Showing posts with label 202105E. Show all posts
Showing posts with label 202105E. Show all posts

Poetry: Kavita Ezekiel Mendonca

Kavita Ezekiel Mendonca

Vaccination Date 

Love,

How long has it been

since we went on a date?

You said you couldn’t remember.

But yesterday,

walking hand in hand

in downtown Calgary

You smiled when I said it felt like a date,

Only our destination The Immunization Clinic

was different, yet felt just as romantic

as walking along Worli Seaface in Bombay

All those years ago,

Destination, Shobha Bhelpuri Restaurant.

I hope you felt the same way

somewhere deep down

In your heart.

 

You did say I looked nice

just before we left

for the vaccination date!

Later, you changed ‘nice’ to ‘lovely’.

I remember how I loved ‘lovely’

The way you said it.

We’re going again for our second shot

Together, hand in hand

On another vaccination date.

Vaccinations can come with unexpected blessings!

*‘The mind is its own place, and in itself can make a heaven of hell, a hell of heaven’.

*The quotation is from Milton’s Paradise Lost


 Pandemic Closet Cleaning 

So many voices tell you

How to survive the Pandemic

How to ride the wave

That’s drowning all of us

Sans exception.

Inner voices speaking messages of hope

Cannot be ignored.

’Clean the closet, organize the closet’

Like the chorus line, a repetitive refrain,

I feel I must respond to the call.

Time seems elastic, stretching endlessly

Like a shore line.

 

I open the closet, close it again

The pandemic is synonymous with procrastination

The desire to clean and downsize is numbed.

The chorus chants, ‘Do it now, you have so much time’.

 

But love, do you remember

The white *Salwar Kameez with the gold buttons

With the sheer diaphanous gold colored *chunni

The one that is forty-two years old?

I cannot bring myself to give that one away

No matter how good the intention to clean.

Remember, how we got off the bus, hand in hand,

as it turned the corner.

The sign SALE, caught your eye,

It was an exhibition of Indian outfits

Picking out the white and gold one

You said, ‘This will look good on you.’

 

Words like that in my memory

Fresh as the soft touch of the fabric

From all those years ago

Fusing memory, dream and desire.

*chunni is a long scarf worn by South Asian women.

 

Soup Prayer

Lord,

Daily conversation with you is great

What I really want though

Is to invite you to my home for a meal.

Sweet corn and chicken soup is on the menu,

It’s my son’s favorite

He’s away for work,

Do drop by and surprise us

No appointment needed.

The soup bowls are pretty too

And I promise you good company

As always.

 

Advance booking is also not necessary.

This is not the first time

I have sent you an invitation

Do you recall when I looked heavenward

Wishing you were at the table

In *Duke’s Cuisine in Bombay

Where they served the best

Sweet Corn and Chicken soup?

Come quickly Lord

I know you won’t disappoint me.

*Duke’s Cuisine was a Chinese Restaurant in Bombay that we loved.

 

 

Kavita Ezekiel Mendonca was born and raised in a Jewish family in Mumbai. Her first book of poems, 'Family Sunday and other poems', was published in 1989. with a second edition in 1990. Her poem, 'How to light up a poem', has been nominated for a Pushcart Prize.

Setu, May 2021


Setu

Volume 5; Issue 12; May 2021


Setu PDF Archives

Editorial

Poetry: New Voices

Conversation Literary

Aphorism

Photo Essay

Heroes of the Pandemic

Poetry in Translation

Author of the Month

Short Fiction / Flash / Micro

Serial novel: Conclusion

Setu Initiative: Setu Series of Virtual Readings

Collaborations: Visual and Text Interface

Book Review

The Telugu Tableau through Translation: Special Feature


Special Edition: Icebergs in the Mind: Memory, Dream and Desire

Guest Editor: Jaydeep Sarangi



Guest Editor’s Note: Icebergs in the Mind: Memory, Dream and Desire

Jaydeep Sarangi
We contemplate our thoughts just beyond the boundary of breaking waves on the shore. An endless symmetry stands before us. The ocean with its crash and calm takes any and all forms in front of us. Yet though it morphs its shape, its nature always remains. Questioning remains an integral part of the technique of introspection, a search within. It has much to do with the fundamental principle called. “I am this / that.” The question appears in different contexts differently and come couched in different words. The route is never linear. But the essence is the quest for self knowledge and journeying through the rhythm of the mind.
Our mind is a mysterious empire with different shades and slopes. It establishes, connects, disconnects, builds, un builds, remakes at will as per its own logic. However, powerful though the mind is, it knows not entirely its geography and stands both awestruck and challenged by its own unfathomed depths. “Where does a thought go when it's forgotten?” asks Freud. It would be a difficult question to answer but as artists, we know that no thought is ever lost and consciously or unconsciously, it enters the creative process and animates it with its potency. This special issue on 'Icebergs in the Mind' invites submissions that illuminate this complex process of creation whereby dream, desire and memory all fuse together to produce writing that illuminates the less-explored margins of our understanding.
“Icebergs in the Mind: Memory, Dream and Desire” is the broad theme for this issue of SETU. We were flooded with submissions. All submissions we read and re read. We are sorry, we couldn’t publish all submissions. Unpublished submissions are now free for submission elsewhere. They will rain all those places happily.

