![]() |
| Sangeeta Gupta |
** ISSN 2475-1359 **
* Bilingual monthly journal published from Pittsburgh, USA :: рдкिрдЯ्рд╕рдмрд░्рдЧ рдЕрдоेрд░िрдХा рд╕े рдк्рд░рдХाрд╢िрдд рдж्рд╡ैрднाрд╖िрдХ рдоाрд╕िрдХ *
KRYSTYNA LENKOWSKA рдХ्рд░िрд╕्рдЯीрдиा рд▓ेрдирдХ्рд╡ोрд╕्рдХा - 4
Setu, November 2025
SetuVolume 10; Issue 6; November 2025Setu PDF Archives EditorialCreative MotivationsCritical StudyHybrid Poetry (Vispo/Concrete: Triptych: False Monarchy)PoetryTranslation in Five Parts: Poetry: Part IVFrom Novel to ScreenplaySketch: Urban ArmageddonArtist of the MonthFictionBook Review
Three-Part Novella in Free Verse: Part IIPhoto Essay: Kitchener in the NightVerse Novel: Chapter Nine
The Limited Video Series of Literary and Critical ConversationsSetu Initiative: Setu Series of Virtual Readings (Facebook Page)
|
Photo Feature: Kitchener in the Night рдХिрдЪрдирд░ рдХी рд░ाрддें (рдЪिрдд्рд░ाрд╡рд▓ी)
A Carousel of Time: The Politics and Poetics of Sanjukta Dasgupta’s Oh Freedom
---Reviewer: Koushik Sen
Sanjukta Dasgupta’s newest volume of poems, Oh Freedom, collates the poems that she has written over the last couple of years. Putting down this very line on a computer screen, it feels like documenting something; that primal itch since I A Richards for close readings, to get into the head of a poet, to decode the cryptic lines as if they were some sort of interpretive revelation of history. That is something akin to what people generally tend to do in their daily lives, their furrowed eyebrows, their WhatsApp screen reading message deleted, frantically typing out, ‘What did you delete?’ As if the act of omission, the commission, the very act of writing and non-writing is not valid ipso facto.
![]() |
| Sanjukta Dasgupta |
It is a difficult proposition to talk about Dasgupta’s poems and do so
with the expected impersonal detachment. The anxiety of influence looms as
someone who relates to things; one is given to think that the couple of years
at the University of Calcutta are a permanent epiphany. At the same time, it is
easy to read the lines redolent of the familiar wit, the occasional bon mots, and the surreptitious jibe at
the positivist view of history as a Marxist-feminist: ‘He himself said he had Greek genes/Remember Alexander’s visit’ – the
rest is history. And that’s no critique of the ethno-religious supremacist
politics – she’s talking of her father, or her mother’s husband, to be loyal to
the title of her poem. She follows up this poem with one on her husband,
beginning with a characteristic tongue-in-cheek ‘Unlike Draupadi, I have just one husband’ but ending on a
neoclassical sobriety. Poetry is
fiction, after all, as Terry Eagleton makes it clear in his How to Read a Poem.
![]() |
| Koushik Sen |
It was Julian Barnes who had famously written that history is the
crossroad between the shortcomings of documentation and the inaccuracy of
memory. For poets, however much logicians would hate it, it is by their very
vocation that they bridge this gap, and they do it with a personal reading of
history. With poems fashioned as childhood reflections like Tom, My Little Puppy, and Bulbulie, My Little Bird, Dasgupta seeks
to do the very thing that she does in the other poems, at least in their
central fabric: undermining the family without subverting the personal. It
seems like a contradiction in sorts, a Marxist obsessed with the individual –
but that is where the poet trumps over the rationalist – putting fingers on a
history that is so awfully visible yet guarded, carefully picking out the bones
from the flesh, the crenulated mark of personal loss recognizable. The learned
is separated from the instinctive, bond from love; which reminds one of the
late Sankha Ghosh’s often quoted lines: ‘Mukh
Dheke Jaay Bigyapone’ (Advertisement obliterates the identity).
Incidentally, Dasgupta refers to this instinct with her characteristic wit in
one of her poems, Reading, noting
with a chuckle how emoticons are the new antediluvian pictography.
Setu Special Section: November 2025
Language of the Seas
| Sunil Sharma |
He always thought of the sea as 'la mar' which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman. Some of the younger fishermen, those who used buoys as floats for their lines and had motorboats, bought when the shark livers had brought much money, spoke of her as 'el mar' which is masculine. They spoke of her as a contestant or a place or even an enemy. But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought.
