрд╡ोрдЪрдд् –
рднाрд╖рдгं рджрдд्рд╡ा рдЧृрд╣ं рдЧрдЪ्рдЫрддु
рдоाрд░ुрддिं рдХ्рд░ीрдд्рд╡ा рдкुрдд्рд░ाрдп рдпрдЪ्рдЫрддु
рдпрд╕्рдоाрдд् рд╕: рдпौрддुрдХрд░ूрдкेрдг –
рдк्рд░ाрдк्рддрдпा рдоाрд░ुрдд्рдпा рди рдн्рд░ाрдо्рдпेрдд्।।12

‘рдЕрдЧ्рдиिрд╢िрдЦा’ рдХाрд╡्рдп рдоें рдиाрдпिрдХा рдЕрдкрдиे рдиाрдпрдХ рд╕े рдХрд╣рддी рд╣ै рдХि – рддुрдо्рд╣ाрд░ा рд╣ृрджрдп рд░ेрдд рдХे рд╕рдоाрди рд╣ै, рдЬिрд╕ рдкрд░ рд▓िрдЦा рдХुрдЫ рднी рдмрд╣ुрдд рджेрд░ рддрдХ рдирд╣ीं рд░рд╣рддा।
рдордо рдкाрд╖рдгрдордпे рд╣ृрджिं рд▓िрдЦिрддं рд▓рд▓िрддрддрд░ं рддрд╡ рд░ूрдкрдоिрджрдо्।
рдХोрд╜рд╕्рддि рд╕рдорд░्рдеो рднुрд╡ि рдХрд░्рдд्рддुрдо् рдк्рд░рд╕्рддрд░ाрд▓िрдЦिрддं рд╡िрддрдеाрдХाрд░рдо्।
рдЪिрд╣्рдирдоाрдд्рд░рдордкि рдиाрд╜рд╡рд╢ेрд╖िрддं рдоृрджुрд╕िрдХрддाрд╕рдорд╣ृрджрдпे рддे।।13

рдбॉ. рд╕िрдо्рдоी рдХрди्рдзाрд░ी ‘рд╕्рдиेрд╣рдХ्рд░ीрдбा’ рдХрд╡िрддा рдоें рд▓िрдЦрддी рд╣ैं рдХि – рдХिрд╕ рдк्рд░рдХाрд░ рд╕े рдХोрдИ рд╕्рдд्рд░ी рдХिрд╕ी рдкुрд░ुрд╖ рдХे рдк्рдпाрд░ рдоें рдЕрдкрдиा рд╕рдм рдХुрдЫ рди्рдпौрдЫाрд╡рд░ рдХрд░ рджेрддी рд╣ै।
рдоे рдорди: рдд्рд╡рдпि рд╕्рдиिрд╣्рдпाрддि
рдХ्рд░ीрдбा рдПрд╖ां рджु:рд╕ाрдз्рдпं рд╣ि-
рдпрди्рдоे рдорди: рдкाрд╢ाрдд् рдкрд░ाрдЬрдп
рд╕्рд╡рдоेрд╡ рд╣ि рдмрди्рдзрдиाрддि рд╕्рдкृрд╣्рдпाрддि
рдоे рдорди: рдд्рд╡рдпि рд╕्рдиिрд╣्рдпाрддि।।14

рдЗрд╕ рдк्рд░рдХाрд░ рд╣рдо рджेрдЦрддे рд╣ैं рдХि, рдЖрдЬ рдмрд╣ुрдд рд╕ाрд░े рдХрд╡ि-рдХрд╡рдпिрдд्рд░िрдпाँ рд╕्рдд्рд░ी рд╢ोрд╖рдг рдХे рд╡िрд░ुрдж्рдз рдЖрд╡ाрдЬ рдЙрдаा рд░рд╣े рд╣ैं। рд╕рдоाрдЬ рдоें рдЬिрддрдиी рднी рдЕрдЪ्рдЫाрдИ-рдмुрд░ाрдИ рдЙрди्рд╣ें рджिрдЦрддी рд╣ै рд╡рд╣ рдЙрд╕े рдЕрдкрдиी рдХрд▓рдо рд╕े рдЙрддाрд░ рджे рд░рд╣ा рд╣ै। рдЖрдЬ рдХा рд░рдЪрдиाрдХाрд░ рдпрдеाрд░्рде рд▓िрдЦрдиे рд╕े рдШрдмрд░ाрддा рдирд╣ीं рд╣ै, рдЙрд╕े рд╕рдоाрдЬ рдоें рдЬो рдЬिрд╕ рдк्рд░рдХाрд░ рдирдЬрд░ рдЖ рд░рд╣ा рд╣ै, рдЙрд╕ी рдк्рд░рдХाрд░ рд▓िрдЦ рджे рд░рд╣ा рд╣ै। рдЗрд╕ рдиाрд░ीрд╡ाрдж рдХे рдлрд▓рд╕्рд╡рд░ूрдк рдмрд╣ुрдд рд╣рдж рддрдХ рдорд╣िрд▓ाрдУं рдХो рдкुрд░ुрд╖ों рдХे рд╕рдоाрди рдЕрдзिрдХाрд░ рдк्рд░ाрдк्рдд рд╣ुрдП। рд▓ोрдЧों рдХे рд╕ोрдЪ-рд╡िрдЪाрд░ рдоें рдкрд░िрд╡рд░्рддрди рд╣ुрдП। рдЕрдиेрдХ рдЕрди्рдзрд╡िрд╢्рд╡ाрд╕ों рдФрд░ рд░ुрдвिрдпों рдХा рдЕрди्рдд рд╣ुрдЖ।