Nostalgia and memory constitute a significant part of constructive narrative of the mind. Nostalgia is going back through memory and recollection. Memory is the seat of consolidated subconscious desire to return to an earlier life stage. Desire is associated with a set of complex mental states. It is not definite in scope and trajectory. Surface behavior is a filtered version of raw designs and workings in the levels of the mind. Going deep into the mind is harvesting faith in the dark chamber of unknown links and delinks. At times, authors are engrossed with deep meditations on subjective truths.
Literature and mind go hand in hand. However, the focus in this issue has been to come forward with literature that mirrors the mind itself. How does the mind look at itself and the empires it embraces? How does language configure the moods and tempo of the mind? What are the points of contact and where does the terrain go entirely faraway and unmapped. Our habits often overlook an emotional space we owe. Familiar gestures lead to questions and exclamations. These are questions this issue of SETU asks and to some extent, answers. The doubts remain shredding our mind, graphic. Writers from different backgrounds and geographical locations have enriched this special issue with different placates, genres and techniques.

I thank all esteemed contributors for making this issue a home, all its own. The plate before us is full of interest, lively and exciting. My humble submission to the subcontinent monsoon God for raining heavily. Jhargram wears the spirit of fresh green! Rain wet birds are shouting, “Healing, Healing!”
 Let us embrace its spirit…. 

Jaydeep Sarangi

Setu Guest Editor, May 2021


Flash Fiction:
Featured Authors

Poems
Kavita Ezekiel Mendonca
Emilie Collyer
Basudhara Roy
Jharna Choudhury
Bashabi Fraser
Azsacra Zarathustra
Mandakini Pachauri
Jayanthi Manoj
G. Akila
Sushmindarjeet Kaur
Smita Agarwal
Stefan Bohdan
Mini Babu
Zinia Mitra
Srijani Dutta
Sanghita Sanyal
Sigma Sathish
Sarah Rauch
Tajmim Eti
L S Rathore
Bitika Paul
Gayelene Carbis
Poems
Radia Al Rashid
Robert Maddox-Harle
Nithya Mariam John
Jaydeep Sarangi

Stories
Lakshmi Kannan
Ashok Kumar Dash
Sangeeta Banerjee

Flash Narrative
Gayatri Majumdar

Articles
Akankha Basu Roy and Radhika Biswas
Neenu Kumar

Memoire
Soniya Amritlal Patel

Book Review
Rob Harle

On the pestilence, survival and art

Sunil Sharma

I' th' last night's storm I such a fellow saw,
Which made me think a man a worm. My son
Came then into my mind, and yet my mind
Was then scarce friends with him. I have heard more
since.
As flies to wanton boys are we to th' gods,
They kill us for their sport.

 

---Shakespeare: King Lear

 


Some respite in the pandemic deaths, this month, across a battered India.

And a bloody trail left behind of this sudden mayhem by an invisible virus.

The worst did not stop there. Two cyclones further battered parts of the country. Death in the air. Families destroyed---and survivors condemned living out the rest of their drab lives as some kind of sentence, harsh, beyond any appeal.

 

And, to many eyes, the silence of the gods, in a dystopia-like setting!

The nightmare is not yet over.

Other threats loom.

Borders closed.

Daily news of some misfortune.

To remain alive and sane---well, that was/is the new challenge!

 

One cannot avoid death.

Face it stoically, in the long run.

One has to embrace life in this brutal world abruptly gone absurd.

Very trying times when faith and belief get continually eroded by the ugliness and grim developments around.

Nobody is safe from the clutches of the Grim Reaper.

Everybody susceptible---and every morning, a blessing and new beginning!

 

In such local/global contexts, of crumbling public health infra and mutating strains, shocks of sudden death, bereavement and loss, one has to evolve and mount inner strategies to survive and move on in a strange universe, bleak and dark.

To find balance, meaning and hope becomes an impossible task, a bold act of courage.

 

In such a sad scenario, of a Shakespearean tragedy becoming live and real in your life and neighbourhood, Art offers a great sanctuary, a calm retreat, a pathway to recovering your inner tranquility and poise, in a storm.

 

This month at Setu is no different.

Same trusted format of general and special sections of art and its many forms. Stimulating and varied content.

Innovative.

Some cool portals to cooler realities, realms, out there!

 

Special edition on an interesting theme: Icebergs in the Mind: Memory, Dream and Desire has been guest-edited by the eminent author-academic-editor Jaydeep Sarangi. He has made a startling selection on the intertwined areas and brought some new insights via the authors selected for this laudable project.

 

Some exciting stuff---competent translation; collaboration; conversation; book-review, photo essay; prose and poetry, and an occasional column, on the unsung heroes of the pandemic---laid out for you, carefully, dear reader.

 

Thanks to you all, contributors, collaborators, readers, for enduring support to the journal with a 2-million-plus viewership and growing.

 

Enough reason to make us work hard every month to serve you better and most humbly through this digital platform.

 

Please take care and enjoy the monthly fare!

Do write in.

That helps us know you better…and experiment further.

Best,

Sunil Sharma,


Editor, Setu (English)
Mumbai Metro Area, Maharashtra (India)

Minotaur: Sunil Sharma

Minotaur (Sunil Sharma)

Afterword

“Any government that does not enjoy popular support cannot survive in today’s world. When people speak, the earth trembles and a deaf and disgraced leader has no place to hide then.”

That was the obituary of Constantine Caesar delivered by a somber Buntu, the newly-elected Harara chief, next day. Caesar was buried in a remote part of the island reserved for enemy graves and hardly visited by clan. Three years after the assassination of the usurper outsider, Buntu was running the island efficiently as the popularly-elected ruler of the tiny island. The Zulus were asked to pack up and go. The foreign engineers and doctors were no longer the hostages on the island. They were asked to leave or stay back as welcome guests of the island state, now rechristened as the Harara Island.

