Showing posts with label Photo-Conversation. Show all posts
Showing posts with label Photo-Conversation. Show all posts

Sushma Malhotra

Sushma Malhotra
Sushma Malhotra immigrated to the United States in 1991 and lived in New York City until she moved to Township of Washington, New Jersey in July 2024. She has been writing and publishing in Hindi and English magazines and other collective anthologies. She writes in various genres such as poetry, short and long stories, educational articles and travel memoirs. She has published two anthologies in HIndi and one in English. She is the founder of the Association of Indian American Educators, Inc and Nirmal Roshan Sahitiyak Manch. She has presented her papers during International Conferences at college or university levels.


Identity

I am desolate and forsaken bench
Waiting for human company
I am available forever
To give solace and relaxation
To those willing to shed their tears
To express their pain
Outpour their screams
For the sky to hear

Come sit and share your secrets
Of love and admiration
Of remembrance and reminiscence
Of Plans and Dreams
Spread them on me
For others to pick from there
I resemble you as I am an epitome of
Solitude and isolation
I am a “Lone Seat in North Haven.”
***


Pronouncement

One big and one small tree
Giving company to each other
Bearing all kinds of weather
Falling of rain and shower
Snowfall and blizzards

Nature around them
Wondering at the thought of the unknown
For putting a bench near a road
Expecting a passerby to stop
Unexpectedly though momentarily

May be a hiker tired or stranded
Beneath the trees and brood
About the path to take next
Trusting the nature where both trees
Standing and supporting each other

The density of the leaves
Providing shade and fresh air
Uplifting the spirit in lonely landscape
Relaxing from the city sound
Escaped. away from the town

Learning from the wildlife
To strive in the rain or snow
Stay together and offer self
Who need rest and admire
Before you wither with weather
***


Candid Image

Nature is always infinite
Humans cannot measure it
It’s vastness remains unaccountable
It opens itself abruptly
Unexpectedly exhibits candid image
Sometimes abandoned
Represents cosmic recklessness
With boundless views
Offers city or town dwellers
To accelerate their journey
To figure out untold stories
Of paved or unpaved paths.
***

Special Edition: Sankha Ranjan Patra

Sankha Ranjan Patra
Lonely Nature

I was walking alone
In the loneliest morning,
Suddenly I paused
Along with nature mourning. 

She looked at me 
And I gazed also,
Few minutes later 
We became friends. 

Non stop talking goes on 
Sitting on a lonely beech,
As if she shared her glooms
And I could not but do mine.

Time turned up to wishpered
Into her ears and mine too,
Time turned up to end that,
An encounter with nature.

I was sitting alone
That still morning, 
Suddenly I felt 
Nature was mourning. 

She left around me 
A road, a plain, a sky 
No noise, no voice, no lies
She left me in thought. 

Non stop talking no more 
Sitting on a lonely bench,
So easy everything appeared
As nightmare disappeared.

Time turned up to announce 
Proudly into my ears only 
Time turned up to end that,
An encounter with vacancy.

Bio: Sankha Ranjan Patra is a poet and author. He belongs to India. He writes in English, Bengali and Hindi. His published books are Muse, Mute, All About Love and Borsha. Muse and Mute are poetry books in English. All About Love is a novel in English. Borsha is a poetry book in Bengali.

Special Edition: Toolika Rani

Toolika Rani

Squadron Leader (Dr) Toolika Rani is an ex-Indian Air Force Officer, Mountaineer (Everest Climber), International Motivational Speaker (TEDx), Author, Poet, Assistant Professor, and was the G-20 Brand Ambassador of Higher Education Department, U.P. Government (2023). She has published seven books, out of which two are collections of her English poems, titled, The Song of the Sky and A Wild Flower, two are collections of her Hindi poems titled, Dayron ke Baahar and Hasratein. She has edited an International Anthology of Poems on Himalaya, titled, The Mountain was Abuzz which was displayed at Kathmandu International Mountain Film Festival, 2024. Her book Beyond That Wall: Redemption on Everest fetched her Young Writer Award and Sahitya Shree Award. Sherpas of Solukhumbu: History and Evolution is based on her Ph.D. thesis on the Sherpas of Nepal.    