рд╕ंрджрд░्рдн
[1] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХाрд╡्рдп рдХी рдкрд░िрдХ्рд░рдоा, рдбॉ. рдоंрдЬुрд▓рддा рд╢рд░्рдоा, рд░ाрд╖्рдЯ्рд░ीрдп рд╕ंрд╕्рдХृрдд рд╕ंрд╕्рдеाрди рдк्рд░рдХाрд╢рди, рдирдИ рджिрд▓्рд▓ी, рдкृрд╖्рда рд╕ंрдЦ्рдпा 75  
[2] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХाрд╡्рдп рдХी рдкрд░िрдХ्рд░рдоा, рдбॉ. рдоंрдЬुрд▓рддा рд╢рд░्рдоा, рд░ाрд╖्рдЯ्рд░ीрдп рд╕ंрд╕्рдХृрдд рд╕ंрд╕्рдеाрди рдк्рд░рдХाрд╢рди, рдирдИ рджिрд▓्рд▓ी, рдкृрд╖्рда рд╕ंрдЦ्рдпा 75 
[3] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХाрд╡्рдп рдХी рдкрд░िрдХ्рд░рдоा, рдбॉ. рдоंрдЬुрд▓рддा рд╢рд░्рдоा, рд░ाрд╖्рдЯ्рд░ीрдп рд╕ंрд╕्рдХृрдд рд╕ंрд╕्рдеाрди рдк्рд░рдХाрд╢рди, рдирдИ рджिрд▓्рд▓ी, рдкृрд╖्рда рд╕ंрдЦ्рдпा 76
[4] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХाрд╡्рдп рдХी рдкрд░िрдХ्рд░рдоा, рдбॉ. рдоंрдЬुрд▓рддा рд╢рд░्рдоा, рд░ाрд╖्рдЯ्рд░ीрдп рд╕ंрд╕्рдХृрдд рд╕ंрд╕्рдеाрди рдк्рд░рдХाрд╢рди, рдирдИ рджिрд▓्рд▓ी, рдкृрд╖्рда рд╕ंрдЦ्рдпा 76  
[5] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХाрд╡्рдп рдХी рдкрд░िрдХ्рд░рдоा, рдбॉ. рдоंрдЬुрд▓рддा рд╢рд░्рдоा, рд░ाрд╖्рдЯ्рд░ीрдп рд╕ंрд╕्рдХृрдд рд╕ंрд╕्рдеाрди рдк्рд░рдХाрд╢рди, рдирдИ рджिрд▓्рд▓ी, рдкृрд╖्рда рд╕ंрдЦ्рдпा 76  
[6] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХाрд╡्рдп рдХी рдкрд░िрдХ्рд░рдоा, рдбॉ. рдоंрдЬुрд▓рддा рд╢рд░्рдоा, рд░ाрд╖्рдЯ्рд░ीрдп рд╕ंрд╕्рдХृрдд рд╕ंрд╕्рдеाрди рдк्рд░рдХाрд╢рди, рдирдИ рджिрд▓्рд▓ी, рдкृрд╖्рда рд╕ंрдЦ्рдпा 77
[7] рдХाрд╡्рдпाрд╜рдоृрддрдо्, рд╢्рд▓ोрдХ рд╕ंрдЦ्рдпा 36
[8] рдХाрд╡्рдпाрд╜рдоृрддрдо्, рд╢्рд▓ोрдХ рд╕ंрдЦ्рдпा 59
[9] рд╕ंрд╕्рдХृрдд рдХрд╡рдпिрдд्рд░िрдпों рдХा рд╡्рдпрдХ्рддिрдд्рдд्рд╡ рдПрд╡ं рдХृрддिрдд्рд╡, рдбॉ. рдХैрд▓ाрд╢рдиाрде рдж्рд╡िрд╡ेрджी, рдЬрдиाрд░्рджрди рдк्рд░рдХाрд╢рди,рд▓рдЦрдирдК, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 1997 рдИ.,рдкृрд╖्рда 225
[10] рд╕ंрд╕्рдХृрдд рдХрд╡рдпिрдд्рд░िрдпों рдХा рд╡्рдпрдХ्рддिрдд्рдд्рд╡ рдПрд╡ं рдХृрддिрдд्рд╡, рдбॉ. рдХैрд▓ाрд╢рдиाрде рдж्рд╡िрд╡ेрджी, рдЬрдиाрд░्рджрди рдк्рд░рдХाрд╢рди,рд▓рдЦрдирдК, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 1997 рдИ.,рдкृрд╖्рда 225
[11] рд╕ंрд╕्рдХृрдд рдХрд╡рдпिрдд्рд░िрдпों рдХा рд╡्рдпрдХ्рддिрдд्рдд्рд╡ рдПрд╡ं рдХृрддिрдд्рд╡, рдбॉ. рдХैрд▓ाрд╢рдиाрде рдж्рд╡िрд╡ेрджी, рдЬрдиाрд░्рджрди рдк्рд░рдХाрд╢рди,рд▓рдЦрдирдК, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 1997 рдИ., рдкृрд╖्рда 225 [12] рдХрд░्рдд्рддрд╡्рдпрдо्, рдкाрд░िрдЬाрддрдо् (рдкрдд्рд░िрдХा), рдбॉ. рд╕िрдо्рдоी рдХрди्рдзाрд░ी, рдЬूрди 1994 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 21
[13] рдЕрдЧ्рдиिрд╢िрдЦा, рдбॉ. рдкुрд╖्рдкा рджीрдХ्рд╖िрдд, рдкृрд╖्рда 52-53  
[14] рдЖрдзुрдиिрдХ рд╕ंрд╕्рдХृрдд рдХрд╡рдпिрдд्рд░िрдпाँ, рдбॉ. рдЕрд░्рдЪрдиा рдХुрдоाрд░ी рджुрдмे, рдирд╡рдЬीрд╡рди рдкрдм्рд▓िрдХेрд╢рди, рдиिрд╡ाрдИ, рд░ाрдЬрд╕्рдеाрди, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда 267



