Showing posts with label 202302E. Show all posts
Showing posts with label 202302E. Show all posts

A Limited Open Call for Setu: March-2023

To celebrate March as the month dedicated to Stree-shakti (Woman power), an open invitation for the non-fiction accounts, remembering the sacred ties that define family. Memoirs that discuss the love and dedication of females towards the kin and the loved ones; of loss and recovery; tributes; long-distance relationships, and, separation and reunion in a pandemic-hit world. A memoir as a portrait; portrait as a memoir. In-depth and creative look at what makes us social and human and family-oriented beings. A celebration of family, kinship and unconditional love.

Details:
Theme: Memoirs of a Father/Daughter/Sister/Mother/Son
Deadline: March 25th (strict adherence)
Email: setuedit@gmail.com
Subject line: Submission for the Special Edition
Title: Only the first letter uppercase (Bold)
Author Name: Immediately below the title (Bold)

---Please send prose works of maximum 2,000 words (minimum: 500-1000) or photo essays around this broad theme, for the editorial evaluation at the address given above, along with a brief bio and a recent pic, as three separate attachments. Mention, in the brief cover note that it is an original, unpublished work.
---Only the best ones will be featured.
---Non-compliance will lead to summary rejection.
---Please note: No notification of the rejected pieces will be sent.

Pittsburgh Photo Feature рдкिрдЯ्рд╕рдмрд░्рдЧ рдЪिрдд्рд░ाрд╡рд▓ी

Pittsburgh entered the core of my heart when I was a boy and cannot be torn out.  
-Andrew Carnegie  

A quick trip to Pittsburgh with Anurag Sharma
рдкिрдЯ्рд╕рдмрд░्рдЧ рдХी рдЭрд▓рдХिрдпाँ, рдЕрдиुрд░ाрдЧ рд╢рд░्рдоा рдХे рд╕ाрде


Click on any image to see it at higher resolution рдмреЬा рдЪिрдд्рд░ рджेрдЦрдиे рдХे рд▓िрдпे рдЪिрдд्рд░ рдкрд░ рдХ्рд▓िрдХ рдХीрдЬिрдпे 

Mural at Ross Street featuring Pittsburgh Pirates' legends
рдкिрдЯ्рд╕рдмрд░्рдЧ рдкाрдЗрд░ेрдЯ्рд╕ рджрд░्рд╢ाрддा рднिрдд्рддिрдЪिрдд्рд░, рд░ॉрд╕ рд╕्рдЯ्рд░ीрдЯ рдоें

рдк्рд░ेрд╕्рдмिрдЯेрд░िрдпрди рдЧिрд░рдЬा Presbytarian Church 

Downtown Pittsburgh, рдирдЧрд░-рдХेंрдж्рд░, рдкिрдЯ्рд╕рдмрд░्рдЧ

Soldiers & Sailors Museum рд╕ैрдиिрдХ-рдиाрд╡िрдХ рд╕ंрдЧ्рд░рд╣ाрд▓рдп

A hill in Pittsburgh рдЬрдо्рдоू рдХी рдпाрдж рджिрд▓ाрддी рдкрд╣ाреЬिрдпाँ

A historic building рдРрддिрд╣ाрд╕िрдХ рднрд╡рди

A city site рдирдЧрд░ рдХी рдПрдХ рдЭрд▓рдХी

A bus to downtown рдирдЧрд░ рдХे рдХेंрдж्рд░ рдХी рдУрд░

рдПрдХ рдк्рд░ाрдЪीрди рдЧिрд░рдЬा An old church

Mayor Caliguiri statue at the City County Building
рдирдЧрд░ рдкрд░िрд╖рдж рдоें рд░िрдЪрд░्рдб рдХैрд▓िрдЧुрдЗрд░ी рдХी рдоूрд░्рддि

рдУрдХрд▓ैंрдб рдоें рдПрдХ рдЧिрд░рдЬा A church in Oakland

рдЙрдЬ्рдЬ्рд╡рд▓ рд░ाрдд्рд░ि Lights at night

A colorful city captured in (almost) BW рд╢्рд╡ेрдд-рд╢्рдпाрдо

рдоेрдШा рдЫाрдпे рдЖрдзी рд░ाрдд Clouds, Sun & city lights

The dream city рд╕рдкрдиों рдоें рд╢рд╣рд░

рдпाрдпाрд╡рд░ рдХाрдХ A murder of crows

A church рдПрдХ рдЧिрд░рдЬा

An evening in Pittsburgh рд╕ेрддु-рдирдЧрд░ी рдХी рдПрдХ рд╕ंрдз्рдпा

The End рдЕंрдд-рддुрд░ंрдд


Of love, overcoming odds… and poetry

Sunil Sharma
There is always something left to love.
 Gabriel Garc├нa M├бrquez

Keep love in your heart. A life without it is like a sunless garden where the flowers are dead.
– Oscar Wilde


Welcome back!
The February issue of Setu combines two special sections.

