Showing posts with label Satbir Chadha. Show all posts
Showing posts with label Satbir Chadha. Show all posts

Special Section: Satbir Chadha

Satbir Chadha
Dawn or Dusk

A stroll down the town street
Am I walking into the dark
Or will the red morn break
The woe of yellow bile
Lurking here and there
Forebodes a weakness 
That I’d rather deny
But days of vacuous thought
Days of friendless chats 
Of nothing nice happening 
Weakens the resolve 
If ever there was

To make good here where I’d thought 
I would, I’d thought I could 
But my anaemic mind and 
Slow spasmodic limbs  
Spare me the effort 
Vain would it be 
They seem to say 
So I stay I stay 

Yet the clouds drift apart
Under a dull blue sky
And I want to go on
And make this place my own
Wearied jaundiced me
And this town of yellow lights 
Let’s adopt each other 
And t’gether dwell 

If I walk into the dark 
The red morn will come too
I shall wait I shall wait 
For the clouds do part
And the sky is ocean blue
My hopes will be true.

Poetry: Satbir Chadha

Satbir Chadha
Poem-1

There’s something soothing about that semi sleeping state
You’re aware of the TV spouting news and you’re aware of the crispy snacks on your plate
Your eyes fondle the soft satin bed and droopily know that your phone may also ring
Nodding to nothing in particular you continue to nurse your drink

And then a mist builds up 
Not the wispy mist that rises from the placid lake
Every day at daybreak 

This one is a haze a wooly blur of memories
Of me walking down the hill with Mom and Dad
Me pointing to every new flower, daisy or daffodil 
The taller violet and the grounded nettles 

Mom teaching me to row the boat, to balance it perfectly
The waves she said could be smooth or rough, strong or weak
One has to learn to keep the balance and steer 
The boat to the right shore

Dad holding out his hand to help me alight 
Don’t tipple the boat even as you leave it
Some people are still adrift, walk on he said,
Blessing them all that they may reach their shores,

Then Dad walking me to the park 
Memories of shelling peanuts and biting into piping hot 
Corn on the cob just stoked on coals and spiced with life

The mist rises, the boat is far away near the middle of the lake 
They’re cold and limp now, the snacks on my plate
I nibble anyway, as I’ve nibbled through the sweet and salt of life
The mist rises, the boat is far away near the middle of the lake 
They’re cold and limp now, the snacks on my plate
I nibble anyway, as I’ve nibbled through the sweet and salt of life
Hugging the vanished visage of Mom with her ‘bindi’
And Dad with his latest acquisition from Consul bookstore 

There’s something soothing 
Something delicate and cozy
Something warm about those sepia memories
Like the Bombay Duck and fried pomfret
***

Poem-2

Maybe They Had Their Reasons 

When Rama conquered Sri Lanka
To release his captivated wife
Moving the ocean and mountains
All were on his side 
But back in his kingdom 
Along with his unborn children
He banished her into exile
Maybe he had his reasons 

When Sidhartha forsake Yashodhara
Leaving her like a widow 
Unsupported and unsustained
With little boy to bring up
Did he know he’d become Buddha
Did he know he’d be enlightened
Do the enlightened desert their wives
Maybe they have their reasons 

When Yudhishthir the epitome of truth and justice
Played the gruelling game of dice
Having gambled and lost all
He wagered the consort of his brothers, his wife
Royal lady was disrobed in the court
In front of the lowly and the high
What could be his reasons 

These are the epics we narrate to our kids
These dramas we show them on telly
Treating them as characters larger than life
And mangle their values and judgements 
Do we have any reasons 
Do we at all reason 

Even today a man walks out on his teenage wife
And proclaims to be responsible for the millions of Indians 
We’ve given them their reasons 
How can one say, maybe they had their reasons 
*** 

Special Edition: Satbir Chadha

Satbir Chadha
A MILLION EYES

The universe is light
Light creates the universe
Darkness is an illusion
Every dark has a million eyes

Every tear is frost
Condensed and cold
Dripping down the pane in a drop
Frost has a million eyes

A tear is pain, is hunger is strife
A tear is also a spark of cheer in life
The eye reflects both joy and sorrow
Veiled by the film of opaque humor
The pools behind are never seen
The pools behind the million eyes

The cosmos and man are but of one grain
Each a part, and a whole
The intellect derives
The knowledge of the universe through
The interaction between the grains
But sifts not
The angel and Satan
Both thrive

The mind is the seat of power
Mind ought to balance
Good and bad
Virtue and Vice
Wrong and right
The mind sees, the mind knows
But the mind pretends
The mind has a million eyes

Glass Doors - A Melange of Emotions

Glass Doors, Poems
Author: Satbir Chadha
Authorspress (2020)
ISBN 978-93-89824-06-3 

Satbir Chadha is an award-winning poet, critic, academician and artist, all rolled into one. As the title suggests explicit, she is transparent in straight-from-the-heart expressions, sometimes witty, sometimes romantic, yet leaves a lump in the hearts of the readers. Her observations and perceptions from every day life forces her to express them diligently. 
 
This collection contains 80 poems with an introduction by Dr. Santosh Bakaya and blurbs by Gauri Dixit, Vijay Nair and Dr. Ampat Koshy. Dr Bakaya states in her introduction that this is a book ‘serving the choicest delicacies for all literary palates, a waft of fresh air tingling the senses, slowly making the reader drift into a meditative state of mind’, and I fully endorse her view.
The poems have been written over a period of four years from 2016 to 2019 indicative of her thoughts and themes having undergone thorough and deep deliberations, events of historical relevance well researched and etched in the pages of history, her humane thoughts and experiences, all outfitted in words of her wisdom and each poem proves this beyond doubt. 