рдоृрджुрд▓ рдХीрд░्рддि

рдЙрдд्рддрд░ рдк्рд░рджेрд╢ рдХे рдкीрд▓ीрднीрдд рдЬिрд▓े рдоें рдЬрди्рдоी рдбॉ. рдоृрджुрд▓ рдХीрд░्рддि рдЖрдЬрдХрд▓ рдЕрдоेрд░िрдХा рдоें рд░рд╣рддे рд╣ुрдП рд░рдЪрдиाрдХрд░्рдо рдоें рд╕ंрд▓рдЧ्рди рд╣ैं। рд╡े рд╕ाрдорд╡ेрдж, рдирд╡-рдЙрдкрдиिрд╖рдж, рд╢्рд░ीрдордж्рднрдЧ्рд╡рдж्рдЧीрддा, рдпोрдЧ рд╕ूрдд्рд░, рд╢ंрдХрд░ рдкंрдЪрджрд╢ी, рддрдеा рдЕрд╖्рдЯाрд╡рдХ्рд░ рдЧीрддा рдХा рдХाрд╡्рдпाрдиुрд╡ाрдж рдХрд░ рдЪुрдХी рд╣ैं। 'рдЗрд╣ाрддीрдд рдХ्рд╖рдг' рд╢ीрд░्рд╖рдХ рд╕े рдЙрдирдХा рдЖрдж्рдпाрдд्рдоिрдХ рдЧрдж्рдп рдХाрд╡्рдп рдк्рд░рд╕िрдж्рдз рд╣ुрдЖ рд╣ै। рдЖрдЬрдХрд▓ рд╡े рд╢ंрдХрд░ाрдЪाрд░्рдп рдХृрдд 'рд╡िрд╡ेрдХ рдЪूреЬाрдордгि рдХे рд╣िंрджी рдХाрд╡्рдпाрдиुрд╡ाрдж рдоें рд╡्рдпрд╕्рдд рд╣ैं।

рд╢िрдХ्рд╖ा
- рдкीрдПрдЪрдбी (рд░ाрдЬрдиीрддि рд╢ाрд╕्рдд्рд░), рдоेрд░рда рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп, рдоेрд░рда
- рдПрдордП (рд░ाрдЬрдиीрддि рд╢ाрд╕्рдд्рд░), рдЖрдЧрд░ा рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп, рдЖрдЧрд░ा
- рдПрдордП (рд╕ाрд╣िрдд्рдп рд░рдд्рди), рдЗрд▓ाрд╣ाрдмाрдж рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп, рдЗрд▓ाрд╣ाрдмाрдж

рд╕рдо्рдоाрди
- рдЙрдд्рддрд░ рдк्рд░рджेрд╢ рд╕ंрд╕्рдХृрдд рд╕ाрд╣िрдд्рдп рдЕрдХाрджрдоी рдХा рдЕрдиुрд╡ाрдж рдкुрд░рд╕्рдХाрд░
- рд╕рд░्рд╡ोрдд्рддрдо рд╡рдХ्рддा рд╕рдо्рдоाрди рд▓ाрдпंрд╕ рдЗंрдЯрд░рдиेрд╢рдирд▓ рдж्рд╡ाрд░ा
- рд╕рд░्рд╡ोрдд्рддрдо рд╡рдХ्рддा рд╕рдо्рдоाрди рдЬेрд╕ीреЫ рдЗंрдЯрд░рдиेрд╢рдирд▓ рдж्рд╡ाрд░ा
- рд╡िрд╢्рд╡ рд╣िंрджी рд╕ेрд╡ा рд╕рдо्рдоाрди, рдЕрдЦिрд▓ рднाрд░рддीрдп рдоंрдЪीрдп рдкीрда рдж्рд╡ाрд░ा

рдИрдоेрд▓: mridulkirti@gmail.com

‘рдЬिрдЬीрд╡िрд╖ा’ рдХрдеा рд╕ंрдЧ्рд░рд╣ рдоें рд╡рд░्рдгिрдд рд╕ाрдоाрдЬिрдХ рд╕рдорд╕्рдпाрдпें