― Ernest Hemingway
Well, plenty of things, provided you are listening to its music and moods.
For example, the sea speaks to John Masefield in a way almost unheard of:
To the gull’s way and the whale’s way where the wind’s like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick’s over.
Or, the immortal lines from the Bard:
Of his bones are coral made;
Those are pearls that were his eyes:
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Ding-dong.
It can speak to any watcher interested in its secrets.
To a girl-child, it has got some message that is best understood by a young heart only.
The infinity.
The blue expanse.
The tides.
The rolling waves.
The gulls circling above the waves.
The shore lines are dotted with the conches, shells, stones, driftwood...and other things deposited by the returning waves.
The resilience of the sands. The whispered ditties of the trees. The songs of the fishermen.
The graceful flights of the gulls over choppy waters.
Eternal beauty of the moon, sun, stars on the dappled bosom of the seas; poetic forms that float up there on the waves.
Of the dark mysteries by the night.
.
![]() |
| Artwork by Meenakshi Mohan |
This month's picture prompt is this and that, and, more than that.
The depiction is the inspiration for many writers who find the visual by Meenakshi Mohan as stunning and unveiling many openings on the scene witnessed by the kid standing absorbed by the shore and its fascinating ecosystem.
A slender figure, with the back to the spectator/s, rooted in the instant and watching the motion and the terrific splendour of the ceaseless sea.
Bit personal, philosophical; bit poetic; bit realistic; the painting by the eminent Indian-American artist, poet, editor and academic is a triumph and the anchor of this month's special section.
Elsewhere, Dr. Meenakshi Mohan talks of the motivations behind this impressive composition.
She has been a regular contributor---and a close collaborator, the distinguished artist whose oeuvre delights and enlightens us.
Rest of the edition is packed with nutrients for the brain.
Please enjoy!
Sunil Sharma,
The Red Woman by Laksmisree Banerjee
The Red Woman
Laksmisree Banerjee
Black Eagle Books [Dublin. USA. India]
PP 108, Year 2025
ISBN 978- 1- 64560- 637- 6
PRICE ₹ 280
---Reviewed by Santosh Bakaya
There is no denying the fact that Laksmisree Banerjee is an important literary
voice in the present literary scene. I have read many of
her books and have found the impassioned intensity of her writing almost
palpable, impacting the reader powerfully.
In the pages of this new book, The Red Woman, published
by Black Eagle Books, [Dublin, the USA, India], Patriarchy, with all
its cruel claws, is in the dock!
| Laksmisree Banerjee |
Her poems cannot be stifled, but will
bring hope to the hopeless, revitalizing and resurrecting the women
languishing in the margins of society.
With remarkable panache, Laksmisree has woven together myriad female experiences in a Male-dominated society, symbolized by the powerful Red Woman, embodying pain, defiance, and the searing fire of rebellion. As she says in her interview with Rachna Singh, [Editor, The Wise Owl magazine], she has presented and poeticized 'The Red Woman in all her entirety."
She has a voice that excels at singing dulcet songs, but here her poetic voice reaches a crescendo of indignation at the centennial patriarchal mindset.
![]() |
| Santosh Bakaya |
With an edifying eloquence, she expresses empathy with the marginalized, the downtrodden, the silent sufferers, the child brides, the young widows, the victims of prejudice, and the invisibles. And, also, the new bride,' in closeted freedom of female glory', all dressed up in heavy finery, waiting for the doors to open,
' lattices removed,
for guests to enter, inspect, and laud
the newest toy in her in-laws' home."
Dedicated "to all such Abhayas, Nirbhayas, and fearless women
of the world, brutally treated daily, killed and raped by the
ageless guillotine of patriarchy", the book, in its 108 pages, attacks the sinister minds
responsible for the' female body and soul strewn in gory shards.'
" lacerated womanhood, the searing agony of a manacled
womanhood,"
In the Author's Note, she says
that, “the predominance of the Red Colour, its efficacy and usage is
interwoven in my poetic fabric."
”Fire and the colour red are powerful symbols that burn in her poems
and remain intensely personal, while also connecting with the reader because of
the universality and the immediacy of the issues raised," says
Debjani Chatterjee in her blurb.
The longest poem in the book is The Red Woman, pp 1-
5 - the woman who is lost in the meandering paths of
Songachi.