 

The Destination 

Time slipping helplessly 
On the wheels of a rushing road 
Not a moment of rest and respite
Breaths quickening, steps lengthening
Lengthening till they stretch too far 
Too far to sustain 
And break apart
Unable to move at all
A heap of helplessness!
The road, though moves on, nonchalantly 
Unfazed, unmoved. 
Picking up silently the remnants of the self 
For the first time he notices 
A quaint bench
Under a tree’s branch
With the still waters of a lake 
Stretched far 
And a line of friends peering 
Sympathetically down on the 
wounded man 
Sending their lush energy into his 
Scorched veins
Quietly reviving his agitated nerves  
By their soothing verve
And, there beams a reflection of his own
Even to him hitherto unknown
Which signals to him,
Now, you have arrived, my friend! 
*** 

Special Edition: Baijnath Gupta

Dr. Baijnath Gupta
Dalliance with Loneliness

How human they look
In their grandeur and loneliness-
The earth, the trees, the bench and the lake. 

Vacancy has built many a nest in the branches of the trees
From where no birds chirp and 
No fledglings flap their wings now
No rain now brings straying travellers under them. 
No lover carves a heart on their trunks any more. 

The earth grows restless scratching its
Green beard that has grown all over its face
And, the tipsy barber is late for work. 

On the bench is outstretched emptiness 
Where the oldies used to sit and bask 
In the glory of their daring youth, 
And the green pairs did endearments exchange. 

The lake seems submerged in sorrow
With no wave or ripple 
As no child now skims stones across it 
And no babies dangle their feet in its water any longer. 

Nature, in all its grandeur and beauty,
Sits like a queen, 
Mute and sad and lonely 
Waiting with wan eyes 
For her male consort 
To come and fulfil her, animate her and give her music. 
***

Bio: Dr. Baijnath Gupta is an Associate Professor and Head, Department of English, DSN Postgraduate College, Unnao (affiliated to CSJM University Kanpur). He has edited an anthology of poems and has contributed twenty-eight research articles to various national and international journals of repute. He has also published several poems in various anthologies. A collection of his poems is under publication.

Special Edition: Meghna Kaul

Meghna Kaul
Meghna is a teacher by profession , loves to read and write. She composes poems and writes short stories. She loves to write on nature and celebrates simplicity of life. She has written reports and articles for TOI. She is currently residing in Lucknow. 
  

She Waits

 A lonely walk beating the grass
rushing with panting breath
among the silence and scenic charm
a pang of guilt touches the heart
the hasty steps and a hazy past
 so used to the figure walking silently
her wide eyes look beyond
the landscape shudders at the desperate gaze
held by those yearning maze
She averts her gaze and beckons noon
The lake turns with a slender waste
To escape her depth from eyes so keen
The lone seat waits in calm
to be her soul’s soothing balm
Every day a prayer lurks
on those shivering lips
a shudder that escapes with a sigh
the landscape leans to see the closed eyes
Out of nowhere the dust is in sight
a round ball roll on ground from a height
A rosy boy races to the ground
the joy of play dances in his blue eyes
He runs past the lone seat
with showers of love the women treats
gurgle of love and laughter entwine
the two twin in this game
Kicking the ball and chasing again 
a powerful kick sends it far
the blue eyed boy chuckles
and rushes behind
but the ball bounces fast and lunges in the lake
as if its destination was decided afar
standing stuck the boy beholds
once so near now beyond chase
he shrieks and cries for a thing held so dear
standing numb she leans to assuage his grief
her hands move so sudden
as if shaken from a dear dream
she looks but nothing is found
the small hands and nimble feet
were now a distant dream
resting her head, searching miles
She waits, waits waits a while
***

Special Edition: Kushal Poddar

Kushal Poddar
Although Kushal Poddar has authored ten books, the latest being 'A White Can For The Blind Lane', and his works have been translated into twelve languages, and he has been a sub-editor of Outlook magazine and the editor of Words Surfacing, and he does some illustrations and sketches for various magazines if you ask him, he will say that he gardens a growing up daughter.

Lone Seat - Summer

On those Summers lives pass
before the shadow of the tree
reaches the seat 
my thoughts and memories brown
their skin while bumming within.

You may find me on the lone bench.
I shall turn, still reclined, still 
too stirred with the ardour 
for the shadow in that still-life of mine
if you near. 

Then the shadow will touch my feet.
Awakened, I shall stretch and wear it.
I always have a date with nothingness.
We go nowhere.
***


Lone seat - Rain

Grass grows long. Even now
their tips look curly.
A few more days, they will wrap
the seat, sheathe the wood,
metal pieces, Sun, shadows,
and those moments some couples 
find intimacy in their lives.