Most of the engineers and doctors stayed back voluntarily. They wanted to do their bit to the reconstruction of the island as a modern economy. The modernization introduced unwittingly by Caesar could not be halted any more. The last rain forest of isolation inevitably and finally was razed by bull-dozers of modernity and progress. The silver mines, coffee and other products were nationalized. Buntu, part native and part European, was instrumental in bringing more reforms. Hospitals, roads, schools and church followed quickly. Majority clung to native traditions. Minority got converted to Christianity. Harareers and English were official languages of the little nation. American presidential and justice system was followed. Solomon Islands recognized the Buntu government. U.S. A. , U.K. and Russia also recognized the popular government. In 2002, finally, Kofi Anan include the tiniest state in the family of U.N. police and small army were raise- the Hararas had finally shed their innocence and accepted the wicked ways of the outside world by raising the defense forces against perceived enemies. Mark Livingstone was declared the Father of the Nation. History textbooks got written and new leaders were anointed and old ones thrown away. Hararas, caught up in the logic of Marching History, had to emerge from their hoary isolation and join the world- to the great dismay of the American cultural anthropologists.

Jane Lorrain went back to Italy, big with Caesar’s child. She delivered a male child at Venice, her native town. Caesar, fearing his mortality, had deposited millions in seven Swiss banks. Buntu, on the advice of Americans, could freeze those accounts only after a year or so. Jane could not get enough money from those accounts. The diamonds and gold gifted by Caesar kept her floating. She bought a villa and retired from social life. The Livingstone clan lived and flourished happily in the Solomon Islands.

Constantine Caesar was dead. And buried and forgotten.

“I will be born as your son. I will rise from the dead. I will reclaim everything gain in New Land. My own people there invite me again to the throne there, as they had done with Charles II. Caesar never dies. He ran never die. He simply changes his form in every age. His spirit haunts this wretched world forever and enters a new body in every age”, Cesar’s last famous words to Jane just two days before Ides of March.

That, of course, is yet to be seen and proved correct. Only Time will tell how true is this romantic prognosis and this analogy, this selfish raiding of past for justifying a sordid present and a bloody ideology of naked ambition and hunger for untrammeled power by the Leader who got deposed from his own land and later on murdered in a foreign land by a radicalized aborigine for freedom of his tiny home land from invaders…. 


Poetry: Snehal Khandekar


1. How To Ruin Poetry In Ten Lines- Snehal

Two lines diverged onto a blank page
I took the one godforsaken
And tried to make a sexual pun, but I blew it
You want to know what else I suck at?
Alliterating, like Alan sucks at alimony
And here comes to
Ode to line
Breaks
And hey, roses are red, violets are blue, 
Forget the rhyme, I love you
***


2. The Ignorant Millennial’s Senry┼л

F*c* revolution
Lick Netflix and chips, someone
Will deliver peace
***


3. This is My Pandemic Poem

This is my pandemic poem
It has been pending since 1918
It could or could not be state-sponsored*

Its spaces are deeply in love
With either a girl
Or with the view of other windows from its window

It hopes for more than 10 hearts on Instagram
It has a screen addiction problem
A smoking problem
A problem where it wants to die
In its sleep tonight
But sleeping is also a problem

Each alphabet of this poem
Is more exhausted than it looks
Wears fancy ink to fool itself
Stress-eats to feed itself
Drinks smuggled alcohol to survive itself

But it makes efforts
To cross its t’s and dot its i’s
To get up and stretch its thighs
To rewrite itself every night
To dress up as romance on most days
Revolution on some
Haiku on the rare good ones

It has never tested positive
For anything really
It is an emo kid from the 80s
Without the drugs
But it is slowly decaying
It is also bad at ending things
And?
***


4. A eulogy

Like an almond nut
You were treasured
Inside my body
You sang my eyelids lullabies
Made them stop flapping at last

Like a pair of lover cats
We used to curl up warm
You’d extract the day 
From my mouth
And press it beneath the pillow
You’d stretch my lips
To feed my moon morsels

Oh, sweet, sweet sleep
Now that you’ve left me
I can’t even dream of you
***


5. Recipe For A Poem

Read a popular poet
Shakespeare, Frost, Rumi, Faiz
Borrow key ingredients
Only the ones you comprehend
That leaves you with
Summer, roses, woods, 
The love of revolution and revolution for love
And a faraway field beyond your intellect

Pick words from a medium sized packet of thesaurus
All your favorite colors and shapes
Mix well and add the essentials
Verbs to make things happen
And conjugations to start lines
Some prepositions to end with

Knead with some ink and blood
Added as per desired relatability
Break into uneven, 
Illogical
Lines
Bake them in the oven
For as long as your patience permits

Take them out and serve
With a generous garnishing of stardust
And tobacco
A side of healthy black coffee
Or whiskey if you swing that way
Your modern poem is ready
***


Bio: Snehal Khandekar a poet from Bombay. Her poetry has been published in Verse of Silence. She has been a regular part of spoken word events in Bombay. Her poetry follows no preference of genre or form, she is yet a very very small student of the greats. But she strives to get poetry down from the pedestal of elitism. She will forever dream of a world where happiness is not a pursuit, and art is not a privilege.