рдордиुрд╖्рдп рдХा рдЬीрд╡рди рдШाрддों-рдк्рд░рддिрдШाрддों рдХा рдиिрд▓рдп рд╣ै। рд╡рд╣ рдЬिрд╕ рд╕рдоाрдЬ рдоें рд░рд╣рддा рд╣ै рдЙрд╕рдоें рдЕрдЪ्рдЫाрдИ –рдмुрд░ाрдИ рджोрдиों рд╣ैं। рдк्рд░ाрдЪीрдирдХाрд▓ рд╕े рд╣ी рд╕рдоाрдЬ рдоें рдЕрдиेрдХ рд╕ाрдоाрдЬिрдХ-рд╕рдорд╕्рдпाрдпें рд╡्рдпाрдк्рдд рдеीं। рдЖрдзुрдиिрдХрдХाрд▓ рдХे рднौрддिрдХрддाрд╡ाрджी рдЗрд╕ рд╕рдоाрдЬ рдоें рдпे рд╕рдорд╕्рдпाрдпें рдЖрдЬ рдФрд░ рдмреЭ рдЧрдпी рд╣ैं। рдЗрди्рд╣ीं рд╕рдм рд╕рдорд╕्рдпाрдУं рдХो рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓ рдиे рдЕрдкрдиी рдХрд╣ाрдиिрдпों рдоें рдЕंрдХिрдд рдХिрдпा рд╣ै। рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓ рдХा рдЬрди्рдо рдЙреЬीрд╕ा рд░ाрдЬ्рдп рдХे рдпाрдЬрдкुрд░ рдЬрдирдкрдж рдоें рд╕рди् 1936 рдИ. рдХो рд╣ुрдЖ рд╣ै।рд╕рдо्рдк्рд░рддि рдбॉ. рд╡िрд╢्рд╡ाрд▓, рдЧंрдЧाрдиाрде рдЭा рдкрд░िрд╕рд░ рдЗрд▓ाрд╣ाрдмाрдж рдоें рдк्рд░ोрдлेрд╕рд░ рдкрдж рдкрд░ рдХाрд░्рдпрд░рдд рд╣ैं। рдЗрдирдХी рдХрдеाрдУं рдХी рдк्рд░рдоुрдЦ рд╕ाрдоाрдЬिрдХ рд╕рдорд╕्рдпाрдпें рдЕрдзोрд▓िрдЦिрдд рд╣ैं -    
‘рдзूрдоाрдпिрддं рдХैрд╢ोрд░рдо्’ рдПрдХ рдРрд╕े рдЧрд░ीрдм рдмाрд▓рдХ (рдоोрдиू) рдХी рдХрдеा рд╣ै, рдЬो рдЧрд▓ी-рдЧрд▓ी рдЬाрдХрд░ рдЖрдИрд╕рдХ्рд░ीрдо рдмेंрдЪрддा рд╣ै। рдЗрд╕ рдХрд╣ाрдиी рдоें рд▓ेрдЦрдХ рдиे рдпрд╣ рдпрд╣ рджिрдЦाрдпा рд╣ै рдХि- рдмाрд▓рдХ рдЕрд╡рд╢्рдп рд╣ी рдЧрд░ीрдм рд╣ै, рдкрд░рди्рддु рд╡рд╣ рд╕्рд╡ाрднिрдоाрдиी рд╣ै। рд╡рд╣ рд╣рд░ाрдо рдХी рдХрдоाрдИ рдХे рд╕्рдеाрди рдкрд░ рд╣рд▓ाрд▓ рдХी рдХрдоाрдИ рдкрд╕рди्рдж рдХрд░рддा рд╣ै। рдзрдиी рд╡्рдпрдХ्рддि рдЬрдм рдЙрд╕े рдлेंрдХрдХрд░ рдкैрд╕े рджेрддा рд╣ै рддो рд╡рд╣ рдЙрд╕े рдирд╣ीं рд▓ेрддा рд╣ै।

“рдПрддрдд्  рд░ुрдк्рдпрдХрдж्рд╡рдпं рднрд╡ाрди् рд╕्рд╡рдкाрд░्рд╢्рд╡े рдПрд╡ рд╕्рдеाрдкрдпрддु। рдПрддेрди рдЕрдкрд░ं рд╡िрд╢ाрд▓ं рднрд╡рдиं рдиिрд░्рдоाрдп рд╕ुрдЦेрди рддिрд╖्рдарддु। рдЕрд╕्рдоाрдХं рдХाрд░्рдпं рддु рдпрдеाрдХрдердордкि рдЪрд▓िрд╖्рдпрддि। рднрд╡ाрджृрд╢ा: рддु рдордиुрд╖्рдпा:। рд╡рдпं рддु рдХीрдЯрд╕рджृрд╢ा:। рдЕрд╕्рдоाрдХं рдЬीрд╡рдиेрди, рдорд░рдгेрди рдЪ рдХिрдо्। рднрд╡ाрджृрд╢ा: рди рдХрдоाрдкि рджрд░िрдж्рд░ं рд╕्рд╡ाрд╡рд▓рдо्рдмिрдиं рднрд╡िрддुं рдк्рд░ेрд░рдпрди्рддि। рдЕрдкिрддु рдПрд╡рдоेрд╡ рд░ूрдк्рдпрдХं рд░ुрдк्рдпрдХрдж्рд╡рдпं рд╡ा рдк्рд░рджाрдп рднिрдХ्рд╖ुрдХाрди् рдоिрд░्рдоाрди्рддि। рдПрддрджрдкि рд░ुрдк्рдпрдХрдж्рд╡рдпं рдЧृрд╣ीрдд्рд╡ा рдЕрд╕्рдоिрди् рднрд╡рдиे рддрд▓рдж्рд╡рдпं рдпोрдЬрдпрддु।”1

‘рдордз्рдпेрд╕्рд░ोрдд:’ рдХрд╣ाрдиी рдоें рдПрдХ рдпुрд╡рддी рдХी рдХрдеा рд╣ै। рдЬो рдЕрдкрдиे рдкрддि рдХे рдмाрд╣рд░ рд░рд╣рдиे рдкрд░ рдПрдХ рджुрдХाрдирджाрд░ рдХे рдЭांрд╕े рдоें рдЖрдХрд░ рдЕрдкрдиी рдЗрдЬ्рдЬрдд рдЧँрд╡ा рдмैрдарддी рд╣ै।