One day I may jog past the bench
without noticing its existence.
My shoes may crush a snail crossing.
I'll not feel anything.
***


Birds Exhumed

The birds Exhumed 
from the earth's innards 
rush in the sky, a tingling,
a sprinkle of adrenaline.

Alive again, a deja vu of a mirror,
I open my palms as if by design 
ashes the birds will be, 
and the  flakes of grey will cover my skin.

Special Edition: Kavita Ezekiel Mendonca

Kavita Ezekiel Mendonca
Kavita Ezekiel Mendonca has been a teacher of English and a Career Counselor, in an international school in India, and has taught French and Spanish in private schools in Canada. Her poems have been published in various journals and anthologies, including the Yearbook of Indian Poetry in English and The Journal of Indian Poetry in English by Sahitya Akademi. Her first book ‘Family Sunday and other Poems’ was published in 1989 and a chapbook ‘Light of the Sabbath’ in September 2021. She was nominated for a Pushcart Prize for her poem “How to Light Up a Poem” in 2020.
***

Loneliness

My loneliness sits on the bench
no one can see it except me
well camouflaged, hidden in depths
beyond reach of man or even God perhaps.
In calmness the river flows by the bench
it assures me it will keep my secret
if I don’t wish to share it,
the trees vow not to tell
every leaf and every branch
promise to remain silent.
The wind around the trees is still
so I have nothing to worry about
and there are no birds
to carry the secret of my loneliness
to the sky full of clouds.
***

Quietude

My father desired quietude
an ordered mind, love and truth
I learned quietude, the word and the concept 
from him.
I have a photograph of him
sitting on a different bench
looking towards the heavens
calm and peaceful, his mind full of poems.
The bench shapes his silhouette
His words engraved on the leaves and branches
comfort me,
the roots of the trees
have not buried his lines.

The soil is more fertile
with his wisdom
where the roots run deep.
I must talk to the roots
to discover 
my own quietude. 
***

Absence

To sit with you
on the bench donated by a loved one
overlooking the Glenmore Reservoir
as we once did many a time 
watching the water rolling swirling
as The Captain’s Cruise
sails by majestically,
is to know completeness of presence.

To hear you cheering at
The Dragon Boat Race Festival
listening to your laughter
seeing the ducklings follow mother duck
taking pictures of the sun on the water
is to feel the fullness of life.

To drive back home with you 
the sounds of your happy chatter
filling my heart to overflowing
is to cherish
 the richness of our bond.

But you are far away
The bench is empty
There’s more room here than I need.
Your absence teaches me 
of pain far too intense 

A lesson I would rather not have learned.
***

Special Edition: Paramita Mukherjee Mullick

Paramita Mukherjee Mullick
Silence

I am sitting lonely with loneliness.
The river flows by, its water calm and still.
The canopy of the tree gives me shade.
The opposite bank is crowded with clusters of bushes.

I am sitting lonely with loneliness.
Somewhere a lonely bird sings a lonely song.
A mild breeze rustles the leaves of the trees.
The leaves whisper in a hushed tone.

In the silence of the noon.
The river and the trees talk to me.
Sitting all alone on the bank of the river,
Suddenly loneliness vanishes
           and serenity of the silence enriches my soul.



Profile: Dr. Paramita Mukherjee Mullick is a scientist, a literary curator and an award-winning poet. She has published eleven books and her poems have been translated into 45 languages. In July this year she was one of the recipients of the Mumbai Woman Leadership Award 2024 and in June she was one among six women around India to receive an award themed, “Women: Breaking barriers, Leading futures, Shaping change”.   Paramita promotes Peace, Multilingual, Global and indigenous Poetry. Her poems also try to make people aware about conservation and climate change. She has a great love for painting and photography. She heads two literary and performance forums in Mumbai.

Special Edition: Nivedita Roy

Nivedita Roy
The Bench 

Strongly rooted in traditions
A concrete foundation
The dais was privy to tales a many
The leaves hid many whispers
That floated in the airy
Refuge for the passersby
The tree hosted those noisy raptors
Human dwellers a furlong ahead
The panchayat with its patriarchal system
The panch on this  cemented platform
Silenced those rebellion voices
Thirsty roots craving for hydration
Craving to save the crumbling bastion
Of suffocating rituals and privileges
women folk warned their offsprings
To stay off the big tree
The eerie silence of the dusk hour
Stirred up tittle tattle of ghosts
Those invisible skeletons
The echoes of the tales of yore…

Bio: Recipient of Reul International Runner up 2023 for poetry bestowed by The Significant League, Nivedita Roy is a teacher by profession. She is the author of 4 poetry books,1book of essays and 1 short story collection. She has co-authored around 35 anthologies till now. Her poems/articles are published in many newspapers and sites in various global magazines and newspapers. She hosts literary shows on various platforms. She is a Lucknowite who resides in the Kingdom of Bahrain.