There was an open invitation to respond to the complex theme: "Love in the Time of Plague", kind of engagement with love and its enduring value, more so in the times of pandemics.

A call for writers to fall in love with Love, the most beautiful of emotions; a feeling, mood, idea that uplifts, makes God’s creation transcend the odds, even rise above the plagues on the basis of its sheer strength and transformative power.

Love!
It serves as an antidote to stress, hatred and pessimism. And makes the world a beautiful place to live.
The call was to document this pull of love.
This magnetic appeal!
The writers selected here did that skillfully by creating odes to love, the sovereign.

You, too, will fall in love with these creative explorations of a sublime emotion that fuels humans and animals and birds alike, with its unlimited energies.
It never goes out of stock!
Out of fashion.
Even deadliest plagues cannot defeat it. 

Second section is the annual anthology of English poetry that has come to be recognised for its wide range and experimentation, in the world of fine poetry.

In its fifth edition now, guest-edited by the acclaimed poet Scott Thomas Outlar, the collection of these Western Voices showcases poets that are admired for their singular dedication to craft, vision and voice; each one, a unique signature with regular fan following; carefully chosen by the most prolific artist, Scott Thomas Outlar, a significant voice, in an overcrowded space; a globally-respected poet with high command over the medium and mode… and literary form.

Talking of his experience of curating these voices and placing it in a general context, the highly-visible Scott writes in a lyrical, stream-of-consciousness-style, guest editorial, on a slightly personalized note: “I am at peace, and I am in love."

Typically, Scott!
A testament to life!
Of finding meaning.
A personal anthem as much his---as of others in similar journeys!

That sums up the broad theme of living also.
Love.
Peace.
Happiness.
Mundane becoming marvellous!
Life--- magical!

What a better way to sign off!

Please enjoy this bumper issue with the standard rich fare!
Regular features there---and more.

Among other notables, the trilingual poetry by Rameshwer Singh, a top surgeon, photographer, singer and above all, a humanist and healer.

Thanks to Scott Thomas Outlar and all the featured writers for the continued support to the journal.

We keep on serving our esteemed readers month after month through the bilingual journal.

Do write in, please!

Your encouragement means a lot. Without loving patrons, it is incomplete, any journal.
Already Setu has registered 3,401,701 page-views!
All because of writers and readers alike!

Take care!
Love life!

Sunil Sharma

Editor, Setu (English)
Toronto, Canada

Contents, February 2023


Setu

Volume 7; Issue 9; February 2023


Setu PDF Archives

Editorial

Poetry

Trilingual Poetry

Themed Call: Love in the Time of Plague

Author of the Month

Photo Essay

Short Fiction

Serial Novel

Book Review

Peer Readings

Setu Initiative: Setu Series of Virtual Readings

Special Edition: Western Voices 2023

Guest Editor: Scott Thomas Outlar


Guest-Editorial: Scott Thomas Outlar

Scott Thomas Outlar
Seven Koi in Pisces


I’d been living 
out of a suitcase
deep and wide
until the apples
from the shared dream
she masterfully weaves 
daily in our hearts
found shape 
with new eyes

Holds me steady
in spaces
unfamiliar 
at first
but becoming
more well-groked
with every spiral
around the city
we spin through
together


Freedom will prevail. The bell tower rang out with three manic signs of harmonized sound, promising with a sacred vow that all was taking place right on time. Despite our inclinations to try and control life, it’s undeniably true that intuitively aligning with its inherent creative desires and synching up in perfect tune to its divine connection with the holy flow’s vibration will allow your collective experience of consciousness to feel more rewarding than any individual psychic achievement ever could.