She exclaims,
"You are the whore,
not I
You have sold your soul
not I
You have revelled in perfidy
not I
You have traded in lust
not I”.
The back page blurbs speak highly of her poetic
talent.
Candice Louisa Daquin, [USA], calls the book 'a potent tour de force through
womanhood, culminating in a meticulous, polemic rebellion.
K. Satchidanandan says that she has consistently pursued the "painful secrets of the human condition."
The poem Timeless Sin p 30, hits hard at the regressive ritual of locking up a woman for
her crime of bleeding for 'four days a month'.
"My grandmother
was chained in darkness in the cowshed,
Barred from sunlight four days a month
It was a crime for her to bleed
Like it was for her to be a girl-"
After coming out, she would be purified with cow
dung and chilly Ganga water
"Strangling her every month
with pneumonia."
Unborn Kill, p 39 is
another hard-hitting poem on female infanticide.
"I felt my throbs
deep within
the frothy warmth of
my mother's insides...
I was she
a teardrop on the serrated edge
of being,
a dew on her hidden, clement leaf,
soon to be sucked out by
the boiling seas, the hot winds
of prejudice.”
In 'Renaissance after her Martyrdom', p 107
"No way will this upheaval ever stop
till a new awakened, sun rises in tearful blossom..."
No longer can we afford to remain complacent or
indifferent; we need to raise our collective voices against these atrocities,
against bruised womanhood, against all societal stereotypes,
In an interview with Rachna Singh, the editor of The Wise
Owl magazine, Laksmisree Banerjee says that the book
accentuates
'' the multifacetedness of women's experiences
throughout the world."
She emphasizes that the "resonant image of this book would be a
blood-smeared woman with an unfurled flag in one hand and a tight fist in the
other, proclaiming a crying rebellion for a better world of equality and
humanity."
This collection throws ample light on the brutal fact that
women continue to battle the evils of patriarchy, excruciating humiliation,
and isolation.
Some, like Maya Angelou's caged bird, alas, have forgotten to sing.
Like Laksmisree, I am also robustly convinced of the power of poetry to bring
about positive change. And this, I am sure, is one such book which will take
society by the scruff of its collar, and shake it out of its complacency.
Let me add an important point here.
Despite the bludgeoning and battering of women in a toxic patriarchal
society, Laxmisree reiterates that we continue to witness the grit and
gumption of such women to rise above the trials and tribulations of life, and We
Rise with Her.P 107
"No, we cannot stop till the seeds flower again
till the verdure of love sprouts in redressal
Till the womb stops bleeding in such a demoniac carnage
..............................
We now await appeasement of a new daybreak."
Two chilling
poems, Fire of a New Woman, PP 25, and SCARS: Burnt Woman, based on a real-life, personal Fire
Tragedy, sent chills up my spine:
In the concluding lines, of Fire of a new
Woman, I could read the message of resilience and fortitude. Out of the
ashes of the fire, a new Woman was born.
“You found your new sangfroid
I found the darkness of fire
the light of knowledge."
In [SCARS: Burnt Woman pp 23 -24] Despite ‘ice cold abandonment…”
“my tears hardened
Into granite chips…and the darkness of fire
taught her ‘the lessons of love and life’.
Bravo for writing such an important book- A book which deserves a permanent
place in the book shelves of all university and college libraries.
Fiction: Insects
![]() |
| Anand Bahadur |
They were
innumerable, and they were everywhere…
Crowding the streets,
lanes, roads, alleys, byways, crossings: a myriad of insects of every
conceivable colour possible— red, green, grey, black, copper, crimson, magenta—
and sizes or shapes as might be imagined. Flying about the entire city-space,
spreading their dreadful shadow over everything.
And the groan….
Made of hissings and
buzzings and whinings and creakings and snoozings and croonings and purrings
and slurrings— emanating from the friction of their legs, wings, diaphragms and
proboscises…
Which mingled with
human-sounds…
Shouts and shrieks
and whispers and grunts and grumbles and laughter and wails and yells and
yowls…
Together with the din
of traffic…
Horns and bells and
whistles and clangs and bangs and beeps and tweets and screeches and thuds…
As if some phantom orchestras
were playing a sinister tune. A roar both present and unpresent— for though
they heard it, they were so accustomed as to be unable to hear it— hearing and
yet not listening.