Special Edition: Radha Chakravarty

Radha Chakravarty
Arrested Gaze

river in motion,
wind-stirred trees
road on edge
tense pre-storm sky 
empty bench
awaiting perhaps
some secret tryst—

arrested moment
frozen in time
captured on camera
in black and white
for eyes that see
no shades of grey
***


Beyond the Frame

The still image stirs
the heart, compels
the gaze, moves
the viewer to wonder
where, when, what, why, and how?

But the pictured sky stays silent,
the trees toss their heads
the river pays no heed
the bench turns its back
the road ignores
our questions.

The scene draws us in
but keeps its secrets, refusing
to divulge the untold story
beyond the frame.
***


Not in the Picture

On that bench
by that road’s edge
beneath that tilted tree
beside that flowing stream
beneath that serene sky
beyond that tree-line on the opposite shore,
there I am!

Look again, closely, and you will know
that space is not empty.
Feel the presences: trees, river, sky, 
That bench too has stories to tell.
I make them up.

The fingers of my gaze
grasp and possess the scene
the breath of my desire stirs the trees,
my voice makes the river sing.

Because I am there,
the picture is real
but you cannot see me,
because I am, of course,
not in the picture
***

Bio: Radha Chakravarty is a widely published writer, critic and translator. Subliminal: Poems is
her recent collection of poetry. Her poems have appeared in numerous journals and
anthologies. She contributed to Pandemic: A Worldwide Community Poem (Muse Pie Press,
USA), nominated for the Pushcart Prize 2020.  She has published over 20 books, including
translations of major Bengali writers, anthologies of South Asian writing, and critical studies
of Tagore, Mahasweta Devi and contemporary women writers. She was Professor of
Comparative Literature & Translation Studies at Ambedkar University Delhi.

Special Edition: Santosh Bakaya

Santosh Bakaya

When the Tables Turned


The trees have seen it all. The spunk of Spring and the gall of fall. The lone bench remembers many a besotted couple, smiling, laughing, smirking, kissing, hugging,
 chomping on doughnuts, and sipping coffee from colorful mugs, admiring the ecstatically chattering folks on the ferry.
 The bench recalls a teenage couple fighting over a strawberry doughnut, the girl licking the icing with a glutton's greed. Happy folks relax and read, feeding toddlers, their faces creased in smiles.  
"You look funny covered with sprinkles." The boy sneers.
 The girl crinkles her nose and continues licking, unfazed by the boy's jeers.  
 The sky is azure and sunny, and watches with a twinkle of amusement, as the boy whacks the girl on the head, and she breaks into a peal of laughter. 
 
Wistfully, the bench recollects the boats bobbing up and down- down and up with all the excitement at their command. 
Squeals follow as the sailing boats swirl dangerously in the waters. 
Many exuberant youngsters ride bikes with a devil-may-care attitude, singing off- key songs. 
Flower sellers sheathed in smiles, sell fresh, fragrant flowers. 
The bench is suffused with a glow of pure joy.  
But then one day, the tables turn. The apple cart is upset.
The bench loses its glow, and starts looking pallid. 
Unbeknownst to the avian fraternity, intimidated by a vile, vicious virus, humanity has locked itself within the four walls of their houses, scared eyes peeping through windows, keeping tactility at bay.
 The trees rustle, beckoning the humans to come out of their houses.
 The birds chirp themselves into a crescendo. An Oyster Catcher hops around, woebegone, looking for the child with the tricycle, whose chortles of joy had always sent it into a tizzy. Its orange-red bill seems to have lost its luster. It doesn't even like to feed on shellfish now.

Where was the kid? Where was his tricycle on which it had once taken a furtive ride?  
 Scarlet tanagers, swallows, warblers and yellowthroats all held a meeting, discussing the mystery of missing humanity.