This is a kaleidoscope of poems dealing with different emotions presented with effortless simplicity and touches the sensitivity of the readers. Her themes revolve around socio-political concerns, anguish over societal degradations, violence against women and children among others with a m├йlange of emotions and is meant for an audience of all age groups. 

The title poem ‘Glass Door’ sets the tone of this collection just with a few words enough to touch the hearts of the readers with its forthrightness.

Satbir Chadha
-----One slices invisibly
Like a surgical scalpel
But they all bleed
And bleed
Nothing clots
Inside, something dies
Every time
Behind the closed glass doors
Of a woman’s fortitude. 

Poem ‘Flirtations’ clearly indicates the inconsistencies meted out to boys and girls or the lines drawn between the man-woman identities with an ulterior motive, yet women prove their mettle amidst conflicts, when the outcome should be definitely in favour of them.

‘I ‘ll be Right Back’ is a fine poem, a tale in verse, wherein the poet portrays a man assuring his lady that he will be right back and her solid faith in those words sees her not to lose her mind, even when her son tries in vain to make her believe that he has got the news that he is gone. But at the end, her intuition proves right and he comes back. The poem concludes with a twist at the end, which makes one teary-eyed.

As she nodded teary eyed
He took her home and put her in bed
He kissed her eyes, he kissed her lips
He kissed her pearly forehead
Her vigil over she smiled in peace
Then at last she shut her eyes
Never to open again. 

Poem Dejavu makes us aware of the ruthless happenings in the medical field, the fate of a person whose right kidney was removed without his knowledge or consent while he got admitted for gall bladder surgery. These types of inhumane acts, that too, from persons we trust next to God being saviours of life are disheartening and disgusting, but true. The humanist in Satbir Chadha holds a mirror to these types of misdeeds in the society in many of her poems.

While in Poem ‘Those Lazy Afternoon Miles’ the poet’s concern for the safety of children inside school as well as guardians and parents is displayed, it is the poverty of street children that is dealt with in poem ‘A Guilt-Ridden Passer-by’.

Some folks I’d see while passing on street corners
They’d be kids in tatters with soothers in their mouths
Doubles up in a swing crafted from the mother’s torn saree
Saw them playing there on the same sidewalk
Barefoot in faded frocks or shorts and T shirts
When they should have been at school……… 

‘Please Don’t’ is a poem dealing with deception veiled in kindness especially shown to young girls and one would feel a lump in throat after reading this poem:

Everyone hugs me
See what you have done to me
You hug me and squeeze me
And make me bleed between my legs
I’m scared I’ll soon be dead
Like our dog when he cut his leg
Still everyone just hugs me. 

The pain and helplessness of a little girl depicted will haunt the readers long after reading the poem. Satbirji has a golden heart which wants to eradicate the decadence, bone-stuck in society’s opaque innards.

There can’t be any poets who has not sung for world peace, Satbirji is no exception. She prays for world peace in her poem ‘Devotion’. She wants to see the devoted and the devotee merge into one like a soul in the eternal soul or like a drop in an ocean. 
 
If all colours of the world
Become one colour of peace 

Through Poem ‘Don’t Walk on Clouds’ with its powerful opening lines, she reiterates that one can neither walk on the clouds, nor in the air or on the snow, but only on the ground, which holds us, belongs to it and ultimately return to it. This is such a powerful poem and one of the best in this collection.
 
Only the ground will keep you
Folded in its arms
Thence you came
To it you belong. 
 
There are two villanelles (Nostalgia & Mama’s There with you) which are quite convincingly structured with beautiful rhyming. 

The last poem ‘The lazy Music is Still’ has a tag line “dying continues for a long time after death’ from Salman Rushdie’s Midnight’s Children and pauses with a question to the readers, with its concluding line; “Does one fully die when declared dead.” 

There are many other beautiful poems in this collection one can’t miss, which I leave for the sake of brevity and would insist poetry lovers to explore this book, which is quite engaging and entertaining. 

Special Edition: Satbir Chadha

Satbir Chadha
ME OR MY REFLECTION 

I look into the mirror to see a reflection of myself
I get lost
There are mirrors within mirrors
Mirrors beyond mirrors
A web of mirrors

The world whizzes by in a static
A staccato keeping time
Shadows of shapeless forms rush by
Formless frames in a blur of a maze

I search for myself, within me and beyond
I am there in visions of the past
And in the haze of the future

Am I here
Or is it only a reflection

Special Section: Satbir Chadha: Poem

Satbir Chadha
ADIEU

Clouds of gloom, clouds of doom
Darkened skies, earth shrouded in lies
Dilapidated, abandoned cities
Relics of rusty machinery, maybe from the past century
With nothing to churn, nothing to burn
Nothing remains
Nothing grows
Rubble and remains of yesteryears woes

Once glittering and green
Now a dusty dry planet
Even skeletons to be seen
All black, brown and grey

We saw prehistoric sites before, perished civilizations
Some shoots and shrubs remained, a reminder of life that was
Why is this so frightening?
Because mother earth is dry
She has spent her tears

Satellites of the future circle the globe
Through clouds of dust and ash
They look for clues, of life that was, or may still be
Alas, there is none
Mother Earth is no more

In the cosmic cycle the Creator creates, sustains and destroys
Destruction and rebirth are His domain
Each Universe has its ‘Karma’, 
Its lifespan and the Completion
He plays with His creation in all directions
He, The Mighty Soul, the nucleus of all creation

Is this plight then, its maker’s decision?
Or the result of unbridled exploitation.