Fiction: Cobalt

James Bates

- James Bates

During the first month of lockdown, my wife Courtney and I had a family meeting in the living room with our three kids. She did the talking.
“Okay, the school is setting up for distance learning, so that’s what we’re going to do. Your father and I have organized our schedules so he will be here on Monday, Wednesday and Friday, and I’ll be here on Tuesday and Thursday. Any questions?” She looked at me, and I gave her the thumbs up sign meaning I had nothing to add. And why would I? When Courtney was on her game, like now and most all the time, the kids sat up and paid attention. If it were me doing the talking, their attention would definitely wander. I’ve been told I’m not the liveliest speaker. Boring, some have said. 
Anyway, my wife looked around the room waiting for a response. Nine-year-old Hunter, seven-year-old Audrey and five-year-old Kaylee solemnly shook their heads in the negative. Message clearly delivered and received. “Okay, then,” Courtney decreed, “tomorrow we begin.”
And we did. We finished off the school year in early June, got through the summer with a break from classes, and then started back at it again in the fall with more distance learning. Then we had a break through the holiday season before moving on to the new year with more coursework. 
In general, the distance learning went well. It turned out both Courtney and I had an aptitude for working with the kids one on one. Especially me and my daughter, seven-year-old Audrey. Then, in the beginning of this new year, we started a unit on art.
Frankly, doing anything art related was never my thing. I was always drawn more toward numbers and empirical data. That’s why I became an accountant. I can dissect a spreadsheet in the blink of an eye. File a tax return? Can do it blindfolded. But, ask me to make a clay figure, and I’m lost. You might ask as well ask me to do a back flip into a bowl of jello. It’s not going to happen.
Audrey was a natural, though. She was good with her hands and connecting her brain with whatever she wanted to create. We did clay modeling and finger painting and then moved to watercolors and finally to acrylics. I enjoyed the whole process of helping her get set up and watching her creative mind at work. And I joined in. Yeah, the guy who as a kid had a tough time with paint by numbers. And I’m a numbers guy! 
But with her I tried. With clay and finger painting and watercolors, I did it all. It was fun. But I really found myself drawn to the acrylics. I loved the vibrant colors; the reds and yellows and greens and blues. 
To wrap up the unit our final project was to paint a seascape. Our model was a painting by the famous east coast painter, Winslow Homer. It had waves crashing on a rocky shore and lots of motion and energy. It even had a lighthouse in the background and two men in a boat. It was quite the scene. 
Since Audrey and I had been doing various forms of artwork for about three months, I was feeling pretty cocky, like I could really pull off this final painting project and show my seven year old daughter that I was pretty good at this art thing. I checked the paint supply. We were running low on cobalt blue and cobalt yellow so I ordered them online and they arrived two days later. By then we’d roughed out our canvases. 
I’d purchased easels for each of us at the beginning of the unit and this was going to be the first time we’d used them. Squeezing paints onto our pallets, I turned to Audrey, “Fun, huh?” I asked. 
I should say right now that throughout the pandemic my daughter has been less enthusiastic working with me than I have been with her. I think she’d rather her friends Jenny and Sophia were around, but that was not possible. What with Covid and all we only allowed the kids to play with their friends together outside. With masks on, of course. So, she was stuck with me.
In answer to my question about fun, she tried not to roll her eyes, but I saw her. And she saw me see her and at least have the decency to turn a little red before answering, “Sure, Dad,” she managed to say with somewhat of a straight face. “Fun.” I tried to ignore her and we went to work on our respective paintings. 
We worked about an hour a day for a week. I used some cobalt blue and some cobalt yellow. I looked it up online and I guess the mineral cobalt makes the color last longer or something. Anyway, the colors with cobalt in them were really pretty. I even used some cobalt green along with various other colors. 
In the end, I had a roaring, raging seascape that I was really proud of. I showed it to Audrey and, nice kid that she is, did an admirable job of not giving me the eyeball roll. Instead, she said, “That’s nice, Dad,” in a way that it was apparent that, to her, anyway, it wasn’t all that nice. Humph. To each their own. Undeterred, I took it into the living room and showed Courtney. She tried to hide her true feelings but only lasted for maybe three seconds.
“God, Norman, that’s pretty amateurish,” She blurted out.
Well, I never. “What?” I confronted her, forgetting that I actually was one. An amateur I mean.
She could see me getting my hackles up, “But it’s okay, though,” she quickly smiled and gave me a conciliatory kiss. “Just don’t quit your day job.”
“Funny,” I said, stomping off to show Kaylee, my five-year-old. She didn’t help matters when she giggled and said, “Daddy, what’s that?”
I didn’t bother with my son.
But I not giving up. I like the colors of the paints. They even have a cobalt red. It’s awesome. I could sit and look at paint colors all day long. So what if I can’t paint very well? At least it gives me something new to do. Something new to learn. Obviously, I’ve got the time with the pandemic is still going on and all.
But back to the painting project. How’d that come out? Well, Audrey sent off photo of her seascape to her teacher who loved it. She said it was going to be displayed in a school district art exhibit along with twenty-seven other paintings when the pandemic was over. Audrey is excited and I’m very happy for her. It was fun for me to have been a small part of her learning process for art. It’s apparent she’s got a lot of talent, which I’m pretty she got it from her mom. In fact, the more I think about it, I’m positive she did.
Audrey and I have moved on to a unit on geography. We’re doing lots of reading and worksheets, stuff I’m comfortable with. Audrey’s doing really well. She just turned eight and that was exciting for her, but, she’s kind of lost interest in painting. I guess that happens when you’re a kid.
But, I haven’t. I love all those colors. I’ve set up my easel downstairs in a walk-in closet I cleaned out. Now I can paint to my heart’s content. And I do, too. But like Courtney said, you know, about my day job? Don’t worry. I’m not planning on quitting it. Ever. No matter how pretty I think the colors of the paints are. Because those paintings I keep churning out? I have to be honest, they really are pretty bad.