 Humanity cowered and shivered like never before, wondering at the reason for this severe punishment. Seasons changed. 
The sun glared with full fury, the sky was covered with navy blue clouds; the rain pitter- pattered. Masked humanity still moved within the four walls of their houses, now clad in woolens. Leaves turned yellow and fell. 

The virus did not go. It sniggered in malicious glee, at its hold on humanity and its triumph in viciously imprisoning them. It had successfully unleashed a dystopian world on unsuspecting humanity. It did not want to go – yet.

The bench looked around sadly, overwhelmed with an immense feeling of loneliness, missing the impassioned discussions of intense folks, under the trees and on the benches. There was a vibrant pastiche of myriad hues in the sky, the birds were still singing, but to the bench it sounded like a threnody.  
An unending dirge, and it felt lonelier.  
Where was the revellery? Where were the rambunctious kids? The sense of loneliness seemed to throttle it, and it looked on sightlessly, hoping for some sign of hope. 
There would be hope- there is always hope. 
But till then loneliness was its only friend, so it hugged it. 
There was no taboo on hugging palpable abstractions, so they continued hugging. The Bench and Loneliness.
***

Bio: Award winning poet, novelist, biographer, TEDx Speaker, acclaimed for her poetic biography of Bapu, Ballad of Bapu, Dr. Santosh Bakaya’s twenty- eight books encompass multiple genres. Reuel International Awardee [Poetry, 2014], Setu International Awardee [‘stellar contribution to world literature’, 2018 Pittsburgh, USA], Eunice D Souza Award, 2023 [WE literary Community] she runs a column, Morning Meanderings [Learning and Creativity. Com.]
Her Tedx talk [Myth of Writer’s Block] is popular in creative writing circles.
Her collaborative e- books, [Blue Pencil] Vodka by the Volga [with Dr. Ampat Koshy, 2020], From Princep Ghat to Peer Panjal [With Gopal Lahiri, 2021] have been # 1 Amazon bestsellers.

Special Edition: Fhen M

Fhen M.
One Bench Along a Long River

you may say I am lonely
but I have companions:
two trees beside the lone seat.
in this garden, yes, this is a garden
we are not alone
we have the high sky to contemplate about
talk about the origin of the universe
or why the heaven is blue
whether colors exist or are they illusions?

when I was young and a philosopher
I would sit on a wall beside the sea
and bring a book by John Locke
I am not alone, I am not lonely
I have people, imagined or imaginary,
discussing about the nature of reality.
***




Muses Turned into a Tree (Monumento a Dante a Trento by Cesare Zocchi)

Crowned with laurel leaves,
comparable to curtains blown by the wind
or a flying cape fluttering in the air
one Roman toga, two medieval textiles
past and present in a block universe. 

Three poets
who drafted about a knight desiring to kiss the lady's hand, 
who wrote about a king wanting to bed his wife,
who penned about a pilgrim 
yearning to gaze at an angel's face.

Muses turned into a tree, a tapestry, 
a bust, and watercolor fresco. 

And poets are monuments, stones
erected in a public square
to tell their stories, their voices heard
from the depths of hell, 
from the other side of the world
neither inferno nor heaven. 
***



In the Garden (Federico Faruffini’s Sordello e Cunizza)

In the garden, a knight is not a knight
sword and sheath are laid down 
among the blades of grass,
crimson petals, lavender buds. 

the garden is ornamented 
by marble columns, draped curtains, 
Grecian urns that tell tales
of a queen abducted from her king. 

in the garden, the knight is a lover
bends his knees, his head bowed down
before the lady, the holy virgin of virgins? 
clad in jeweled crown and golden necklace. 

the hand of a beautiful maiden
he holds and pulls to his lips.
***


In Watercolor (Philipp Veit's Fresco) 

In watercolor, you painted on a ceiling
red, purple, white, and cerulean. 

Clad in crimson clothing
a harlot from Jericho, her hand hangs 
a cord red as the lamb’s blood
from men hidden 
under bundles of flowering plants. 

Clothed in lilac-color garment
a noblewoman married to many men
devoted her dying days
her wealth freely given, 
from bondage, freed her slaves. 

Wore white headdress, blue robe
a pectoral cross resting on his heart
a poet of passion and played his guitar
redeemed the souls of the sinners. 