Special Edition: Satbir Chadha

Satbir Chadha
DOES IT BEFIT A BEGGAR

Does it befit a beggar
To sing like a king

Chained legs
Hands tied behind
Flogged at will
Plastic rope tying
The mouth with
Parted lips
He cannot salivate
Let alone eat
Rotting morsels
Spitted at him
Hair all shorn
Tattooed scalp

Branding him rebel
Unpardonable
A big X painted
Against his chest
Marked to suffer
Layman's wrath
For those who don't know
Of his treason
A symbol to show 
No kindness to him

Marched through the town
A lesson to teach
Kicked at every step
The other end to reach

But as he passes
People hear a rhyme
Of music so soft
Of words so pure
A voice so celestial
Gentle as the breeze

They forget to mock
As commanded to
They wonder why
So much torment
For such a simple man
His bald head shines
On his chest is a tree
Full of bounty
Harmony and peace
At each his step
Soft petals do fall
To soften his tread
On the road so hard

Gaping with wonder
They gather around
Marvel at his eyes
Full of compassion
Marvel too at
The beauteous sound
The voice streaming
Through parched lips
Parted with rope
And still he sings
The miracle man
The miracle child
Poor little beggar
Sings like a king
A miracle breath
Sings like a king

Book Review: the ten hands of a fuchka seller

the ten hands of a fuchka seller by Daipayan Nair
Publisher: ‎ PENPRINTS; First Edition (Jan 1, 2024)
Language: ‎ English
ISBN-10: ‎ 8197403627
ISBN-13: ‎ 978-8197403620

Review by Satbir Chadha


Daipayan is a very good poet and I have always admired him. 
He is a good poet because he is a thinker, his thoughts are multi-dimensional, spanning the why, when and the therefore. He has written in many forms extensively, and he has mastered the haiku and senryu in his own inimitable way, each one tells a layered story of what is being thought, done, and the intention therein, so what the reader observes is a visual impact. 

All poems are scenes from every day urban lives, but framed like a particular potent moment in a motion picture that captures your imagination and becomes the defining moment of the whole film. The image created leaves room for several possibilities, though complete in itself. 

An example: 
“headless
at Kali’s feet
ash gourds”

The haiku :
“taking a dip
the sun on the tip
of her khadga”
Packs an epic in its essence.

I enjoyed the indigenous nature of the content and scenes that we can only see here in our country like:
“noon breeze
the labourer unties
her headgear”

The imagery is multi-sensory like soft, delicate and sensuous:
“a falling shiuli”

And aromatic like:
“sunday monsoon 
the sizzle of bay leaves
in grandma’s tale”

“50th anniversary 
dad asks
for a cup of tea”
is a beautiful comment as is:
“bhel puri
this misunderstanding
between us”

The rustic aura of:
“moist alum
the barber’s yawn
ends the gossip”

This book is an awakening to me about the power of these forms, and also the sensitivity and realism. 
I wait to see where Daipayan Nair will progress to after this and look forward to a sparkling new collection soon.

Bio: Satbir Chadha is the author of the highly acclaimed book, “For God Loves Foolish People”, for which she was awarded the Reuel International prize. Her second novel is “Betrayed, tale of a rogue surgeon”, a medical thriller. She has been published in over forty national and international magazines, including “Kew” published by Pangasinan Historical and Cultural Commission ( PHCC) Philippines, and “ Vibrant Voices” by the Sahitya Academy Delhi, containing poetry and short stories. She has four solo poetry collections to her credit, “Breeze”, “Glass Doors”, “The Last Lamp” and the latest “ I Want to go to Haldwani and other poems”. She was awarded the Litpreneur Award by Authorspress for her contribution to literature. She is also the founder of the NISSIM International Prize for Literature, awarded every year to upcoming writers of English prose and poetry. 

Special Edition: Satbir Chadha

Satbir Chadha

That Moment

 

I clenched my fists, like one clings to life

I screamed

My head thrown back

The deepest deep throated scream

Loudest longest scream

Till my breath stopped, my parched lips smarted

My back arched up in a convoluted resistance 

Then all was still, all movements stopped

 

A cry, a baby’s cry, filled up the world

Most primal, his first breath

And the glowing ball of the sun

Landed on my sky, my abdomen 

A warm sticky gooey bloody sun 

Swam on my vast flesh

Oh! That moment! One in a lifetime

 

The spark of cognition, of the miracle that had happened

That one moment in my being my body my soul

Nothing ever in future had that magic

It is like after the rains 

The sun sits cradled in the lap of the sky

The incessant tsunami of pain, moleculed 

To a delicate gurgle 

As my belly was the expanse of the sky, the horizon and all beyond 

And my son lay warmly cradled there on.


DISPLACEMENT

Satbir Chadha
They came riding the waves as traders
Gradually, the riches of our land they plundered
Till they sucked and took away
The blood of the land
Able bodied innocent youth pride of our farms
Men and women, for their agrarian skills
Lured with permanent employment
A monthly salary of five rupees each
Growing sugarcane in the distant island of Maurice
 
Herded like beasts they were packed on the ships
Facing filth, hardship and disease
The men flogged, the women raped
Poor things could never a sense of this make
Passed their days lost and dazed

Taken to their camps they were totally stripped
Stripped of their belongings, and the harshest of all
Stripped of their identity
Their records were destroyed, their names, their origins
Stripped of their names, assigned a number each
Like human herds, each one was reduced to a numbered being
Over years they all forgot their names
As ailing and toiling, they spent their measly days
Fettered and attuned to the masters of their fate

A generation passed, then the next, they missed being called by name
Trying to recall what their parents must have named them
They simply decided to adopt their simple first names
And make them their family names, so the progeny won’t be unnamed
So some became Ramchurn, some Ramgoolam, others Ramaswamy
Or just Gopaul or Beeharry

Three generations were lost to civilization
The fourth stood up with new names
Got an education and fought a revolution
Threw aside the mantle of slavery and exploitation
And created a benign hospitable new country
Also rekindled and with pride, established their religion and traditions
Finally erasing the imprint of the great displacement

You may take a man away from his roots, but roots never leave him
After a cycle of centuries they stand erect
And take pride in their Indian roots
Celebrate their traditions, religion and culture
With the next generation that comes
Inculcate in their offspring the pride of a new nation
Built on the ancient Indian civilization

A MIDSUMMER HOLIDAY TO BALI-NDONESIA

Satbir Chadha


The scorching Delhi temperatures made us seek some relief, and we flew to the island of Bali, a famous holiday destination, as yet unexplored by us, a pristine green land fanned by cool sea breeze. The magic of the land manifested immediately upon landing at the airport, as we were greeted with fragrant garlands made with colourful frangipani flowers.