The city itself, to
the Satan’s satellite spying from space, must have looked a terrible monster,
with those insects and humans casting their dreadful spells over each other,
those spiteful Saddams ready to pilfer and despoil, ever to be watched and
targeted, annihilated with pesticides or missiles at the slightest provocation
or whim of a mad finger on a nuke-button.
But before that
inevitability, everything so far was normal. It was one of those nondescript
days when, just after the afternoon rain, a darkish evening was spreading its
tentacles over streets, lanes, parks, playgrounds, and spaces of every nature.
In the corners of the slowly darkening time, a twinkle-twinkle-game was in
progress— with thousands of lamps and bulbs of all sorts, from puny ones to
huge neon, sodium and LED chandeliers lightening up one by one in houses,
shops, workshops, offices, tea-stalls, coffee-houses, coaching-centres,
studios, red-light-areas and on the uncountable hoardings and lamp-posts.
And expectedly, after a drizzly afternoon, trillions of insects had appeared, as if from nowhere, reducing the city to the status of a Ramallah in seize, they flew about displaying their random aesthetics of infinite precision, engaged in collective dances of complex, intricate natures. Especially under the huge sodium-neon street lights were they so dense, that from far they looked like giant gyrating pillars stretching from ground to the sky.
This town or metropolis— better call it metropolis— for all the essentials of the metropolitan life are to be found here: millions of insect-like buzzing lives, tens of thousands of pigeon-holes or match-boxes housing people packed like fishes in canisters, a blatant and belligerent police force, a corrupt executive and a pervert judiciary contaminated with political interference, hundreds of thousands of super-fast vehicles always on the run, hundreds of hundreds of fatigued streets and lanes with uncontrolled round-the-clock traffic, innumerable chimneys emitting mega tonnes of smoke, giga-decibels of ear-splitting noise and vulgar music, uncountable massage-parlours-cum-whore-houses, intolerable pollution, Ganesh-pujas and Karwachauths and sex and murder and torching and lynching and suffocations and heart attacks and scams and chicaneries— such large scales of everything which makes the individual life resemble that of an insect— yes, it’d be very appropriate to call it a metropolis.
It’s a great city no doubt… and a great city’s a great war… war between right and right, and between wrong and wrong, between good and good and evil and evil, between time and time and place and place. The humans, beasts, birds, insects, trees and plants of the great city are soldiers of a great war. Who fights whom? Forget it, ask who doesn’t fight whom? Take the mega humans of the great city— industrialists, contractors, brokers, businessmen, scamsters, leaders, statesmen, officers, ministers, doctors, commissioners, editors, advisers, auditors— playing games of infinite subtleties and infinite variations at the expense of insect-like things whom, for lack of proper nomenclature we conveniently call ‘the common people’.
On this current
instance too, in midst of the hustle-bustle of the puny teeming millions, these
mega humans were busy with their thousands of meetings, settings, adjustments,
conferences, seminars, discussions, presentations, dinners, fairs, affairs and so
on. So critical was the scenario that no one had the time or opportunity to
stop even for a split-second to ponder that sooner or later, if it were to go
on like this interminably, somebody or other was destined to confront the
insects.
The megacity under advertisement had come into existence comparatively recently, that is, just three to four decades back— as if out of nowhere like a Troy at the call of Jupiter’s horn or like Sage Vishwamitra creating a heaven at Trishanku’s obduracy. So fresh in memory, as if it were only yesterday, when a multinational corporation discovered some crucial ores in a dense forest area and, striking a deal with the government, cleared the entire forest laying the foundation of this great industrial city or empire.
The execution of this great work— the founding of the Grand City was an excellent example of human will and capacity to take on extremes of situations. Somewhat similar to that accomplishment in the Mahabharata where the Khandavavana forest was torched and billions of beasts, birds and insects reduced to cinders, to build the heavenly Indraprastha, the capital-city of the Pandavas. No one knows what role the progenies of the murdered insects, birds and beasts of that unfortunate forest played in the city-life of Indraprastha, but here, in this modern Indraprastha, the unending conflict with insects is a decisive and tragic aspect of the city-life.
Before that tragic eventuality, the insects must have occupied every atom of earth, water and sky. The entire Jungle was theirs, and following a sublime reciprocal symbiosis they, their body and soul, of the Jungle. They must have had a very busy existence, wandering everywhere creating thousands of musical symphonies through their wings, limbs and proboscises. Once dead, their decayed bodies would become manure and transforming into the Jungle’s life-sap, provide priceless sustenance to the trees. In return the trees would give those flowers, fruits, grains, seeds, pollen, and nectar and made available millions of minute juice-leaden spaces for the dizzy raptures of cohabitation. Thus, the insects were the nourishers of the trees and the trees that of the insects, the forest earth was filled with quadrillions of spores, sperms, pupa and larvae of these insects.