In watercolor, you painted on a ceiling
golden light shining from the empyrean.
***


Dirty Water 

consumes a box of ice cream and sweet cake
drinks a cold soda bottle in a day
chews a bag of chips in aircon chamber 
H is a hog wallowing in food and drink.

she's among plus-size souls in Third Circle
huge hailstones, dirty water, and black snow
howls like a hound in freezing storm, turning 
as if the naked side could keep her warm.
***

Bio: Fhen M. studied the academic subjects Writing in the DisciplineЁЭШЫЁЭШйЁЭШж ЁЭШУЁЭШкЁЭШ╡ЁЭШжЁЭШ│ЁЭШвЁЭШ╡ЁЭШ╢ЁЭШ│ЁЭШж ЁЭШ░ЁЭШз ЁЭШ╡ЁЭШйЁЭШж ЁЭШЧЁЭШйЁЭШкЁЭШнЁЭШкЁЭШ▒ЁЭШ▒ЁЭШкЁЭШпЁЭШжЁЭШ┤, and The Literature of the World at Eastern Visayas State University. His Waray poem “Uyasan” (“Toy” in English”) was published in a collection of literary works entitled ЁЭШЧЁЭШкЁЭШпЁЭШкЁЭШнЁЭШк: 15 ЁЭШаЁЭШжЁЭШвЁЭШ│ЁЭШ┤ ЁЭШ░ЁЭШз ЁЭШУЁЭШвЁЭШоЁЭШкЁЭШ│ЁЭШвЁЭШ╕. His English verses appeared in ЁЭШЧЁЭШ░ЁЭШжЁЭШ╡ЁЭШкЁЭШдЁЭШв anthology series published by Clarendon House, including "Lighthouse," “Seaport,” “January Constellations,” among others.  Red Penguin Books’ ЁЭШИЁЭШгЁЭШ░ЁЭШ╢ЁЭШ╡ ЁЭШЫЁЭШкЁЭШоЁЭШжЁЭШИ ЁЭШКЁЭШ░ЁЭШоЁЭШкЁЭШпЁЭШи-ЁЭШ░ЁЭШз-ЁЭШИЁЭШиЁЭШж ЁЭШЧЁЭШ░ЁЭШжЁЭШ╡ЁЭШ│ЁЭШ║ ЁЭШИЁЭШпЁЭШ╡ЁЭШйЁЭШ░ЁЭШнЁЭШ░ЁЭШиЁЭШ║ will publish his piece “Outside the Block Universe". His poem “Sea Snail” will also be included in ЁЭШНЁЭШнЁЭШ░ЁЭШ│ЁЭШв/ЁЭШНЁЭШвЁЭШ╢ЁЭШпЁЭШв ЁЭШИЁЭШпЁЭШ╡ЁЭШйЁЭШ░ЁЭШнЁЭШ░ЁЭШиЁЭШ║ by Open Shutter Press.  Fhen M. submitted verses in Waray for the 5th Lamiraw Creative Writing Workshop, including the ЁЭШ┤ЁЭШкЁЭШеЁЭШвЁЭШ║ “Duha nga mga pagtug-an” (translated in English as “Two confessions”). David Genotiva, Merlie Alunan, and Victor Sugbo were some of the distinguished panelists of this writing workshop held from the 5th to the 7th of November 2008. His Binisaya poems “To View the World,” “Those who were Left in Cancabatoc,” and other verses won the 1st Chito Ro├▒o Literary Awards.  

Special Edition: Milan Mondal

Milan Mondal
Cleansing

The Greed
Provoked him
And he wanted to be the potent Victor.

Bio-war became his weapon
To rule the world
Infection spread
And led him to extinction
But nature thrived
Caring a fig for him.
***


Repentance

The ambition of attainment
Makes him restless.
He walks
He runs
He reaches
The claustrophobia
And recalls the empty blissful seat
In the lap of nature
He neglected.
***


Sloughing

Prufrock walked a long ago
His paces are no more there.
The Hollow Men too
Came out of the body
And fused the soul
With air and water
And ultimately,
The Wasteland
Brought hope
As they embraced the nature.
***

Bio: Milan Mondal has a penchant to express his ideas in a crisping manner. He, most of the time, expresses profound philosophical and spiritual ideas with the aid of simple words. He has been published widely by national and international publishers. He may be reached at milanmondalapengnrc19@gmail.com.