Fiction: Rishikesh

K S Subramaniam

K. S. Subramanian

Outside the hospital in the sprawling island city quite a few families looked either crest-fallen or shaken to the core. They were with sick or desperately ailing persons, who were clearly in the evening of their lives. The kin knew and could see that their geriatric kin had only a few evenings to see, possibly before the dark. They had seen years go by in all their tumult once, sometimes in happiness but never foresaw the uncertainty looming before them.

The reception staff was busy with the phone lines, mostly with their mobiles, but the talk was invariably shrill or pointless. Their medical specialists kept hammering on a single query that had no answer.

“Have the oxygen trucks come? Where are they right now? At the least we need two trucks for our immediate need. There are 30 patients gasping for breath, at the edge of the precipice. There are many others too in varying stages. “

The staff, who were used to tension-laden work for years, had not bargained for a day when a virus, lethal if ignored and manageable when shown alacrity, would swoop down like an invisible genie to take its harvest of deaths, primarily of those above 50 and surprisingly below it too. When it struck first the health staff like any other citizen did not know what it was until dripping well researched information produced an outline and nearly foolproof safety net from it. It took many months for them to comprehend its profile before they could recover those ailing from it. It was a grueling taxing work on shifts, stress eating away at the tissues and fatigue nagging the heart.

In that hospital the health staff took pride in pulling from the brink hundreds of ailing people who were oscillating between thin hope and certain end before the bell of recovery clanged. The staff had no time for accolades. Nor did they expect any or remembered them because the pandemic kept them on toes. Later they were vaccinated when the vaccines showed up on the horizon bringing the breeze of hope to chase away cobwebs of melancholy. They vaccinated many including those who were treated there. Yes, they didn’t bargain for another wave with mutants that could cast another spell of insufferable gloom or despondency.

It was back to square one with all the palpitated running for equipment, oxygen cylinders and the works. The hospital, generally known for its spotless hygiene, floors and ICUs, was inevitably caught in a puzzle, looking like a scrabbled chess board.

Rishikesh, young with ready humor and commitment, had become a qualified, licensed doctor five years ago. He had been a duty doctor in the hospital since then. When the pandemic struck he spent most of his time in the hospital attending to the patients at all times. His nurses asked him to take a few hours break as he too had a three year old son to look after and he obliged them by going home. He was in protective suit until he decided to leave for home hell bent on ensuring that he did not turn out to be a carrier. Protection mattered as much as a life. And he was back soon.

They all knew that scores of patients to be treated at a time meant that medical staff had to be on the job. And they made light of the situation with a mild joke or two as one of the nurses greeted him back with a cheery “these patients seem to be dearer than your wife. You can’t stay away?”

Rishikesh always was skeptical of tall claims or sweeping observations as reality was far more complex. From working among the patients he knew that some with co-morbidities were on the brink and others with a slender chance of survival. What they needed was liquid oxygen to replenish the blood flow in the lungs instantly or else would die. The hospital fortunately did have an oxygen plant that was giving the piped supply for years but that was designed to serve contingencies in the past. Now the situation was beyond the realm of contingencies.

He told his trusted nurse. “Sister! I don’t believe all this nonsense about the fact we should have anticipated or prepared well in advance. None can plan to the letter T or foresee emergencies and their associated needs. If that were so we should have had oxygen plants all over and in every hospital. Or we could even question why the need to have oxygen plants in all hospitals was never attended to? Were not we alive to it before? Or we were too mindful of the financial stakes in the business? The need is now and the essence of the hour is to have more oxygen trucks and possibly install one or more plants here urgently. “

She, Isabella, was in her thirties, having learnt composure from her profession and rationale from years of working among the ill and dying. She smiled, slightly shaking her head.

“Doctor! Agreed, In principle. It’s all easy and foolish to pass the buck as others do who are either opinionated no-gooders or lost in self importance. But have you forgotten the immense ordeal we went through two days ago when we had to manually revive a 65 year old patient with asthma and high blood sugar and failed? We had three more instances last week. All were dead. It left us mentally drained, sick. “

She went to attend another patient who was gasping for breath, trying to ease his heaving chest when Rishikesh joined her. The patient said testily in a weak tone which was almost a murmur. “Doctor! I wish I pass away without any more of this pain. “

“Sir! Please bear with us for a while. We have sent SOS and oxygen tanks will come anytime now, “ said Rishikesh. It was more in hope than any assurance. It sickened him to trot something which would be a lie if none turned up as promised.

Another young nurse, who joined the staff hardly a year back, came running. She was flustered for a while before getting her voice.

“Just now the admin got info that a tanker is five minutes away. The reception staff told me that more will be expected by evening. “

Rishikesh turned to the senior nurse and smiled. “Mine was not a far fetched hope, was it?”

The senior nurse, who had known Rishikesh for a few years and valued his sense of commitment, nodded with a smile. “At least we have kept our promise to these patients who were gasping for breath. Hopefully they will breathe easy.”

They could hear the patter of feet below when the tanker turned up at the gate.

 ………………….