Sacred Frequency of (Happy) Unification

Within two miles of my new home in Frederick, Maryland, I am in walking distance of a creek, waterfalls, two parks, a library, a downtown scene (as yet unwitnessed), a police station, an amphitheater, an outdoor pavilion, an art center, a prayer house, restaurants aplenty, several cemeteries (including Francis Scott Key Memorial), and a more than ample amount of park benches providing comfortable spaces that help the soul mellow out in such a way that’ll be ideally conducive to hammering a few thousand poems into notebooks (though a couple more tables scattered here and there out in public could prove useful). This spot on the globe pulses with an excitedly interesting energy that has me lit up with infinite possibilities and a fiery phoenix fit of inspiration that I have never felt at this specifically honed and disciplined degree. 

At the moment, I'm in the living room, steadily approaching the noon hour on February 21st, 2023, classical music playing on Spotify, patchouli incense burning, looking out full glass windows that display a slice of the city from the third floor of our apartment, sipping on orange, pineapple, ginger juice laced with probiotics, sitting at an antique table from my Dad's side of the family tree that was recently moved here from my birthplace of Georgia, typing on a laptop that was gifted from an angel. Assorted notebooks are spread out beside me along with a sheet of loose white paper I wrote upon earlier this morning at the park as ideas for an essay to properly introduce the Setu Mag Western Voices edition were pouring through my head near the flower garden and under an awesome sun that belched light upon my shoulders. 

I am at peace, and I am in love.


Time and space
between each note

melodies that hum
despite winter’s static

I’ve heard a thousand cliches
about how the suffering of this world
is supposed to press you down
through all its days of gravity
and how even the roses
will pluck and peck your eyes out
along with murderous crows
who care only about their treasures

Though that might just be 
the buzzing of fog through life’s filter

the splash of a windfall
creates rapid and furious currencies

There are always mountains in the distance
but be rest assured by fate
that whatever ground you’re standing upon
during any given moment of this dance
has been leveled off and balanced 
in perfect design for your next step


And in one age
we might appear
as a sniveling worm
without a single tool
in the shed of life
with which to work

And in another
we might reign
with a crown of stars
during one turn of the precession 
as a season of sorrow
blinks out of fashion

It’s roundabout 9 AM on Saturday, February 25th, 2023…

and I have tasted the sun in such splendor
and I have bathed in your fire of lessons
and I have marveled as the sky sings with snow

All to reach this exact compass point. Forty-two and a half years spent drifting at sea to now land here (whole and healed) on this bench beside the bell tower as the water from the flowing creek glistens with fractal rays of sunlight dancing upon every ripple. Each ring in the trunk of my soul tells a story from the beginning. Of ancient calls to order and archetypes of branded chaos. Of hubris-induced falls, scrapped knees, snarling tears, and the deep recesses of sheer will and determination that demand the spirit perpetually stand back up and continue pushing along the pattern of life. 

Now and always. Grace and Beauty. My one and only.


Thank you to Sunil Sharma and Anurag Sharma for allowing me the opportunity to edit this 5th annual edition of Western Voices for Setu Mag. Each year of being associated with this venue that is dedicated to constructing bridges and connecting cultural ideas across continents leaves me feeling more humbled. I am grateful to the 33 skillfully polished poets who have shared their work with us. It has been a pleasure compiling the 2023 anthology. I hope you enjoy reading through the perception of each writers’ lens as much as I have. 

Selah,
Scott Thomas Outlar

Scorched hand (Love in the Time of Plague)

Paramita Mukherjee Mullick

-Paramita Mukherjee Mullick


No cars on the road, no honking, no sound.
No hawkers, all shops closed, silence around.
The husband and wife doing household chores together.
Scrubbing the utensils and polishing the sofa leather.
Very tedious in the Indian scenario, quite a feat.
In addition, sanitizing repeatedly to Covid defeat.
In the midst of this, a bowl of boiling lentil on the wife’s hand falls.
The husband is perturbed, he immediately a doctor calls.
No doctors available for home visit during such a time.
Medicines prescribed on whatsapp should be fine.
The hand is burning but for another reason she is troubled,
Her husband has to look after her and his work load is doubled.
The man who has never said, “I love you” but his actions scream love.
Went on caring for his wife besides household cleaning, wearing gloves.
Work from home from morning to night without a gap.
But caring for his wife, keeping on the scorched hand a tab.
Their love story no Historian will ever write, nor has it any fizz.
Being there for each other, that is what love is.