Special Edition: Moments

Madhu Jaiswal

Beneath the vibrant Gulmohar tree, on the wooden bench, 
countless stories of love and loss unfold
These tales shimmer with sentiments, frozen in the sands of time
Having a journey full of twists and turns in its dwindling path
Traversing moments and memories between time-lapse 

Birds chirp, and the vibrant flowers bloom, 
The sky alternates between golden hues, gloom and vibrancy of azure 
Destined hearts meet under the canopy
A saga of upheaved, and ardent continuity

Whoever comes and sits on this lone bench in quest of some peace 
The Gulmohar sheds its flowers in the earnest quest to put them at ease
Pondering over and juggling with the circle of life in the dire need to succeed 
Fighting day in and out, joining the rat race trying to run full speed!

Passers-by often seek refuge after a tiring day
Maybe momentary, to have a loving glance
The hiatus brings a much-needed break
Feeling the mystic charm and relishing the fresh air taking deep breaths 

Here, couples have sat on the wooden bench, engraving their names with their beloveds, 
Serving as testimonials to their soulful commitments 
The wooden bench remains steadfast and unyielding in its presence,
The Gulmohar tree witnesses, blessing them with flamboyant blossoms

The loner individuals, at a ripe age and all alone, 
Sit in solitude and reminisce about what's gone. 
Emptiness sinks in as they miss their companions, 
The travellers who have gone on a journey that has no return.

The tree, the bench and the lane remained constant 
With time their significance and perception may change
For those who oscillate with time's ebb and flow.
It provides a breakthrough for the subdued moments 
***

Bio: Madhu Jaiswal is an editor, translator and bilingual poet from the City of Joy Kolkata. 
She believes that penning your thoughts is therapeutic to the soul. Her musings are often featured in various e-zines and have been published in multiple national and international anthologies.  
An empathic person by core, she tries to impart affinity and kindness to all.

Special Edition: Marjorie Pezzoli

Marjorie Pezzoli
Marjorie Pezzoli is a silk painter, visual artist, storyteller, and poet. Her writings deal with grief, hope, cosmic wonders, and stuff that catches her eye. Her poetry has been curated in numerous anthologies since 2019. Many of her works are inspired by her photographic observations taken while walking Beau, the dog with Betty Davis eyes. “The Cosmic Gumball Machine” is her weekly newsletter offering. Marjorie looks for words worth more than a thousand images. 


Bench of Contemplation

built for one
two or three
who shall sit with you?

under the shade of the tree
you are meant to see
with stillness of heart

listen to the river
feel the flow of renewal 
bathe yourself in sound

when ready
dip toes into the current 
allow yourself to be swept away

all tears meet the ocean
mingle those who have gone before
the Oneness is there

become the pearl diver
find the oyster of self
a priceless treasure 

begin the cycle 
crack open the shell
evaporate into a new soul

rain down
create the trickle
become the river once again

 

Special Edition: Snigdha Agrawal

Snigdha Agrawal
Bench Secrets

The bench sat quietly on the riverbank, half-hidden between the sprawling branches of two ancient poplar trees. It had the wrath of the wind, rain and storms. The wooden planks once closely nailed, unseen to the naked eye, had a smooth silky surface. Over the years gaps developed in them.  Raised wooden flakes often caught the edges of dupattas and sarees, leaving big tears.  That did not desist visitors who sought refuge in this peaceful spot on the riverbank, listening to the murmur of the river flowing lazily, contained within concrete embankments. Its surface changed colours as the day progressed. Glistening in the sunlight, that filtered through the branches of the trees, turning muddy brown at dusk and then resembling a black ribbon after dark.  

The crispness in the air and the thinning branches hinted at the coming of winter.  Dried brown leaves, stirred by the wind, took flight floating up in the air, swirling and landing softly on the ground and water, like confetti from a burst birthday balloon. The bench had seen it all before: the changing seasons, the migrating birds, the soft hum of insects in the summer. The bench was privy to many conversations between lovers, between children and parents, between gangly schoolboys arguing, while taking drags from half-smoked cigarettes, salvaged from ashtrays at home.  The bench remembers clearly the people who found solace and connection with it, particularly the woman who visited the most.

Just a few years back she had sat on the bench, her white saree wrapped tightly around her. Her gaze was distant, fixed on the slow-moving river but her thoughts elsewhere. She had been coming to this bench for years, ever since she had lost her husband in the Kargil war. It was her place of reflection, a spot where time seemed to pause, offering her a reprieve from the world. For her…


moments drifted like stars
eternal, yet fading still
time stood quiet here.


As a new bride, she was a frequent visitor accompanied by him, spinning dreams of a family they would have.  Two girls and a boy. Never mind if it was the other way round.  Never mind if all were girls.  Three kids are what they wanted. A complete family. And then he was summoned to the front.