It was 11 pm when Rishikesh returned to his flat three km from the hospital in his Maruti 800 which he liked as it was charmingly petite, productive and easy to handle. It was a just a six hour bonanza of rest before he would rush early morning. The hospital health staff worked on three shifts and numbered around 25 besides paramedics and drivers.

His parents had comfortably settled in Lucknow for years and the reports he got from them alternated between optimism about the virus control mechanism getting back on track with expedient steps or inevitable glitches on the way. He told his father “Dad! It is a monumental operation in a huge country on a mass scale. There are always marginal errors. Nowhere would the infra be equipped to meet a pandemic like this.”

His wife, Latha, gave a sleepy grin when he walked in. “Do you have to rush early morning? All are there on the table. For God’s sake don’t leave without having something in your stream in the morning.” She had reasons to say so. Often he would have a shower, give her a brief hug before rushing out. She knew the scare and never switched on television except when her son wanted to watch animation. A three year old kid would see fun and life only in the caricatures without understanding what it was all about.

“Don’t worry. I will help myself. Why don’t you go to sleep? I will leave all vessels in the sink before hitting the sack.” He felt the pangs in his heart that he had to wake her up at that hour but her face never lost the brightness of the day. She was a pharmacist too but at present content to run the home. There would always come a day when both could deign to spend maximum hours in medical service when their son would have found his feet.

 Latha knew from day one that he was a dream as a hubby and hated to add to her burdens. But her mind was not on what he would do or when he would hit the sack. Also it never so happened because he was attuned to his mobile for half an hour or more before catching sleep.

“Tell me, how is it all in the hospital or the city today? Anything major? You know I never watch TV.”

“Latha! It was all in a blur, so to say. First thankfully four oxygen tankers came one behind the other before 7 pm and it took a few minutes to install and connect them to the piped supply. We have no scares in that front as more are expected tomorrow. The hospital is going out of its way to ensure and secure its load of patients and send them safe and healthy home. “ He shook his head in pain when recalling a particular incident. She could fathom something was brewing and nestling in his mind.

She threw her arm around his shoulder. “Go on…what’s it?” He paused a while from eating and looked up at her. Then he spoke in clipped tone, measuring his memories.

“He was really badly off. Rohith Sawanth was his name. About 65 he had been a bank employee for three decades and a compulsive smoker. He got friendly with me over a week and not a day passed when he did not berate and bemoan his addiction to cigarettes. He also got his blood sugar from his father who had passed away in his fifties when he was in his teens. He had to take over the family, his mother and a younger sister. He thanked the stars for having got the bank job despite a tough period of remaining jobless.”

“I remember you told me his oxygen level was terribly low and he was on the edge of life. You also said he might not see the night through.”

Rishi nodded. “Yeah! So did I feel. Myself, Isabella and another nurse almost decided on manual resuscitation though we were skeptical. We brought ourselves to do it for an hour or so when he struck us as normal. He smiled at us and asked in a tone which we had to strain our ears to hear. “Please don’t tell my wife or son waiting outside about my condition right now. For God’s sake, please.” Yesterday when I came out I gave her reassurance without going further. But, Latha, he was put on oxygen later that night. When I went back today morning he was in passable condition, his intake was good and had a revived color in his face.”

“Rishi! Did you tell his wife about it? She must be feeling relieved. I can imagine though he is not out of the woods yet. “

“He will recover,” said Rishikesh. “His addiction to smoking had left his lung weak and inept but he had kicked the ghastly habit two years back. He got emotional and profusely and unabashedly thanked us all. Isabella kept cautioning him that he was not yet away from the edge. You will find it interesting to hear what he said to me. “Aapko meri umar lag jaaye….”

Latha snuggled close to his face, smiled and squeezed his shoulder. “That’s a normal blessing from him. All is well, right?”

There were some medicine strips on the table in the bedroom which Rishikesh usually took before he hit the bed.

 ………….

They were busy as usual in the wards of the double storied structure that it was with huge halls and rooms on the far end where equipment, ventilators in packs were lined up for use, apart from a compact canteen and rest room for nurses. The two floors, with beds spaced well for social distancing, had been converted into a Covid speciality. They didn’t, possibly couldn’t, take any other cases even if they were critical and used the one line rigmarole - “Only Covid care please…”

With the lion’s share of the attention and tension going with the virus they had no option. As of now the admin staff on the ground floor was getting a blizzard of calls about beds vacant or getting vacant. Yes, that was part of the commotion outside unobtrusively making its way into every health clinic near and far.

Isabella and Rishikesh moved from one bed to the other monitoring the flow of oxygen into every patient, the charts, their intake, mindset etc. (The last mattered a lot, as Rishikesh would aver especially in medical emergencies. If you whine you won’t get better. If you are calm, hopeful there was always a chance. God always helps those who help themselves. ) There were other nurses who were going about their work on the two floors on their shift routine.

“Doctor! We have been doing our rounds for the past five hours. I will have a quick grab at tea and return. “

“Please Isabella…” He moved further to talk to Rohith Sawant who greeted him with a toothy smile. Sawant’s wife was there till then and left for home to bring some food for them in the evening. Oxygen supply was going into Sawant’s lung stream and revival was perceptible.