An unconventional start to my ‘Bali Diaries’is with the rare statue of Ghatotkach, the son of Bhima of the Mahabharata, a breathtaking structure surrounded by beautiful gardens, located at an important intersection on the highway at Satria. It is the first I have ever seen, but as we drive on to Kuta, the part of the island most vibrant in energy, we see the province is dotted with statues of several characters from the epics, Rama and other Hindu gods like Vishnu and Ganesha, and depicting scenes from mythology. These are widely quoted, revered and loved, but not worshipped. Yes, it is true, the object of worship of the Balinese people is formless, whom they meditate upon, and to whom they offer fresh flowers arranged in a square with a green centre, sprinkled with drops of holy water that they get from the eternal springs at the Tirta Empul Holy Springs.

In Bali, we are transported back by centuries, not only by mythological thought and lore, but also the vista of colonial architecture, rows of brown houses and markets, with red tiled roofs, with teak framed doors and windows, no structure higher than two floors. Added to the lush greenery and the balmy sea breeze, you are enchanted by this island, and know why it attracts thousands of tourists every year.

The golden beaches and tranquil blue sea, open skies and friendly people add to the charm. As tourists we travel in coaches to see the important monuments, like the Tirta Empul Temple. The next day we see the ‘Bajra Sandhi’ monument, devoted to the struggles of the Balinese people through history, their oppression and their battles, being crushed and rising again. This is a stone’s throw from the Bali governor’s office. We drive around the area housing the ministerial blocks and offices and it is refreshing to see them lined as double storey with brown brick facades, sloping roofs and acres of green lawns around. We are told that no structure in Bali can be built taller than fifteen metres. This area has been spruced up and decorated with flowers and buntings made of bamboo strips, as the ‘Bali Annual Cultural Week’ is to be inaugurated the next day by the President of Indonesia. Our local guide Nina proudly tells us that her teenage daughter is playing an important role in the dancers’ parade. Here in this picture we see her in the second row.

The Uluwatu Temple which we visit the next day, is the most eyecatching for its spectacular location, on top of a steep cliff seventy metres high, with the ocean crashing and thrashing at its feet. Other famous places are the Kintamini hills from where you look down at a live volcano fuming in the deep valley below. Then there is the Pandwa Beach, the road to which is lined by statues of the Pandawas and of Kunti. Most touristy are the ‘Aloha Swings’, huge decorated swings, which fly off the edge of the cliff over a green valley when you push them, and one screams with thrill and delight. 

The ‘GWK’ Park is a towering statue, a monument of modern ambitious Bali, the third highest such in the world, depicting the Hindu god Wisnu atop his mount the  mythical mount Garuda, hence the name Garuda Wisnu Kencana.

My major take away from this trip is the sojourn to the villages, en route to the coffee plantation, where there were over fifty flavours of coffee to taste, for free,  but we were warned not to have more than two, for it was pure coffee and could cause the Blood Pressure to rise. It was interesting to see different villages specializing in different crafts, like the Goldsmith’s village, Wood Crafting village, Silver smith’s village, and Batik painting and ‘Ikat’ printing, and so on. These serve to teach the traditional crafts from childhood onwards, to gradual perfection, and marketing and profiteering of the products. An ancient concept kept fruitfully alive.

Well, the stoeies will be endless and make for nostalgic telling for years later, but it is true the week flew like a day, and it was time to take the flight back to Delhi, carrying delightful happy memories of a beautiful island called ‘Bali’.

Satbir Chadha

Satbir Chadha
Satbir Chadha is the author of the highly acclaimed book, “For God Loves Foolish People”, for which she was awarded the Reuel International prize. Her second novel is “Betrayed, tale of a rogue surgeon”, a medical thriller. She has been published in over  forty national and international magazines, including “Kew” published by Pangasinan Historical and Cultural Commission ( PHCC) Philippines, and “ Vibrant Voices” by the Sahitya Academy Delhi, containing poetry and short stories. She has four solo poetry collections to her credit, “Breeze”, “Glass Doors”, “The Last Lamp” and the latest “ I Want to go to Haldwani and other poems”. She was awarded the Litpreneur Award by Authorspress for her contribution to literature. 

She is also the founder of the NISSIM International Prize for Literature, awarded every year to upcoming writers of English prose and poetry. 


Satbir Chadha (Women and Spring)

Satbir Chadha
SPRING AND THE SOLDIER

Today I heard the first koel, as I stepped out in the morning
It sounded like the plaintive cry of a parting soldier’s bride
The wistful notes reverberated through the air suddenly crisp
And the sky so clear and blue
Gone was the frost and the fragrant spill
Overflow of beaming colourful flowers
Masters of the bounteous spring

Had spring then left my town
On soft padded feet, as softly as it had come
The first nascent flowers I’d mistaken for snowflakes
For the winter chill had still been upon us
Then suddenly the land was all awash
Redolent and green was the ground
Every pore burst forth with brilliant sprouts
The hedges and trellises and the red painted pots
Radiant flowers filled them all
A thousand rainbows had descended on the earth

The heart clings to the butterfly’s wings
Hovers inebriated over the iridescent blossoms
Drinks the sweet nectar and duly swoons
As youth needs to be, to be drunk on the spring