The Shack: Karen O’Leary

Karen O’Leary
Long ago, it sported
forest green paint.
Its weathered wood
is drab and dreary.
It’s main floor windows
are bordered up in
a haphazard way.

Unlocked back door…

Entering, the pilgrim
is stunned and silent.
There are leather
furnishings with light
turquoise walls. One
wall displays rich
wallpaper, joining colors
of the room in modern
graphic design. Wow!

The kitchen has stainless
steel appliances with
a welcome sign on table.
Opening the fridge 
he finds it fully stocked
as is the pantry. He sets
his backpack on the floor
then grabs a diet coke.

Other welcoming art, 
a bathroom and bedroom
round out the first floor.
The loft features two 
windows, a quilt of navy
and white and towels are 
at the end of the bed.
It has a breezy sea,
d├йcor calling his name.

After a quick shower
he tosses a pasta meal
in the microwave. 
What a haven for weary
travelers. He would tidy 
things up in the morning
but for tonight he will
rest his weary body,
thankful for this gift.

Fiction: Adaptations

Brindha Vinodh

Brindha Vinodh

It was a warm July afternoon in the little town of Lalgudi, some twenty kilometers from the main city of Trichy in the South Indian state of Tamilnadu. Seventy-two-year-old Ganesan sat on his chair, half-sleepy, after a simple but wholesome meal. He had made this a practice, of dozing off in the chair, his possession for more than four decades, all the repeated calls and the yelling of his wife Vanaja, to sleep on a comfortable cot inside, falling into his deaf ears.

“This man will never listen. It’s been forty years with him. Always adamant. With every single thing. Later in the evening, he will complain of a back pain and ask me to apply that old ointment. Refuses to change even to gels and sprays. He will never adapt. If only he had agreed to leave this native town and move to Mulund in Mumbai, twenty-five years back, near his younger brother’s residence, I would have at least had my co-sister to talk to everyday, would have helped her raise her two sons. Who will take care of him if I die first? 
What sin did we do to be an issueless couple?”

Vanaja lamented, and even as her rumblings
reverberated, between the walls of their 
antique, independent house, the postman 
opened the rickety gate, and in his stentorian 
tone, said “Post”- the only house in the street to receive a letter, and the only house in the street without a desktop or a laptop.

The stentorian tone rather awakened Ganesan. As he opened the sky-blue inland envelope, the very first line of the letter made him gasp in surprise!
It was from his younger brother, Kesavan, who had addressed “Dear brother Ganesan”-
in his inimitable, exquisite handwriting.

He called Vanaja, who came walking with her languid legs, adjusting her spectacles, her eyes riveted to the letter in Ganesan’s wrinkled hands.
 
“ Kesavan is coming here with his family. His wife, two sons, daughters-in-law and grandchildren. He is going to settle down here in Lalgudi with his wife, while the others will get back to Mumbai. Remember, it’s been two years since we both talked to each other over phone?
He choked when I last spoke to him over phone, and we exchanged heated words. 
I cut the phone when he refused to come over and settle down here in Lalgudi. No idea what/who changed his mind,” Ganesan’s eyes shimmered tremulously, and that made Vanaja really euphoric. It had been two years since Ganesan had shown such ecstatic emotions.

In the next three days, Ganesan looked completely different. He had his silver hair neatly cut, his tiny white grass of beard trimmed, the best of his shirts pressed, 
his eyes sparkled like stars, and his lips glistened from smiles.

Four days later, Kesavan arrived, with all of his family members as promised, by flight. Ganesan and Kesavan embraced each other, they didn’t talk, but the language of their eyes conveyed all buried emotions.

A day later, Kesavan‘s grandchildren took selfies with Ganesan and Vanaja, and Kesavan’s sons posted these pictures on their instagram accounts. The eldest son even updated his Facebook status, “From Mulund to Lalgudi-rediscovering roots.” The last visit to Lalgudi by Kesavan and his wife was five years back, for a wedding from Kesavan’s wife’s side, near Lalgudi. 

While in the verandah, Vanaja and her co-sister chatted, they had so many stories to share, the egos of the brothers, the sudden change of mind of Kesavan, the pricking of conscience of Kesavan of leaving his aged older brother and his wife alone, the outdated mentality of Ganesan, and so many anecdotes to catch up from their old, nostalgic years, when Vanaja taught Kesavan’s wife the nuances of cooking their family’s recipes when she came as a newly-married bride, and so on. 