That’s why, despite
thousands of human attempts to annihilate them once and forever, the insects
just kept coming back. Their trillions of larvae, cysts and spores hidden deep
under the ground— under roads, factories, squares, shops, malls and houses— ensured
that man suffered for having the temerity to challenge them. Like millions of
sleeping volcanoes, these cysts-larvae-spores suddenly erupted from time to
time, especially on humid evenings following afternoon-rains. Hissing, buzzing,
creaking, scratching, snatching, biting and stinging the inhabitants, embalming
their skins with venomous saps and causing intolerable boils, sores and itches,
flying about everywhere— they made life terrible, if not impossible.
And so even on this day, a pathetic confrontation was already on between the omnipotent rulers of today the homo-sapiens and the monarchs of yore the insects. It had rained in the afternoon, not much of a rain but drizzle rather, and the evening was hot, humid and slimy. By the time the sun rolled down to the setting line the insects were back— where they’d always been, doing what they always did, like innumerable necromancers weaving black-magic. People, who were quite accustomed, knew how to avoid them. As a result, there were people and people and people mingled with insects and insects and insects, making unique atmospheric rubble till one knew not who was who. In this all-important sphere of the earth, it was difficult to say if insects were surrounded by people or the people by insects. Harder even to tell who was troubling whom.
This is a true story of the happenings of one evening in the life of one of the denizens of this new sphere of the earth, the humanoinsectosphere, which is almost like the other spheres, the troposphere, the exosphere, the ionosphere, for example, differing only in terms of its constituent particles, if you’d condescend to calling humans and insects, particles. In this city thriving on an explosion of individualism, where everyone is a protagonist in his own meta-narrative, our dude too is a hero, a central character. Like others of the city, this evening he’s going somewhere too in his brand-new car of the newest model.
The car, hardly recognizable as a car in common parlance, but almost a space-shuttle, goes speeding through the avenues of the city, without emitting an ounce of smoke or a decibel of sound. It goes through the dense clouds of insects at random, splitting them helter-skelter. The lone driver, our protagonist of the hour (for in this mega-existence, there’s no permanent protagonist, there’re only protagonists of day, or even of hour, minute or second)— by his dress, airs and manners, something of the higher design— of great aristocracy, or big business or huge entrepreneurship or high officialdom— which implies a mega persona from among the ranks of mega humans. That dazzling car of his, with glasses all rolled up, giving appearance of some armoured submarine, impenetrable and insurmountable, is seen floating with lightening swiftness over the concrete and silica of the roads and passing under the lamp-posts and hoardings, surrounded by dense fogs of insects. The hoardings and lamp-posts are in continuous, interminable stretch and the dense clouds surrounding them look like a huge supernova buzzing and floating over them. Each time the car moves under some lamp-post or hoarding, the dense fog chunk gets churned up, scattering the insects painfully, for the insects completely lose their rhythm and dissipate and squander here and there for quite some time, before resuming their pattern. The dancing columns once again materialize, to be broken and disturbed again and again and yet again by another and another and yet another speeding vehicle.
As it is, this supra-shuttle was speeding through the maha-city, soaring over the numerous avenues, crossings, lanes, by lanes, squares, triangles, serpentines, outers, dividers— and in the process disbanding the swarms of insects everywhere and driving them off to different directions. Inside the car, the new-maha-human of the maha-city, was skilfully manipulating different parts of the vehicle— the power-accelerator, the power-breaks, the power steering, the automatic controls, etc. in pursuit of some personal goal— some unknowable idiosyncrasy of colossal dimensions. He and his car, belonging to two so different genres, the one a machine and the other a living being, yet so eminently suited to each other to appear extensions of the same being, one complete entity, destined to come together to achieve massive multi-targets— a possibility that was so vividly located within the precincts of that vehicle.
Right now nothing seemed capable of challenging this potent partnership, this finely filtered balance, this matchless equilibrium, when suddenly— passing under a huge hoarding, where billions of insects were involved in their mesmerizing existential ritualistic dance, one of the window panes accidently, but one knows not with what expediency, slipped down— slipped-down-open— and rolled-up-close— for the very split of a second. It was a very very infinitesimal atom of time this, but in that decisive blink or chink of space-time, a large number of hustling-hassling-wriggling tiny fiends made their way into the car.