But today I heard the koel sing
That spring is so many other things
The shepherd’s flute and the soldier’s salute
For now as the snow melts, both move up the mountains
One guards the sheep and brings them home
The soldier guards the nation

Maybe for them, the winter was spring
To each his own designation

Poetry: Satbir Chadha

Satbir Chadha
1-
SOLITARY ROSE

It seemed to me the morning star had left its place in the sky
And planted itself in my small bushy unkempt garden
While the sky was an aubergine dark and the breeze waking the birds
A closer look and lo and behold! It was a tiny white rose 
Bloomed suddenly for I’d never seen a bud either 
Never knew when the plant had taken seed and quietly inconspicuously grown
Between the crowded bushy greens and this last night
This last night was birthed a star 
Like a message from the one who’d been birthed in a manger 
Long long ago 
A tiny rose carrying big hope 
I saw it could devour the dark and spread the light 
Just a single sparkling moist delicate shy rose
It felt like a prayer an answer to a prayer
Reminder of a prayer 
The Lord knows, the Lord gives, the Lord waits for the right time 
Where one came from 
Can more be far behind
***


2-

The sun had two daughters both tall slim and beautiful 
One was fair and shone like the driven snow
The second has a tan and a charming warm glow
She was so loving though the first one was wise 

Then the sun had a son a lazy bum who spent his time looking at the sun 
This one glowed with radiance golden, chubby cheeks and dimpled chin

Then came another two daughters, first the learned harmonious one
The second a fickle feeble minded dithering dame

The next two were born for no rhyme or reason 
Except that the breeze was oh too dry
And the sky was oh so high
And the sun’s was not to reason why 

Then and thereafter was born the son 
The one with a royal demeanour 
Perhaps he’d become some day a king

The last four children born in old age 
Born to unloving unenthusiastic mates 
Named in a rhyme to save them time 
For the sun had to go to rejuvenation clinic
The four shared between them the wet and the dry 
The hot and the cold the rain and the snow 
And peas porridge hot nine months old 

Packing the siblings in his old ochre chariot
For the Christmas and New Year party 
He banged the door hard and oh so sad
The second daughter’s legs were too long, and went beyond
The length of the chariot, though just a tad 
So sad so sad so sad

They got snipped just above the ankle 
So forever was she stunted
Therefore we have this one month odd
Amputated and truncated
Poor dear February 

Satbir Chadha (Voices Within 2023)

Satbir Chadha is the author of the highly acclaimed book, “For God Loves Foolish People”, for which she was awarded the Reuel International prize. Her second novel is “Betrayed, tale of a rogue surgeon”, a medical thriller. She has been published in over twenty national and international anthologies, containing poetry and short stories. She has three solo poetry collections to her credit, “Breeze”, “Glass Doors”, and the recent “The Last Lamp”. She was awarded the Litpreneur Award by Authorspress for her contribution to literature. She is also the founder of the NISSIM International Prize for Literature, awarded every year to upcoming writers of English prose and poetry.

 

 

Hybrid God

There were claps of thunder 

Before lightning struck

And the tree was ablaze

 

A rare tree indeed it was

With a massive grey trunk

And sturdy brown branches

 

Like a hybrid god 

People had tied threads around it

Of different colours 

 

They bound their wishes and hopes

Around the tree trunk

And so it was bound to give 

 

None could understand 

With their hopes were tied 

Their sins their greed and jealousy

 

The tree took it all

And gave everyone 

From its immense bounty

 

Till it burnt in a blast of lightning

In flames the colours of the threads

Leaving it’s roots unsullied and pure

 

Emotions

 

Yes emotions are a scam

They’re big manipulators

If you are not in control

They will override your life

Which honourably to your mind

You should ascribe

Yes follow the mind the intellect and the intellectual intuition

Past has no place in a happy mind

Mindfulness is the best exercise

Living in presence is my paradise 

To hell with the world it’s my choice 

To be happy and calm so my dear rejoice

 

Our thoughts and dreams create the emotions We need to sift them from those rising from situations

Trust me grief turns to merriment 

If you mentally turn the event

 

There’s work to be done 

The world moves fast on

Can we truly afford the luxury

The vanity of our emotions 

 

Defying logic, they have a logic of their own

Marvel is that they’re there from the time we’re born

GANDHI: A Way of Life (Gandhian Philosophy)

Satbir Chadha
I never met Gandhi, I was born later in 1950, but Gandhi was everywhere all the time. Everything discussed in our circles had a prefix or suffix of what Gandhi would have said, what he would have believed and how he would have reacted, to the extent that when something went wrong in the public domain, it was said that had Gandhi still been there, he’d have never let it happen. For a long time, he posthumously guided Indian thought, India’s policies and principles, literally ruled our hearts and actions.
I never met Gandhi, and by the time I grew up, India had gone through wars, droughts floods and strife. It was in those post- China war times that I finally met him. Well, I came in touch with ‘Gandhian’ and learnt first-hand, the Gandhian philosophy, Gandhian morality and Gandhian way of life.

I was in college in Bombay, the Sophia College, which was pioneering the introduction of SUPW ‘Socially Useful Productive Work’ in educational institutions, and under the programme, we had adopted an Adivasi village five kilometers from Dahanu Road railway station, a village that lived in abject poverty, had seen no development or education, thriving on meagre agricultural holdings, growing a single crop of paddy in the year, to try and improve their living conditions.