The two daughters-in-law of Kesavan meanwhile made coconut rice, lemon rice, a mixed vegetable curry- symbolic of togetherness-banana chips, and 
bought ice cream for a change of taste for Ganesan and Vanaja. Ganesan relished the taste of pista and strawberry scoop while Vanaja enjoyed plain vanilla. They took a picture of all together, neatly dressed, the next evening. The grandchildren even teased Vanaja, saying her cheeks blushed pink, as she sat next to Ganesan in the picture. Vanaja smiled shyly while Ganesan preferred to remain silent, even as he fondled their hairs. Vanaja loved how Ganesan chose to remain silent, his authoritarian tones all contained, how he seamlessly mingled with the young grandchildren.

She felt it was the best days of their lives ever. 
The next morning, as everyone woke up one by one, and greeted each other, Vanaja was still in bed, frozen. She breathed her last at four am peacefully.

Poetry: John Grey

John Grey
ANDY AND ROGUE

Near sundown,
he's slumped in a chair
outside the trailer,
running fingers down
his Rottweiler's throat.
Head's riddled with
recent flashbacks:
fight in a bar,
loud argument over the
mechanic's bill
for his pick-up,
Rogue gnawing
the mailman's leg,
mother's cancer,
screaming match
with the blowzy divorcee
in her cheap tight clothes
and too much make-up
and over what?
a burnt piece of toast.
TV's on
but no one's watching.
Second beer
floats a hard day laying bricks.
He don't like himself so much.
He's a drunk. He's wild.
He's got no respect for anyone
or anything.
Just don't come around here
and remind him.
Both man and dog
can growl and bite if they have to.
They're big and savage enough
to tear themselves limb from limb.
***


WALKING A HORSE ON A STREET NEAR THE TRACK

The mare is frightened by a car horn.
The handler loses control.

Next thing, that poor beast is
darting in and out of traffic.
Drivers fear for the horse, their cars,
themselves.

The handler pursues the mare,
swerving and careening,
on the trail of that
wild-eyed, now terrified animal.

It stumbles from the road,
crashes into a fence.
Luckily, it doesn't damage
any part of its fragile leg.

Ten feet or so from the horse,
he's talking softly now,
encouraging, loving,
struggling to calm the animal.

Then with three frenetic bounds.
he reaches the dangling rein, grabs and holds.
The mare’s head is down, apologetic,
For all she knows, she never did run free.
***


NO NEWS AT ELEVEN

The relentless forest fire
razed a hundred houses in its path.
The mud-slide demolished four.
And seven sailed away
when the river overflowed its banks.
And there was a tornado in the Midwest
that creamed an entire estate.

A woman died in a terrible crash
out on the freeway.
Another was battered to death
by her live-in boyfriend.
A man bled to death in a work accident.
A roadside bomb in Iraq exploded
killing five marines.

Some days, I figure this house
is lucky to be still standing.
And why do we survive
when so many others don't?

But here we are, within these four walls,
two of us, hugging, kissing.
That's what comes of not being the news.
***


STATUS OF THE STATE

sleep from within

how did that darkness
get here?

and dreams

following me around
long after the alarm goes off
and I trudge
my way
to coffee and shower –

what is it about 
the unconscious
and its cousin the subconscious
that they need more time
to accomplish
what they set out to do –

reality 
has its own daily duties
to perform - 

first up
is convincing itself
that it’s reality
***


ROMANCE WAS IN THE AIR

He thought not washing for three days
was romantic,
that standing outside Lisa's window
at 3 A.M. and screaming her name,
was romantic also,
and tossing pebbles at the pane,
was about as romantic
as it could ever get
short of not washing for six days,
calling out her name through a megaphone,
throwing boulders at the glass.
She thought her going back home to mother
would inspire him to be more romantic,
that her sitting up in bed at night
unable to sleep,
would somehow fuel his distant romance,
that thinking she heard her name
in the dead of night
was just the echo if him saying it
miles from there,
energizing a romantic streak he didn't know
he had.
And he couldn't be more romantic, she figured,
than if he was actually outside
her window, calling her name,
tossing pebbles to attract her attention.
Ah romance,
she opened that window wide
to usher it inside.
And that’s when she caught the smell.
And a pebble hit her right between the eyes.
And the noise was deafening.
***

Bio: John Grey is an Australian poet, US resident, recently published in Sheepshead Review, Stand, Poetry Salzburg Review and Red Weather. Latest books, “Covert” “Memory Outside The Head” and “Guest Of Myself” are available through Amazon. Work upcoming in Washington Square Review, Rathalla Review and Open Ceilings.