It’s difficult to say how many they were actually there— a dozen, a hundred, a thousand, or hundred thousand, or more— but their collective buzzing echoed so alarmingly within the closed confines of the car that it seemed as if a huge monster had entered the human world from some distant planet in the space. Their heart-rending shriek made the driver almost jump out of his cockpit. His firm hands, gripping and driving with quiet assurance, were shaken as if somebody had wrenched the steering-wheel away. The car, totally thrown off track, barely escaped hitting a number of vehicles speeding all around. Swearing loudly, he applied the power-breaks and the car hitched to halt by the side of the road. He switched the interior light on. The scene inside, was blood-curdling.
It was as if an insect-empire had been established inside the car, or was it really a car or an antediluvian jungle full of insects? The steering looked like a green bough covered with twerps. The dashboard, back screen, gear-handle, seats and other parts were bushes, shrubs and vines of different shapes and sizes full of crawling flibbertigibbets. Dozens of deadly zilch were circling in the air menacingly, making fearful noises. His own torso was almost entirely covered with lumbering and trudging demons. Some had even squeezed inside his shirt and trousers, poking about smearing slimy fluids and producing curious sensations. A large poisonous whippersnapper was sitting right on his left arm, looking like some annoying George Floyd. Our Chauvin shook it down with lightening-speed and crushed it under his toe.
This was but a very crowded part of the street. Even as he was parking, the pressure of traffic had become intolerable, and vehicles all around were hooting angrily. To an observer from some outer world, these shrieking, trumpeting and neighing vehicles themselves may have looked like huge ghouls roaring spitefully. Because of this odious din, he had to restart the car and proceed immediately, carrying that stormy brotherhood ahead for more detailed confrontation. With great difficulty he managed somehow to take the car to a lonely side-ally. Now he was ready to deal with the stubborn ghouls.
He jumped out. Fortunately, this was a very secluded place which allowed him to take his infected shirt and trousers off without bother and shake them vigorously, then start hunting the cacodemons sticking to various parts of his torso and squashing them one by one, even combing his hair thoroughly to expel the obdurate ones sticking to his scalp, some of them so tiny that, unable to trap them between the teeth of his comb, he had to scratch them out one by one by biting the scalp with his nails. This felt terrible, but he cared the least, for victory meant everything, here as elsewhere in life.
Victorious on that one front, he now approached the car, carefully, for a large number of Tom Thumbs were still inside, and he hadn’t forgotten them. There they were, all of them— flying around, crawling on various inner parts, secreting slimy fluids, emitting pungent odours, making a deafening buzz, spreading chaos in the empty space. He grabbed a big towel and started throwing it about, driving them out of the open doors. He kept doing this for some considerable length of time, till he was sweating profusely and had to alt to wipe the sweat draining down his brows and forehead. While attending to himself in this way, he took a cursory look around, expecting the interior to have cleared considerably, but was taken aback to notice that there were even more ogres inside than in the beginning! At-first he couldn’t fathom, but after some brain-teasing he became aware that it was the light of the inner lamp, that was attracting more and more of the salamanders from outside. He slammed shut three of the doors at once, switched off the lamp, and started expelling the leprechauns from the remaining door. It was only after quite a long time that the matter seemed to be coming under control.
Finally, when no insects were to be seen any more, he closed that half-open door as well. But just then it downed that some hobgoblin might still be under the folds of seats, the dashboard and other places. Shit! He began the crusade anew. To search and carve out the hated gremlin, crush them and throw them out through a slight rent in the window. To be honest, it gave a him a rare delight, a brand-new titillation never experienced or recorded earlier, a mixed feeling of vengeance and adventure which is so satisfying— and now he was ready, eager to return to his homo-sapiens world, where everything always remained under his control.
Starting the car again he threw a disdainful thought towards the puny puck who had dared to challenge him. For a moment he looked like a little Hitler in his own little Wolfs Schanze— determined to annihilate the zilch of the world forever and ever, a stick-to-itiveness to force the accursed municipal corporation to create an insect-free world, a firm resolve to show the dudes who stood where. Ministers, high officials, corporatists, policemen— who was there who didn’t know him personally, who’d be so impudent as to disregard his dictate? To be squashed down like these same crawling dullards! Yes, but more of that later, for dozens of vital personal agenda awaited, some adjustments had to be attended to, and some settings in the system here and there by coning the bureaucracy— he threw the insects out of his mind. Now he looked assured and relaxed.