On the first trip, we, a group of fifteen volunteers were introduced to the Block Development Officer, the Bal Sevikas, and one Shri Gangawane, an unassuming man who sat upright wearing a Dhoti-Kurta and a Gandhi cap, and were told that he would be our guide on this project. He had worked with Gandhiji for years and lived his life by Gandhian principles, undiluted.  
Over the weeks that we worked with him, we realized their relevance in every sphere of life. It was evening and we were led to our evening meal, where Gangawane asked us to join him in a thanksgiving prayer before we broke bread, or the ‘Jowar Bhakri’ we were served there. After the meal we all washed our thalis, and retired to the courtyard, where he shared a couple of interesting anecdotes from Gandhiji’s life and his personal experiences. Then he asked us to share some jokes in order to have our share of daily laughter, which was enlightening.
Gandhi lay enough stress on humour too, he was not all sobriety. Important lesson indeed, to go to bed relaxed.
We were told to be up at six o’clock next morning, and assemble at six fifteen, for a half hour of Bhajan singing, and we all had to sing together, “This is Gandhiji’s rule,” he said. Then after a frugal breakfast, again a Gandhian rule, we set out to the fields, where we tried to chat up the locals, and generally introduce ourselves that we had come to help them, and try to befriend them, though they were naturally wary. We showed them the packets of fertilizer that we had taken and tried to demonstrate their use in order to increase the output of rice, but they resisted violently, saying that we will be inviting bad spirits by doing that. Gangawane ji said not to press it much, and amicably turn back. Then before supper he said, “Gandhiji does not give up, nor shall we, be ready four of you volunteers at ten o’├зlock at night” and accompanying him we went to three selected fields, and he showed us how to spray the fertilizer accurately over one corner of the fields.
The following week we went back to the fields and showed the farmers how the paddy in that corner was taller, greener and had more flowers, and that no spirits had invaded them. Then they fell at his feet and kissed our hands and were eager to use it, all the villagers were convinced in the next week, and for the first time they saw such a big crop, and showered copious blessings on us young girls.

Next, Gangawane took us to see their huts and how they lived, because he said Gandhi believed in total reform. They were mostly mud houses, two small rooms and a courtyard, with a hole in the wall in each room, for at night they were loath to go in the open to wash their vessels or hands, or even answer the call of nature. He told me to examine the shape of the groove they had dug to let the water out, and as I put in my hand to check, warm liquid flowed on to my fingers, and quickly Gangawane signalled me to not make a sound, explaining, “We are here to help them, we should smile even at their children urinating on us, for that is what it was, remember for these poor people their children are their wealth, and we need to spread only love.”
Back at the base, he explained, “Did you notice, the villagers grow no vegetables, they only eat what grows on trees, naturally, like tamarind, or an occasional mango or guava, none cultivated, So tomorrow we shall plant a sapling of a drumstick tree in every courtyard, for it grows well even unattended, and every part of the tree gives nourishment, so that they learn to eat foods other than rice.”
 
We had learnt that they mostly ate only rice with or without salt, and often moistened with tamarind water, that their consumption of oil was a measly half litre per year per family. Then he said to me, “You remember where you checked the hole from where they pour out their water from the huts, and also where they urinate, we will dig that hole into a slant and guide it to where we plant the tree, so that the sapling gets watered automatically, and their urine will fertilize it too. “

Well that is the Gandhi I met, one with devotion to the task undertaken, and with foresight, and utter respect to the poor. 
Over weeks we gained the trust and friendship of the farmers. We took vegetable seeds for them, and created patches where they could grow them and planted them. The villagers promised to water the seedlings, but Gangawane did not press them for fertilizer, instead he devised an unusual project for us, saying that this is how Gandhiji would have gone about it. 
We branched out, each one of us counting the family members of the families we visited, and then he explained to the villagers that since, they were loath to go out to defecate, we would build small toilets outside their huts. Spade in hand, we had to dig a rectangular pit, at the edge of their courtyards. He asked us to calculate the dimension of each pit according to the number of people in the family saying, “ Each person passes an average of 300 ml of stool in a day, and we have to make the pit to last at least six months before it fills up, urine anyway will seep through the ground, now Girls, each of you do your calculation and have the pit ready by evening, duly patted with wet mud to give it a clean shape, and don’t forget to put two thick stones on the two sides for them to keep their feet.” The next week we were thanked endlessly. 
But would Gandhi stop there? Never! 
Our next project was to give a roof to the toilet, using natural materials. We were to collect the dried\drying fronds of coconut trees, and lay them criss- crossed over each other, sticking each layer together with a paste of some clayey soil and some sand from the seashore, and put together five layers thus stuck together, then dry them thoroughly in the sun. He told us this was now strong enough, almost like cement. Then we had to fix four logs dug sturdily in the ground, also collected from random trees, and tie the roof to them, and Gangawane taught us the ropes, I mean the types of knots that would withstand the wind and rain.
But that was not all. Then the Gandhian gave us the project for the next week, we had to make another toilet for each home that they could use both alternatively, and while one was used, the other would become natural fertilizer for their vegetable patch.
 I think back and perceive the intensity of each action, from early morning start, the frugal meal before the hard work, the participatory hymn singing, the detailed planning, and above all, the respect due to each human being. Lessons learnt there have stood me well at various stages of life, and I have to think of Ganagwane ji, a true Gandhian, to know at least a small percentage of Gandhiji’s stature, for the same principles applied to nation building, to International relations, and to humanity at large. Unforgettable lessons for me, as much as perseverance and staunch love of peace, have been the value of being with your roots, reverence to the earth and the soil, and love and respect to the poor, and that is what Gandhi taught me, when I met him.


BIO: Satbir Chadha is a writer who lives in Delhi, with her heart in the hills of NainiTal. She thrives on friends visiting her and breaking bread with her.
She is the author of FOR GOD LOVES FOOLISH PEOPLE, a memoir. Her second novel BETRAYED is a medical thriller. BREEZE is her first solo collection of poems. Her second collection is GLASS DOORS, and THE LAST LAMP is the latest.