“рднोрдЬрди-рд╕рдордпे рдЕрдкрд░िрдЪिрдд: рд╕: рдЕрддिрдеि: рдиाрдЪрдо्рдоाрдпा рдпौрд╡рдиोрдж्рджीрдк्рддं рд░ूрдкं рдкिрдмрди्рдиाрд╕ीрдд् рд╕्рд╡рдЪрдХ्рд╖ुрд░्рдн्рдпाрдо्। рдиाрдЪрдо्рдоा рдпрдж्рдпрдкि рдХृрд╖्рдгрд╡рд░्рдгा рдХाрдЪिрдд् рд╕ुрди्рджрд░ी рддु рдЖрд╕ीрдд्।2

рд▓ेрдЦрдХ: рдмрдирдоाрд▓ी рдмिрд╢्рд╡ाрд▓
рдЗрд╕ी рдХрдеा рдоें рд▓ेрдЦрдХ рд▓िрдЦрддा рд╣ै рдХि- рдЧрд░ीрдмी рдкेрдЯ рднрд░рдиे рдХे рд▓िрдП рдХ्рдпा рдирд╣ीं рдХрд░рд╡ा рджेрддी। рдиाрдЪрдо्рдоा рдЕрдкрдиी рднूрдЦ рдоिрдЯाрдиे рд╡ाрд▓े рдкुрд░ुрд╖ рдХे рд╕ाрде рд╕рдо्рдмрди्рдз рдоें рдмрдиाрдиे рдоें рдХोрдИ рдЖрдкрдд्рддि рдирд╣ीं рдХрд░рддी।

“рдпेрди рдПрддाрд╡рдж् рд╡्рдпрдпीрдХृрдд्рдп рддрд╕्рдпा: рдЙрджрд░рдХ्рд╖ुрдзा рд╢ाрдоिрддा, рддрд╕्рдп-рдХ्рд╖ुрдзाрдпा: рдЙрдкрд╢рдордиं рддрд╕्рдпा: рдХрд░्рддрд╡्рдпं рднрд╡ेрдд्। рд╕ा рдиिрд░्рд╡िрд╡ाрджрдо् рддрд╕्рдоै рддрдордзिрдХाрд░ं рджрдд्рддрд╡рддी। рдХिрдпрдд्рдХाрд▓ं рдпाрд╡рдд् рдкрдд्рдпुрд░рдиाрдЧрдорди-рдХрд╖्рдЯрдо् рдЕрд╡िрдЧрдгрдп्рдп рд╕ा рдпौрд╡рдирд╕ुрдЦрдоुрдкрднुрдХ्рддрд╡рддी।3

‘рдЬिрдЬीрд╡िрд╖ा’ рдПрдХ рд╡ृрдж्рдзा (рд░ेрд╡рддी) рдХी рдХрдеा рд╣ै рдЬो рдЕрдкрдиे рдкोрддे-рдкोрддिрдпों рдХी рднूрдЦ рдоिрдЯाрдиे рдХे рд▓िрдП 70 рд╡рд░्рд╖ рдХी рдЕрд╡рд╕्рдеा рдоें рднी рдХाрд░्рдп рдХрд░ рд░рд╣ी рд╣ै।

“рдЬрдиाрдиाрдо्  рдПрддाрджृрд╢ाрдиि рд╕ंрд╡ेрджрдиाрдкूрд░्рдгाрдиि рд╡рдЪांрд╕ि рд╢्рд░ाрд╡ं рд╢्рд░ाрд╡ं рддрд╕्рдпा: рдХрд░्рдгौ рдкрдХ्рд╡ौ рдЬाрддौ। рдкрд░рди्рддु рдПрддाрднि: рд╢ुрд╖्рдХ-рд╕ंрд╡ेрджрдиाрднि: рдХिं рдХрд╕्рдп рдЙрджрд░ं рднрд░िрд╖्рдпрддि। рдЕрдд: рддाрднि: рд╢ुрд╖्рдХрд╕ंрд╡ेрджрдиाрднि: рдХिं рдк्рд░рдпोрдЬрдиं ?” 4

рдФрд░ рднी-
“рдн्рд░ाрдоं рдн्рд░ाрдоं рд╕ा рдПрд╡ं рд╢्рд░ाрди्рддा рдЖрд╕ीрдд् рдпрдд् рдЕрдЧ्рд░े рдЪрд▓िрддुं рддрд╕्рдпा: рд╕ाрд╣рд╕ं рди рдЕрднрд╡рдд्। рд╕рдоीрдкрд╕्рдеाрдд् рдирд▓ाрдд् рдЬрд▓ं рдкीрдд्рд╡ा рддрдд्рд░ैрд╡ рдЙрдкрд╡िрд╢्рдп рд╕ा рдЪाрддрдХрд╡рдд् рд╕рд░्рд╡ाрди् рдкрд╢्рдпрди्рддी рдЖрд╕ीрдд् рдпрдд् рдХрджाрдЪिрдд् рдХрд╢्рдЪिрдд् рджрдпाрдкрд░ рд╡рд╢: рд╕рди् рддрд╕्рдоै рдХिрдордкि рдХाрд░्рдпрдо् рдЕрд╡рд╢्рдпं рджाрд╕्рдпрддि рдЗрддि।”5