The car was again in its normal swimming mode. Moving on the wide boulevards of the city with the pride of a Genghis Khan or Attila— unbridled, unhurried, unperturbed— tearing asunder hordes of creatures hovering everywhere… cigarette— suddenly this sharp pang in the solar plexus, but that would necessitate opening the window, ever so slightly— he gave up the idea. Out came the costly gutkha used by the fastest and the most furious, advertised by the octogenarian superhero of the century, the Great Bachchan!
Everything was okay now. His cell phone yelped out loud, like some mantra suggesting that things were back to normal. Taking a glorious turn and changing the car’s direction with one hand, he pressed the knob of the Blue Tooth attached to the steering with the other. He knew what it took to talk on the cell-phone while driving an ultramodern car, to leave a lasting impression on the listener’s mind, to manipulate its reverberations to clinch half of deal on the phone itself. This is it, this! This is the trick. Your car is on the road, perhaps a thousand miles away, but it floats in the valleys of the listener’s mind. Not everyone has this knack, a very rare gift.
Just then, shit—
For one tiny, solitary moment a cruel sheen, like that crusading zealot Abu-Bakr-al- Baghdadi’s quivered in his eyes. He groped over his thigh area—nothing! He swept his palm over the whole lower torso— blank! Has the nocuous bastard crept under the seat-cover or somewhere? Nervous hands fumbled here and there. The irritating sensation was unbearable; hanging still to his talk, he rubbed and scratched the thigh all over.
And now, the talk was over. He switched the Blue Tooth off and the cell phone quietly went back to sleep— in the leather bag attached to the belt, a beast secure in its den. Yes, a cell phone is but a horse, a beast that takes you to odysseys of unknown lands, jumping unfathomable chasms of sound— but a terribly short-tempered beast meant to create as well as destroy. He had learnt to fear and make others fear the Frankenstein.
But right now, he was in a pleasant mood; to prove which he switched on the powerful music-system embedded in the vassal, turning it almost immediately into a moving theatre of sorts. Our Kim must have felt something like this after another finely chiselled nook-work; he started using the steering as a Tabla— Tick-tuck-tuck-tick, tuck-tuck-tick-ta-ta-tuck! Ta-ta-tuck! Ta-ta-tuck! Really good! Humoured, he started humming— dub- duba-ke-dub-dubba-dubba-dubba! That was even better! If the baleful Belial was still there, then it must have dissolve into ether by now, erased itself from the map of existence.
His thought process resembled that of the elated Honourable Governor of the World Bank after destroying the cotton-farming of Brazil. But just then—
Of a sudden—
No, no, noooo— not on the thigh. There on the throat— right where an attractive lump forms on a well-fed man’s Adam’s Apple, facilitating the attention of the most fashionable male-huntresses of his high world— just before the real pouncing. The filthy tickle that had started on the thigh had now climbed up and was afflicting just that traction-point on the Adam’s apple. Oh— this is too too much! What is this? Some phantom from hell—
Slam!!
If any of the accursed brotherhood was there— big or small or of whatever type, some Pehlu Khan or Rohit Wemula or Gouri Lankesh— it must have been crushed by this awesome blast. Dropped lifelessly on the carpet beneath— to be crushed further with his toes. Yet a mystery was involved too— if there really was something, then why did his fingers not feel it? Certainly, even for the thousandth part of a nanosecond! He started thinking like some Condoleezza Rice in Tehran or a Donald Rumsfeld in Lebanon.
No, he must check his celebration for a while— suppose it was just a very very tiny, itty-bitty micro miniature of a pygmy— a really really puny thing?
Of course! That must have been it! There can’t be any other explanation!
Yet, just for precaution’s sake once again— he’d never taken an adversary lightly all his life. In work as in game as in gambling. That’s why he was so successful, a ‘rising star’ even at such raw age. So, may be just a game, yet as a matter of paradigm—
He started scratching and wringing his entire neck-portion furiously. His shirt collar—presented by his wife only the other day as a wedding-day gift— he threw to wolves any tender thought and mercilessly reduced it to pulp in no time so that it now looked like a piece of wrinkled newspaper hanging about his neck. True, he experienced considerable pain himself, but the very thought that he had to hurt himself in order to destroy an enemy, was pleasing to extreme. Enthused and inspired like a partizan, he started scratching, rubbing and scrubbing the entire thoracic-region, very soon turning his shoulders, back and belly bloody-red: like an Afghanistan pounded by missiles.