“Sawantji…you must be feeling better now. Now is the time to put some muscle and strength into your mind as well”

He smiled and stretched out his hand to touch Rishikesh’s fingers. He spoke, putting less stress on his vocal chords. “If I were to lose hope or whine I would be doing great disservice to all of you. Yes…I do feel better and strongly hope I will be out of the hospital in a week. Doctor! I have shared some of my personal life too with you though as a community doctors have to keep away from personal attachments. I have a lone request ….the moment you feel I am better and can be discharged please do so. In this situation I have no right to occupy this bed longer than necessary.”

Rishikesh patted his wrist. “Sawantji…I appreciate this….to be frank, there is quite a clamor for beds outside that we may have to pack you off once you are safe.” Sawant grinned. Rishikesh went around the long line up of beds, spoke to each patient and checked the equipment and the chart. Isabella returned.

“Time for my turn…” he told her.

She grimaced and joked. “To get into this bed doctor? God forbid….”

 …………

It may be tiresome to hear the clich├й, the jarring addendum that life is uncertain. Better to keep away the thought like the peeled skin of a potato.

It was grueling that day with the health staff spending hours in the two wards, be it on shifts or as a doctor working for nearly 10 plus hours. Rishikesh got into his car after sipping a full bottle of Kinley but with the weather being rough and hot his throat was dry when he reached home. He took another swig to moisten his throat. He felt a dull, nagging pain in his chest, a sudden blurring of vision though it was temporary and remained in his car for five minutes. He felt better or at least could move out. He stood on the ground, felt his feet becoming either numb or painful and the right side of his body heavy, inert but managed to drag himself to the door of his flat. He was glad to find Latha instantly answer the bell.

He staggered a bit before stepping in and Latha steadied him with alarm- struck eyes saying “Rishi! What’s wrong? You look haggard. God! I will get those medicines right away. Did you take any while at work?” A flurry of questions to which he was in no position to give elaborate replies except to mumble “Latha….I did take tablets but it looks like……a stroke….”

She took him to bed where their son was sound asleep. He stretched himself with irregular heavy breathing before her fingers flew over the black phone and Isabella took the call. “Oh No…we are coming right away. Latha, please try to ease his chest a bit …..see he takes his medicines now. “

They reached there in no time - Isabella, a heart specialist colleague of Rishikesh and two other nurses spent quite sometime to revive him with Latha stuck on the chair, wide eyed and shocked. The doctor, who was of the same age as Rishikesh, was worried at the condition of his friend, who appeared still and to be slipping into the zone of no hope. They spent an hour but nothing seemed to bring the thread of life back from the abyss.

He sat back, exhausted and emotionally stricken. It was as if something unthinkable and unforgivable had happened. “No…it’s not just right….,” he mumbled. Isabella, who scoffed at the call of the circumstances to reveal the truth to the bereaved, was angry all over, untypical of her. She quietly went close to Latha, pressed her head to her chest patting her. There was an unearthly silence for a few minutes before the wail accompanied by sobs broke it in the room.

With moist eyes normally the composed phlegmatic Isabella turned to the doctor.

“How is it life is so mercilessly uncertain and cruel doctor? Especially to us? Why?” It was almost a hysterical, angry shout, face contorted with inexpressible pain. It was a shout that came up when words had nothing to contribute.

The doctor was either benumbed or felt it too trite as the grimness of the situation enveloped them. He could hear the weak crackle of a crow in the distance.

 ………END……………

 

Bio: K. S. Subramanian, India has published two volumes of poetry titled Ragpickers and Treading on Gnarled Sand through the Writers Workshop, Kolkata, India. His poem “Dreams” won the cash award in Asian Age, a daily published from New Delhi. He has been featured in museindia.com, run by Central Institute of Indian Languages, Hyderabad, His poems and short stories have also appeared in magazines, anthologies and web sites run at home and abroad. Writing is a passion though he feels he should have done much, much more than was possible. He is a retired Senior Asst. editor from The Hindu.


Book Review: Sangeeta Gupta’s ‘‘Hymn to Trees’ and ‘Rise from Your Ashes’

‘Hymn to Trees’ and ‘Rise from Your Ashes’

Author: SangeetaGupta

Prithvi Fine Art and Cultural Centure, New Delhi, 

INR-100/- (each book price)

ISBN:978-81-950284-1-2  / 

ISBN: 978-81-950284-5-0

 

Reviewed by Gopal Lahiri, Poet and Critic

_______________________________________________________________

Two Divergent States of Human Soul

Paul Valery once remarked, ‘Poetry is not music; still less is it a discourse. It is this ambiguity which gives it its delicate charm.’ The impact of poetry at the end depends largely on resonance, rhythm and the number of syllables; but it is also the result of the simple bringing together of meanings. 

Sangeeta Gupta

Sangeeta Gupta offers insights on the identity and celebration of life in her twin collections of delicate poems ‘Hymn to Trees’ and ‘Rise from Your Ashes’ exploring the transmission of vision at one end and excavating love and light at the other end with skill and purpose.

The language of poetry has more substance and colour in it than the language of prose. Here the poet offers insights into the cultural and structures that border our life. Not stanzaic, not exactly metrical, her verse looks like free speech. But it engages an altogether different world. Sangeeta calmly and consistently draws attention to the substances tending toward evanescence and escape.

Her great virtue is the simplicity and directness of her writing. For that her gracefully poised poems are permeated with simple submission, pure love and growing awareness. The poet has the sureness and ability to speak to us directly, even while his poems map themes of inner voice, meditation, ambiguity and loss.

Many believe that poetry is not a luxury. It is a vital necessity of our existence. It forms the quality of the light within which we predicate our hopes and dreams toward survival and change, first made into language, then into idea, then into more tangible action.