‘рд╕्рд╡ाрднिрдоाрди’ рдХрд╣ाрдиी рдоें рдкрд░ेрд╢ рдЕрдкрдиे рд╡ृрдж्рдз рдоाрддा-рдкिрддा рддрдеा рдкрдд्рдиी рдФрд░ рдмрдЪ्рдЪे рдХो рдЫोреЬрдХрд░ рджूрд╕рд░ा рд╡िрд╡ाрд╣ рдХрд░ рд▓ेрддा рд╣ै। рдЗрд╕ рдкрд░ рдкрд░ेрд╢ рдХे рдкिрддा рднрд╡рдиाрде рдХрд╣рддे рд╣ैं рдХि рдРрд╕े рд╕рди्рддाрди рд╕े рддो рдмिрдиा рд╕рди्рддाрди рдХे рд░рд╣рдиा рдЕрдЪ्рдЫा рд╣ै, рдЬो рдмुреЭाрдкे рдоें рд╕ुрдЦ рджेрддे рдиे рд╕्рдеाрди рдкрд░ рджुःрдЦ рджेрддा рд╣ो-
“рдИрд╢्рд╡рд░ рдпрджि рдХрд╕्рдоै рд╕рди्рддाрдиं рди рджрджाрддि рдЪेрдд рдЙрдд्рддрдордо्। рдкрд░рди्рддु рд╡ृрдж्рдзाрд╡рд╕्рдеा рд╕рди्рддाрдирд╡िрдпोрдЧ: рдХрдердордкि рди рд╕ोрдвुं рдпोрдЧ्рдп:।”6

‘рд╕рдо्рдоोрд╣рди’ рдоें рдПрдХ рдардЧ рдХी рдХрдеा рд╣ै рдЬो рдмाрдмा рдмрдирдХрд░ рдорд╣िрд▓ाрдУं рдХी рдЗрдЬ्рдЬрдд рд╕े рдЦेрд▓рддा рд╣ै। рдЖрдЬ рдХे рдЗрд╕ рд╕рдоाрдЬ рдоें рдЗрд╕ рддрд░рд╣ рдХे рдвोंрдЧी рдмाрдмाрдУं рдХी рдХрдоी рдирд╣ीं рд╣ै। рдЗрд╕ рдк्рд░рдХाрд░ рдХी рдШрдЯрдиाрдПँ рдЖрдпे рджिрди рд╕рдоाрдЪाрд░ рдкрдд्рд░ों рдоें рджेрдЦрдиे рд╕ुрдирдиे рдХो рдоिрд▓рддी рд╣ैं। ‘рдЕрдкूрд░्рд╡ рдд्рдпाрдЧ:’ рдоें рд╕рдоाрдЬ рдоें рддेрдЬी рд╕े рдмреЭ рд░рд╣ी рдкрдЪ्рдЫिрдоी рд╕рдн्рдпрддा рдХे рджोрд╖ों рдХो рджिрдЦрдпा рдЧрдпा рд╣ै। ‘рд╡ंрд╢рд░рдХ्рд╖ा’ рдоें рдн्рд░ूрдг рд╣рдд्рдпा рдЬैрд╕े рдкाрдкрдХрд░्рдо рдХो рджिрдЦрдпा рдЧрдпा рд╣ै।

‘рднिрди्рдиा рдкृрде्рд╡ी’ рдХрд╣ाрдиी рд╕ुрд╢ीрд▓ा рдиाрдордХ рдпुрд╡рддी рдХी рдХрд╣ाрдиी рд╣ै, рдЬो рдоाрджрдХ рдкрджाрд░्рдеों рдХे рд╕ेрд╡рди рдХे рдХाрд░рдг рдЕрдкрдиा рд╕рдм рдХुрдЫ рдЦो рджेрддी рд╣ै। рдЖрдЬ рдХे рд╕рдоाрдЬ рдоें рдпुрд╡ाрдУं рдоें рдирд╢े рдХी рд▓рдд рдмрд╣ुрдд рддेрдЬी рд╕े рдмреЭ рд░рд╣ी рд╣ै। рдЬो рд╕рдоाрдЬ рдХे рд▓िрдП рдмрд╣ुрдд рд╣ी рдШाрддрдХ рд╣ै। рдЖрдЬ рдЕрдзिрдХрддрд░ рдпрд╣ рджेрдЦा рдЬा рд░рд╣ा рд╣ै рдХि- рдЬिрддрдиे рднी рдЕрд╕ाрдоाрдЬिрдХ рддрдд्рдд्рд╡ рд╣ैं рд╡े рдХिрд╕ी-рди-рдХिрд╕ी рдирд╢े рдХे рдЖрджी рд╣ैं।

“рд╕ुрд╢ीрд▓ा рддू рдк्рд░рддिрджिрдиं рдиूрддрдиै: рдкुрд░ुрд╖ै: рд╕рд╣ рд╕्рд╡рдкिрддि। рд╕ा рд╕्рд╡рдоाрджрдХ-рдж्рд░рд╡्рдпрд╕्рдп рд╡्рдпрд╡рд╕्рдеाрдпै рддрдеा рдЖрдЪрд░рддि рдЕрдкि।”7