And thus, the insect, wherever it was, wherever it had tried to hide itself— that tragic attempt had been negated. He was happy once again. It was almost night now, night that descends upon the metropolis like a brighter than day charisma, in all its magnificence and glory. But he had to accomplish a number of missions still, and was a trifle late too, so he let his car tear through the wide boulevards. He switched the cell-phone Blue Tooth on again.
Yes Dayal… certainly…
just reaching… just manage him… Ooo some twenty minutes… arrange anything …
entertain him… call Rosy if you like… in every way, sure… he dialled another
number. The roar of the engine rose to terrible decibels.
Suddenly!
There was a blooming clang as he applied the brakes in a reflex action. Before he knew the car stopped in gear with a spine-chilling screech. But he didn’t even dare touch the place this time round, just turned the back glass to inspect the thoracic region. Holding his breath, like a cow-vigilant waiting in the dark. Suddenly a horrendous squall came from behind—a truck, bastard— he drove the car farther and parked it by the roadside, switched on the lamp and looked about—he could see nothing. But now he was aware of the game. Shit!! His lips pursed firmly, face hard like stone.
The engine started with a hitch, as expected, the itch returned almost immediately. He shut the engine. The itch dissolved into thin air! So that was the game! He started the car and drove like possessed. The itch appeared, spreading its dreaded tentacles. But he did nothing foolish this time, just kept driving blindly with that stolid face. Only, he reduced the volume of the music. The insect wriggled once more— a burning sensation, the steel grip on the steering hardened.
The time of decision had arrived; he took a U-turn at the next crossing. To home, which wasn’t very far, or was it?
An odyssey to be
accomplished in a few seconds, a lightening-swift voyage! To home! To home! No
time to lose— fast, fast, fast, fast— the speedometer-needle started jumping
like a mad hen. To home to home to home! The cell phone whined. For eons the
cell-phone kept pouring its wail into the car’s coffin.
But now the insect was playing with him!
Hide-and-seek,
I-spy-it, cat-and-mouse, duck-and-drake, Tom-and-Jerry. But he drove on, on, on.
Time’s flux diminished— slower slower slower—it was hardly crawling now.
Insect-throat-steering-throat-insect-accelerator-insect…
But now even that game was a-changing. There were more and more of them now, coming out from every nook and corner. And now they started crawling all over him— on the knees, on the calf, over the back of shank, on the arms… Burning sensation all over the body, but he refused to stop.
Home was nearer— home, sweet home, dear dear home, Ek Bangla bane nyaraa somewhere near
Where?
Suddenly there insects everywhere. Insects, insects, insects. Trillions of wriggling and stinging sonofabitches. All those he’d seen under lamp-posts with unseeing eyes when his car went through them.
He stopped the car,
jumped out and ran— fast, fast, fast, fast— His house appeared in sight, grand
as the Pandemonium, a pleasure place, and a heaven— a Taj Mahal of
greed, made of tens of thousands of dishonest marble and granite slabs, tonnes
of sinful cement, a blood-smeared entity, a memoir of thousands of innocent
hungers. Ah, here’s the blessed thing, the gate.
He pressed the bell and went on pressing. First the gatekeeper, and then his wife appeared— as if from nowhere. A quizzical look on his face, the gatekeeper stepped up to open the gate. He signalled towards his car, and the watchman proceeded in that direction. The housewife was stood like a statue.
Is- is-th— there’s something on my throat?
Inside the room, he
looked at his image incredulously, as if he was seeing a phantom. His hair was
scattered haphazard and greyed like an old man’s, the face full of scratches,
wrinkles and pimples— it was the face of a very sick old man.
What’s the matter
with you? The statue spoke in
a very soft, almost inaudible voice.
It was a small piece
of thread dangling from the collar-button. Curling down and touching the
throat—
Aree!
He yelled, pulling at
the thread dangling from his collar button. The thread held. Damn… he tugged at
it violently—
Finally, the thread
gave way with a small phut.
At once his ear drums
reverberated with roars of a million insects.
His wife, standing
just behind, saw his image in the mirror. Her mouth opened wide for a
heart-rending shriek.
***
Foot Notes




