For Captain Dharam Veer Kapoor, the war was not just about reclaiming lost territory but defending the sanctity of the land he loved. As the commander of his unit, he was known for his bravery and compassion, the kind of soldier who thought of his men as brothers and never backed down.

Uma, his wife, scanned the news, her heart pounding as she watched images of battlefields and burning bunkers flash across the screen. The last letter from Dharam had arrived weeks ago, written in his usual steady hand, saying he was unsure when the war would end. To have patience. To trust in God.

Of course, she trusted in God. But there was a fear she could not shake off, a fear that whispered in the silence of the night when the world outside her window was dark and still. In her heart, she knew that Dharam would do his duty, no matter the cost.  After an agonisingly long wait of six months, two men in uniform approached her home, to break the news of Captain Dharam Veer Kapoor’s bravery and his ultimate sacrifice in the line of duty. 

The world around her collapsed. The words echoed in her ears, but they felt distant, as though they were meant for someone else. Her Dharam, her husband, her love—gone. The life they had dreamed of building together on that bench, the future they had planned, everything shattered in an instant. The bench had joined her in grieving the martyred son, her husband.   

Uma’s sorrow was a quiet, enduring thing, like the mountains of Kargil. Silent, unmovable, and eternal. Sitting on the bench, she would weave tales to her son, of the fish that swam beneath its surface, the spirits of the forest that watched over the trees, and the adventures that awaited those who dared to explore its banks and of his father who never returned from the war. And stories about the strength she found in nature and the peace she always discovered here, on this old bench by the river. Both served to remind her, of their timelessness.  

Meanwhile Dharam junior grew up into a fine lad, following in the footsteps of his father.  Joining the army to serve the nation he loved. With Dharam Junior’s departure, Uma stopped going to the riverside, comforted by the thought that the bench would be here tomorrow, and the next day, and the next—waiting, as it always had, for those who needed a quiet moment by the river…

flowing silently...
carrying the sky, 
whispers to the earth 
of the past 

As the years passed, something inside her shifted. It was small, almost imperceptible, but there was a stirring, a quiet nudge in her soul.  She had come to terms with her grief.  With that realization, all her dammed emotions were set free. The river carried them downstream. The bench never saw her again and though it could not speak, it seemed to understand her decision not to visit. It would only reopen the wounds, somewhat healed over time. But there would be others sitting on the bench, pinning their hopes and dreaming of a better world, for future generations.  

as light breaks through the clouds
promising of a rising dawn
hope renews the soul

….


Bio: Snigdha Agrawal is Bengali born, raised and educated in a cosmopolitan environment, with exposure to the Eastern and Western cultures, imbibing the best of both worlds.  With more than two decades of experience working in the corporate sector, her outlook on life is balanced, as reflected in her writings. A versatile writer, she writes all genres of poetry, prose, short stories, travelogues, and hotel/restaurant reviews on TripAdvisor. Her writings are regularly featured in online journals published in India and overseas.  A published author of four books, the latest titled TRAIL MIX, is a book of short stories for all mindsets.

Special Edition: SRI N SRIVATSA

Sri N Srivatsa
Bio: Chennai-born Sri N Srivatsa is a retired banker living in Noida. Over the years, his poetry and translations mostly from Tamil to English and vice versa plus a handful to and from Hindi, have been featured on several journals and platforms.  Ten volumes of Tamil poems by ten different poets and one volume of English poems translated by him into Tamil of yet another poet have been published so far. A collection of his English translations titled "Modern Tamil Poetry: A Miniature Canvas - Volume I with a poem each of 153 poets has just been released.

The lone seat

The photograph of the lone seat in North Haven 
kindles a mixture of emotions and
poses many a question.

Who thought of putting up a seat there
almost in the middle of nowhere?
Did he or she 
or was it them both or the very many
feel the need for a bench to perch upon 
to mull over the memories of the days past and loved ones who have passed on?

Was it to be just a place to rest 
and catch up with ones breath
after a mournful wake 
or a long walk around the lake? 

It was quite a thoughtful act
to erect the seat under a tree
that would cast its shadow
and shed its leaves on those seated below. 

Someone may have sat there alone
to pen a short story 
or script a play,
a poem or a letter to a beloved faraway.

Children may have jumped on it,
the homeless may have slept on it.
I wonder if the ironsmith who designed and cast it
ever got to sit on it.