‘In Hymn To Trees’, Sangeeta Gupta takes the readers on a profound journey that open eyes to a new universe. Not only is it brave and beautifully written, but it also drops knowledge on the reality, on the mystery of things. It’s a beautiful work of integration that not only refuses distinctions between “high art” and traditional word play, but supplies that all-too rare human necessity: the sense that life has meaning.


a poem is not an escape

it’s a window for you

to redeem

to transform

yourself

a poem is your rescue. (Thousands of truths)


She is adept at finding moments of supposed normality which are anything but, best articulated in the following poem:


I have known

my own soul

I am not waiting

for life to happen

I am happening to life. (Seek no refuge)

 

Her poems which are built of unadorned language and sharp imagery, stand loud and clear. While the subject matter can be at times inward and philosophical, the poet tackles it with an impressive warmth. Standouts include the Life is a miracle, Accept failure, A note to myself and I crossed your path.  In the title poem, the poet proclaims,

Gopal Lahiri

‘when I lament for

my unrequited love

and heartbreak

when I am devastated

by cruel insensitivity

of human beings

they accept my raw

insane passion’ (Hymn To Trees)

 

Perhaps her poetry makes the poet vivid to herself, never shrink into sheer nothingness. In fact, her poetry never fails to tell us that we are alive and not simply existing. This engaging poem dwells on the symbolism of places where the human and natural worlds intersect: in sync with the creative voice echoing inside.

create your life

page by page

from a space of life

that will take your work

to a whole new level’ (create your life)

 

His painterly exploratory poems urge to do the correct thing and doing it with urgency and an attention that comes out as tenderness. In ‘I am earth’ poem

, the poet has conveyed the truth with an astounding openness, - ‘I am the earth/ I am the path/ I am the destination/ you the eternal traveller/ come, muster courage to walk.

In turning variations, her poems remain teasingly alive and not burdened by the dialectical weight. With its silky delicacy, and that deft voice gliding through sublime imagery, this is a quietly enriching experience for her readers to listen to her powerful poems. The following poem reflects the poet’s sharp eye for detail.

Explore the endless

wonders of life

from the inner space of

love and bliss

give what you have (Explore the Endless)

 

‘Rise from Your Ashes’ is interspersed with condensed moments and rare creativity. Throughout, he contributes mostly pensive and scintillating backings, often laced with intricately detailed musings and wobbliness of transitions. They are a joy to read. 

‘Sun flooded my being

with its light

commanded firmly

rise, rise from your ashes

be reborn

I give you new wings to fly

sing for me (Rise from your Ashes)

 

Poetry intends to recover the denser and more refractory original world which we know loosely through our perceptions and memories. Here the poet explores the minute details of life and its surrounds. His assured, refined poems are written with insight and keenness. This powerful poem is a stand out.

‘Inside outside

some souls

are not outside of you

I found you in my soul

some souls live only within. (Pain Filled Eyes)’.

 

Most of her poems delight or provoke in some way or other and are filled with sobering thoughts on soul-searching and redemption. Poetry can be at times a mist or the alarming waters of storm. Her poems apparently showcase an array of voices which culminate into a single one at the end. Her opulent language invites us into the land of love and light. In doing so they offer much needed solace, inspiration and joy for our times and into the future.

I am a thought

which touched your soul

and never left

love doesn’t seek

it liberates you. (I am a Thought)

 

Or

 

I floated words

In seven oceans with hope

They might reach you someday soon. (I Floated Words)

 

Poetry is a kind of knowledge which is radically or ontologically distinct. The poet excels in portraying an urgent account of inner voice and the surroundings in a way that feels effortless. Her poems are wonderful examples of personal and collective identities, of memories and myths.

‘Some hearts are broken

time and again

some journeys are

on uncertain terrain

some stories are unfinished forever. (Some Hearts are Broken)

 

Furthermore, with prescient passion and close attention, the poet guides its readers on the powerful road of deep engagement and awareness and her pensive and spirited words can stir in others as well. There is a dynamic unfolding of the ideas and perceptions of the poet in the following poem,

‘Your thoughts

Memories of tiny moments

Spent together

Flow in me

Like a river! (Your Thoughts)

 

A poem is a timeless place, an immaterial plot of land where we can gather across generations to breathe and feel, deeply and safely. This well-conceived book brings a beautiful voice that illustrates our life down to its essence. In the following poem, the full force of the poet’s acutely drawn of vision comes into play.

‘You are so, so far away

from my reach

so remote

so distant

and yet

you fill me

inside out

with your presence.’(You are so, so far away).

 

Intimate and searching, the poems in these collections probe the poet’s identity.

The amazing clarity and attentiveness of her poems are the hallmark of this book. Her poems are solemn and moving, with heart and engagement, balancing truths in astute musings.

Sangeeta Gupta is a poet and painter as well. She revels in connectivity with world and beyond. The poet weaves words on an imaginary canvas that pull these two collections together. It is the crispness of these books that make them so readable. Her poems will earn plaudits for its contained compassion and shining insight.

The cover page designs of this twin books are artistic and the artworks are created by the poet herself. And surely, these books are a must for every poetry lover’s bookshelf.

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Gopal Lahiri is a Kolkata- based bilingual poet, critic, editor, writer and translator with 23 books on poems and prose, published mostly (15) in English and a few (8) in Bengali, including four jointly edited books. His poems have been published across various journals and anthologies. He has attended various poetry festivals in India and abroad. He is published in 14 languages.