‘рдиीрд▓ाрдЪрд▓:”  рдХрд╣ाрдиी рд╕рд╡िрддा рдиाрдордХ рдпुрд╡рддी рдХी рдХрд╣ाрдиी рд╣ै। рдЬो рдЧ्рд░ाрдо рдк्рд░рдоुрдЦ рдХे рдЭूрдаे рдк्рд░ेрдордЬाрд▓ рдоें рдлँрд╕рдХрд░ рдЕрд╡ैрдз рд╕рди्рддाрди рдХो рдЬрди्рдо рджेрддी рд╣ै।рдЖрдЬ рд▓ोрдЧ рдкрджोрди्рдирддि рдХे рдиाрдо рдкрд░, рдиौрдХрд░ी рджिрд▓ाрдиे рдХे рдиाрдо рдкрд░, рд╢ाрджी рдХрд░рдиे рдХे рдиाрдо рдкрд░ рдпुрд╡рддिрдпों рдХो рдардЧ рд░рд╣े рд╣ैं। рдЬो рд╕рдоाрдЬ рдХे рд▓िрдП рдПрдХ рдЕрднिрд╢ाрдк рдЬैрд╕ा рд╣ै। ‘рдкाрдкрдЧрд░्рдн’ рдоें рд╕рдд्рдпрд╡рддी рдиाрдордХ рдПрдХ рдпुрд╡рддी рдХी рдХрд╣ाрдиी рд╣ै, рдЬो рдЕрдкрдиे рд╕्рд╡рдЪ्рдЫрди्рдж рдЖрдЪрд░рдг рдХे рдХाрд░рдг рдЧрд░्рднрд╡рддी рд╣ो рдЬाрддी рд╣ै рдФрд░ рдЕрдкрдиे рдЗрд╕ рдкाрдкрдХрд░्рдо рдХो рдЫुрдкाрдиे рдХे рд▓िрдП рдЕрдкрдиे рдкुрдд्рд░ рдХा рдиाрдо рднрдЧрд╡ाрди рдХे рдиाрдо рдкрд░ рдЬрдЧрди्рдиाрде рд░рдЦрддी рд╣ै। рд╡рд╣ рд╕рдоाрдЬ рдоें рдпрд╣ рдк्рд░рдЪाрд░िрдд рдХрд░рд╡ाрддी рд╣ै рдХि- рдоेрд░ा рдпрд╣ рдкुрдд्рд░ рднрдЧрд╡ाрди рдХे рдк्рд░рд╕ाрдж рдХे рдлрд▓рд╕्рд╡рд░ूрдк рдЙрдд्рдкрди्рди рд╣ुрдЖ рд╣ै। рдпрд╣ рд╕рдоाрдЬ рдоें рдлैрд▓ рд░рд╣े рдЕрдиैрддिрдХ рд╕рдо्рдмрди्рдзों рдХा рдкрд░िрдгाрдо рд╣ै। ‘рдХрдеा рдХрдеाрдд्рд╡рдоाрдЧрддрдо्’ рдПрдХ рдЧрд░ीрдм рдпुрд╡рддी рдХी рдХрдеा рд╣ै। ‘рдиि: рд╕рдЩ्рдЧं’ рдХрдеा рдПрдХ рд╡ृрдж्рдз рд░िрдХ्рд╢ा рдЪाрд▓рдХ рдХी рдХрдеा рд╣ै। рдмुреЭाрдкे рдоें рдкेрдЯ рдХी рдЖрдЧ рд╢ाрди्рдд рдХрд░рдиे рдХे рд▓िрдП рд╡рд╣ рд░िрдХ्рд╢ा рдЦींрдЪ рд░рд╣ा рд╣ै। рдЖрдЬ рднी рд╕рдоाрдЬ рдоें рдЗрд╕ рддрд░рдл рдХे рдкाрдд्рд░ рдоौрдЬूрдж рд╣ैं।

рдЕрд░ुрдг рдХुрдоाрд░ рдиिрд╖ाрдж 
“рдордо рд╕्рд╡ाрд╕्рде्рдпेрди рдХिрдо्। рдордо рдкрд░िрд╡ाрд░рд╕्рдп рдХृрддे рддु рдордо рдЙрдкाрд░्рдЬрдирдо् рдПрдХ рдЕрдзिрдХрдо् рдЙрдкрдпोрдЧि। рдкुрдд्рд░ं рдд्рдпрдЬрддु, рдордо рдзрд░्рдордкрдд्рдиी рдЕрдкि рди рд╡िрд╢्рд╡рд╕िрддि рдпрдд् рдЕрд╣рдо् рдЕрд╕्рд╡рд╕्рдеोрд╜рд╕्рдоि। рд╕ा рдПрд╡рдо् рдЖрдХ्рд╖िрдкрддि рдпрдд् рдЕрд╣ं рд░िрдХ्рд╕ाрдЪाрд▓рдиाрдд् рдоुрдХ्рддिं рдк्рд░ाрдк्рддुं, рдкुрдд्рд░рд╕्рдп рдЕрд░्рдЬिрдд рдЦाрджिрддुं рдЪ рдиाрдЯрдХं рдХुрд░्рд╡рди्рдиाрд╕्рдоि। рдордо рдкुрдд्рд░ोрд╜рдкि рддрдеैрд╡ рд╡рджрддि। рд╕: рд╡рджрди्рдирд╕्рддि рдпрдд् рд╕: рдПрддाрд╡рдд् рд╡िрд╢ाрд▓ं рдкрд░िрд╡ाрд░рдо् рдПрдХाрдХी рднोрдЬрдпिрддुं рди рд╢рдХ्рдиोрддि। рдЕрдд: рдЕрд╣рдордкि рдпрдд् рдХिрдЮ्рдЪिрдд् рдЙрдкाрд░्рдЬрдпेрдпрдо् рдЗрддि рддрд╕्рдп рдЗрдЪ्рдЫा। рдЕрдзिрдХं рдЪ рднрд╡рддि рдЪेрдд् рдЕрд╣ं рд╕्рд╡рдкрд░िрд╡ाрд░рд╕्рдп (рдЕрд░्рдеाрдд् рдордо рдкрдд्рди्рдпाрд╢्рдЪ) рд╡्рдпрдпं рдиिрд░्рд╡рд╣ेрдпрдоिрддि рд╕: рдоां рдк्рд░ेрд░рдпрди्рдиाрд╕्рддि। рдордо рдд्рдпрдЬрддु, рднрд╡ाрди् рдЙрдкрд╡िрд╢рддु рдпрдеाрдХрдердЮ्рдЪिрдж् рднрд╡рди्рддं рдк्рд░ाрдкрдпिрд╖्рдпाрдоि। рдПрд╡ं рд░िрдХ्рд╕ां рдЪाрд▓рдпрди् рдпрджा рдорд░िрд╖्рдпाрдоि рддрджैрд╡ рдоे рдоुрдХ्рддि:।”8