Book Review: MANDALAS OF TIME poems by Malashri Lal

Review by: Satbir Chadha


HAWAKAL PUBLISHERS
Malashri Lal
Year of publication: 2023
ISBN 13 978-9391431990 ISBN 10 9391431992

The book has a beautiful cover indicative of the journey the poet is about to take you on. As I turn the pages the dedication saying “for the poets under the Pilkhan tree” brings a smile on my face, and I think of a group of merry friends rhyming and chatting in the lap of nature. I read the poem “Another New Year” which says: 
“Pilkhan is tired of hearing
Scandal, gossip, jokes
Of the young 
The worries and health bulletins of the old
The strategic plan of family and builders
Of knocking down the old house
For commercial profit”
The Pilkhan is glaring at urban reality, so subtly the poet makes the mark.
The first poem “ARDHNAREESVARA” made me bow my head to the profound ancient philosophy, as in the present context it is a claim to universally of the human, beyond masculine and feminine to eternal equality. 
“In creation there is only one 
Ardhanareeswara 
The God who is both woman and man
Ubiquitous, limitless reminder of equality”.

This is a book of lilting soft and subtle verses, layered with powerful social comment and concerns, also sighs when talking of centuries of misogyny. Several poems are structured around history and mythology with some dedicated to strong mythological characters like Manthara, Radha and Sita with their enduring qualities of fairness and righteousness, as in “Sita’s Rasoi” Malashri writes, 
“Rotis dance into shape
Flat, brown edged, uneven rounds
Take one each
Little Bakha, you too.
Be sure it’s an equal share
Not a morsel must
Exceed anyone’s due”.

“DREAMING OF MA BY THE SEA” really touched me, as did poems like “SILVER CLUB” and “GERIATRIC PARADISE” that talk of the plight of our elders searching in vain for their progeny who have grown wings and flown away, 
“The mellow sun warms her feet
While she imagines 
Grandchildren
Speaking in accents strange
Young ones she has hardly seen
Except in photographs “

History is so integral in this volume, I saw, as in the poem “RANI PADMINI TODAY” Malashri says one should judge history in the context of society and politics of the time and not today’s values, I quote,
“Today Padmini’s sacrifice
Is frowned upon as wrong
I ask you if you can rewrite
Values the past held strong?”
History again peeps through “Hawa Mahal” and you almost see 
“A princess in royal blue
The colour of Diwali
Peers through the shadows
Looking eagerly at the carriages below
Thirsting for a paramour”
while the passages enthral you with powerful imagery.

Duality and multiplicity are a part of life, one struggles with them and is troubled by them, as we see in many of these poems, and gradually one comes to terms with them, and identifies with them too, as Malashri deals with it in her poem “The Rivers”, 
“The sacred confluence of rivers
Dark Bhagirathi
Born of women through union unnameable
Sprightly Alaknanda
Dancing blue and transparent
You mingle at Devprayag 
We foolishly think waters lose their identity in unison”

I quote from the poem “To Rabindranath Tagore” to make the point again as she writes, “Among the sands of a desert state
I heard and read your poems
Gurudev, distant yet close, familiar yet alien
While I struggled with my 
Identity flitting between Rajasthan and Bengal 
Unable to claim either 
Unable to let go
The language and legacy 
Of my ancestors in
Shantiniketan.
Then I learnt from Gurudev
Emotions have no fixed language
The mind has no physical limits
Music resounds in the open sky 
Dance is the joy of a free spirit anywhere.”

My learning from this collection is that a skilled poet can say what she wants to and much more in a few crisp and concise lines, that make the read a pleasure and an exercise in thought, all texts condensed yet clear. 

I congratulate Malashri Lal for writing this exquisite poetry and the editors for the taut editing and lovely structure.

ECO FEMINISM (Poem for Environment Day)

Satbir Chadha
Ms. Satbir Chadha was awarded the Reuel International prize for her medical thriller novel “For God Loves Foolish People”. She has 3 poetry collections to her credit and has been published in over twenty national and international anthologies of poetry and short stories. She is a recipient of the Litpreneur Award by Authorspress for her contribution to literature. She is the Founder of the NISSIM International Prize for Literature, awarded annually to upcoming writers of English prose and poetry.

As the woman rotates one millstone upon the other
To grind fresh grain for her brood
As the wooden churn rotates with the woman pulling the strings
In an earthen pot full of yoghurt and cream
And the butter rises to the top to be scooped up by deft hands
And the Guru says “ Eho Mann iti haath karo” meaning
Make your mind the wooden rod that rotates and in time separates the butter from the whey
So you churn your thoughts and desires, and separate the good from bad

As the branches of the trees bend under the weight of homing birds
A mother says her prayers for all the sons and daughters in the world

No they’re not rituals they’re the way we lived, and in some places do still
As the cows trundle home in the evening their bells tringling
And the cocks and hens go ‘cluck cluck’ for their seeds to feed
Even lizards snapping at tardy mosquitoes are Eco Biology at work

As the farmer cuts the furrows in his land  to plant new seeds
As the rain and sun join the earth to fill our needs
As the migratory birds fly thousands of miles spreading universal good
As the world says it’s evening prayers before they partake food

May such be the way we live and let our planet live
Never shall we want, and never suffer and ever be in peace

SATBIR CHADHA, INDIA

Satbir Chadha
Ms. Satbir Chadha was awarded the Reuel International prize for her medical thriller novel “For God Loves Foolish People”. She has 3 poetry collections to her credit and has been published in over twenty national and international anthologies of poetry and short stories. She is a recipient of the Litpreneur Award by Authorspress for her contribution to literature. She is the Founder of the NISSIM International Prize for Literature, awarded annually to upcoming writers of English prose and poetry.