Love in the time of plague: Malkeet Kaur

Malkeet Kaur
HERO WORSHIP 

The glimpse of a man in white deftly commandeering life 
In the middle of a devastating human tragedy 
Made this cloistered girl fall in love again,
Cherishing the caress of every furtive glance.  
But some love stories are frozen maple leaves,
Dangling between fabrication of fertile mind and factualism.
Like a body lacking backbone, these loosely
Hanging ribs are not even unfinished businesses. 
Maybe it's the enormity of calamity, she finds solace in 
Being a part of the cataclysmic little human drama. 
She schools her stray musings as she stumbles upon 
The words like 'one sided' or conveniently side steps them
To guard, this time, something which is so bewitching. 
Every desolate night she elevates him to the pedestal.
The existence of a man championing humanity,
Thinking of her even once a while in the midst of 
Saving lives every waking hour or the possibility of such an idea-
That is enough for making her survive 
Another tumultuous day every forlorn morning.
***

Bio: Malkeet Kaur works as a teacher in a public school in Navi Mumbai. She likes to express her deepest emotions in verse form. Her poems have found space in anthologies like- Awakening of She, The Acerbic Anthology - protest poems against gender violence, The Significant Anthology, The Luxembourg Review etc. and many online journals like Indiana Voice Journal, Spillwords, Episteme, Tuck Magazine etc. 

Love in the time of plague: Boudhayan Mukherjee

Last time it was a strange light, last time it was a strange smell
The winter took away my father, the winter was very cold.
Anything may happen this time, anything may happen at this moment.
My eyes may stop seeing you, my eyes may need new light.
I may lose my job, I may lose my grade and bread.
Last time I was very brave, last time I went hitch--hiking
This year I have changed, this year I am strange.

My girl doesn't love me well, she doesn't meet me often.
The winter took away her brother, the winter killed her strength.
I can hear her mother crying,, I can feel  them softly dying.
Yet life flows on, for we shall all be re-born
A fresh mass of flesh, a fresh bud of desire.
***

Bio: Boudhayan Mukherjee, a bilingual poet, author and translator started as student editor and literary secretary of Tagore's Visva Bharati University. Has been published extensively in journals and newspapers since the mid seventies. First book of verse 'Black Milk' followed by five poetry anthologies, a collection of short-stories and books of translations, Has represented Sahitya Akademi, the prime literary institution of India, at various poetry readings and taught Creative Writing in English Indira Gandhi National Open University. A founder member and poetry co-coordinator of Srijan, one of the most renowned literary platforms of Kolkata. Editor of several literary magazines, he has been recently awarded the Swaymagata Literary Prize [2021]. 

Love in the time of plague: Elizabeth Castillo

Elizabeth Castillo

Immortal Love


a love that transcends
time and place,
a soul meeting her twin flame
in her recurrent abstract dreams
a love that defies laws
immortal love,
one that is extra-ordinary
a love that takes her far into the heavens.
changing faces,
in every century, every decade that passes
but it's still YOU my heart beats for
mystic love,
through fragments in space
illuminated by a strange force
I keep on seeing you
in every place that I go to.
centuries passed,
memories elapsed
still this heart aches
dying to be with you once more,
serendipity playing a game on us
for this love always leads me to just YOU.
immortal love,
my soul intertwined to just ONE
I have been reincarnated a thousand times,
but through all the changing seasons and lives
my spirit keeps on searching for only YOU.
 