‘рдоाрдирд╡ाрдд् рджाрдирд╡ं рдк्рд░рддि’ рдХрд╣ाрдиी рдПрдХ рдРрд╕े рдпुрд╡рдХ рдХी рдХрд╣ाрдиी рд╣ै рдЬो рдЕрдкрдиी рдХрдо्рдкрдиी рдХे рдк्рд░рдоोрд╢рди рдХे рд▓िрдП рдЕрдкрдиी рдкрдд्рдиी рддрдХ рдХो рдЕрдкрдиे рдмॉрд╕ рдХे рд╕ाрде рд╕ोрдиे рдкрд░ рдордЬрдмूрд░ рдХрд░ рджेрддा рд╣ै।

рдЗрд╕ рдк्рд░рдХाрд░ рд╣рдо рджेрдЦрддे рд╣ै рдХि- рдЖрдЬ рд╕рдоाрдЬ рдоें рдЬो рднी рдШрдЯ рд░рд╣ा рд╣ै рд╡рд╣ рд▓ेрдЦрдХों рдХी рд▓ेрдЦрдиी рд╕े рдмрдЪ рдирд╣ीं рдкा рд░рд╣ा рд╣ै। рд╕рдЪ рднी рд╣ै рдХि- “рд╕ाрд╣िрдд्рдп рд╕рдоाрдЬ рдХा рджрд░्рдкрдг рд╣ै।” рд╕рдоाрдЬ рдХी рд▓рдЧрднрдЧ рд╕рднी рдмुрд░ाрдИрдпों рдХो рдХрд╣ाрдиीрдХाрд░ рдиे рдЕрдкрдиी рдХрд▓рдо рд╕े рд╣ुрдмрд╣ू рдЙрддाрд░ рджिрдпा рд╣ै। рдХोрдИ рднी рдкрдХ्рд╖ рдЙрдирдХी рд╕ूрдХ्рд╖्рдо рджृрд╖्рдЯि рд╕े рдмрдЪ рдирд╣ीं рдкाрдпा рд╣ै। рдбॉ. рд╡िрд╢्рд╡ाрд▓ рдиे рд╡рд░्рдЧ-рд╕ंрдШрд░्рд╖, рд╡рд░्рдЧ-рднेрдж, рдЕрди्рдзрд╡िрд╢्рд╡ाрд╕, рджрд╣ेрдЬрдк्рд░рдеा, рдХрди्рдпाрдн्рд░ूрдгрд╣рдд्рдпा, рдЖрддंрдХрд╡ाрдж, рдмेрд░ोрдЬрдЧाрд░ी, рдЕрдкृрд╢्рдпрддा, рдиाрд░ी-рдЕрд╕्рдоिрддा, рдкрд░рдо्рдкрд░ा рдФрд░ рдЖрдзुрдиिрдХрддा рдХा рд╕ंрдШрд░्рд╖, рдЖрджि рд╕े рдЬुреЬी рдЕрд╕ंрдЦ्рдп рд╕ाрдоाрдЬिрдХ рд╕рдорд╕्рдпाрдУं рдХा рд╡рд░्рдгрди рдкूрд░ी рд╕ंрд╡ेрджрдирд╢ीрд▓рддा рдХे рд╕ाрде рдЕрдкрдиी рдХрдеाрдУं рдоें рдХिрдпा рд╣ै।
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[1]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 21   
[2]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 26  
[3]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 27  
[4]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 34  
[5]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 34  
[6]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 40  
[7]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 64  
[8]рдЬिрдЬीрд╡िрд╖ा, рдбॉ. рд╡рдирдоाрд▓ी рд╡िрд╢्рд╡ाрд▓, рдкрдж्рдордЬा рдк्рд░рдХाрд╢рди, рдЗрд▓ाрд╣ाрдмाрдж, рдк्рд░рдердо рд╕ंрд╕्рдХрд░рдг 2006 рдИ., рдкृрд╖्рда рд╕ंрдЦ्рдпा 112  
рд╢ोрдзрдЫाрдд्рд░, рд╕ंрд╕्рдХृрдд  рддрдеा рдк्рд░ाрдХृрдд рднाрд╖ा рд╡िрднाрдЧ, рд▓рдЦрдирдК рд╡िрд╢्рд╡рд╡िрдж्рдпाрд▓рдп, рд▓рдЦрдирдК