 
THE SOLITARY SOJOURN
 
The earth is draped today in sun burnt yellow
Strong to hold up against whiplash of winds
Weathering powerful thunderstorms
Curled up dry leaves
Quietly dropping to the ground
When life softly ebbs
Like a sob, like a tear
And a patient wait for the transition
To a new form
How painful would it be
Or maybe not, in God’s mercy
They lie, a carpet of ochre corpses
Souls having fulfilled a journey
Waiting for the next.
 
Oh, do not crush them under your feet
For they’re about to be dust
That one day you shall lie under
 
The leaves and I are as one -
Both biding time -
Between one journey and the next
 
For the soul has no partners
But is not solitary -
It is a part of the divine Whole.

Satbir Chadha (Children's World)

Satbir Chadha

Childhood Pondering

I am at the age now which is called the second childhood, pondering all the stages I’ve lived, as a child, as a teenager, as a grown up and as a parent. As a child I remember myself and all the children with me enjoying the green environs of my hometown, the games we played and the dreams we dreamt, the ‘kutcha-pucca’ castles we built, the mischief and the punishments, but always the yearning was to be outdoors. We all shunned the walls and doors, and looked for escape, unmindful of the weather. We knew of ways to enjoy all weathers with the specific features they offered, like floating paper boats in rainwater pools, and flying kites in the sultry pre-monsoon. Some changes in nature that happened in different seasons made us curious, like the rows of ants rushing in single file, specially after one friend’s grandmother told us that they were going home because it was going to rain, and that was for us a great wonder that the tiny ants knew what big men didn’t.

The focus throughout childhood though, was on food, nothing was acceptable to me if my tummy rumbled, neither the best toys, nor the best friends. Mangoes hanging from tall trees were the most fascinating sight, and still is, climbing up to the terrace of the neighbours’ house to pluck and suck at juicy tangy tamarinds, jumping up for home grown peaches at the bare hint of pink on them, these were our favorite pastimes.

It is the earliest learning of a baby, to look for a teat and start sucking, it is born with the knowledge that it needs food. Then as we grow, we try to collect and hoard more food than we need, particularly what we like, for a natural instinct teaches the child that it is going to need food again. Even before he or she learns to speak, the child learns to discern between palatable and unpalatable foods, picks up the aroma and feel of the different foods, involuntarily turning towards them. As they grow, they just know from sniffing that milk has been boiled and ‘├зhapattis’ have been baked, if you look closely, you will recognize the satisfaction their little faces show, their natural inborn reactions. No colourful rattles and no theatrical antics by you will amuse the child who is hungry, show him a cookie and he will grab it, though nobody taught him about it.

I would love to tag along to the milkman’s shelter with my Granny when she went to buy milk, for I loved the frothy spray of rich milk streaming into the pail, I would sit enthralled till the bucket was full, and pranced all the way home, though by then I had outgrown the taste of milk. Though I enjoyed the festival of Holi immensely, even the coloured water sprays we played with did not excite me as much as the milching. Milk meant food, all the mouthwatering desserts, custard, ‘kheer’, ice cream and ‘mishti dohi’.

Even today my grandchildren cling to me more than anyone else, they love what I cook for them. They are not as tantalized by fancy clothes or mechanical puppies as they are in my modest kitchen. My youngest granddaughter often comes down saying, “Dadimaa please let’s bake a cake,” or “ Dadima I want to eat mashed potatoes” or it could be a cheese pizza or pasta with white sauce, or plain Roti with butter, which are her favorites these days, previously she would love ‘parathas’ and French toasts. Food is the biggest connect between my grandchildren and me, each having their special choices, so while one would love ‘Methi ki sabji’ with unbuttered Roti, another one loves the sugar stuffed sweet ‘parathas’.

When I went to the Chittaranjan Park fish market, my two little granddaughters would come along, what fascinated them in the beginning was the large baskets of crawling crabs, and then the different types of fish. They learnt to identify the different fish and developed a taste for each. One visit they both badgered me to buy pomfrets, they wanted me to fry them whole and they both wanted two each, while another time they chose a large ‘Sole’ fish for they wanted to slurp on the soupy gravy with toast. They are both professionals now, but they insist that their best memories of childhood are of the lovely foods fed to them by Dadimaa.

Delectable and enticing food has more power over children than anything else. Everyone knows how kids are overjoyed at the sight of chocolates and chips, ice creams and lollies, but an episode with my cousin is the most eloquent, his little daughter had got a deep cut which needed stitches, and the doctor asked him to make sure the child sat still, an impossible task. But my cousin went and got a box full of Cadbury chocolates, which the child ate one by one and was adequately distracted from the Doctor’s needle, such power they had.

Children also have an inbuilt thermometer for discerning different emotions, and most of all they intuitively know honesty from dishonesty, who actually loves them and who pretends to love them. They may not react, for, very early in infancy they have learn to fear adults, yes fear is the first emotion they pick up from voices, expressions, even imperceptible vibrations which only they can perceive. Sadly man has become the most feared species, in the domain of earth, water and air, causing the most damage.

All said and done, childhood is the best period of one’s life, and I’m sure somewhere sometimes or at all times, we all feel a craving to be kids once more, when the world seemed to revolve around us, when everybody loved us, and when we could love everyone, the serpents of hatred, jealousy and avarice was unknown to us.

 

Bio Note: Satbir Chadha

Satbir Chadha is the author of the highly acclaimed book, “For God Loves Foolish People”, for which she was awarded the Reuel International prize. Her second novel is “Betrayed, tale of a rogue surgeon”, a medical thriller. She has been published in over twenty national and international anthologies, containing poetry and short stories. She has three solo poetry collections to her credit, “Breeze”, “Glass Doors”, and the recent “The Last Lamp”. She was awarded the Litpreneur Award by Authorspress for her contribution to literature. 

She is also the founder of the NISSIM International Prize for Literature, awarded every year to upcoming writers of English prose and poetry.