Fiction: We´ll Meet Again

Frank Joussen

Frank Joussen

The party wasn’t over. I wasn’t even tired. I could stay up till four or five in the morning in those days. But somehow, I’d had enough, enough booze, enough silly repetitive party games, enough disco music. I shut the door and was standing outside. A German village in the 1970s at two AM – dismal and deserted. The fresh air did me good, though, after the smoke-filled air. Now it started to rain. I drew the zipper of my rain jacket up to my throat and buried my hands deep in the pockets of my jeans. 
Not far to go, I comforted myself. Surely nobody in the street. Hang on, there may be some of the boys in the long driveway leading up to the tenement houses. Bully boys all of them! Well, I’ve got to get past it fast, especially in the dark. Better cross the road …
“Hey, hey you!” someone leaning on the wall of the driveway shouted from the dark.
There´s someone there after all. Probably looking for trouble. Not with me! Some of them threw stones at me a while back.
“Please! Please, can you come over here?”
Only one. And the voice doesn’t sound like trouble at all.
Suddenly I noticed that I was standing in the middle of the deserted street. He, it was obviously a teenage boy, had caught me crossing the street to avoid the tenement bullies. Now I went back towards the block of grey houses.
When I got there, I could see him more clearly. He was squatting in the driveway, leaning against one of the gate pillars, his head tilted backwards. Meanwhile I was looking down at him, straight into his face. It was blood smeared.
“Has someone hit you on the nose?”
“No, no! I get a lot of nosebleeds. Can’t help it!”
I could feel the embarrassment in his voice.
“Hold on, I’ve got some tissues somewhere.”
I opened my fists and started rummaging in my pockets. The raincoat was my first choice – more space to rummage and probably cleaner tissues, too. – Lighter, cigarettes, key, a handkerchief. Cloth, not good for a boy I’d never meet again. – Too many questions from my mum.
“Hang on.”
“Thanks, but you needn’t … Really.”
Now I was in luck. In my left jeans pocket I found two brand new tissues.
“We can take both of these. – Look, hold one under your nose” -  I gave it to him with my left hand and made the other tissue a little wet by pressing it against my rain jacket, – “and you can press the other, the wet one against your neck.”
Almost like a little boy, like my little brother really, he did as he was told. Otherwise, he didn’t resemble my little brother at all. He was a big, black-haired guy, probably a bit older than me.
The bleeding stopped pretty soon.
“You’re soaked!” I said to him when I realized it, “what are you doing here?”
“I was at a party. We danced and all of a sudden my nose started to bleed. Happens to me more and more. The others first gave me some daft babbling and laughed. Then a bit of blood – one drop only – was on the carpet, in the living room. And they threw me out! Just like that!”
“Do you live here?”
“Yes, up there.”
He showed me the third window on the fourth floor. A dim light was visible behind the curtains.
“You’re wondering why I’m not still down here; not going up, right?”
“Yeah, well, maybe it’s because of the nosebleed.”
“Not only. If my old man is still up, there’ll be hell to pay.”
“But why? What can you do against a nosebleed?”
“What can I do about how he hates his life? Only get out of the way. Only not cause trouble. Anything, the smallest little thing means trouble. My blood on someone’s carpet sure means trouble. – Sorry, I didn’t mean to …, you know.”
“It’s all right.”
He gave me only an “ah” as a reply. Looking down, I saw that his nose had started bleeding again. All I had now was the handkerchief. Without hesitation, I took it out of my rain jacket, crouched down beside him and pressed it on him. “You need to hold this against your bleeding nose when you go up there. So as not to – you know, annoy your dad.”
It was pretty dark there in the driveway but I’m sure he tried to look me in the eye. 
“Really? – But how can I give it back?”
“Give me your phone number, I’ll call you after the weekend,” I said.
“Do you have a piece of paper to write on?”
“No, I’ll just memorize it.”
Phone numbers in those days had four digits; even I could hope to memorize one, five minutes away from my home.
“4947! What’s your name?”
“My name’s Paul. What’s yours?”
“Peter.”
“Peter? – Peter and Paul, having the time of their lives on a Saturday night in Littleton!”
“Ha, ha”, he laughed audibly through his nosebleed and finally got up.
“Thanks a lot.”
“Nada!”
“See you. Or rather hear from you, Paul.”
“Sure, I’ll call you on Monday, after school.”
“No, please make that five o´clock. When I’ll be back from work.”
“Oh, okay. Sure. Take care!”
He had already turned in the direction of the big entrance to the tenement block, but waved a short farewell with his left hand over his shoulder. His right one must have still be holding my handkerchief.
I walked the last 500 metres without putting my hands back into my pockets. Somehow, they didn’t feel cold anymore and I noticed that it had stopped raining. I was also looking forward to taking out my key and inserting it into the lock to my quiet home with sleeping parents who trusted me to look after myself and find safely home on a Saturday night.

Author of the Month: Cyril Dabydeen (Ottawa Poet Laureate Emeritus)

Cyril Dabydeen

SONG FOR ZEUS

--for Alana

 

Wherever he is,

let him be, in what nether

world it may seem--

a farther place.

 

Those knowing eyes,

looking at me, his face

and manner too, my tabby

Zeus he will always be.

 

Inside, in his home,

then outside looking out

long on Somerset Street,

passersby knowing him.

 

His vulnerability, yes,

sometimes purring,

living his own life--

I didn’t know much about

 

Remembering him only,

a lifetime, far away--

memory, or consciousness,

his soul, you see.

 

Spirit locked in, with mine,

nothing less, now gone--

our Zeus, always with

a blessing I know.

-----------------


HIMALAYA

In her own space,

vibrations only

in the cave

 

An ashram where

she dwells with

an inner glow

 

The heart’s own place

I’ve come to know,

the soul’s journey

 

Wandering far--

but how far,

I will never know

 

Looking up at the mountain:

harmony it seems,

universal being

 

Hands folded, knees bent,

her face reflecting

the stars I imagine

 

The Himalaya no less,

making meaning

out of nothing

 

Being herself only,

life everlasting

I yearn for

__________

 

 

FEALTY

 

A choir of words I sing to you,

the self with other longings

 

the oath taken, calling out

from a distant place, and

 

being a believer because

of the mote in my eye

 

seeking affection always,

wanting forgiveness only

 

singing louder to you--

with the cathedral of hope,

 

what I never knew before,

but will keep longing for

 

paradise I let you know

walking in the Garden,

 

my Gethsemane with longings

down through the years.

_________________________



BEING INDIAN


He asks me what I am,

if an Indian and to know

where I was born.

 

Ukraine he’s from, oh

with strong Russian ties

now living in Canada.

 

What kind? he asks me,

Indian South American style,

I will let him know.

 

Places we care about; and

am I an elephant Indian,

or a bow-and-arrow Indian?

 

Being only who I am

indeed, you see—

always in my style.

 ___________


 MAHATMA GANDHI POEM

--Barack Obama, A Promised Land

 

Taking off our shoes

we entered a simple room with

a floor of smooth, patterned tile,

its terrace doors open

to admit a slight breeze

and a pale, hazy light.

 

I stared at the spartan floor

bed and pillow, the collection

of spinning wheels, the old-fashioned phone,

a low wooden writing desk

 

Trying to imagine Gandhi

present in the room, a slight,

brown-skinned man in a plain

cotton dhoti, his legs folded

under him

composing a letter

to the British viceroy

 

Charting the next phase of

the Salt March; and in that moment

I had the strongest wish

to sit beside him and talk--

to ask him where he’d found

 

the strength and imagination

to do so much with so very little,

to ask how he’d recovered

from disappointment;


(more/new stanza)

 

he had more than his share; and

Gandhi hadn’t been able to heal

the subcontinent’s religious schisms,

--prevent its partitioning into

a predominantly Hindu India, and

an overwhelmingly Muslim Pakistan

--do you know?

_________

 (Found poem)

***

 

BIO Cyril Dabydeen-- “a noted Canadian poet” (House of Commons, Ottawa), short story writer, novelist, and anthologist. His recent books are My Undiscovered Country (Mosaic Press), God’s Spider (Peepal Tree Press, UK), and My Multi-Ethnic Friends/Fiction (Guernica Editions). Other titles include: Jogging in Havana, Black Jesus and Other Stories, My Brahmin Days, North of the Equator, Imaginary Origins: Selected Poems, and Drums of My Flesh (IMPAC/Dublin Prize nominee and Guyana Prize winner for best novel. A twice nominee for the Pushcart Prize, he won the Okanagan Fiction Prize and the Canute A. Brodhurst Prize for fiction. Cyril’s work has appeared in the Oxford, Penguin, and Heinemann Books of Caribbean Verse, and in over 60 literary magazines, eg., Poetry (Chicago), The Critical Quarterly (UK), The Fiddlehead, Prism International, and Canadian Literature. He is Ottawa Poet Laureate Emeritus. He taught Writing for many years at the UofOttawa. He has done over 300 readings across Canada, the USA, Europe, the Caribbean, and India.